| Lot Number |
Description |
Low Estimate |
High Estimate |
| 3 |
A coloured mezzotint after George Moorland entitled ”The Thatcher” |
10 |
15 |
| 4 |
A lithograph entitled ‘Le Chateau de Chillon’, framed |
10 |
15 |
| 6 |
An oil on canvas of a cottage by a lake with boats and castle in the background, indistinctly signed to lower left and housed in an ornate gilt frame |
20 |
40 |
| 11 |
Three oils on board by Gartner presented to Frank J Martin on his retirement from SCM Proctor-Lewyt, June 4th 1970, all signed with attribution to Rosemary Gartner en verso, housed in wood and gilt frames |
160 |
180 |
| 14 |
A watercolour of a 19th century continental scene with ladies in a cellar, signed T.K.Green |
10 |
20 |
| 15 |
Graham Clarke ‘Windmill, Rye’ limited edition etching, numbered 40/75, signed, framed and glazed |
30 |
50 |
| 16 |
An oil on canvas by John Johnson of a rancher herding cattle, signed to lower right and housed in a gilt frame |
15 |
25 |
| 17 |
M Kendell four watercolour of local interest to include Bexhill, Patcham etc all signed to lower right and housed in a wood and gilt frame |
40 |
60 |
| 23 |
A watercolour of a cottage in the woods, indistinctly signed to lower left and housed in a gilt frame |
10 |
20 |
| 24 |
An artist’s proof of fields with horse and log to background, indistinctly signed to lower right in pencil and housed in a white painted frame |
20 |
30 |
| 27 |
Alex Packham, ”On the Broads”, artist’s proof, numbered 4/5, signed in pencil to lower right, housed in a gilt frame |
20 |
30 |
| 34 |
Hand coloured etching entitled ”Collieries”, by W.H.Pyne, published July 1823 by R. Ackermann, housed in a gilt frame |
10 |
20 |
| 35 |
A watercolour entitled ”The Garden of the King of Italy’s Palace”, signed to lower left and housed in a wooden frame |
20 |
40 |
| 36 |
Sydney E Wilson, ‘The Truants’, mezzotint, after the picture by WR Bigg RA, signed in pencil. Limited edition with guild stamp housed in gilt gesso frame. |
10 |
20 |
| 37 |
A hand coloured engraving entitled ”The Vintage in France” originally drawn by Gustav Dore, unframed |
15 |
25 |
| 38 |
A set of six prints of localised scenes to include: The Pantiles, Tunbridge Wells; East Farleigh, Kent; The Monument, London plus others. |
20 |
30 |
| 46 |
A 19th century coaching print |
10 |
20 |
| 47 |
K Bingley, 20th century English, ‘East Head’, Chichester Harbour, oil on board, signed to lower right and housed in a moulded, painted frame, 28.5cm x 49.5cm |
20 |
30 |
| 48 |
A large vintage coloured map of England and Wales together with a Kelly’s Directory map of Sussex plus one other |
20 |
30 |
| 49 |
Circle of John Brett (1831 – 1902), coastal scene, oil on canvas, signed lower right and dated 1879, 29cm x 49cm, housed in gilt frame with gesso detail |
250 |
350 |
| 50 |
Elsie Hall, still life of fruit, oil on canvas, signed lower left and dated 1905, 33cm x 51cm, housed in gilt frame with gesso detail |
40 |
60 |
| 55 |
A contemporary limited edition print numbered 4/750 of a figure dancing, indistinctly signed to lower right and dated 1988 |
15 |
25 |
| 56 |
20th Century British, cottages by a lake, oil on board, unsigned, with another painting en verso of figures in a street, 19cm x 29cm, also unsigned, housed in gilt gesso frame |
20 |
30 |
| 57 |
Alfred H. Vickers (1853 – 1905), lakeland scene with figure in the foreground, oil on canvas, indistinctly signed lower left and dated 1888, 20cm x 30cm unframed |
50 |
80 |
| 58 |
Hunting interest ”Coming in at the Death”, coloured engraving, first published in 1800 by H. Humphrey, housed in a wood and gilt frame |
20 |
30 |
| 59 |
A watercolour by L H Shelvey entitled ‘Birdham, nr. Chichester’, signed en verso and housed in a gilt frame |
