Pictures and Prints

Lot Number Description Low Estimate High Estimate
4 A late 19th century engraving entitled ”Peter Pan” in Kensington Gardens, indistinctly signed to lower right margin and housed in an ebonised frame  20 30
6 Robert Morden, c.1650-1703, map of Hampshire, hand-coloured engraving 36cm x 41.5cm – Property of the estate of a Doctor, New Romney, Kent 40 60
7 Bill Holkham, pair of watercolours of silhouetted village scenes, both signed and housed in gilt frames  25 45
12 20th century British, still life of flowers in a vase, oil on canvas, indistinctly signed to lower right, 48.5cm x 38.5cm, housed in ornate gilt frame 20 30
13 Max Brandrett, limited edition print, 62/250 entitled ”Masterminded” signed to lower left and housed in a black painted frame  20 40
14 An early 20th century engraving of a portrait of a bespectacled gentleman, signed F. Huth to lower right, indistinctly signed to lower left and housed in an ebonised and gilt frame  10 15
15 A 19th century colour engraving from the ‘Cries of London series entitled ‘Strawberries, Scarlet Strawberries’, from a painting by F Wheatley, R.A., engraved by Vendramm, housed in an ornate ebonised frame 10 20
16 Max Brandrett, limited edition print, 50/500, entitled ”Three of a Kind”, housed in a black painted frame  20 40
17 Scott Brown (20th Century), ‘Sicily’, pastel, signed lower right and dated 1987, label to verso, 35cm x 54cm 15 20
21 A 19th century Continental oil on board of a seated gentleman and a child, together with six French hand-coloured prints of various traders 10 20
24 A late 19th century map depicting the Canadian Pacific Railway and it’s proposed connections, showing the Imperial Route to Australasia and the east, with a copper plate stamped ” The Ryeland” Patent No 16494 and inscribed to verso  20 40
25 A late 19th century hand-written expenses ledger for Sir Ralph de Beston and Sir Simon de Baldriston, glazed and housed in a gilt frame 10 20
26 A pair of ornate 19th century floral gilt picture frames decorated with flowers and leaves, each containing Stanley Pike prints 60 80
27 P. A. John, oil on canvas, mid-20th century portrait of a young lady, signed to lower right and housed in an ornate gilt frame 20 30
28 A limited edition print numbered 19/90, contemporary landscape, indistinctly signed to lower right and dated 06, housed in a  gilt frame  10 15
32 A 19th century engraving of a Continental street scene by A.E.Hubert, dated 1876, housed in an ebonized and gilt frame  10 15
33 A Japanese print depicting a bird beneath blossom with character marks to top left, information to verso 10 20
34 Two signed watercolours, one entitled ” Hop Poles on Plain Farm”, Staplehurst Plain, the other ”Geese and Old Shed”, Bexhill Farm Nurseries, Benenden, both signed Mary West and dated ’93 and ’94, housed in gilt frames  20 30
35 Stella P Reading, four limited edition prints, 429/750 of country village scenes, housed in gilt frames  40 60
36 An monochrome engraving of Leeds Castle, framed and glazed 10 20
40 Four reproduction prints of Winnie the Pooh, after E H Shepard, framed and glazed 30 50
41 Mark Chester b.1960, ‘Yellow Hammer’, acrylic, signed lower right and dated 1991, label to verso, 17.5cm x 24.5cm, and a photographic print of Mallards by the same artist (2 items) 40 60
42 Robert Malcolm Rucker, limited edition print, 920/950 of a veranda with flowering shrubs and trees, signed to lower right margin, housed in a painted oak frame 20 30
43 A 19th century Valentine’s card on lace paper by Mick together with two early 20th century framed nursery prints by C.E.Shand (3 items) 20 30
48 Attributed to William Garland, (Fl.1853-1882), portrait of a lady, oil on canvas, signed to lower right and dated 1854, 76cm x 6.5cm, unframed, and an over-painted photograph of the same sitter (2 items) 100 150
49 A Japanese painting on silk of blue hydrangeas with frog, signed to lower left, housed in an ebonised frame  30 40
50 Charles Cundall R.A. colour print ‘River Pageant’ published in 1960 by Frost & Reed Ltd, housed in a gilt frame 15 25
51 B.R.Yallop, ‘Wroxham Bridge, Norfolk’ and ‘Morning Ferry, Norfolk’, pair of watercolours, both signed to lower right, one dated 1922, both housed in white and gilt frames 30 40
