Pictures and Prints – 21st September 2013

Lot No Description Low Est High Est
2 A framed ‘The Sun Permanent Benefit Building Society’ certificate dated 1879 and other framed documents (1 box) 10 20
5 An early 20th century Oriental hand-coloured wood-block print of geese and flowers 20 40
6 Richard White, early 20th century hand-coloured engraving of a water mill with bridge and buildings to background, signed in pencil to lower right margin 20 30
7 A late Victorian coloured engraving of a horse and jockey entitled ‘Robert the Devil, Winner of the Grand Prize, Paris 1880’ together with a late 19th century engraving, ‘The Liverpool Grand National Steeple Chase’, originally painted by J Sturgess and engraved by E.G.Hester, housed in a white painted frame (2 items) 10 20
8 Conrad Maisey, watercolour, depicting a lake scene with pine trees and mountains to the background, signed to lower left, housed in a painted frame 10 20
9 A Japanese limited edition print of blossoms with trees in the distance, signed and numbered 199/200, framed and glazed 10 15
14 A collection of Victorian drawings, possibly from a scrap book and an original Kate Greenaway book together with a good collection of 1960s/1970s handicrafts magazines and patterns covering knitting, crochet, cross-stitch etc, an assortment of embroidery templates plus assorted books to include a bound copy of Beethoven’s Sonatas (2 boxes) 30 40
15 Y W Lau, oil on canvas, landscape of a man in a punt, signed (Hong Kong Chinese) 30 40
16 An early 20th century watercolour of a Scottish mountain scene with man and dog walking by a river, indistinctly signed to lower right and dated 1925, housed in a mahogany frame 15 20
17 A modern oil on board of a sailing boat on the beach, initialled ‘ATB’ 20 40
18 An Oriental oil on canvas of junks with city and mountains to background, signed K. Chong, housed in a silvered frame 15 25
24 A set of four prints of scenes from Dickins’ novels, similarly framed and two others housed in oak frames (6 items) 10 15
27 A 20th century watercolour of a tiled-roof building with village, church and hills to background, unsigned and housed in a gilt frame 10 20
28 A 20th century Continental oil on canvas of a waterside villa with boat and cliffs to background and a plaque bearing the name E.Belda, housed in a mahogany frame 15 25
29 A modern contemporary abstract print of a courting couple, unsigned, housed in a black painted frame 30 40
30 A 20th century watercolour depicting a country village with fields and hills to background, indistinctly signed to lower right and housed in a painted frame 15 20
31 A late 19th century oil on glass panel of pink roses and buds, unsigned and housed in an ornate gilt frame 20 40
33 A 20th century watercolour of a golden Retriever dog, signed to verso Mavis Worth and housed in a floral frame 10 20
34 A pair of etchings of London scenes entitled ‘The Exchange’ and ‘The Horse Guards’, indistinctly signed to lower right and housed in gilt frames 20 30
35 A 20th century colour print ‘Gipsy Moth IV Rounding Cape Horn’, from the original oil painting by Norman Wilkinson, presented by Colonel W.H. Whitbread to Sir Francis Chichester 10 20
36 A watercolour of a church with tree to foreground, signed Murray Parks to lower right, glazed and housed in an oak frame 15 20
37 A limited edition print 495/500 by 20th century artist Robin Armstrong showing a brown trout swimming in a brook, signed to lower left, framed and glazed together with his book entitled ‘The painted Stream, a River Warden’s Life’ with foreword by Sir Michael Horden. Book in cabinet (2 items) 10 20
41 A still life oil on glass of grapes, vines and plums on a branch, housed in an ornate gilt frame 15 20
42 A 19th century watercolour of two figures walking through the gardens of a ruined castle, indistinctly signed and titled, dated 1893 10 20
43 A Salvador Dali abstract print together with a coloured map of Grenada (2 items) 20 30
44 R. Margetts, ‘Boats at Medley’, watercolour signed to lower right with label to verso, housed in a white painted frame 20 30
45 A watercolour of a river with path and trees to foreground and woodland to the distance entitled ‘On The Medway Near Maidstone’, indistinctly signed, possibly Stafford, to lower right 20 30
48 A map showing the Hebridean island of Colonsay, framed and glazed 15 20
