Pictures and Prints – 26th January 2013

Lot No Description Low Est High Est
3 Dora Skinner, oil on board of oast houses beside a tree-lined pond, signed to lower left with label to verso and housed in a pine frame 15 25
4 A hand coloured engraving entitled ”Ramsgate” depicting fishing boats on rough harbour seas, drawn by E.W.Cooke and engraved by W. Finden, housed in a gilt frame 10 20
5 A framed oliograph of the Pope and his attendants, details to verso 10 20
6 A local interest engraving depicting a plan of the town and port of Hastings, published in 1824 by W G Moss, Kennington 20 30
7 A still life watercolour of orchids, unsigned and housed in a gilt frame 10 20
14 A large continental oil on canvas of a street scene, indistinctly signed to lower right and housed in a gilt frame 10 15
20 Jacki Sime ‘Sunset over the Sea’, a framed photograph signed to lower right and housed in a  gilt frame 15 25
21 W.F Woodington, two watercolours, one of a village with lake and mountains to background, the other a mountain lake scene with river and bridge to foreground, both housed in oak frames and signed to lower right. 30 40
22 A 20th century paint on glass with lead outline of a village scene, housed in a gilt frame, signed Alex to lower right 30 40
23 A 20th century oliograph of a young lady with basket by the sea, dated 1915, label to verso, housed in a gilt frame 20 30
24 Patti Wright,  ”Strand-on-the-Green”, oil on board, signed to lower left and housed in a gilt and painted frame 10 20
30 Valerie Prance, ”Late lambs”, oil on board, signed to lower left with label to verso, housed in a pine frame 10 20
31 An unsigned oil on canvas showing farm folk by a tranquil river with sheep and countryside to the background, and trees to the foreground 15 25
32 A limited edition print entitled ‘Hook Line’ initialled ‘SJS’, dated ’93 and numbered 2/50 housed in an unusual chain frame 15 20
33 An oil on board of figures walking through fields in crop, monogrammed JS to lower left and housed in a painted wooden frame 15 20
38 E.M. Anstead, watercolour of a blue tit in a hazel  tree, signed to lower right and housed in a wood and gilt frame 10 20
39 A pair of early 20th century prints entitled ‘September Eve’ and ‘A June Morning’, both from original paintings by Elwin Edwards, both housed in ebonised frames 20 30
40 A Mary Sherman oil on canvas, possibly The Giant’s Causeway, signed to lower right and unframed 210 20
41 A limited edition print entitled ‘Squatter Huts’ 101/500, signed to lower right 15 20
47 A reproduction London Transport poster ”The Hop Gardens of Kent”, originally issued in 1922 by Dorothy Dix, housed in a pine frame 15 20
48 Racing car interest, Juan Hamel Fangio, limited edition print 231/500, signed to lower right and housed in a  pine frame 20 30
49 A watercolour and pen of St Martin du Carigou, Pyrenees, indistinctly signed to lower right and dated December 1983, housed in a wood and gilt frame 10 20
50 A watercolour on board of a seated cardinal, unsigned, housed in an ornate frame 20 30
51 Patti Wright, ”Henley-on-Thames”, oil on board, signed to lower right and housed in a gilt frame 20 30
52 Alan Durman, 20th century print depicting Hastings, possibly from an original railway poster 20 30
53 A 1970s framed poster for ”The New Yorker” magazine, dated 1979 to lower right 20 40
54 Elizabeth Smith, local artist, oil on board, still life of flowers, monogrammed to lower left and labelled to verso, housed in a mahogany frame 10 20
55 M. Booth, oil on canvas, still life of tulips and forsythia, signed to lower left with label to verso, housed in a gilt and painted frame 10 20
59 B. Booth, ”Sunshine and Shadows”, oil on board, woodland scene, monogrammed to lower right with label to verso, housed in a gilt frame 10 20
60 Oil on board, ”Rye from Codborough Farm”, unsigned, label to verso, housed in a white painted frame 20 30
64 A watercolour, ”The Old George Hotel, Ruislip”, by R H Andrew Jones 40 60
65 Beryl Booth, still life of roses and fruit, oil on board, monogrammed to lower right, label to verso, housed in a painted frame 15 20
71 A print on board entitled ”Dawn Chase” depicting a ship in sail on rough seas, by Montague Dawson 10 20
78 A large continental oil on canvas of a river scene, indistinctly signed to lower right 20 30
85 W M Clement Smith, ”Old Oasts”, oil on board, signed to lower left with label to verso, housed in a pine frame 20 40
86 A watercolour of an early bi-plane flying above a river and fields, unsigned and housed in a pine frame 15 25
89 Winifred Marie L. Austen (1876-1964), ”Lapwings”, etching of lapwings over a ploughed field, monogrammed and signed in pencil to lower right and housed in a gilt frame 30 50
90 An oil study of yellow and purple irises, indistinctly signed, possibly N. Beeby, housed in a gilt frame with anti-reflective glazing 15 25
93 A pair of Oriental embroideries on silk of birds amongst flowers, framed and glazed 10 20
96 A watercolour of a cottage in the woods, indistinctly signed to lower left and housed in a gilt frame 10 20
97 Christopher B Dee, ”Britannia Rules” colour print of the Canberra returning home, signed ”Best Wishes from Christopher B Dee, ’81” to lower right and housed in a mahogany frame 10 20
101 An early 20th century  print entitled ”His First Christmas” from the original painting by Arthur J Elsley 20 30
102 Mary Sherman ‘The Pavilion, Penns-in-the-rocks’, oil on board, monogrammed to lower right and housed in a wood and gilt frame 10 20
103 F Haigh, watercolour, still life of fruit and basket, signed to lower right and housed in a black and gilt frame 20 30