54 Anthony Richard Tiffin (20th Century British), ‘Slindon Greys’, oil on canvas, signed to lower left, artist’s label to verso, 49.5cm x 60cm,  housed in ornate gilt frame  25 35
55 An Oriental watercolour of a Pergoda with character mark to top right, together with another Oriental watercolour of a Samurai Warrior Deity and a Buddha (2 items) 30 50
67 A map of Leigh, Essex, printed and hand-coloured, framed and glazed 20 30
68 A 20th century oil on canvas of a water mill, signed F Roberts to lower left, housed in ornate gilt frame 30 40
74 A William Russell Flint reproduction print entitled ‘In Ancient Perigord’, framed and glazed  10 15
75 Oliver Trowell, watercolour, farm buildings by the downs, signed to lower left and housed in a gilt frame  10 15
76 A Japanese print of figures crossing a river with character marks to upper right  20 30
79 After Bartolomè Esteban Murillo, two boys eating melons and grapes, oil on board backed canvas, signed ‘Murillo’ lower right, with inscription to verso and associated newspaper cutting 9cm x 15.5cm 50 80
80 W.M. Rosvear, ”Persian Cat”, pen, brush and ink, signed and dated ’46, with inscription to verso, housed in a gilt and mahogany frame  20 30
81 19th century watercolour of two figures walking through the gardens of a ruined castle, indistinctly signed and titled, dated 1893 20 30
86 Roma Biagioni, ‘Tiwi Poles’, oil on canvas, signed to lower left, with inscription to verso, housed in a gilt frame 30 40
87 M. Grant, ‘Penzance’, watercolour, signed to left and dated 1938, label to verso, housed in a wooden frame 20 30
89 S G Gates (20th Century British), autumn village scene with church spire in the distance, oil on board, signed lower right and dated 1974, 48cm x 74cm, housed in gilt frame 20 30
96 A pair of early 20th century Japanese embroidered silk sleeve panels depicting butterflies inside a floral border 30 50
97 A 19th century hand-coloured engraving entitled ‘The Universities Boat Race, Cambridge Winning’, initialled C.R. to lower left and housed in a gilt frame 20 30
100 Timothy O’ Brian, limited edition print 859/1912, ‘Titanic, Ship of Dreams’, complete with a genuine 1912 1d coin and a sample of genuine Titanic coal, signed to bottom centre, with certificate of authenticity to verso 30 50
101 An early 19th century hand-coloured map of The Hundred of Ringlow containing the Island of Thanet, housed in an ebonised gilt frame 30 50
107 A modern oil on board of Napoleon Bonapart on horseback, framed  80 100
110 An original 1967 quad poster for Warner Bros ‘Camelot’ starring Richard Harris, Vanessa Redgrave etc and directed by Joshua Logan 60 80
117 James McGregor, ‘Cudham Lane, Kent’, watercolour signed and dated ’71 to lower right, housed in a gilt frame 20 30
118 Victor Coverley Price 1901-1988, ‘Fox’, watercolour, signed lower right, 1988 Exhibition label en verso for the Alpine Club London, 22cm x 30cm 45 55
123 After David Cox Junior 1809-1885, watercolour, watermill with mountains in the distance, signed, 32.5cm x 48.5cm 25 35
124 A continental oil on canvas of a tall ship in sail on rough seas, indistinctly signed to lower right and housed in a mahogany frame  30 40
125 A late Victorian coloured engraving of a horse and jockey entitled ‘Robert the Devil, Winner of the Grand Prize, Paris 1880’ 10 15
126 Katie Cooper, pencil and chalk, ponies with stag by stream, signed to lower right and dated 1904, housed in an oak frame 30 40
127 20th century watercolour of a tall ship in full sail on rough seas, indistinctly signed to lower right, housed in a gilt frame 20 40
128 An early 19th century framed needle and bead-work panel with dove and blackberries to centre, surrounded by floral scrolling swags, unsigned, 51cm x 51.5cm 50 80
133 Cecil Stephenson, 1889-1965, watercolour, figures on a hillside looking over the valley, with mountains to the background, signed and dated 1914 to lower left with label to verso, housed in a gilt frame 30 50
134 N. Burney, 20th century watercolour of a Scottish river scene with pine trees and mountains to the background, signed to lower right and housed in an oak frame  20 30
135 20th Century British, ‘Evening’, High Street, Aylesbury, oil on board, indistinctly signed lower right, 11cm x 13cm  15 20