10 |
15 |
| 61 |
A portrait engraving entitled ‘Kathleen Mavourneen’, housed in a gilt frame |
20 |
30 |
| 62 |
Maureen L Coley, a watercolour entitled ”Stoney Middleton, Derby”, signed to the lower right and dated 1989 |
15 |
25 |
| 63 |
A hand coloured print of the Royal Cinque Ports Golf Club, Deal from the original at the South Eastern Hotel, Deal |
15 |
25 |
| 64 |
A 19th century coloured print of Queen Victoria printed by Alf Cooke, the Queen’s printer |
20 |
30 |
| 65 |
A 19th century engraving entitled ”The Finding of the Saviour in the Temple”, housed in a stained oak frame. |
20 |
30 |
| 66 |
Late 19th century British, landscape with trees in the foreground, oil on canvas, indistinctly signed lower left, 24.5cm x 34.5cm, housed in gilt frame |
20 |
30 |
| 67 |
John Rootes, oil on canvas of cottages by a river with trees to the fore and background, signed to lower left |
25 |
35 |
| 72 |
The Hon. Duff Tollemache (1859 – 1936), seascape with sailing boat on the horizon, oil on canvas, signed lower right, 46cm x 59cm, housed in gilt frame |
100 |
150 |
| 74 |
Signe Kolding, 20th century Danish, Hastings based ceramicist, ex-member of the Rye Society of Artists, contemporary oil on board of a sleeping female |
20 |
40 |
| 75 |
A watercolour of winter fruits by E M Gaughan, signed to the lower right, housed in a black frame |
10 |
15 |
| 76 |
An oil on board, still life of flowers, unsigned and housed in a moulded gilt frame |
20 |
40 |
| 84 |
A Japanese coloured print depicting figures crossing a lake with mountains to the background and character marks to upper right |
20 |
30 |
| 85 |
A hand coloured engraving entitled ”Ramsgate” depicting fishing boats on rough harbour seas drawn by E.W.Cooke and engraved by W. Finden, housed in a gilt frame |
20 |
30 |
| 86 |
A hand coloured engraving entitled ”The Old Town, Clapham” depicting a Georgian house and shop front with church in the background, signed E.E.Briscoe 1927, housed in a stained pine frame |
15 |
25 |
| 90 |
A pair of oils on board, still life of roses, both unsigned and housed in gilt frames |
30 |
40 |
| 92 |
St Leonards on Sea interest, a pair of engravings of St Leonards seafront, one entitled ”Marina St Leonard’s Looking East”, the other entitled ” Marina St Leonards looking West”, both housed in gilt and wood frames |
30 |
50 |
| 97 |
Two Colmans Mustard advertising posters, one titled ”To Klondike”, both framed |
20 |
30 |
| 98 |
Arabian Days IV ”Antarah Bin Shadad”, ”The Hero”, Mahjoub H. Alawadh, framed colour print |
20 |
30 |
| 99 |
A reproduction photograph of Mayfield Green, East Sussex housed in a wooden gilt frame |
10 |
20 |
| 100 |
After Sir Thomas Lawrence ”Lady Blessington” limited edition print on Japanese paper 171/200 finished in colour by Harry Cormick, signed in pencil to lower right and housed in a gilt frame, label to verso |
20 |
30 |
| 101 |
A framed collection of reproduction Indian chiefs cigarette cards together with a pair of native American prints |
10 |
20 |
| 103 |
A large coloured print of a Spanish flamenco dancer with clapping on-lookers, housed in a wooden painted frame |
20 |
30 |
| 108 |
A pair of framed watercolours of cattle scenes signed by Alfred Macdonald |
100 |
150 |
| 109 |
A French engraving entitled ”Le Port de Cette en Languedoc”, ships at sea with a town and mountains to the background, housed in a painted gilt frame |
15 |
20 |
| 110 |
An oil on canvas of a mountain river scene, indistinctly signed to lower left, together with a watercolour of a continental street scene, signed to lower right |
15 |
25 |
| 115 |
An oil on board of a moonlight scene of a fisherman’s cottage, with castle ruins to the background, unsigned and housed in a gilt frame |
