| Lot No |
Description |
Low Est |
High Est |
| 5 |
A Reeves ‘Tree’, pencil drawing, signed to lower right and housed in an aluminium frame |
10 |
20 |
| 6 |
A pair of prints entitled ‘A Courtyard, Dorking’ and ‘ A Corner of Old Dorking’, both signed by the artist George H Downing, framed and glazed |
15 |
25 |
| 7 |
A framed watercolour of lilies and an architectural print |
10 |
20 |
| 13 |
A 20th century watercolour, seascape, depicting flowers to the fore and rocks to the background, possibly monogrammed J G to lower left and with inscription to verso |
10 |
20 |
| 14 |
N.G. Wykes, watercolour and gouache, ‘Wild Grasses’, signed and dated 1935 to lower right and housed in an ebonised frame |
10 |
20 |
| 15 |
An abstract oil on canvas of panels, possibly depicting lacework, unsigned and unframed |
30 |
50 |
| 16 |
Jean Oxley, watercolour of a hillside village, signed to lower right and dated ’91, housed in a wooden frame |
10 |
20 |
| 17 |
A late 19th century engraving, over painted in watercolours, depicting huntsmen stalking a deer at the water’s edge, unsigned and housed in a gilt frame |
10 |
20 |
| 23 |
A late 19th/early 20th century watercolour depicting a three-mast steam ship and fishing boats, indistinctly monogrammed to lower right and housed in a stained oak frame |
10 |
20 |
| 24 |
A 20th century pen and ink drawing of a period family house in Beckley, indistinctly signed to lower right and housed in a mahogany frame |
10 |
20 |
| 25 |
An oil on canvas depicting a Middle Eastern skyline, with enamelled decoration in part surrounded by panels of symbols and deities, framed |
40 |
60 |
| 26 |
A 19th century oil on board, still life of flowers and fruit, indistinctly signed to lower right and housed in an ebonised frame |
15 |
20 |
| 27 |
J.C.Harrison, limited edition print 356/500 of partridges in flight, signed in pencil to lower margin and housed in a mahogany frame |
10 |
20 |
| 32 |
An oil on board, still life of daffodils |
10 |
20 |
| 33 |
J. Williamson-Bell, ‘Crab’, artist’s proof embossed print, signed to lower margin with gallery label to verso |
10 |
20 |
| 34 |
Rowland Hilder, limited edition print ‘The Road to the Farm’, signed |
15 |
20 |
| 35 |
Early 20th century, figure walking on a pathway with windmill to background, watercolour, unsigned, 22cm x 28cm, housed in a gilt frame |
10 |
20 |
| 36 |
M. Fahey, ‘Chrysanths on the brick’, pastel, signed to lower right and dated ’87, inscribed to verso |
10 |
20 |
| 43 |
20th century watercolour depicting seated African female, indistinctly signed to lower right and housed in a white painted frame |
30 |
40 |
| 45 |
A 19th century hand-coloured map of the United Kingdom, possibly Norwegian, dated 1844 |
20 |
30 |
| 46 |
20th century oil on canvas depicting a Continental town square with buildings, fountain and palms, indistinctly signed to lower right and housed in a gilt frame |
30 |
40 |
| 50 |
An early 19th century pictorial sampler with verse signed Elizabeth Stockton 1824 housed in an oak glazed frame |
30 |
50 |
| 51 |
An early 20th century Continental watercolour depicting a sea wall with figures and mountains to background, unsigned and housed in a gilt frame |
10 |
20 |
| 52 |
A 19th century pine panel decorated with cherub and swag decoupage, possibly once a table top |
10 |
15 |
| 53 |
M. Fahey, ‘In Front of the Low Piggery’, pastel depicting summer flowers against brick buildings, inscribed to verso |
10 |
20 |
| 54 |
A print of an elephant after David Shepherd, signed in pencil to the mount and two prints, also by David Shepherd of elephants and a rhino, unsigned, all framed and glazed |
30 |
50 |
| 57 |
