Pictures and Prints – 23rd March 2013

Lot No Description Low Est High Est
2 M. Booth, oil on canvas, still life of tulips and forsythia, signed to lower left with label to verso, housed in a gilt and painted frame 10 20
3 Patti Wright, ”Henley-on-Thames”, oil on board, signed to lower right and housed in a gilt frame 15 25
4 A print of figures in a boat in an oak frame plus two others (3 items) 10 15
5 A pair of large modernist photos in aluminium frames. 30 40
6 A limited edition humorous print, 81/850, of a Land Rover packed with rural folk on a shoot, together with their dogs, signed Bryn 10 20
7 Denis R Gray, watercolour of an end-of-terrace cottage and garden, signed and dated 1958 to lower right 1958, housed in an oak frame 20 30
13 A pair of 1950s oil on canvas of Japanese fishing boats 20 30
14 19th century English School, landscape with a man and dogs in foreground flushing game, unsigned, framed and unglazed 30 50
15 Alain Renoux (b.1944) , ‘Paris-Quai, de la Tournelle Les bouquinistes’, watercolour, signed to lower right and titled en verso, framed and glazed 25 35
20 A limited edition print, 496/500, depicting the start of the 1948 Goodwood Trophy Race, from an original painting by Michael Turner, signed by the artist to the lower right 20 30
21 G. A. Slater, ‘Near the Docks in Marseilles’, pencil on card, signed and dated ’39, framed 25 35
22 Four prints of various racing cars at international events including the Australian Grand Prix 1991, the 1950 Alpine Rally and the 1953 Le Mans 24 Hour Race 20 30
23 Emmeline Johnston ”Head of Lake Windermere”, watercolour, showing Fairfield Mountains, near the site of the old Roman camp; the middle figure that of Stephen Albert, Marshall of Skelwith Fold Park, Ambleside, dated 1895, signed to lower left, housed in a gilt frame with gallery label to verso 15 20
24 Jill de Bretton-Gordon, pastel, still life of lilies, housed in a gilt frame, label to verso 20 30
29 Two framed Walt Disney limited edition Serigraph Cel’s, one depicting Goofy from ”How to Finish”, 1942 the other Donald Duck from ”Golf Game”, 1930, both with authenticity certificates to verso 40 50
30 Three framed and glazed book plates by H M Bateman from Punch entitled ‘Oxford Unvisited’, July 3 1922, ‘Cambridge Unvisited’ and ‘The Cox who failed to notice the bump’, June 16, 1924, labels to verso (3 items) 20 30
36 A 20th century landscape pastel of fields, river and trees to background.  Indistinctly signed to lower right with label to verso and housed in an oak frame. 20 30
37 I E Davies, pair of oil on canvas, Dutch scenes, both of windmills, fields, river and village, both signed to lower left and housed in gilt frames 30 40
38 An oil on canvas of sunflowers and a watercolour of irises (2 items) 15 25
40 Valerie Prance, ”Late lambs”, oil on board, signed to lower left with label to verso, housed in a pine frame 10 20
47 Oliver Trowell, oil on canvas, a weather-boarded bungalow and garden with sunflowers, shrubs and tennis court to foreground, signed to lower left and housed in a painted and gilt frame 30 40
49 Elizabeth Smith, local artist, oil on board, still life of flowers, monogrammed to lower left and labelled to verso, housed in a mahogany frame 10 20
50 A signed photograph of Sir Jack Brabham at Les Mans Grand Prix 1967 20 30
56 H. Sparling, Rye Harbour, watercolour, signed to lower left, label to verso 40 60
57 H. Sparling, Rye High Street, watercolour, signed to lower left with label to verso 40 60
58 Rowing at sundown, oil on canvas, with a tree-lined background, monogrammed PAK to lower right and housed in a gilt frame. 30 40
59 A Japanese polychrome wood block print depicting laughing Japanese figures, with character marks to the centre, framed and glazed 25 35
66 Oliver Trowell, oil on canvas, brick-built bungalow with shrubs and trees to driveway and starlings to foreground, signed to lower left and housed in an ornate gilt frame 30 40
67 J Armstrong Neame (Exh. 1920 – 35), barges on the river Thames, etching, signed lower right and dated 1920, framed and glazed 25 35
