Pictures and Prints – 20th April 2013

Lot No Description Low Est High Est
4 M. Booth, oil on canvas, still life of tulips and forsythia, signed to lower left with label to verso, housed in a gilt and painted frame 10 20
5 Patti Wright, ”Henley-on-Thames”, oil on board, signed to lower right and housed in a gilt frame 15 25
6 A pair of large modernist photos in aluminium frames. 15 25
7 Francis Edward James (1849-1920),  ‘Fuschias’,  watercolour, signed to lower left, label to verso and housed in a gilt frame 30 50
8 A 20th century pastel landscape of fields, river and trees to background. Indistinctly signed to lower right with label to verso, housed in an oak frame. 15 25
14 Two watercolours, one of a Scottish mountain lake scene with buildings to the foreground, the other a summer hillside scene with river to the foreground, possibly Exmoor, both unsigned and housed in gilt frames 10 20
15 Two framed 19th century samplers, one by Elizabeth Ranson, Ipswich, June 12th 1835, the other by E.A.Wright, June 14th, 1839 (2 items) 40 60
16 A 20th century watercolour, Scottish loch scene with mountains to the background and figures to the shore, unsigned and housed in a gilt frame 20 30
17 Henry George Walker (Exh 1921 – 31), ‘Cottages by Cleeve Pier’, coloured etching, signed lower right, title en verso, framed and glazed 10 20
21 G. A. Slater, ‘Near the Docks in Marseilles’, pencil on card, signed and dated ’39, framed 15 25
22 A 20th century print of a watercolour entitled ‘St. Paul’s Bay, Malta’, unsigned, framed and glazed 20 30
23 An early 20th century engraving of a portrait of a bespectacled gentleman, signed F. Huth to lower right, indistinctly signed to lower left and housed in an ebonised and gilt frame 20 30
24 A 19th century colour engraving from the ‘Cries of London series entitled ‘Strawberries, Scarlet Strawberries’, from a painting by F Wheatley, R.A., engraved by Vendramm, housed in an ornate ebonised frame 10 20
25 A late 19th century engraving, ‘The Liverpool Grand National Steeple Chase’, originally painted by J Sturgess and engraved by E.G.Hester, housed in a white painted frame 30 50
26 H. Sparling, Rye High Street, watercolour, signed to lower left with label to verso 20 40
27 H. Sparling, Rye Harbour, watercolour, signed to lower left, label to verso 20 40
35 G. Hooker, oil on board of a lake with pine trees and mountains to the background, signed to lower right and housed in a gilt frame 10 20
36 A pastel of a King Charles Spaniel watching a bumble bee, signed to lower right, possibly by Cecil Elgar, housed in a gilt and painted frame 30 50
37 An oil on canvas of sunflowers and a watercolour of irises (2 items) 15 25
38 J Armstrong Neame (Exh. 1920 – 35), barges on the river Thames, etching, signed lower right and dated 1920, framed and glazed 15 20
39 An early 20th century novelty coloured print of laughing dogs, signed in pencil to lower right and housed in an oak frame 15 25
40 Oliver Trowell, oil on canvas, brick-built bungalow with shrubs and trees to driveway and starlings to foreground, signed to lower left and housed in an ornate gilt frame 20 30
49 A needlework panel of a courting couple on a bridge with swans, housed in an ornate gilt frame 20 30
50 Golfing interest, a Punch magazine plate entitled ‘P’raps you’d better go on ahead’, dated October 31 1928 10 20
51 W.A. Porter, oil on board of oak trees, signed to lower right and housed in a gilt frame 15 20
53 A 20th century oil on canvas, still life of yellow and pink roses, indistinctly signed to lower right and housed in an ornate gilt frame 10 20
54 Oliver Trowell, watercolour, farm buildings by the downs, signed to lower left and housed in a gilt frame 30 40
55 A limited edition print numbered 19/90, contemporary landscape, indistinctly signed to lower right and dated 06, housed in a  gilt frame 15 20
56 Two 19th century framed samplers, one by ‘Ann Emerson, her work in the year 1853’, the other indistinctly signed 30 50
57 Oliver Trowell, oil on canvas, a weather-boarded bungalow and garden with sunflowers, shrubs and tennis court to foreground, signed to lower left and housed in a painted and gilt frame 20 30
63 A colour print of Lord’s cricket ground, indistinctly signed to lower right and housed in a gilt and mahogany frame 10 20
64 A late 19th century oil on canvas, possibly Scottish hillside with bridge and river flowing to the sea, unsigned and housed in a gilt frame 15 25
