| Lot Number |
Description |
Low Estimate (£) |
High Estimate (£) |
| 3 |
A 19th century watercolour of two figures walking through the gardens of a ruined castle, indistinctly signed and titled, dated 1893 |
10 |
20 |
| 4 |
E.A. Swan, watercolour of field mice nesting, signed to lower right and housed in a gilt frame |
10 |
20 |
| 5 |
A watercolour entitled ‘The Mermaid Inn, Rye’ unsigned, house in a white and gilt frame |
20 |
30 |
| 6 |
A late Victorian coloured engraving of a horse and jockey entitled ‘Robert the Devil, Winner of the Grand Prize, Paris 1880’ together with a late 19th century engraving, ‘The Liverpool Grand National Steeple Chase’, originally painted by J Sturgess and engraved by E.G.Hester, housed in a white painted frame (2 items) |
10 |
20 |
| 7 |
An early 20th century watercolour of a Scottish mountain scene with man and dog walking by a river, indistinctly signed to lower right and dated 1925, housed in a mahogany frame |
15 |
20 |
| 8 |
An oil on board of a Continental street scene with figures, shops, stalls and towers to background, unsigned, housed in a gilt frame |
15 |
25 |
| 12 |
A pair of modern oil on boards of beach scenes by Norman Williams and two other miniature oil on boards of still life of flowers, housed in gilt frames (1 box) |
20 |
40 |
| 17 |
Walter Klemm (1910-1993) watercolour depicting church with lake and hills in background, framed and glazed |
10 |
20 |
| 18 |
Richard White, early 20th century hand-coloured engraving of a water mill with bridge and buildings to background, signed in pencil to lower right margin |
20 |
30 |
| 19 |
An oil on board of a Continental street scene showing a horse and carriage, buildings and trees, indistinctly signed, housed in a gilt frame |
15 |
25 |
| 20 |
Peter Wicks, gouache and watercolour of farmer, boy and cow enjoying the view, signed to lower right and housed in a white painted frame |
20 |
30 |
| 25 |
Roger Green, artist’s proof, colour print ‘Cat and Canaries’, signed in pencil to lower right margin and housed in a painted frame |
10 |
20 |
| 26 |
A modern oil on board of a sailing boat on the beach, initialled ‘ATB’ |
20 |
40 |
| 27 |
A pair of ornate 19th century floral gilt picture frames decorated with flowers and leaves, each containing Stanley Pike prints |
15 |
25 |
| 28 |
Limited edition silk-work panels depicting a Pintail Duck and Grebes, No 435 of 3000 by J & J Cash Ltd with labels to verso, both housed in gilt frames |
20 |
30 |
| 29 |
A 19th century engraving of an early view of the Royal Academy when it was situated in The Strand, London |
10 |
20 |
| 34 |
Jean Hartley, watercolour, ‘The Wreck’, signed and dated ’96 to lower right and housed in a gilt frame |
20 |
30 |
| 35 |
A late 19th century watercolour depicting a Victorian lady, possibly in mourning, reading by an open fire, unsigned and housed in an ebonised gilt frame |
15 |
25 |
| 36 |
Robert MacKenchnie (1894-1975) watercolour, abstract landscape, framed and glazed |
10 |
20 |
| 37 |
Brian O’Donoghue, limited edition print, 10/100 of Rye High Street, signed in pencil to upper right and housed in an oak frame |
15 |
20 |
| 43 |
An oil on canvas, still life of flowers, monogrammed A.J.F. to lower right and housed in a gilt frame |
25 |
40 |
| 44 |
I Cafieri, 20th century oil on canvas of a tree-lined lake, signed to lower left and housed in an ornate gilt frame |
10 |
20 |
| 45 |
A 20th century colour print ‘Gipsy Moth IV Rounding Cape Horn’, from the original oil painting by Norman Wilkinson, presented by Colonel W.H. Whitbread to Sir Francis Chichester |
10 |
20 |
| 46 |
David Knight, print of a Cornish harbour scene, housed in a white painted frame |
15 |
25 |
| 47 |
An oil on board of lilies and poppies, indistinctly signed to lower right and housed in a white painted frame |
15 |
20 |
| 48 |
Sian Armstrong, contemporary watercolour, varying subjects, signed in pencil to lower left and dated 2007, housed in a limed oak frame |
20 |
30 |
| 51 |
