Pictures and Prints – 16th June 2012

Lot No Description Low Estimate High Estimate
4 An oil on board of a nude lady, indistinctly signed to lower right, housed in a gilt frame 20 30
5 Signed print after E.A.Hickling, ”The Tyne”, signed in pencil to lower right, housed in an ornate ebonised gilt frame 15 20
6 Christine Kirby oil on board entitled ”Resting in the Garden”, label on back 20 30
7 Christine Kirby oil on board entitled ”Angelus Domini, exhibited by the Royal Society of British Artists , 1998 at the Mall Galleries, label to the back 20 30
8 A pair of oil on boards of still lives of fruit, both initialled ‘GW’ to lower right, housed in ornate gilt frames 40 60
9 A limited edition lithograph of Mount Sion 40 60
18 A watercolour entitled ”Arch of Hadrian” ruins with figures in the foreground, indistinctly signed to lower left and housed in a gilt frame 30 40
19 A watercolour of a village near Lansdowne, Bath unsigned, housed in a gilt frame 15 20
20 Three oil and watercolours of Italian waterfront scenes, each inscribed ‘Piccolo Mondo, 14/11/68’, signed ‘Clarance’, framed and glazed 15 20
28 A coloured mezzotint after George Moorland entitled ”The Thatcher” 15 20
29 A coloured engraving after G Morland ”The Country Butcher”, housed in an ebonised gilt frame 15 20
30 Three contemporary abstract oils on board by Mary Sherman entitled ”The Sea”, ”Hot & Cold” and ”Rock”, all framed 30 40
41 Two coloured engravings entitled ”Feeding the Pigs” and ”Cow House”, one in a carved oak frame the other in a gilt frame 30 40
42 A 19th century engraving entitled ”Nelson’s Ship The Victory in the Battle of Trafalgar”, engraved by John Burnet 20 30
43 A 19th century oriental watercolour on rice paper of potters with baskets of ceramics 30 50
44 A watercolour of a couple cuddling by moonlight, signed to lower right, Cordy 85, housed in a gilt frame 20 30
45 An engraving entitled ”Church of the Holy Sepulchre” housed in an ebonised and gilt frame 20 30
48 A framed engraving after David Wilke entitled ”The Penny Wedding”, originally presented to William IV, housed in an ebonised gilt frame 15 20
49 A pair of hand painted botanical studies on rice paper 20 30
50 A fishmonger sign and a watercolour – unframed 20 30
51 A Victorian print entitled ”Perdita” (Mary Anderson) from Shakespeare’s ” A Winter’s Tale” 10 15
52 A Mary Sherman watercolour and ink lake scene with mountains in the background, signed lower right and housed in a gilt and painted frame 20 40
53 An oil on board of a Tudor House with tree and hedges to foreground, unsigned, housed in a white painted frame 20 30
58 A limited edition print of Cheltenham College numbered 465/650, signed to lower right and housed in a gilt frame 20 30
59 A watercolour by Nick Grant of a Scottish scene, dated 1986 15 20
60 A 20th century oil on canvas of a mountain river, signed Meyer, house in gilt frame 40 60
61 A small oil on canvas of a greyhound by Ann Evans, housed in a gilt frame 40 60
62 A Mary Sherman pastel, still life, of flower and kettle, signed to lower right and housed in a gilt and painted frame 20 40
69 A 19th century French etching of sailing boats by a pier or jetty, indistinctly signed by the artist and engraver and dated 1890, framed and glazed 30 50
70 An oil on board by Mary Sherman entitled ”Blue Jug with Flowers”, signed to lower left and housed in a part gilt frame 20 30
71 An oil on board of still life by Tom Weedon entitled ”Autumn”, signed to lower right and housed in a gilt frame 50 60
73 A print after Peter Scott entitled ”The Wide Fens – Pink Feet”, housed in an oak frame 15 25
74 Mary Sherman, oil on canvas portrait of a lady, signed to lower right and housed in a pine frame 20 30
80 An oil on canvas by John Claydon entitled ”The Elder Tree”, signed to lower left and housed in a painted frame 20 40
81 A watercolour by Harold Cook, entitled ”Garden on Wet Evening”, signed to lower left and housed in a painted white frame 20 40
89 An oil on board still life by Mary Sherman entitled ”Spring at Last”, signed to lower right and housed in a gilt and painted frame 20 30
90 An oil on board still life of fruit, flowers and wine housed in an oval gilt frame 20 30