49 F Robson, ‘Old Mill House, Abingdon’, print, housed in an ornate gilt gesso frame and a reproduction of a botanical print entitled ‘April’ (2 items) 10 15
50 Four Natural History Museum limited edition prints 1530/5000 showing the botanical illustrations of Franz Bauer, each with label to verso, framed and glazed 20 30
57 A limited edition print of trees 104/150 indistinctly signed in pencil to lower margin together with a Richard Barrett print entitled ‘Hillside Edge’ 10 20
61 An oil on board of a landscape, possibly Scottish, depicting a river with mountains to background, trees, rocks and heathland to the fore, signed A Mimes to lower right and housed in a gilt wood frame 15 20
62 A watercolour landscape depicting a river running through countryside under cloudy skies, mountains to the background, trees and a fence to the fore, signed lower right D Edmonds and dated ’99 15 20
66 A set of six small prints of Continental buildings 10 20
68 An early 20th century oil on canvas of a fisherman smoking a pipe, signed to verso Dorothy Thomas and dated February 28th, 1910 30 40
69 Jane Honner, ‘Hoknloa Farm’, pencil and pen, signed to lower right and dated 1988 15 20
71 A Denver Art Museum Claude Monet print of a pond and water lilies, housed in an oak frame 20 30
72 Beryl Markland (20th Century, British), figures playing by pond, oil on board, details en verso, framed 25 35
73 D Edmonds, watercolour, river scene with trees and mountains to background, signed to lower left and housed in a painted pine frame 15 20
79 A pair of early 20th century colour prints, one of the Princess landing stage, the other of Canning Dock, both Liverpool by Marjorie Bates 15 25
80 C. Kendell, ‘The Old Tar Hut’ watercolour, signed to lower right together with two photographs of the same building 20 30
81 A pastel of boats in an estuary, indistinctly signed to lower right 20 30
87 Three watercolours, entitled ‘Rosemary’, ‘Maytime in York’s Lane, Romney Marsh’ and ‘Swans on Romney Marsh’ all by the artist C.B.Summers, monogrammed to lower right, labels to verso 20 30
88 Two acrylic paintings on canvas, one of Audrey Hepburn, signed Brian John 30 40
89 A 19th century engraved map of Kent, hand-coloured with detailed pictures of Greenwich, Dover and Rochester to border and label to verso 30 40
90 A 20th century Oriental hand-painted watercolour depicting figures with horse and tree to background, unsigned and housed in a gilt frame 20 30
91 Dorothy Sterling, ‘Boat Trio’, limited edition print 142/250, signed in pencil to lower right margin and housed in a painted pine frame 30 40
97 Two late 19th century hand-coloured cricketing engravings together with a modern cricketing print (3 items) 20 30
98 A vintage ‘Player’s Airman Cigarettes’ pictorial framed advertising poster 30 50
99 E Hartwell, still life of fruit and vegetables, oil on board, signed and dated ’50 20 30
100 A pencil sketch of a bearded gentleman, possibly an artist, indistinctly signed to lower right, housed in a stained oak frame 30 40
107 Terry McKivragan, (20th Century British), ‘Henley Regatta’, limited edition print numbered 190/850, signed, framed and glazed and a watercolour by D C Coull of a city street scene with figures, signed and dated 1960, framed and glazed (2 items) 15 25
108 A monochrome engraving of Leeds Castle, framed and glazed 10 20
109 Three watercolours of European landmark buildings, one initialled and dated ‘D72’ to lower left, one initialled and dated ‘D71’ to lower right, the third by the same artist. All housed in gilt frames 15 25
110 S. Berndt, 20th century watercolour print, still life of flowers, berries and fruit with Harrods picture framing department label to verso and housed in a gilt frame 20 30
111 M Oliver Rae, ‘Exeter College, Oxford’, etching, signed, framed and glazed 10 15
112 A 20th century print ‘A Girl with a Kitten’, published by Order of the Trustees for the National Gallery, housed in a gilt frame 15 25
117 A 20th century watercolour, ‘Sunset over Loch Linnhe, Scotland’, indistinctly signed to lower right and housed in a mahogany gilt frame 15 20
118 A 1997 Christie’s, London advertising poster for ‘Export Art of China and Japan, The China Trade Sale’, house in a pine frame 30 40
123 Oil on canvas, figures in a mid-Eastern street scene, signed 40 50
124 W.A. Porter, oil on board of oak trees, signed to lower right and housed in a gilt frame 10 15
