Pictures and Prints – 22nd February 2014

Lot No Description Low Est High Est
5 A Reeves ‘Tree’, pencil drawing, signed to lower right and housed in an aluminium frame 10 20
6 A pair of prints entitled ‘A Courtyard, Dorking’ and ‘ A Corner of Old Dorking’, both signed by the artist George H Downing, framed and glazed 15 25
7 A framed watercolour of lilies and an architectural print 10 20
13 A 20th century watercolour, seascape, depicting flowers to the fore and rocks to the background, possibly monogrammed J G to lower left and with inscription to verso 10 20
14 N.G. Wykes, watercolour and gouache, ‘Wild Grasses’, signed and dated 1935 to lower right and housed in an ebonised frame 10 20
15 An abstract oil on canvas of panels, possibly depicting lacework, unsigned and unframed 30 50
16 Jean Oxley, watercolour of a hillside village, signed to lower right and dated ’91, housed in a wooden frame 10 20
17 A late 19th century engraving, over painted in watercolours, depicting huntsmen stalking a deer at the water’s edge, unsigned and housed in a gilt frame 10 20
23 A late 19th/early 20th century watercolour depicting a three-mast steam ship and fishing boats, indistinctly monogrammed to lower right and housed in a stained oak frame 10 20
24 A 20th century pen and ink drawing of a period family house in Beckley, indistinctly signed to lower right and housed in a mahogany frame 10 20
25 An oil on canvas depicting a Middle Eastern skyline, with enamelled decoration in part surrounded by panels of symbols and deities, framed 40 60
26 A 19th century oil on board, still life of flowers and fruit, indistinctly signed to lower right and housed in an ebonised frame 15 20
27 J.C.Harrison, limited edition print 356/500 of partridges in flight, signed in pencil to lower margin and housed in a mahogany frame 10 20
32 An oil on board, still life of daffodils 10 20
33 J. Williamson-Bell, ‘Crab’, artist’s proof embossed print, signed to lower margin with gallery label to verso 10 20
34 Rowland Hilder, limited edition print ‘The Road to the Farm’, signed 15 20
35 Early 20th century, figure walking on a pathway with windmill to background, watercolour, unsigned, 22cm x 28cm, housed in a gilt frame 10 20
36 M. Fahey, ‘Chrysanths on the brick’, pastel, signed to lower right and dated ’87, inscribed to verso 10 20
43 20th century watercolour depicting seated African female, indistinctly signed to lower right and housed in a white painted frame 30 40
45 A 19th century hand-coloured map of the United Kingdom, possibly Norwegian, dated 1844 20 30
46 20th century oil on canvas depicting a Continental town square with buildings, fountain and palms, indistinctly signed to lower right and housed in  a gilt frame 30 40
50 An early 19th century pictorial sampler with verse signed Elizabeth Stockton 1824 housed in an oak glazed frame 30 50
51 An early 20th century Continental watercolour depicting a sea wall with figures and mountains to background, unsigned and housed in a gilt frame 10 20
52 A 19th century pine panel decorated with cherub and swag decoupage, possibly once a table top 10 15
53 M. Fahey, ‘In Front of the Low Piggery’, pastel depicting summer flowers against brick buildings, inscribed to verso 10 20
54 A print of an elephant after David Shepherd, signed in pencil to the mount and two prints, also by David Shepherd of elephants and a rhino, unsigned, all framed and glazed 30 50
57 20th century Jordanian, flowers in a bowl, oil on canvas, signed in Arabic to lower right 64cm x 53cm, unframed, Art Gallery label to verso 10 20
58 Donald Maxwell (1877-1936), ‘Lympne’, a hand-coloured print, signed to lower right, inscription to verso reads: ‘Gift from Ken Bronwin after the death of his mother and the break-up of the family home.’ 15 20
59 M. Knox (20th century), an alpine scene, oil on canvas, signed, 17cm x 24cm, housed in an ornate gilt frame 10 20
61 M. Fahey, ‘Chrysanthemums in pewter ewer with quince’, still life, watercolour, inscribed to verso and dated ’91 10 20
62 M.Fahey, pastel depicting a forest pond with figure to background, signed to lower right and dated ’98 10 20
68 A Middle Eastern abstract oil on board with scrolling design in relief, signed to lower left, gallery label to verso, housed in a gilt and wood frame 30 40
69 E.J.Cordell, pastel of a spaniel, signed and dated 1990 to lower right, housed in a gilt wooden frame 20 30
70 A Middle Eastern abstract oil on canvas, signed to lower left and dated 2004, housed in a gilt wood frame 50 70
71 Oil on board, Jabbar Salman, Iranian, depicting a nomadic village, unsigned and housed in a gilt wood frame 40 60