91 An oil on board of a 19th century scene depicting a castle by a waters edge with figures and boats in the foreground, unsigned 10 15
94 A London Town Plan, hand coloured engraving by Joseph Meyer dated 1843, framed 80 120
95 A 19th century print of trap racing entitled ‘The Celebrated Tom Thumb, the Property of G Osbaldson, Esq.,’ housed in a gilt frame with eglomise mount 15 25
99 A small selection of eight equestrian prints including a bird’s eye maple framed example and hunting and coaching scenes together with a large hardback book of coaching scenes (1 box) 15 25
101 An oil on board by Elizabeth Hunt of a garden gateway, framed 10 20
102 A photographic print entitled ”Oxford Cambridge Lacrosse Cricket Team. J Rosedale July 18 1902 20 40
103 Terry Evans, b.1943, a local Sussex artist, impasto oil on canvas of poppies, signed to the lower right. His work is exhibited in many galleries countrywide 80 120
104 A large oil on canvas of a tree lined road with houses and hills in the background, indistinctly signed and dated to lower right, housed in a pine frame 15 25
105 A 20th century oil on canvas by V. Talbot of a street scene by a dockyard, dated ’77 20 30
106 An oil on canvas by William Francis Burton, 1907-1995, of a landscape with windmills in the foreground and distance, entitled ”Derelict Mills, Norfolk”, signed to the lower right and also signed and titled en verso 50 70
111 A watercolour by George Graham, 1881-1949, depicting a rural landscape, signed and dated 1946 60 80
112 A pen and watercolour of an interior scene by David Green entitled ”Confucius, Temple of Literature, Hanoi, Vietnam”, dated 1997, label to back, signed and dated 9.10.97 and housed in a pine frame 30 50
113 A still life of a fish by Haydn Cornner b.1961, signed to the lower right 40 60
114 An Edwardian oil on board of a Continental waters’ edge scene with figures and boats in the foreground, initialled ‘B’ and dated 1901, housed in a gilt frame 40 60
115 Fritz B Artheus fl. 1881-1914, a watercolour of school boys outside a school, signed and dated 1902, housed in an ornate gilt gesso frame 150 250
119 An early 20th century ornate oval gilt frame housing a bevelled glass mirror, a framed set of three early 20th century postcards of Hastings and a print of cattle and a bridge (3 items) 15 20
120 A framed coloured print by Henry Matisse entitled ”Woman and Monkeys” measuring approximately 120cm x 35cm together with other prints 10 15
121 A 19th century Flemish School oil on board of an elderly scholar reading a document, unsigned 100 150
122 A Glenn Lello watercolour and bodycolour portrait of a young man, signed and dated 9 ’54 30 40
125 A box of assorted oils, watercolours and prints to include landscapes, seascapes etc 20 40
127 A watercolour by German artist Otto Tilche fl.late 19th century/early 20th century of an Arab on a camel in the foreground, with mosque in the distance, signed 30 40
128 A 19th century watercolour of a cottage with figures in the foreground 40 60
129 An etching by Graham Culverd entitled ”Harvesting”, signed to the lower right 15 20
132 An oriental silk work picture of a mountain village scene with characters, signed and stamped to top left, housed in a gilt frame 20 40
133 A watercolour by Esme E Crockford entitled ”The Weald” near Sutton Valence, Kent, signed to lower left and date ’61 20 40
134 A print after Frank O Salisbury entitled ”Wonders of the Sea” housed in a gilt frame 20 40
135 A 19th century watercolour of a bridge 30 40
136 An oil on canvas by William Langley (fl.1880-1920) showing a coastal scene with dunes on the foreground, signed lower right and housed in a gilt frame 50 80
142 A pair of oil on canvas lake scenes with figures walking along a tree lined embankment, one indistinctly signed to lower left and both housed in gilt frames 40 60
143 An unframed late 19th century oil on canvas of a mountain scene 10 20
144 A limited edition print 40/500 entitled ”Post Haste”. Goodwood 27th July 1993, Race No 1. The Citroen Xantia Stables, Won by No 18 Comanche Companion, owned by Drofmor Racing. Indistinctly signed to lower right and housed in a part gilt frame 30 40
145 A print after Pablo Picasso entitled ”Sleeping Women”, measuring 46cm x 61cm, housed in a pine frame 20 30