65 Two dry point etchings each signed in pencil, entitled ‘Venice’ and ‘Evening Flow’ (2 items) 15 25
68 J. Well, oil on canvas, depicting cattle grazing at the water’s edge 30 50
69 Christine Bernhardt-Kirby (1914-2008), oil on board ‘Creature Comforts’, under the guidance of Jonas Plosky (1940-2011) 50 70
71 A folio of assorted watercolours dating from the mid-20th century, most signed K. Wills, on varying subjects (1 box) 20 40
73 Two early 20th century etchings of farmhouses, indistinctly signed in pencil to mount and two watercolours of Valle Crucis Abbey, Llangollen (4 items) 20 30
74 A print of a Lancaster aeroplane crossing the east coast together with two car prints (3 items) 30 40
79 A still life watercolour of orchids, unsigned and housed in a gilt frame 10 20
82 Karl Schmidbauer (1921-1998), oil on canvas of mountainous view entitled ‘The Secluded Cabin’, signed, unframed and bearing a label to the reverse 30 50
85 A 19th century Continental oil on board of a seated gentleman and a child, together with six French hand-coloured prints of various traders 30 50
93 A 20th century oil painting of a Singapore street scene, housed in a gilt frame 20 30
94 W.P.Burtt, signed watercolour of a garden 15 20
95 E. Wilkins, watercolour, seascape of sailing boats, signed to lower left and housed in a beech frame 20 30
98 Rev. S. Shaw, ‘View of Elford from the south-east’, watercolour, signed and dated 1797 to lower left, housed in a wooden frame 80 100
99 Felix Kelly, ‘Old Cater Ryder Building at 1 King William’s Street, London EC4’, limited edition print of 125 commissioned from the original in 1971, signed in pen to lower right and housed in a wood and gilt frame 120 150
102 Rowing at sundown, oil on canvas, with a tree-lined background, monogrammed PAK to lower right and housed in a gilt frame. 15 25
103 A 19th century hand-coloured engraving of a pair of bulls, indistinctly signed to lower left and housed in a wooden frame 10 20
105 Heinrich Windelschmidt, watercolour of Madonna and child, signed, mounted and framed 30 50
106 A 19th century engraving of a Continental street scene by A.E.Hubert, dated 1876, housed in an ebonized and gilt frame 10 20
107 A 20th century red and black print of a young shepherd and sheep, signed Wandby in the plate 20 30
108 An etching of a Persian cat, signed D. Sandhem, 17/25 30 40
109 A Japanese print depicting peasant figures with horse and bull, with chop stamp and Japanese text 25 35
113 A 19th century hand-coloured engraving inscribed ‘Dutch Sam’, fought over 100 battles, last battle in 1814′ 30 40
114 Eileen Constance Greenwood (1915-2008), signed limited edition etching ‘The Antiques Shop’, numbered 35/150 25 35
115 Max Bill, poster advertising exhibition at the Marlborough Fine Art Gallery, London 1974 30 50
116 A colour engraving, ‘Bendigo’, W. Thompson Champion of England’, originally engraved by Chas. Hunt 30 40
117 Emma Leschallas, pair of watercolours, one entitled ‘Fat Pig’, both signed and dated to lower left and right, 1992, housed in gilt frames 20 40
118 A 19th century hand-coloured engraving inscribed ‘Deaf Burke’, early 18th century pugilist born December 1809, housed in a maple frame 30 40
122 20th century acrylic/watercolour, study of figures moving pictures in an art gallery, signed ‘Boyd’, framed 80 100
123 A limited edition print entitled ‘Squatter Huts’ 101/500, signed to lower right 10 20
124 Darrell Lawrence, ”Solar Swirl”, a coloured print, signed to lower left and housed in a silver frame 10 20
125 A late Victorian coloured engraving of a horse and jockey entitled ‘Robert the Devil, Winner of the Grand Prize, Paris 1880’ 15 20
126 Lee Young (1914 – 1988), oil on canvas of a sea Captain with pipe, signed to lower left and housed in an ornate gilt frame 40 50
127 W. T. Bracewell, (Act. c.1820-1850), watercolour of a seated young lady with flowers, signed to lower left and dated 1847, housed in a gilt frame 30 40
131 Beryl Booth, still life of roses and fruit, oil on board, monogrammed to lower right, label to verso, housed in a painted frame 10 15
132 Lorna Vahey, ‘I Won’t Dance, Don’t Ask Me’, oil on board view of a figure on a bench, signed, dated and housed in an ornate painted frame, label to the reverse 30 50
137 V. Talbot, oil on canvas, dock yard scene, signed and dated ’77 to lower right and housed in a white painted frame 10 20