After David Cox Junior 1809-1885, watercolour, watermill with mountains in the distance, signed, 32.5cm x 48.5cm |
15 |
25 |
| 52 |
Robert MacKechnie (1894-1975) watercolour, landscape, framed and glazed |
10 |
20 |
| 53 |
Charles Cundall R.A. colour print ‘River Pageant’ published in 1960 by Frost & Reed Ltd, housed in a gilt frame |
10 |
20 |
| 54 |
Edward Merton Atkins, watercolour of a shepherd and flock, signed and dated 1927 |
20 |
30 |
| 55 |
A limited edition print of the England Rugby World Cup Team 226/2003, signed to lower right margin, Stephen Doig |
20 |
30 |
| 58 |
A coloured Picasso print of a seated nude female, housed in a gilt frame |
10 |
20 |
| 59 |
Elizabeth Watkins, three paintings on silk of butterflies and flowers |
20 |
30 |
| 61 |
A pair of mid-20th century hand-painted silhouettes of pine trees, monogrammed AY to lower right and housed in ebonised frames |
20 |
30 |
| 62 |
J. Hartley, watercolour of a river with arched bridge, with trees and hills to background, signed and dated ’89 to lower right and housed in a gilt frame |
15 |
25 |
| 67 |
A pair of modern oil on boards of irises, signed Bishop and dated 2002, housed in gilt frames. Artist’s details en verso |
30 |
50 |
| 68 |
A 19th century oil on panel of figures with dancing bear and monkeys, housed in a gilt frame |
80 |
120 |
| 69 |
A modern oil on canvas of a still life of flowers and eggs |
30 |
50 |
| 71 |
An early 20th century still life of pansies, oil on canvas, unsigned with label to verso, housed in a gilt frame |
15 |
25 |
| 75 |
An Oriental oil on canvas of junks with city and mountains to background, signed K. Chong, housed in a silvered frame |
15 |
25 |
| 76 |
Two 20th century coloured prints depicting pike fishing and salmon fishing |
20 |
30 |
| 78 |
A 20th century watercolour of a country house with vintage car to foreground and tree-lined background, unsigned and housed in an oak frame |
15 |
20 |
| 79 |
An oil on board entitled ‘Iceland Poppies’, signed to lower left, Mollie Cormick |
25 |
40 |
| 81 |
A set of six small prints of Continental buildings |
10 |
20 |
| 84 |
An oil on board, still life, in gilt wood frame, by Evelyn Chester (1875-1925) |
40 |
50 |
| 85 |
An early 20th century oil on canvas of sheep on a coastal pathway, indistinctly signed to lower left and housed in a gilt frame |
25 |
40 |
| 89 |
An original 1967 quad poster for Warner Bros ‘Camelot’ starring Richard Harris, Vanessa Redgrave etc and directed by Joshua Logan |
60 |
80 |
| 95 |
Scott Brown (20th Century), ‘Sicily’, pastel, signed lower right and dated 1987, label to verso, 35cm x 54cm |
15 |
20 |
| 96 |
A pencil sketch of a bearded gentleman, possibly an artist, indistinctly signed to lower right, housed in a stained oak frame |
30 |
40 |
| 98 |
Andrew F Affleck (Exb 1904-29), signed etching of Continental town (France) with figures returning from market |
20 |
30 |
| 103 |
A 20th century oil on canvas of huntsman following the hounds with fields and trees to background, signed to lower right D Fletcher and housed in an ornate gilt frame |
30 |
40 |
| 106 |
A vintage ‘Player’s Airman Cigarettes’ pictorial framed advertising poster |
30 |
50 |
| 107 |
A 20th century print ‘A Girl with a Kitten’, published by Order of the Trustees for the National Gallery, housed in a gilt frame |
15 |
25 |
| 108 |
H Meritt, watercolour of a bridge with overhanging trees |
10 |
20 |
| 111 |
Two framed Catriona McTurk limited edition prints |
20 |
30 |
| 112 |
A vintage ‘Player’s Digger Tobacco’ pictorial framed advertising poster |
30 |
50 |
| 114 |
An over-painted photograph of an elderly couple |
10 |
15 |
| 115 |
S. Reed, watercolour of a winter scene, with figures, cottages and church to the background, signed to lower left and housed in a white and gilt frame |
15 |
25 |
| 119 |
Hugh Casson, ‘Glynebourne’, coloured print, signed to lower right in pencil and housed in a gilt frame |
15 |
25 |
| 120 |
A 20th century charcoal and chalk of a seated gentleman reading, unsigned and housed in a limed oak frame |
