| Lot No. |
Description |
Low Estimate |
High Estimate |
| 2 |
A pair of early 20th century oil on board of lakeland scenes housed in oval frames |
20 |
30 |
| 3 |
A coloured mezzotint after George Moorland entitled ”The Thatcher” |
10 |
15 |
| 4 |
A pen and watercolour of an interior scene by David Green entitled ”Confucius, Temple of Literature, Hanoi, Vietnam”, dated 1997, label to back, signed and dated 9.10.97 housed in a oak frame |
10 |
15 |
| 7 |
A 19th century map of Egypt from Geographe du Roy, Paris |
10 |
20 |
| 8 |
A print after Peter Scott entitled ”The Wide Fens – Pink Feet”, housed in an oak frame |
10 |
15 |
| 14 |
A framed watercolour of a continental street scene entitled ”St Andre”, indistinctly signed to lower right together with a hand coloured print of an suspension bridge with mountains in the background, signed to lower right, dated ’86 (2 items) |
10 |
20 |
| 18 |
A large oil on canvas of two ships in full sail by G.Butten, signed and dated ’89 |
40 |
60 |
| 19 |
A coloured print of a French boat race after F Dufaux, housed in a gilt and wooden frame |
10 |
15 |
| 24 |
A late Victorian oil on canvas of a mountain lake scene, indistinctly signed to lower right |
20 |
30 |
| 25 |
A print after John Pettie R. A entitled ”Two Strings to her Bow” published by Cassells magazine 1904, housed in a mahogany frame |
10 |
15 |
| 28 |
Madeline Hughes (19th and 20th century) a pair of watercolours of Continental scenes with mother and child in a market place and on a balcony overlooking the sea, one signed, housed in gilt mounts with ornate gilt gesso frames |
100 |
150 |
| 34 |
A framed oil on board of a pond and trees in autumn with a church and hills in the background, unsigned |
40 |
60 |
| 35 |
A pair of coloured etchings by Claude F Rowbotham, entitled ”Carvanmel Cottage, Portreath” and ”The Homestead, near The Lizard”, both signed to lower right, framed and glazed |
30 |
40 |
| 36 |
A print after Pablo Picasso entitled ”Sleeping Women”, measuring 46cm x 61cm, housed in a pine frame |
10 |
15 |
| 38 |
An oil on canvas of sailing boats signed, G Butten, and dated ’89 |
40 |
60 |
| 39 |
An oil on canvas of still life of flowers, by Robert Cox, signed to the lower right |
10 |
15 |
| 41 |
W. Chopping, 20th century oil on board entitled ”The Ash Grounds”, signed lower right, inscription to back reads: ”To Cecilia and Oliver from Dick 1/10/43”, signed and titled en verso |
20 |
30 |
| 44 |
Enoch Fairhurst (1874-1945), etching entitled ‘The Pibroch’, depicting a Scottish bagpiper, signed |
40 |
60 |
| 45 |
A Japanese print with text inscription |
30 |
40 |
| 46 |
A Mary Sherman watercolour and ink lake scene with mountains in the background, signed lower right and housed in a gilt and painted frame |
20 |
40 |
| 47 |
An oil on canvas of children walking by a water mill, signed Talmadgeto to lower left and housed in a gilt frame |
10 |
15 |
| 48 |
Two coloured mezzotints entitled ”Blind Girl of the Environs of Rome” and ”Country Girl of Tuscany”, both framed and glazed |
15 |
20 |
| 50 |
A print after Arthur J Elesley entitled ‘A Young Briton’, framed and glazed and another sentimental Victorian print (2 items) |
15 |
20 |
| 52 |
A 20th century oil on board of an Afro Caribbean lady carrying fruit, unsigned, framed |
10 |
15 |
| 56 |
A watercolour of 19th century continental ladies in a cellar, signed T.K.Green |
20 |
40 |
| 57 |
A 19th century watercolour of a cottage with figures in the foreground, signed J Carson, dated 1887 |
10 |
15 |
| 63 |
An oil on canvas entitled en verso ”Looking Down on Loch Ard”, depicting a woodland scene with lakes and mountains in the background, housed in an ornate gilt frame |
15 |
25 |
| 64 |
A large oil on canvas of Victorian ladies and a child at the beach on a windy day, signed to the lower right, by P Rossi, housed in a gilt frame |
30 |
40 |
| 65 |