138 A print of a reclining nude inscribed to margin Sir William Russell Flint 10 15
139 R. King, oil on canvas, rural scene depicting a thatched cottage, a village church and a river 50 60
140 Indian watercolour, bride and husband on camel with following attendants 50 60
147 Various watercolours including a Victorian example showing a cluster of houses beside a lake with mountains to the background, signed and dated 1857, another of Bakehouse Close, Edinburgh, signed plus one other (3 items) 15 20
148 W.C.Lee, watercolour, Oriental village scene with pagoda to centre, signed to lower left and housed in a wood and gilt frame 10 20
149 Wallace R Hester (19th/20th century British) pair of engravings of Uppingham, both signed in pencil to lower left and housed in ebonised gilt frames 10 20
153 A pair of 1880s Dickins canvases with lithoprint images. 15 25
154 A Phisson Guillaume photographic print, Candida-Astra, Nioulargue sailing ships racing in the Louis Vuitton Tradition Trophy 10 20
155 Elizabeth Smith, local artist, oil on board, still life of flowers, monogrammed to lower left and labelled to verso, housed in a mahogany frame 10 20
156 A 20th century Polish school, oil on board, nude study 60 70
158 Babette Cole, ‘Hair in Funny Places’, signed book poster with inscription to lower left together with an unsigned Babette Cole poster (2 items) 20 40
159 Two Victorian sentimental prints of babies 10 15
191 A watercolour of a fishing boat by John Owen, signed and dated ’93 together with other prints 15 25
192 Assorted oils,watercolours, prints, maps etc to include two Ronald Searle character prints (1 box) 20 40
196 A reproduction 17th/18th century recruitment poster for the Frigate ‘The Flying Pallas’, as Captained by Lord Cochrane 10 20
200 A box of assorted pictures and prints to include Julie Douglas limited edition print 409/500 of Geese, a coloured engraving of Winchelsea Church, a Peter Scott ‘Flash by Two Tree’ print plus other items 15 25
201 A collection of assorted prints, watercolours, picture frames and photographic prints 10 20
210 Two unframed watercolours, one entitled ‘Old Oak by River Brent, near Ealing’ signed R.J.G Reed, dated 1890, label to verso, the other entitled ‘River Brent, Perivale, Middlesex’ dated 1890, by the same artist 30 40
265 A print of figures in a boat in an oak frame plus two others (3 items) 10 15
286 A pair of 1970s oil on boards of still life with flowers 10 15
287 An oil on canvas of two men sculling, signed P A Kent to lower right, housed in a gilt frame. 15 25
291 A late 19th century hand-written expenses ledger for Sir Ralph de Beston and Sir Simon de Baldriston, glazed and housed in a gilt frame 30 50
292 A collection of various artists’ proofs of country pubs, possibly for a travel brochure, together with a print of St. Paul’s Cathedral, London 20 40
293 A collection of unframed watercolours 20 30
299 J.B.Parslew, watercolour of leaves together with an oil on board of a water scene, A. Morley limited edition print 46/200, a Charles Rennie MacKintosh print and a watercolour of tulips and butterflies (5 items) 30 40
319 Four mid-20th century prints of British birds, housed in oak frames 10 20
331 A set of five lithographs showing town scenes, possibly Wakefield 10 20
332 Four assorted prints including one depicting a mounted huntsman with hounds, a Vanity Fair print by Vincent Brooks, Day & Son Ltd entitled ‘A King’s Jockey’, a Victorian cricket match plus one photographic print of a house, all framed and glazed (4 items) 10 15
341 A box of assorted oils, prints and engravings on various subjects 20 30
351 Eileen McKeown watercolour still life of champagne and fruit signed and dated to lower left 2005 and housed in a gilt frame together with 6 other pictures and prints. 15 25
355 A 1970s large fabric picture of Russian Cossacks 10 15
365 Two photographs of brown bears fishing at Brooks Falls, a signed print of Brighton and three other prints (6 items). 10 15
535 Stanley Davis, pencil sketch of a young lady, signed to lower left and dated 1915, with inscription to verso, unframed 20 30
536 An engraving of the Duchess of Devonshire an Lady Georgina Cavendish together with a watercolour of a country lane, unsigned, a print after Rembrandt and two other prints (5 items, 1 box) 20 30
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