72 A 19th century engraving of a blindfolded female, possibly with printed signature Fredi Holly and housed in an oak frame. 10 20
76 W Grant Murry, watercolour, figure punting on river with trees and fields to background, signed to lower left and dated 1906 30 50
77 An Indian gouache of mythical creatures 10 15
78 A 1975 Deborah Thompson BIBA-style poster/print depicting a floral patterned couple by Dawn Publications, Brighton 40 60
79 An early 19th century silk-work panel depicting a pair of parrots housed in a faux rosewood frame 20 30
80 20th century comical watercolour depicting a street scene with dancing sailors, indistinctly signed to lower right 20 30
84 An early 20th century colour print depicting a Venetian scene, signed C Kiwihara in pencil to lower margin 10 20
85 A large oil on canvas depicting a Nomadic settlement, signed to lower right, possibly Jabbar Salman 80 120
86 M. Fahey ‘ End of Summer’ still life pastel depicting dying flowers, inscription to verso and dated 1999 10 20
90 A. Chamberlin, oil on canvas depicting fields, trees and skyline with inscription to verso 10 20
93 A. Minotto, watercolour of a Venetian scene, gondola on canal between elegant buildings, signed to lower left and housed in a chequer-strung frame 10 20
97 An early 20th century watercolour of Penshurst depicting a village scene with figures and houses 40 50
98 An oil on board, landscape with buildings to background and boats to fore, signed and dated to lower right Abo Karimo Mairy and signature to reverse 20 30
99 J L Chapman, oil on board, ship sending up a flare in stormy seas 30 50
100 A large Iranian abstract oil on canvas, signed to lower left, framed, bearing gallery label to verso 40 60
101 Robin Armstrong, limited edition print of a trout taking a fly, numbered 495/500, signed lower left, framed and glazed together with a hand-coloured print entitled ‘Durham Cathedral’, framed and glazed (2 items) 10 20
104 A watercolour of a farmhouse by F.A.Towners, signed and dated ’65 10 15
105 A 19th century etching entitled ‘Worried’ by Richton apres Niccoll, housed in an oak frame together with a 19th century print of a man and a woman giving thanks for their crop, signed Fx Paulez to lower right, framed (2 items) 10 20
106 A 1920s/30s nursery print depicting a young boy fishing amongst irises with swallows, swans and lapwings to background. 10 20
108 Oil on canvas in the style of Lebanese artist Paul Guiragossian depicting a figural group in traditional dress, signed and dated to lower left 60 80
109 J. P. Hammersley, ‘Bridge over Cradley Brook Wood’, engraving, limited edition 1/16, monogrammed to margin and signed label to verso, dated 1987-1988 10 20
110 William Neill (20th century, Scottish), a pair of signed limited edition prints of waterfowl entitled ‘Balranald’, numbered 159/200 and ‘Faoileag-an-Sgadain’ numbered 152/200, each framed and glazed and originally retailed by Roger Green Fine Art, High Halden, Ashford, Kent 15 20
114 Six prints by Tony Escott commissioned in 1971 to decorate public houses 20 30
115 A 20th century print after Alfred De Breanski of a Scottish mountain lake with stag and Highland cattle. 10 20
120 A 19th century pastel on paper, coastal scene depicting a boy and a girl carrying a young girl in fishing nets with fishing boat and sea to background, indistinctly signed to lower left and housed in an ebonised frame 40 60
121 20th century abstract oil depicting an entwined couple with figure watching, with signature and label to verso 30 40
122 In the manner of George Cattermole (1800-1868), ‘Hay Barge’, watercolour, framed and glazed, with information to verso 15 20
123 A 20th century Sylvia Edwards poster depicting animals against a forest background. 10 20
125 An early 20th century watercolour entitled ‘Near Chepstow’ by J. Halford Ross, signed lower left and housed in a gilt wood frame decorated with floral swags 30 40
126 A hand-coloured engraving of a cathedral with figures to the fore, indistinctly signed to lower right and housed in an ebonised frame 20 30
127 De Groot, landscape, oil on canvas, depicting a lake surrounded by trees with hills to background, signed to lower right and unframed 20 30
132 A 19th century watercolour of an estuary with moored yachts to fore, monogrammed ‘W’ to lower left and housed in an ornate gilt wood frame 20 30
133 M Oliver Rae, ‘Exeter College, Oxford’, an etching, signed, 14cm x 18.5cm, framed and glazed 10 15
134 A late 19th/early 20th century crystoleum depicting a mother and child 20 40