20th century Jordanian, flowers in a bowl, oil on canvas, signed in Arabic to lower right 64cm x 53cm, unframed, Art Gallery label to verso |
10 |
20 |
| 58 |
Donald Maxwell (1877-1936), ‘Lympne’, a hand-coloured print, signed to lower right, inscription to verso reads: ‘Gift from Ken Bronwin after the death of his mother and the break-up of the family home.’ |
15 |
20 |
| 59 |
M. Knox (20th century), an alpine scene, oil on canvas, signed, 17cm x 24cm, housed in an ornate gilt frame |
10 |
20 |
| 61 |
M. Fahey, ‘Chrysanthemums in pewter ewer with quince’, still life, watercolour, inscribed to verso and dated ’91 |
10 |
20 |
| 62 |
M.Fahey, pastel depicting a forest pond with figure to background, signed to lower right and dated ’98 |
10 |
20 |
| 68 |
A Middle Eastern abstract oil on board with scrolling design in relief, signed to lower left, gallery label to verso, housed in a gilt and wood frame |
30 |
40 |
| 69 |
E.J.Cordell, pastel of a spaniel, signed and dated 1990 to lower right, housed in a gilt wooden frame |
20 |
30 |
| 70 |
A Middle Eastern abstract oil on canvas, signed to lower left and dated 2004, housed in a gilt wood frame |
50 |
70 |
| 71 |
Oil on board, Jabbar Salman, Iranian, depicting a nomadic village, unsigned and housed in a gilt wood frame |
40 |
60 |
| 72 |
A 19th century engraving of a blindfolded female, possibly with printed signature Fredi Holly and housed in an oak frame. |
10 |
20 |
| 76 |
W Grant Murry, watercolour, figure punting on river with trees and fields to background, signed to lower left and dated 1906 |
30 |
50 |
| 77 |
An Indian gouache of mythical creatures |
10 |
15 |
| 78 |
A 1975 Deborah Thompson BIBA-style poster/print depicting a floral patterned couple by Dawn Publications, Brighton |
40 |
60 |
| 79 |
An early 19th century silk-work panel depicting a pair of parrots housed in a faux rosewood frame |
20 |
30 |
| 80 |
20th century comical watercolour depicting a street scene with dancing sailors, indistinctly signed to lower right |
20 |
30 |
| 84 |
An early 20th century colour print depicting a Venetian scene, signed C Kiwihara in pencil to lower margin |
10 |
20 |
| 85 |
A large oil on canvas depicting a Nomadic settlement, signed to lower right, possibly Jabbar Salman |
80 |
120 |
| 86 |
M. Fahey ‘ End of Summer’ still life pastel depicting dying flowers, inscription to verso and dated 1999 |
10 |
20 |
| 90 |
A. Chamberlin, oil on canvas depicting fields, trees and skyline with inscription to verso |
10 |
20 |
| 93 |
A. Minotto, watercolour of a Venetian scene, gondola on canal between elegant buildings, signed to lower left and housed in a chequer-strung frame |
10 |
20 |
| 97 |
An early 20th century watercolour of Penshurst depicting a village scene with figures and houses |
40 |
50 |
| 98 |
An oil on board, landscape with buildings to background and boats to fore, signed and dated to lower right Abo Karimo Mairy and signature to reverse |
20 |
30 |
| 99 |
J L Chapman, oil on board, ship sending up a flare in stormy seas |
30 |
50 |
| 100 |
A large Iranian abstract oil on canvas, signed to lower left, framed, bearing gallery label to verso |
40 |
60 |
| 101 |
Robin Armstrong, limited edition print of a trout taking a fly, numbered 495/500, signed lower left, framed and glazed together with a hand-coloured print entitled ‘Durham Cathedral’, framed and glazed (2 items) |
10 |
20 |
| 104 |
A watercolour of a farmhouse by F.A.Towners, signed and dated ’65 |
10 |
15 |
| 105 |
A 19th century etching entitled ‘Worried’ by Richton apres Niccoll, housed in an oak frame together with a 19th century print of a man and a woman giving thanks for their crop, signed Fx Paulez to lower right, framed (2 items) |