Hugh Casson (1910 – 1999) limited edition print of Cheltenham College numbered 465/650, signed to lower right and housed in a gilt frame |
20 |
30 |
| 66 |
A watercolour by Frank James ”The May – in a fresh westerly – off Harwich” |
20 |
30 |
| 71 |
A framed and glazed watercolour entitled ”A Street in Wells”, signed to lower left T.H. Whitehead together with a framed and glazed watercolour of two ladies feeding pigeons. (2 items) |
30 |
40 |
| 72 |
A painting of a bespectacled man, smoking a pipe together with another of a young woman, both glazed and housed in gilt frames. (2 items) |
20 |
30 |
| 74 |
A 19th century watercolour of a bridge with cattle in the background, signed to lower left J Carson |
10 |
15 |
| 75 |
A signed print after E.A.Hickling, ”The Tyne”, signed in pencil to lower right, housed in an ornate ebonised gilt frame |
10 |
15 |
| 78 |
Three large framed and glazed prints, one entitled ”Britannia Entering Portsmouth” by G Chambers, another entitled ”Hove to Off the Needles” by Roger Desouter and a third entitled ”William Lee”, artist unknown |
20 |
30 |
| 79 |
Louise Repsold, 20th century oil on board, ”Du Toits Kloof, The Cape, S. Africa” signed and dated ’75 lower left |
20 |
30 |
| 80 |
R.C.Naylor, 20th century, pastel on board entitled ”Upper Hanover St., Sheffield”, signed lower left, title and artist’s details en verso, originally priced 17 guineas |
20 |
30 |
| 86 |
A watercolour by Anthony Pettit of houses on a riverside road, signed and dated ’88 and a print entitled ‘The Fisherman’s Wooing’ (2 items) |
20 |
30 |
| 87 |
A watercolour by Elizabeth Fishman of a beach scene with buildings in the background, signed to the lower right and housed in a painted pine frame |
10 |
15 |
| 89 |
An etching of a man selling wares together with other pictures including six miniature picture cards by G. Tucker, signed to lower right. (1 box) |
10 |
15 |
| 91 |
A hand coloured engraving after G Morland of a family outside a cottage with a church in the background, housed in a gilt and ebonised frame |
10 |
15 |
| 94 |
Four 18th and 19th century coloured engravings |
20 |
30 |
| 95 |
An oil on board of a Tudor House with tree and hedges to foreground, unsigned, housed in a white painted frame |
20 |
30 |
| 97 |
A pair of Victorian romantic prints of ladies after E. Vermoil, housed in carved wooden frames |
10 |
15 |
| 98 |
A pair of embroidered silk pictures depicting an oriental lady and gentleman, both framed and glazed |
15 |
20 |
| 101 |
An oil on board of a still life of autumnal flowers and berries by Tom Weedon entitled ”Autumn”, signed to lower right and housed in a gilt frame |
10 |
20 |
| 102 |
Two framed and glazed prints entitled ”Crosfaise” and ”Coucon” together with a coloured engraving of two ladies entitled ”Illustrirte Frauen – Zeitung” and a small watercolour, indistinctly signed and titled, dated 1895 ( 4 items) |
15 |
25 |
| 103 |
An engraving entitled ”A Scene in an Historical Play” exhibited on the Chinese stage, housed in an ebonised gilt frame |
10 |
15 |
| 104 |
A watercolour entitled ”Arch of Hadrian ruins” with figures in the foreground, indistinctly signed to lower left and housed in a gilt frame |
10 |
15 |
| 108 |
An etching of St Malo by Rowland Langmaid (1897-1956), signed to lower right, framed and glazed together with a coloured certificate awarded to a German soldier during WWII, signed by various military leaders. (2 Items) |
20 |
40 |
| 110 |
A large unframed 20th century oil on canvas of two horses |
25 |
35 |
| 111 |
Douglas Falconer (1913 – 2004), oil on canvas, ‘Loch Tay, Perthshire, Scotland’, signed to lower right, titled and signed to verso, housed in an ornate gilt frame |
100 |
150 |
| 116 |
A Mary Sherman pastel, still life, of flower and kettle, signed to lower right and housed in a gilt and painted frame and an oil on board by Mary Sherman entitled ”Blue Jug with Flowers”, signed to lower left and housed in a part gilt frame (2 items) |
20 |
40 |
| 117 |