135 A Middle Eastern abstract oil on board decorated with relief moulding, unframed 30 50
136 H Gordon, gouache of a rocky coastal scene with cliffs to background, signed to lower right 40 60
137 An early 20th century oil on board of a Continental hillside village with sea to background with signed label to verso 15 20
143 A mid-20th century watercolour depicting a sailing boat and gulls on rough seas with white cliffs in background 10 20
144 A 19th century over-coloured photograph of John Morgan Williams, born 1777-1866, from Bridgend, housed in a gilt frame 10 20
145 A late 20th century oil on board of sailing boats at night, signed to lower right Liom and housed in a white painted frame 10 20
146 A 20th century diorama of the ‘Lady Daphine’ a Spritsail Thames barge, signed to lower right B. Martin and dated 1997, housed in a wooden box frame 15 20
147 A small oil on board entitled ‘Pendle Hill, Clitheroe’ 10 20
148 Two 19th century prints, possible book plates, ‘French Illustrators in Five Parts’ by Louis Morins, part 5 and 4 dated 1893, both housed in gilt frames 40 60
151 A late 19th century coloured etching of stags and does on a hillside together with a 20th century engraving of a huntsman with spaniels shooting mallard 20 30
152 An early 20th century Oriental print ‘Beauty’ depicting a female and a monkey flanked by cyphers, originally designed by Harunobo, with label to verso 10 20
153 A 19th century gilt and gesso picture frame 20 30
154 Two Middle Eastern oil on board abstract paintings, both signed to lower left and dated 1992, housed in ebonised frames 30 40
155 A pair of abstract framed prints 10 20
158 One box of assorted Victorian and later oils, watercolours, etchings, limited edition prints, etc 15 20
172 Three Spy prints depicting J H Taylor, Mr H Mallaby-Deeley and Mr Horace H Hilton plus other prints 20 30
179 Assorted pictures, prints and photographs to include signed limited edition print 118/850 entitled ‘The Screw Guns’ and a watercolour depicting a windmill monogrammed D.T. to lower right together with a large collection of unframed classic prints (2 boxes) 30 40
182 A pair of 20th century wool work panels depicting classical figures housed in gilt frames together with Eileen Greenwood ‘Four Castle Cats’ limited edition print 37/250, a Helen Rhodes ‘Sweet Temptation’ limited edition print 179/850 plus a late 19th century coloured engraving ‘Cattle Early Morning’ 20 30
189 Two boxes of assorted pictures and photographs to include military interest, watercolours, prints, photographs etc 20 30
198 Military interest, an OBE certificate awarded to Major Peter George Elliott of the Royal Regiment of Artillery signed by the Queen and Prince Phillip and dated January 1st 1960, a letter from Buckingham Palace regarding the wearing of another medal to be worn at Her Majesty’s Coronation, 2nd June 1953, a collection of photos relating to Major Elliott’s regiments and parades, an Artillery Practice Map of Lark Hill, West Down with operation information to reverse, other War Office maps, military prints and ephemera plus a collection of hand-drawn diagrams and plans for military vehicles (1 box) 80 120
205 Sarah L Goode, ‘Forest Heights’, artist’s proof, coloured etching, signed to lower margin, unframed 10 20
242 An assortment of prints including marine and rural landscape subjects (5 items) 10 20
246 An Oriental print of a carp swimming beneath an overhanging bough, character marks to lower right, together with three framed and glazed similar Oriental prints (4 items) 15 20
251 A pair of late 19th century gilt wood picture frames with moulded acanthus leaf decoration 15 20
253 A 19th century giltwood gesso oval picture frame with ribbon bow and floral decoration 15 20
257 A pair of gilt floral decorated oval picture frames together with a circular polished aluminium mirror frame 15 20
305 A pair of 19th century colour engravings entitled ‘Guinea Pigs’ and ‘Dancing Dogs’, originally painted by G. Morland, housed in gilt frames 10 20
317 Assorted photographs in ornate gilt frames (1 box) 10 20
326 Assorted pictures and prints to include framed engravings and prints together with a framed and glazed woolwork picture 10 20
327 Four framed prints taken from book plates depicting tulips and palms 10 20
329 Assorted prints, engravings, watercolours, silhouettes etc (1 box) 10 20
332 Two 19th century engravings one depicting The Battle of Trafalgar, three J. Spurling shipping prints plus two others 10 20
335 An abstract oil on canvas depicting symbols and a central figurative scene, signed 40 60
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