10 |
20 |
| 106 |
A 1920s/30s nursery print depicting a young boy fishing amongst irises with swallows, swans and lapwings to background. |
10 |
20 |
| 108 |
Oil on canvas in the style of Lebanese artist Paul Guiragossian depicting a figural group in traditional dress, signed and dated to lower left |
60 |
80 |
| 109 |
J. P. Hammersley, ‘Bridge over Cradley Brook Wood’, engraving, limited edition 1/16, monogrammed to margin and signed label to verso, dated 1987-1988 |
10 |
20 |
| 110 |
William Neill (20th century, Scottish), a pair of signed limited edition prints of waterfowl entitled ‘Balranald’, numbered 159/200 and ‘Faoileag-an-Sgadain’ numbered 152/200, each framed and glazed and originally retailed by Roger Green Fine Art, High Halden, Ashford, Kent |
15 |
20 |
| 114 |
Six prints by Tony Escott commissioned in 1971 to decorate public houses |
20 |
30 |
| 115 |
A 20th century print after Alfred De Breanski of a Scottish mountain lake with stag and Highland cattle. |
10 |
20 |
| 120 |
A 19th century pastel on paper, coastal scene depicting a boy and a girl carrying a young girl in fishing nets with fishing boat and sea to background, indistinctly signed to lower left and housed in an ebonised frame |
40 |
60 |
| 121 |
20th century abstract oil depicting an entwined couple with figure watching, with signature and label to verso |
30 |
40 |
| 122 |
In the manner of George Cattermole (1800-1868), ‘Hay Barge’, watercolour, framed and glazed, with information to verso |
15 |
20 |
| 123 |
A 20th century Sylvia Edwards poster depicting animals against a forest background. |
10 |
20 |
| 125 |
An early 20th century watercolour entitled ‘Near Chepstow’ by J. Halford Ross, signed lower left and housed in a gilt wood frame decorated with floral swags |
30 |
40 |
| 126 |
A hand-coloured engraving of a cathedral with figures to the fore, indistinctly signed to lower right and housed in an ebonised frame |
20 |
30 |
| 127 |
De Groot, landscape, oil on canvas, depicting a lake surrounded by trees with hills to background, signed to lower right and unframed |
20 |
30 |
| 132 |
A 19th century watercolour of an estuary with moored yachts to fore, monogrammed ‘W’ to lower left and housed in an ornate gilt wood frame |
20 |
30 |
| 133 |
M Oliver Rae, ‘Exeter College, Oxford’, an etching, signed, 14cm x 18.5cm, framed and glazed |
10 |
15 |
| 134 |
A late 19th/early 20th century crystoleum depicting a mother and child |
20 |
40 |
| 135 |
A Middle Eastern abstract oil on board decorated with relief moulding, unframed |
30 |
50 |
| 136 |
H Gordon, gouache of a rocky coastal scene with cliffs to background, signed to lower right |
40 |
60 |
| 137 |
An early 20th century oil on board of a Continental hillside village with sea to background with signed label to verso |
15 |
20 |
| 143 |
A mid-20th century watercolour depicting a sailing boat and gulls on rough seas with white cliffs in background |
10 |
20 |
| 144 |
A 19th century over-coloured photograph of John Morgan Williams, born 1777-1866, from Bridgend, housed in a gilt frame |
10 |
20 |
| 145 |
A late 20th century oil on board of sailing boats at night, signed to lower right Liom and housed in a white painted frame |
10 |
20 |
| 146 |
A 20th century diorama of the ‘Lady Daphine’ a Spritsail Thames barge, signed to lower right B. Martin and dated 1997, housed in a wooden box frame |
15 |
20 |
| 147 |
A small oil on board entitled ‘Pendle Hill, Clitheroe’ |
10 |
20 |
| 148 |
Two 19th century prints, possible book plates, ‘French Illustrators in Five Parts’ by Louis Morins, part 5 and 4 dated 1893, both housed in gilt frames |
40 |
60 |
| 151 |