136 An Indian painting on fabric of an elephant, framed and glazed 40 60
140 K. Sholto Douglas (20th Century British), ‘Hunters Moon’, portrait of a horse, oil on canvas, signed to lower left, 39cm x 49cm 20 30
141 Barton, oil on canvas of a sitting female nude, signed to lower right and housed in an eboniserd gilt frame 20 40
142 A pair of 20th century etchings depicting French scenes titled ‘Chartres, The Bouju Bridge’ and ‘Rouen Rue du Bac’ both signed to lower left margin and housed in ebonised gilt frames 20 40
143 An early 19th century framed needle and bead-work panel with flowers and buds to centre, surrounded by leaves and berries, 47cm x 51cm, housed in ornate gilt frame 40 60
144 After Claude Lorrain, three sepia prints of drawings from the collection of the Duke of Devonshire, Numbers 2, 19 and 24, 32cm x 36.5cm, housed in gilt frames 50 70
152 Vladimir Griegorovich Tretchikoff 1913-2006 (South African), Poinsettias, photographic print, 43cm x 59cm 10 15
153 A Victorian sampler with Sabbath day rhyme to centre and bird, flower, tree and angel surround, by Sarah Kershaw, aged 10 years, dated 1863, 31.5cm x 32.5cm, framed and glazed 50 70
154 An early 20th century stipple engraving after R Stedant of a young girl leaning against a tree 10 20
155 E.A. Swan, watercolour of field mice nesting, signed to lower right and housed in a gilt frame 15 25
156 Roland Fiddy (1931-1999), ‘Button up’, mixed media, signed to lower right, label to verso, 22cm x 22cm 35 45
160 Sydney Arrobus 1901-1990, houses in a forest, watercolour, signed lower left, 30cm x 20cm 20 30
161 J S C Simpson (20th Century British), ‘Hemsby, Norfolk’, etching, signed and titled to lower margin, 26.5cm x 21cm, housed in carved oak frame 10 20
163 J.P.M. Ateer ‘Dunseverick Harbour, Co. Antrim’ watercolour, signed and dated 1995  20 30
164 Christine Bernhardt-Kirby (1914-2008), oil on board ‘Creature Comforts’, under the guidance of Jonas Plosky (1940-2011) 25 35
166 Joan L Archer (20th Century British), ‘Cotswold Village’, pen and watercolour, signed to lower left and dated ’90, 14cm x 19.5cm  10 20
167 Thomas Buford Meteyard 1865-1928, City skyline overlooking docks, watercolour, signed lower right, 18cm x 12.5cm 100 150
168 19th Century Continental, figures kneeling before a shrine, oil on board, unsigned, with inscription en verso, 18.5cm x 15.5cm 40 60
169 A late 19th century engraving, ‘The Liverpool Grand National Steeple Chase’, originally painted by J Sturgess and engraved by E.G.Hester, housed in a white painted frame  10 15
170 A 1904 coloured print by Longmans, Green & Co showing a golly and four wooden girl puppets afloat on a door, with a setting sun to the background together with another print, possibly by the same artist of golly as Father Christmas, re-printed from original 1907 prints of ‘The Golliwog’s Christmas’ by Florence Kate Upton, 1873-1922 (2 items) 30 40
171 E Wilkins (20th Century British), seascape with sailing boats, watercolour, signed to lower left. 16cm x 24cm 10 15
175 A 19th century seascape of a cliff-lined shore with sailing boats  20 30
176 A limited edition print entitled ‘Squatter Huts’ 101/500, signed to lower right  10 20
181 Four assorted prints including one depicting a mounted huntsman with hounds, a Vanity Fair print by Vincent Brooks, Day & Son Ltd entitled ‘A King’s Jockey’, a Victorian cricket match plus one photographic print of a house, all framed and glazed (4 items)  10 15
185 Assorted etchings, prints and oils mostly of local scenes including Well Gate, Canterbury, Charing, Kent, Rochester and Richmond Hill (1 box, 12 pics) 10 20
208 Assorted prints comprised of a Bartolozzi print after Guercine of St John, a pair of monochrome prints of steam trains, signed John S Gibb, a pair of hand-coloured book plates of birds and five others (10 items) 30 50
212 Assorted pictures, paintings and prints including landscapes etc (1 box) 10 20
215 Three watercolours of Kentish oast houses, a windmill and a sailing boat, all indistinctly signed (3 items) 20 30
223 Assorted pictures and prints including maps, landscapes, still life and botanical prints, mostly framed and glazed (2 boxes) 20 30