10 |
20 |
| 121 |
Luisa Dominguez (Rye Society of Artists. Past designer for Norman Hartnell), signed lithograph of a seated nude, 28/350 |
25 |
45 |
| 122 |
A pair of framed prints of harbour scenes |
10 |
20 |
| 124 |
Peter Wicks, ‘Burscombe Barn’, gouache and watercolour, signed to lower right, with Deal, Walmer and Kingsdown Art Exhibition label to verso |
20 |
30 |
| 130 |
An early 18th century Indenture, sealed and signed Joseph B Bragg, housed in an ebonised gilt frame |
10 |
20 |
| 133 |
A set of four framed and glazed novelty hunting prints from Phillip Dadd originals |
20 |
40 |
| 134 |
Barton, oil on canvas of a sitting female nude, signed to lower right and housed in an ebonised gilt frame |
10 |
20 |
| 135 |
A 19th century alphabet stitches sampler signed Eliza Skinner and dated 1860 |
20 |
30 |
| 135 |
A monochrome engraving of Leeds Castle, framed and glazed |
10 |
20 |
| 139 |
Three watercolours of European landmark buildings, one initialled and dated ‘D72’ to lower left, one initialled and dated ‘D71’ to lower right, the third by the same artist. All housed in gilt frames |
15 |
25 |
| 140 |
Robert Malcolm Rucker, limited edition print, 920/950 of a verandah with flowering shrubs and trees, signed to lower right margin, housed in a painted oak frame |
10 |
20 |
| 141 |
Conrad Maisey, watercolour, depicting a lake scene with pine trees and mountains to the background, signed to lower left, housed in a painted frame |
10 |
20 |
| 142 |
An oil on canvas, stable scene, signed E. Burstow |
25 |
40 |
| 146 |
An early 20th century oil on board of sailing boats in an estuary entitled ‘Barges at Faversham Creek’, unsigned |
30 |
40 |
| 147 |
Baker, watercolour of a timbered country house, framed and glazed |
10 |
20 |
| 148 |
A watercolour of boats under sail, signed Jim Hughes to lower right, framed and glazed |
10 |
20 |
| 149 |
An early 20th century stipple engraving after R Stedant of a young girl leaning against a tree |
10 |
20 |
| 150 |
An early 20th century watercolour, village scene with river, fisherman and bridge to background, unsigned and housed in an oak frame |
10 |
20 |
| 150 |
Adams, pair of early 20th century oils on board of mounted huntsmen, both signed and housed in gilt frames |
20 |
40 |
| 151 |
S Boon, oil on board of trees and wild flowers in bloom, signed to lower right and housed in an oak frame |
15 |
25 |
| 152 |
S.M. Russell, three limited edition prints of female nudes, ‘Morning Beauty’ 25/375, ‘Reflect’ 7/500 and ‘Female Beauty’ 20/375, each signed in pencil to lower left margin, with certificates of authenticity to verso |
20 |
40 |
| 156 |
Raymond Price, ‘Rye’, oil on board depicting Rye from a distance, signed to lower right and dated 1976 |
25 |
35 |
| 157 |
W.A. Porter, oil on board of oak trees, signed to lower right and housed in a gilt frame |
10 |
15 |
| 159 |
A 20th century Continental oil on canvas of a waterside villa with boat and cliffs to background and a plaque bearing the name E.Belda, housed in a mahogany frame |
15 |
25 |
| 160 |
A 20th century watercolour of a tiled-roof building with village, church and hills to background, unsigned and housed in a gilt frame |
10 |
20 |
| 164 |
A late 19th century oil on glass panel of pink roses and buds, unsigned and housed in an ornate gilt frame |
20 |
40 |
| 165 |
Two pictures of birds, fashioned from feathers, on a printed background of flowers and foliage, unsigned, both housed in ornate gilt wood frames |
30 |
40 |
| 168 |
A lithograph of Royal Engineers, signed in the plate G D Giles |
15 |
25 |
| 169 |
A pair of signed prints by Northumberland artist Henry Brewis (1932-2000) entitled ‘Man’s Best Friend’ and ‘Thinks he Owns the Place’ (2 items) |
30 |
40 |
| 177 |
Assorted pictures, prints and mirrors to include Schweppes advertising posters, an oil on board of a woodland scene, an ornate brass framed mirror,a ceramic plaque decorated with a hunting scene housed in a circular oak frame, a line drawing of buildings, miniatures etc (1 box) |