A late 19th century coloured etching of stags and does on a hillside together with a 20th century engraving of a huntsman with spaniels shooting mallard |
20 |
30 |
| 152 |
An early 20th century Oriental print ‘Beauty’ depicting a female and a monkey flanked by cyphers, originally designed by Harunobo, with label to verso |
10 |
20 |
| 153 |
A 19th century gilt and gesso picture frame |
20 |
30 |
| 154 |
Two Middle Eastern oil on board abstract paintings, both signed to lower left and dated 1992, housed in ebonised frames |
30 |
40 |
| 155 |
A pair of abstract framed prints |
10 |
20 |
| 158 |
One box of assorted Victorian and later oils, watercolours, etchings, limited edition prints, etc |
15 |
20 |
| 172 |
Three Spy prints depicting J H Taylor, Mr H Mallaby-Deeley and Mr Horace H Hilton plus other prints |
20 |
30 |
| 179 |
Assorted pictures, prints and photographs to include signed limited edition print 118/850 entitled ‘The Screw Guns’ and a watercolour depicting a windmill monogrammed D.T. to lower right together with a large collection of unframed classic prints (2 boxes) |
30 |
40 |
| 182 |
A pair of 20th century wool work panels depicting classical figures housed in gilt frames together with Eileen Greenwood ‘Four Castle Cats’ limited edition print 37/250, a Helen Rhodes ‘Sweet Temptation’ limited edition print 179/850 plus a late 19th century coloured engraving ‘Cattle Early Morning’ |
20 |
30 |
| 189 |
Two boxes of assorted pictures and photographs to include military interest, watercolours, prints, photographs etc |
20 |
30 |
| 198 |
Military interest, an OBE certificate awarded to Major Peter George Elliott of the Royal Regiment of Artillery signed by the Queen and Prince Phillip and dated January 1st 1960, a letter from Buckingham Palace regarding the wearing of another medal to be worn at Her Majesty’s Coronation, 2nd June 1953, a collection of photos relating to Major Elliott’s regiments and parades, an Artillery Practice Map of Lark Hill, West Down with operation information to reverse, other War Office maps, military prints and ephemera plus a collection of hand-drawn diagrams and plans for military vehicles (1 box) |
80 |
120 |
| 205 |
Sarah L Goode, ‘Forest Heights’, artist’s proof, coloured etching, signed to lower margin, unframed |
10 |
20 |
| 242 |
An assortment of prints including marine and rural landscape subjects (5 items) |
10 |
20 |
| 246 |
An Oriental print of a carp swimming beneath an overhanging bough, character marks to lower right, together with three framed and glazed similar Oriental prints (4 items) |
15 |
20 |
| 251 |
A pair of late 19th century gilt wood picture frames with moulded acanthus leaf decoration |
15 |
20 |
| 253 |
A 19th century giltwood gesso oval picture frame with ribbon bow and floral decoration |
15 |
20 |
| 257 |
A pair of gilt floral decorated oval picture frames together with a circular polished aluminium mirror frame |
15 |
20 |
| 305 |
A pair of 19th century colour engravings entitled ‘Guinea Pigs’ and ‘Dancing Dogs’, originally painted by G. Morland, housed in gilt frames |
10 |
20 |
| 317 |
Assorted photographs in ornate gilt frames (1 box) |
10 |
20 |
| 326 |
Assorted pictures and prints to include framed engravings and prints together with a framed and glazed woolwork picture |
10 |
20 |
| 327 |
Four framed prints taken from book plates depicting tulips and palms |
10 |
20 |
| 329 |
Assorted prints, engravings, watercolours, silhouettes etc (1 box) |
10 |
20 |
| 332 |
Two 19th century engravings one depicting The Battle of Trafalgar, three J. Spurling shipping prints plus two others |
10 |
20 |
| 335 |
An abstract oil on canvas depicting symbols and a central figurative scene, signed |
40 |
60 |