257 J S C Simpson (20th Century British), ‘Herring City’, etching, signed and titled to lower margin, 20cm x 20cm, unframed 10 15
258 J S C Simpson (20th Century British), ‘Crooke Cottages’, etching, signed, titled and inscribed to lower margin, 18.5cm x 30cm, unframed 10 15
299 A set of five celestial maps from a set entitled ”The Stars in Six Maps” on the gnomonic projection , revised by the Rev W.R. Dawes under the superintendence of the Society for the Diffusion of Useful Knowledge. Hand-coloured, originally drawn by W. Newton and engraved by J & C Walker, London  50 80
302 Oliver Trowell, oil on canvas, a weather-boarded bungalow and garden with sunflowers, shrubs and tennis court to foreground, signed to lower left and housed in a painted and gilt frame together with another of the same bungalow 10 15
303 A collection of pictures and prints to include two watercolours, one depicting a Scottish mountain scene with stream to foreground, the other a sandy bay with cliffs and rock pools, both monogrammed A.A.J 20 30
334 Marc-Anrele Fortin, ‘Paysage Rustique’, limited edition print 402/500, with certificate of authenticity to verso, complete with box 30 40
348 Assorted pictures and prints including three Japanese paintings on silk of flowers, signed, an Edwardian print of Bromley Parish Church, plus others (1 box) 20 30
356 Assorted pictures including two oils on board of flowers, signed Nancy Illingworth, a landscape on board, signed P Williamson, two limited edition prints by Brian Aigbec entitled ‘Hops’ and ‘L’Hiver’ 37/200 plus others (1 box) 15 25
378 Assorted watercolours and prints of local landscapes, buildings and churches including All Saints, Hastings, Fairlight, Pevensey, The Red Lion public house, Brede, Hastings Castle, Guestling Church, most signed or initialled and dated R.K. or R. King (1 box, 13 pics) 15 25
387 Pamela McDowell, pressed flower picture dated 1969, another dated 1968, a collection of  prints by the same artist together with four 19th century engravings and other prints  20 30
402 A collection of various artists’ proofs of country pubs, possibly for a travel brochure, together with a print of St. Paul’s Cathedral, London 10 20
404 Henry C Jarvis. four watercolours of the house and gardens at Woodfield, one dated 1919, all signed  30 50
411 A 19th century wool-work panel depicting three ladies and a child, housed in an oak frame 20 30
414 Two early 20th century etchings of farmhouses, indistinctly signed in pencil to mount and two watercolours of Valle Crucis Abbey, Llangollen (4 items) 10 20
426 Robert Cox, oil on board, still life of roses, housed in an ornate gilt frame together with a collection of oils, prints and engravings   20 30
428 A box of assorted pictures and prints to include Julie Douglas limited edition print 409/500 of Geese, a coloured engraving of Winchelsea Church, a Peter Scott ‘Flash by Two Tree’ print plus other items 10 15
434 Eight fashion and other prints, framed and glazed 30 40
441 A large pair of contemporary 20th century oils on canvas, one depicting a female nude, the other of mother, father and child, both sighed Laverne to verso, housed in oak frames 30 50
444 A moulded faux brass panel depicting an early 19th century kitchen with mother, father and children at meal time, housed in an oak and gilt frame 15 20
453 A good collection of assorted photographs and photographic prints to include Micky Rooney, James Mason, Clarke Gable plus others 30 50
593 Assorted pictures and prints including a Carling advertising mirror  15 25
631 A collection of assorted 19th century and earlier book plates, pencil sketches and other artwork, housed in a folio 45 55
637 Assorted oils, watercolours, prints, maps etc to include two Ronald Searle character prints (1 box) 10 15
638 Assorted prints to include railway advertising, a reproduction map of Sussex, prints after Lowry and assorted stamp montages (1 box) 20 30
645 19th Century Continental, portrait of a gentleman, oil on canvas applied to board, unsigned, 25.5cm x 20cm, housed in ornate gilt frame 50 60
736 A pair of modern Continental oils on board, one depicting a gypsy girl on horse, the other a female figure surrounded by flowers 10 20
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