70 A limited edition print entitled ‘Hook Line’ initialled ‘SJS’, dated ’93 and numbered 2/50 housed in an unusual chain frame 10 20
76 Tsipi Hart (20th century Israeli), oil on board of a young boy, signed to lower left and dated ’85, housed in an ornate gilt frame 30 50
78 An oil study of yellow and purple irises, indistinctly signed, possibly N. Beeby, housed in a gilt frame with anti-reflective glazing 10 20
83 Henry George Walker (Exh 1921 – 31), ‘Cottages by Cleeve Pier’, coloured etching, signed lower right, title en verso, framed and glazed 20 30
84 Charles James Fox (c.1860 – 1904), thatched cottages by country lane, watercolour, signed lower left, framed and glazed 45 55
85 A modern 20th century oil on board of a waterfall, signed W. Phillips 10 15
87 G. Hooker, oil on board of a lake with pine trees and mountains to the background, signed to lower right and housed in a gilt frame 10 20
88 W.M. Meredith, oil of fishing boats on heavy seas, 1906, signed 30 40
92 A modern oil on canvas on an 18th century officer in full uniform, unsigned, housed in an ornate gilt frame 80 120
96 Kathleen Caddick (b.1937), ”Hillside”, limited edition print 216/250, signed to lower right and housed in a gilt frame 15 25
101 An oil on board of a sailing boat, initialled EJS and dated 1905 together with a watercolour of an estuary scene, monogrammed PH to lower right, both housed in gilt frames 15 25
104 Oil on canvas, still life of yellow and pink roses, indistinctly signed to lower right and housed in an ornate gilt frame 10 20
105 A hand-coloured map of England and Wales and another of France 20 30
110 A 20th century oil on canvas of a school master in full robes, with classical buildings in the distance, housed in a gilt frame 20 30
111 A watercolour of a still life of daffodils and another of cyclamen, by Mary Forster, signed and dated 1994, both framed and glazed together with a framed sampler (3 items) 40 60
114 V. Talbot, oil on canvas, dock yard scene, signed and dated ’77 to lower right and housed in a white painted frame 15 25
115 Limited edition print 1/30 of a village street scene with pub and church to background, indistinctly signed to lower left and housed in a gilt frame 20 30
116 A framed oliograph of the Pope and his attendants, details to verso 10 20
117 Two watercolours, one of a Scottish mountain lake scene with buildings to the foreground, the other a summer hillside scene with river to the foreground, possibly Exmoor, both unsigned and housed in gilt frames 10 20
123 An Oriental watercolour on paper, lake scene of swallow in flight, with boats to background, signed with character marks to lower left and housed in a gilt frame 20 30
124 A.N.Sheppard ”September by the River Kerry”, oil on board, signed to lower right with labels to verso, housed in a gilt frame 45 cm x 60 cm 10 20
125 Darrell Lawrence, ”Solar Swirl”, a coloured print, signed to lower left and housed in a silver frame 10 20
126 A late Victorian coloured engraving of a horse and jockey entitled ‘Robert the Devil’, Winner of the Grand Prize, Paris 1880 15 20
127 An early 20th century oil on board of a coastal scene with sailing ships and cliffs to the background.  Monogrammed A L to lower left and housed in an ornate gilt frame. 20 30
128 Two hand painted Oriental bird studies on silk with character marks to lower left and right and both housed in white painted frames. 20 30
133 Francis Edward James (1849-1920),  ‘Fuschias’,  watercolour, signed to lower left, label to verso and housed in a gilt frame . 40 60
134 A photographic print of 1930s construction workers over New York 10 20
135 N. Burney, watercolour, Scottish mountain scene with lake and pine trees to the foreground, signed to lower right and housed in a limed oak frame 10 20
136 B. Booth, ”Sunshine and Shadows”, oil on board, woodland scene, monogrammed to lower right with label to verso, housed in a gilt frame 10 20
140 Wallace R Hester (19th/20th century British) pair of engravings of Uppingham, both signed in pencil to lower left and housed in ebonised gilt frames 20 30