A pencil drawing, highlighted with white, of a gentleman together with a pencil and watercolour wash of a seated lady, both glazed and housed in gilt frames. (2 items) |
20 |
30 |
| 120 |
An oil on canvas of a sailing boat by moon light, signed to lower left J. Wilson Hepburn and housed in a wood and gilt frame |
10 |
15 |
| 123 |
Three Oriental silk work panels depicting warriors together with two photographic prints, one of Ayres Rock and the other entitled ” The Bahamas” (5 items) |
10 |
20 |
| 125 |
A watercolour by L H Shelvey entitled ‘Birdham, nr. Chichester’, signed in verso and housed in a gilt frame |
10 |
15 |
| 131 |
A coloured print after E.R.Sturgeon entitled ‘The Water Carrier’, housed in a painted wooden frame together with a framed print entitled ‘Degas’ housed in a gilt frame (2 items) |
10 |
15 |
| 137 |
A folio of 18th and 19th century engravings, prints and book plates to include ”The Convalescent from Waterloo, Napoleon, Wellington” etc |
10 |
15 |
| 140 |
Two prints of early World maps housed in pine frames |
10 |
15 |
| 149 |
A framed and glazed print from Les Illustres Francais, together with a framed print of George II and another of Queen Anne, a framed and glazed print entitled Mrs Gosworthy and another of the Duke of Bedford (5 items) |
15 |
25 |
| 151 |
A watercolour of a house amongst woods by local artist Kiaja Bulbrook, signed, framed and glazed together with other pictures (11 items) |
30 |
40 |
| 156 |
Assorted prints and pictures including a set of prints of a model of His Majesty’s Royal State Coach, built by Chas. Glasgow, Coach Builder, Paisley, 1932, signed by the model maker. (1 box) |
10 |
15 |
| 158 |
A collection of unframed watercolours, oils and prints to include floral studies, maps etc. |
10 |
15 |
| 166 |
A print after Vernon Ward, another after Breanski and other pictures and prints, framed and unframed (1 box) |
10 |
20 |
| 167 |
A collection of various pictures and prints including a 19th century pen drawing entitled ‘Norman Stairway in the Close, Canterbury Cathedral’ dated July ’91 (1 box) |
10 |
15 |
| 170 |
”Pictures of Life and Character” by John Leech from the collection of Mr. Punch, an early 20th century bound ledger, The Times Review of the Year, 1925 together with assorted railways books and a transparency of a Class 5 Mixed Traffic Locomotive designed by Sir William Stanier ( 1 box) |
10 |
15 |
| 174 |
A collection of assorted pictures and prints (1 box plus other pictures) |
10 |
20 |
| 176 |
A watercolour of a windmill together with other watercolours and pictures (1 box) |
10 |
15 |
| 232 |
Various prints including one entitled ”The Dorsetshire Regiment (30th & 54th Foot), the other entitled ”The Duke of Wellington’s West Riding Regiment (33rd & 76th Foot), both framed and glazed, together with others (6 items) |
20 |
30 |
| 240 |
A large ornate gesso black and gilt picture frame |
10 |
15 |
| 252 |
A reproduction print of Kent, other prints and a machine woven tapestry housed in gilt frame |
20 |
30 |
| 254 |
A collection of eight maps relating to the Glassenbury Estate, Goudhurst |
80 |
120 |
| 291 |
A set of three prints depicting Kentish agricultural scenes and five others (8 items) |
10 |
15 |
| 292 |
A large framed and glazed print, published in 1966, of horses outside a thatched barn with huntsmen in the background and chickens, ducks and pigs in the foreground, by J.F.Herring, Snr |
10 |
15 |
| 294 |
A Japanese woodblock print of irises, signed with chop and Japanese text (Stacey Marks label verso) |
45 |
55 |
| 303 |
A watercolour of winter fruits by E M Gaughan, signed to the lower right, housed in a black frame |
10 |
15 |
| 310 |
An early 19th century miniature portrait on ivory of two girls housed in an ornate gilt gesso frame |
40 |
60 |
| 352 |
A quantity of Victorian and later picture frames and photos and prints |
10 |
15 |
| 407 |
Five boxes of picture frames |
10 |
15 |