30 |
40 |
| 116 |
An unframed coloured print by Margaret W Tarrant entitled ”Spring in Arcady” |
10 |
20 |
| 117 |
A 1930s needlework panel of a seated geisha girl with trees and mountains to background, signed and dated G Barrett, 1938 |
15 |
20 |
| 118 |
Hastings interest, a coloured engraving ”To Charles Sackville Bale Esq”, this engraving from the original drawing in his collection, fishing boat in rough sea with castle ruins in the background, housed in a gilt and maple frame |
30 |
50 |
| 123 |
Signe Kolding, 20th century Danish, Hastings based ceramicist, ex-member of the Rye Society of Artists, ”Undertow II” limited edition engraving 13/30 signed in pencil to lower right |
20 |
40 |
| 124 |
A watercolour and pencil of marching slaves, indistinctly signed to lower left and housed in a gilt frame |
20 |
30 |
| 125 |
A framed engraving entitled ”Le Kaivre, Vue Exterieure de la Mosquee de Touloun” possibly originally a book plate |
20 |
30 |
| 126 |
A portrait of an Indian lady, framed with inscription to the back and an oil signed Chas. Ross |
10 |
20 |
| 128 |
20th century abstract, oil on board, monogram to lower left DGJ. housed in a pine frame |
30 |
40 |
| 133 |
A print after Arthur J Elesley entitled ‘A Young Briton’, framed and glazed and another sentimental Victorian print (2 items) |
10 |
15 |
| 135 |
Madeline Hughes (19th and 20th century) a pair of watercolours of Continental scenes with mother and child in a market place and on a balcony overlooking the sea, one signed, housed in gilt mounts with ornate gilt gesso frames |
20 |
30 |
| 141 |
First edition print entitled ”The Swordfish attack at Toranto” signed by Commander Charles Lamb, DSO, DSC, RN and Vice Admiral Sir Richard Janvrin, KCB, DSC, housed in a wooden frame together with a collection of prints and photographs and an oil on board |
20 |
30 |
| 227 |
A collection of prints to include Peter Scott ”Flying Ducks”, a French fashion print, coaching scene, an oak frame mirror etc |
20 |
30 |
| 259 |
An etching by Robert Walker Macbeth (1848 – 1910) of travelling musicians seated in a country churchyard, signed lower left, published 1903, 36cm x 46cm, unframed |
20 |
40 |
| 289 |
An 18th century framed silhouette of a gentleman, the back bearing inscription: ‘Thomas Fenby, born 5th Sept 1796, married 28th July 1826 to Catherine Meadows, died 6th Sept 1827 from bite of a mad dog. Brother of Sarah Fenby, born 18th Nov 1800, married 17th April 1840 to Rev’d George Brown MA, died 19th July 1849’ and a daguerreotype of a young woman (2 items) |
45 |
55 |
| 326 |
Andrew Healey Hislop (1887 – 1954), street steps with figures shopping, etching, signed lower left, 39cm x 19.5cm, unframed |
10 |
20 |
| 327 |
A collection of nine Art Nouveau prints, possibly book plates for Dantes Inferno |
40 |
50 |
| 399 |
A quantity of framed prints, framed tapestry and a watercolour and gouache |
10 |
15 |
| 412 |
A vintage iron push along white line painter |
20 |
30 |
| 435 |
A collection of ten photographs of stage acts |
20 |
30 |
| 443 |
Assorted pictures and prints and a pine framed wall mirror (7 items) |
15 |
20 |
| 447 |
A print of Warwick Castle and two oak framed prints (3 items) |
10 |
15 |
| 448 |
An Edwardian watercolour of houses beside a bridge, a watercolour of a mountain river scene plus two hand coloured fashion prints (4 items) |
10 |
20 |
| 449 |
A pair of oleographs of children in ornate frames |
20 |
30 |
| 450 |
A large print of The Colosseum, Rome |
10 |
15 |
| 469 |
A collection of pine framed prints of localised scenes |
20 |
30 |
| 473 |
A collection of pictures and prints including a modern oil on canvas of a still life of flowers together with a wall mirror |
10 |
15 |