141 W.C.Lee, watercolour, Oriental village scene with pagoda to centre, signed to lower left and housed in a wood and gilt frame 10 20
142 A pair of 1880s Dickins canvases with lithoprint images. 20 30
148 A large Continental oil on canvas of a street scene, indistinctly signed to lower right and housed in a gilt frame 10 15
149 Dora Skinner, oil on board of oast houses beside a tree-lined pond, signed to lower left with label to verso and housed in a pine frame 10 20
150 A limited edition print entitled ‘Squatter Huts’ 101/500, signed to lower right 10 20
151 A Phisson Guillaume photographic print, Candida-Astra, Nioulargue sailing ships racing in the Louis Vuitton Tradition Trophy 10 20
152 A 1960s oil of fishing boats, indistinctly signed and housed in an ornate gilt and cream frame 20 30
158 Nine framed and glazed posters 20 30
160 Assorted framed prints, engravings and photographs of both British and Continental scenes including Cottesloe Beach, Western Australia, Sandgate Castle, Kent and Strawberry Hill, Twickenham plus wool-work pictures (2 boxes) 10 20
193 An assortment of prints including a set of four pine-framed reproduction advertising posters 10 20
198 A box of assorted pictures and prints to include Julie Douglas limited edition print 409/500 of Geese, a coloured engraving of Winchelsea Church, a Peter Scott ‘Flash by Two Tree’ print plus other items 15 25
199 A collection of oils on canvas, prints and watercolours including a 19th century French engraving 15 20
203 A portfolio of architectural drawings from a student’s degree course c. 1920 by M Crosbie-Hill including The Stable Court, Knole, Sevenoaks 20 30
251 A watercolour of a fishing boat by John  Owen, signed and dated ’93 together with other prints 15 25
252 Assorted pictures and engravings including landscapes and still life examples together with a large engraving from the original paining by Ernest Walbourne entitled ‘For He Gave His Son’ (9 items) 20 30
270 A 20th century print of a female vampire housed in an ornate gilt frame 40 60
271 A pair of 1970s oil on boards of still life with flowers 20 30
272 An oil on canvas of two men sculling, signed P A Kent to lower right, housed in a gilt frame. 30 40
288 A collection of bronzed plaques 10 20
307 A collection of assorted prints including 19th century engravings of Chinese scenes 10 20
310 A collection of eight prints of local bridges along the River Medway together with a gilt frame mirror and an oil on board still life of a pewter tankard and fruit 30 40
312 A still life watercolour of orchids, unsigned and housed in a gilt frame 10 20
315 A collection of assorted prints and watercolours including a Victorian watercolour dated 1857. 30 50
316 A framed watercolour of fields and hills with buildings to the centre, signed Bailey to lower right 10 20
323 A set of five lithographs showing town scenes, possibly Wakefield 15 25
344 Joan Cavalier, oil on canvas, lake scene 10 15
350 Three albums of ”The Nations Pictures” containing a collection of colour prints, together with a collection of loose prints 10 20
352 A 20th century coloured print, still life of flowers in a pewter tankard, originally by Winifred Walker 10 20
353 Eileen McKeown watercolour still life of champagne and fruit signed and dated to lower left 2005 and housed in a gilt frame together with 6 other pictures and prints. 20 30
356 A large Oriental silk-work panel depicting birds and trees in blossom, housed in a gilt frame 30 40
357 A 1970s large fabric picture of Russian Cossacks 10 15
361 Beryl Booth, still life of roses and fruit, oil on board, monogrammed to lower right, label to verso, housed in a painted frame 15 20
362 A pair of decorative printed aesthetic style wall panels 15 25
431 A 1909 ordnance survey map of the Witherenden area in East Sussex, near Stonegate. 20 30
432 A small Indian hand painted watercolour of figures, framed and glazed 20 30
526 Two boxes of assorted pictures and prints including maps, floral studies and landscapes 10 20
530 A collection of unframed watercolours 10 20
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