125 Norman Parkinson advertising print, photographs 1934-1984, Hamilton’s, Carlos Place, London W1 10 20
126 A 19th century print of a soldier escaping the stocks housed in an oak frame 10 15
127 A street in Chelsea, London with figures, a ‘Bally’ shoe shop, signed Pat Tucker ATD (Bromley artist and teacher) 20 30
128 Brian Reall (photographer and member of The Admiralty Camera Club), watercolour ‘Harvesting’ signed, dated 1949 20 30
132 A Victorian wool-work picture 20 30
133 J. Hartley, watercolour of a river with arched bridge, with trees and hills to background, signed and dated ’89 to lower right and housed in a gilt frame 15 25
134 Pamela Hudson, ‘Garden at Pympne Manor, Benenden’, watercolour, signed and dated May 2000 10 20
135 Barton, oil on canvas of a sitting female nude, signed to lower right and housed in an ebonised gilt frame 10 20
136 Robert Malcolm Rucker, limited edition print, 920/950 of a verandah with flowering shrubs and trees, signed to lower right margin, housed in a painted oak frame 10 20
137 A 20th century Ernest Howard Shepard reproduction Winnie the Pooh sketch from the original drawings in the Victoria and Albert museum. 10 20
142 An early 20th century watercolour, village scene with river, fisherman and bridge to background, unsigned and housed in an oak frame 10 20
143 Irene Holloway, still life of flowers, oil on board, signed 30 40
144 A pair of early 20th century oils on board depicting a Scottish mountain lake scene 30 40
151 An early 20th century watercolour of a figure walking on a pathway with windmill to background, unsigned and housed in a gilt frame 10 20
152 An early 20th century stipple engraving after R Stedant of a young girl leaning against a tree 10 20
153 A pair of floral prints on canvas and board and a framed and glazed ‘Degas’ print entitled ‘La Renasseuse’ (3 items) 10 20
154 A Lankin, oil on canvas, still life of roses and vase, signed to lower right and housed in a gilt frame 10 20
155 A J Peachey, watercolour of hop fields in Kent with The North Downs in the distance, signed and dated ’64 30 40
157 A pair of early 20th century oils on board of rivers, trees and mountains to background, both indistinctly signed and housed in ebonised gilt frames 15 20
159 A collection of assorted prints to include a hunting scene, a map of Kent, wool-work panel etc 15 20
177 A pair of early 20th century prints entitled ‘September Eve’ and ‘A June Morning’, both from original paintings by Elwin Edwards, both housed in ebonised frames 10 20
183 Assorted prints including six Tate Gallery prints of Turner scenes housed in gilt frames and three framed and glazed needlework panels 15 20
189 A framed and glazed watercolour of a river scene, a pair of Grimshaw prints and a nautical print (4 items) 20 30
192 Two framed sets of Will’s cigarette cards together with an artist’s folio 10 20
193 A large quantity of assorted prints and other pictures, mainly 20th century and mostly framed (2 boxes) 10 20
196 Assorted pictures, prints and frames including a Pear’s print 10 15
200 Various prints and pictures to include two hand-coloured engravings of London scenes, illustrations from ‘The Sketch’, advertising material, Royal memorabilia plus an embroidered panel housed in an oval mahogany frame 10 20
261 A collection of eleven prints of Tudor ladies and gentlemen, framed and glazed (1 box) 20 30
269 William Neill (20th century, Scottish), a pair of signed limited edition prints of waterfowl entitled ‘Balranald’, numbered 159/200 and ‘Faoileag-an-Sgadain’ numbered 152/200, each framed and glazed and originally retailed by Roger Green Fine Art, High Halden, Ashford, Kent 15 20
307 A 20th century print after F.M.Bennett, ‘The Landlord’s Orders’ with label to verso, housed in a gilt frame 20 30
309 An early 20th century tapestry picture of a religious scene housed in an ebonised gilt frame 10 20
326 A tapestry panel with central stylised floral cartouche and a framed tapestry panel of a hunt scene (2 items) 20 30
531 A limited edition print 11/100 entitled ‘Portabello’ signed Mallinson in pencil to lower right, a watercolour entitled ‘Sunrise over Auschwitz’, signed Tony Clarke and dated Dec 9th to lower right plus an artist’s proof entitled ‘Revelation’, signed Mallinson in pencil to lower right (3 items) 20 30
532 A Faber-Castell artist’s folio case 10 15
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