104 G. Hooker, oil on board of a lake with pine trees and mountains to the background, signed to lower right and housed in a gilt frame 10 20
108 Valerie Prance ”Scottish Trout Stream”, oil on board, signed and dated to lower right with label to verso, housed in a painted frame 15 25
109 An early 20th century coloured engraving of a lake with statues and wooded area to background, possibly Versailles, indistinctly signed to lower right and numbered 42 to lower left, housed in an oak frame 10 20
110 Two framed religious prints, one depicting St John the Baptist and St Blaise, the other The Annunciation, both housed in gilt frames 15 25
111 E. Hopkins, oils on canvas, one depicting a cottage by a pond with mountains to the background, the other showing the ruins of a castle with lake and trees to the foreground and mountains to the background, both signed and unframed (a/f) (2 items) 20 30
112 Valerie Prance, ”The Oak”, oil on board, dated 1964 and signed to lower left with label to verso, housed in a painted frame 15 25
119 A continental watercolour, town river scene with bridge and figures and boat to embankment, signed Dinan and indistinctly dated to lower right, housed in a moulded gilt frame. 20 40
120 Motor bike interest ”The Slide Ruler”, limited edition print 51/500 by Jim Blanchard. Noriyuki Haga ”Backs In” the 500cc Red Bull Yamaha to the hairpin bend in the 2001 Japanese GP at Suzuki, signed and housed in mahogany frame 20 30
121 An oil on canvas of a thatched cottage and trees beside a lake, indistinctly signed to lower right and housed in a white painted frame 10 20
126 U.Hammond, oil on canvas of a beach scene with mountain to the background, signed and dated to lower right and housed in a painted frame 10 15
127 An oriental silk work picture depicting peacocks, character marks to top left, housed in a faux bamboo frame 15 25
131 A modern oil on canvas of an American sprinter 15 25
132 Darrell Lawrence, ”Solar Swirl”, a coloured print, signed to lower left and housed in a silver frame 20 40
155 A collection of prints, engravings and watercolours to include Brighton interest, limited edition prints, a signed oriental bird study, fish studies, an African watercolour plus other items (1 box) 20 40
159 A 19th century watercolour entitled ”View near Beresford Hall, Derbyshire”, signed to verso ”By Duncan, Vice President, New Society of Painters in watercolours” and dated 3 August 1851, a watercolour showing the Mouth of the Avon, with houses and trees to the background and a woman and lobster pots to the fore, initialled A.B.D and indistinctly signed to lower left, a watercolour and pastel showing trees, boats and houses beyond a river with a tree to the fore, signed A.H.Coltart to lower right plus other prints and frames (1 box) 30 40
166 A collection of assorted oils, watercolours and prints to include portraits, landscapes, still life etc (2 boxes) 30 40
170 A collection of pictures and prints to include a Victorian sampler, an oriental silk work panel, hand-coloured engraving plus other items (2 boxes) 20 30
176 An etching by Robert Walker Macbeth (1848 – 1910) of travelling musicians seated in a country churchyard, signed lower left, published 1903, 36cm x 46cm, unframed 10 15
179 A collection of watercolours, oils and prints to include shipping interest, a 19th century engraving of Hastings, a signed photograph of ”That Tree” at Exmouth Golf Course, two limited edition prints plus other items (1 box) 20 30
226 A Phisson Guillaume photographic print, Candida-Astra, Nioulargue sailing ships racing in the Louis Vuitton Tradition Trophy 20 40
238 A collection of five 19th/20th century Cotman unframed prints plus other watercolours and prints 10 20
245 A collection of seventeen large French polychrome lithographs depicting scenes from the New Testament, all unframed 15 25
254 Two oils on board, both seascapes of rough seas breaking over cliffs and shore, one with gulls and boat to background, both indistinctly signed to lower right and unframed 15 25
265 A 19th century gilt and ebonised gesso picture frame aperture, approximately 93 cms x 72.5 cms 20 30
272  A reproduction map of East Sussex 20 30
273 A mid-20th century abstract oil on canvas depicting a face, unsigned and unframed 30 50
277 Seven 19th century coloured engravings, all religious studies, to include ”The Screen in the Church of Aerscot”, ”Pulpit in St Gudule, Brussels”, ”The Tomb of De Merodes Family” etc 15 25
278 Assorted pictures and prints including an oil on canvas of a thatched cottage, maps, bird and botanical studies etc (2 boxes) 15 20
279 A modern oil on canvas of a lady taking tea 10 20
281 A large abstract oil on canvas, attributed to Bizzo, unsigned and unframed 20 40
322 A portfolio of architectural drawings from a student’s degree course c.1920 by M Crosbie-Hill, including Gateway of Almshouses at Sevenoaks and Almshouses, Sevenoaks, Kent and possibly featuring building material details of the artist’s family home, South Park, Sevenoaks, Kent. 20 30
443 Lucy Dawson ”Hoppy”, pencil and watercolour of a Welsh Corgi, signed to lower right and housed in a mahogany and gilt frame 10 20
444 An oil on canvas of a flower study showing autumn leaves and fruit by Mrs Isabella Lauder Thomson, labels en verso, glazed and housed in an ornate gilt frame 20 30
448 A collection of pictures and prints to include Louis Wain and Cecil Aldin examples, a panoramic coloured photographic print of Tunbridge Wells from Mount Ephraim, an inscribed photograph of a sailing ship plus other items (1 box) 30 40
This entry was posted in Pictures and Prints. Bookmark the permalink. Both comments and trackbacks are currently closed.