147 A hand painted porcelain panel by M Woodhouse of a stag barking on a snowy hillside and two oval hand painted porcelain plaques of hunting scenes (3 items) 15 25
150 A collection of unframed prints and watercolours and a novelty calendar, including a watercolour by D H Wilkinson entitled ”Rye Mill, Sussex” and a pencil sketch by Janet E Bruce entitled Beddgelert, North Wales 10 15
151 An oil on board by F M Mellon of a canal scene with figures fishing opposite the Blue Anchor pub, signed to lower right and dated 1958, housed in an ornate gilt frame 20 40
152 An engraving entitled ”A Scene in an Historical Play” exhibited on the Chinese stage, housed in an ebonised gilt frame 15 25
153 Five Victorian and later framed prints to include ”In Doubt”, ”The New Love” etc. 30 40
163 A collection of 20th century prints including miniatures and two wall mirrors (2 boxes) 10 15
171 A collection of prints and a marquetry picture of Cranbrook windmill 10 20
185 A large collection of unframed prints to include The Thames at Greenwich, Scotney Castle, Vickers Wellington Bomber etc (1 box) 10 15
187 An oil on canvas of a village street scene unsigned, oil on board of a river with trees in the foreground signed D Burnside ’75 and other pictures (1 box) 10 15
189 A box of assorted Victorian and later bird and botanical prints, mainly housed in gilt frames 20 30
196 An assortment of pictures, prints and photographs including two pencil studies of 19th century street scenes, an oil on board of a windmill, flower studies hand painted on silk and other pictures (2 boxes) 30 40
197 An assortment of watercolours, 18th and 19th century prints, an oriental painted silk panel and an embroidered picture, all framed and glazed (1 box) 10 20
203 A watercolour and bodycolour oval portrait of a girl in a silver plated frame and two oval portraits entitled ‘Madge’ and ‘Agatha’ by Emily Bannard (3 items) 10 15
205 An oil on canvas of continental figures sat at an alter, unsigned and without a frame 30 40
207 A good collection of pen and ink and printed illustrations, all novelty scenes, possibly book plates 30 50
215 A Victorian sketch book with colour and pencil drawings, some dated 30 40
247 A watercolour of red irises by Janet McTear, signed to lower right and housed in a pine frame 20 40
252 Two gilt framed prints of country churches together with a framed print of a continental doorway 15 20
271 Two vintage maps of Durham and Newcastle, a floral woolwork, fashion prints, an unsigned watercolour of a quay side, plus other prints and engravings including a framed print advertising Lillington Pleasure Grounds and Gardens 30 40
302 A collection of pictures and prints to include a Geoffrey Hatcher signed pen and ink, a watercolour of a hunting scene and an oil on board of ladies doing the laundry together with other items 30 40
315 A box of assorted pictures and prints to include a signed etching by Arthur Spencer 10 15
324 David T Bowyer ”Five Ducks” limited edition 53/150, signed to lower right, Jay Lessells ”Squirr of Eigg” limited edition print 5/30, signed to lower right, together with two other signed prints and two courtroom prints entitled ”A respected citizen” and ”This Saintly Woman” 20 40
330 An Elsa Lorens limited edition print 45/250 of a desert building with palm trees in the foreground 10 20
409 A collection of various pictures and prints including a 19th century pen drawing entitled ‘Norman Stairway in the Close, Canterbury Cathedral’ dated July ’91 10 15
421 A large ornate gesso black and gilt picture frame 10 15
542 A collection of framed prints and watercolours to include The Cutty Sark, Southend, The Beautiful Game etc 20 30
543 A folio of 18th and 19th century engravings, prints and book plates to include ”The Convalescent from Waterloo, Napoleon, Wellington” etc 30 50
545 A small quantity of pictures and frames to include a watercolour entitled ”Palmer’s Farm”, signed Mick Forstal, an oil on board entitled ”Golden Acres” by N. Banks, dated 1873 and a shop registration form for the selling of sugar, dated 1917 etc. 10 15
546 A folio of assorted artists’ proofs and prints, to include Katherine Shepherd, Ann May, Jan Kennedy plus other artists 30 50
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