30 |
40 |
| 180 |
Two early 20th century watercolours, one depicting a bluebell wood, the other a river scene with trees to the background, both monogrammed H H, together with a print of ‘The Opening of The Stockton & Darlington Railway 1825’ and a framed Pears print (4 items) |
15 |
25 |
| 205 |
A collection of six watercolours by D. Davis, housed in gilt frames |
60 |
80 |
| 209 |
A framed and glazed watercolour of a river scene, a pair of Grimshaw prints and a nautical print (4 items) |
20 |
30 |
| 213 |
Two framed sets of Will’s cigarette cards together with an artist’s folio |
10 |
20 |
| 214 |
Assorted picture and prints including botanical studies, a straw-work vista, watercolours etc together with an embroidered picture of flowers and butterfly plus a hammered copper picture of sunflowers (1 box) |
15 |
25 |
| 220 |
A set of five celestial maps from a set entitled ”The Stars in Six Maps” on the gnomonic projection , revised by the Rev W.R. Dawes under the superintendence of the Society for the Diffusion of Useful Knowledge. Hand-coloured, originally drawn by W. Newton and engraved by J & C Walker, London |
20 |
40 |
| 230 |
Various prints and pictures to include two hand-coloured engravings of London scenes, illustrations from ‘The Sketch’, advertising material, Royal memorabilia plus an embroidered panel housed in an oval mahogany frame |
10 |
20 |
| 233 |
An ornate 19th century gilt wood wall-hung box frame with black velvet interior |
30 |
40 |
| 236 |
An early 20th century oil on panel of a sailing boat in rough sea, monogrammed to lower left |
10 |
20 |
| 277 |
A pine framed print of Teddy bears |
10 |
20 |
| 283 |
A small needlework picture of a country house and garden housed in an ebonised frame, a brass trivet, a fly fishing print and a pair of Taylor-Hibson field glasses (4 items) |
10 |
20 |
| 285 |
Two early 20th century etchings of farmhouses, indistinctly signed in pencil to mount and two watercolours of Valle Crucis Abbey, Llangollen (4 items) |
10 |
20 |
| 290 |
A selection of WWII photographs (1 box) |
20 |
30 |
| 303 |
A collection of unframed watercolours (1 box) |
10 |
20 |
| 305 |
An olive wood frame containing the Disciples of Christ |
10 |
20 |
| 345 |
Five framed photographs of downed WWII German aircraft |
10 |
20 |
| 363 |
Three 19th century hand-coloured engravings depicting Hever Castle, London Bridge and the Magnetic Clock at Greenwich Observatory |
20 |
30 |
| 365 |
Three coloured prints and one map, all depicting scenes of Rye |
15 |
25 |
| 366 |
A limited edition print 11/100 entitled ‘Portabello’ signed Mallinson in pencil to lower right, a watercolour entitled ‘Sunrise over Auschwitz’, signed Tony Clarke and dated Dec 9th to lower right plus an artist’s proof entitled ‘Revelation’, signed Mallinson in pencil to lower right (3 items) |
20 |
30 |
| 368 |
A 20th century print after F.M.Bennett, ‘The Landlord’s Orders’ with label to verso, housed in a gilt frame |
20 |
30 |
| 381 |
A pair of 20th century pastels and chalk depicting characters dining, both indistinctly signed to lower right and with Harwood Gallery to verso |
20 |
40 |
| 383 |
Four hand-coloured 19th century engravings depicting the four seasons together with two French engravings,one of ‘Square Du Temple 1881’ the other of the ‘Hotel Du Ville, 1842’ |
20 |
30 |
| 409 |
Two 20th century gallery prints, a 1960s signed tile work panel together with a framed collection of graffiti photographs |
15 |
30 |
| 410 |
A 1997 Christie’s, London advertising poster for ‘Export Art of China and Japan, The China Trade Sale’, house in a pine frame |
30 |
40 |
| 411 |
A selection of vintage automobile pictures |
10 |
20 |
| 418 |
A good collection of assorted photographs and photographic prints to include Micky Rooney, James Mason, Clarke Gable plus others |
10 |
20 |
| 597 |
An oil on board, still life of roses in a red vase,signed Guppy to lower right, inscription en verso together with prints, oliographs and frames (1 box) |
15 |
25 |