Pictures and Prints – 26th April 2014

Lot No Description Low Est High Est
140 A 19th century oil on canvas of a seated lady, unsigned, with inscription to verso ‘Matilda Lucas married to James H Euthoren, to go to Sir Arthur Lucas or his son Claude’, housed in an ornate gilt frame, 34cm x 29cm 200 300
141 Sir William Russell Flint ‘White Interior’ polychrome print, signed in pencil to lower margin, 49cm x 66.5cm 100 120
142 Sir William Russell Flint ‘Conversation, St. Martin D’Ardeche’, polychrome print, signed in pencil to lower margin, 53cm x 68cm 100 120
143 Circle of John Brett (1831 – 1902), coastal scene, oil on canvas, signed lower right and dated 1879, housed in gilt frame with gesso detail, 29cm x 49cm 100 150
144 20th Century British, cottages by lake, oil on board, unsigned, with another painting en verso of figures in a street, also unsigned, housed in gilt gesso frames, 19cm x 29cm 20 30
145 Elsie Hall. still life of fruit, oil on canvas, signed lower left and dated 1905, housed in gilt frame with gesso detail, 33cm x 51 cm 40 60
146 A 20th century abstract oil on board, monogrammed to lower left ‘DGJ’, housed in a pine frame, 46cm x 67cm 15 25
148 Legh Mulhall Kilpin 1853-1919, ‘Sorrell’, unsigned, framed, 37cm x 54cm 60 100
149 W H Barrow, huntsman and hounds at Battle Abbey, watercolour, signed to lower right, housed in gilt frame, 18.5cm x 30cm 150 200
150 Patrick Hughes, ‘Made in Sky’, screenprint, limited edition 3/150, signed in pencil to lower margin and dated ’79, 54cm x 54cm 100 150
151 Patrick Hughes, ‘Registered Rainbows’, artist’s proof VI/XV, signed in pencil to lower margin and dated ’80, 66cm x 56cm 100 150
152 19th century British, Victorian lady in mourning dress with lace bonnet holding a book, oil on canvas, unsigned, housed in gilt frame, 65cm x 51cm 50 70
153 A George I small hand-coloured map of Cornwall, ‘The Road from Exeter to Truro in Cornwall’, 18.5cm x 12cm, framed and glazed 25 35
154 After Cecil Aldin, colour print depicting a female figure and dog carrying a sack of grain to a moonlit windmill, signed in pencil with sketch of a dog to lower margin and housed in a glazed mahogany frame, 24.5cm x 24.5cm. 30 40
155 Dion Pears, ‘The Niagara coming through the British line’, oil on canvas, signed lower left, 76cm x 92cm 100 120
156 M.J.Randall, coastal and beach scenes, pair of oil on board, both signed, 19.5cm x 24.5cm 100 150
157 Sergie Arragones, three cartoons depicting Lindblad South Atlantic Expedition 1970, pen and watercolour, each 21cm x 29.5cm 250 350
158 F.W.Sturge 20th century, waves crashing against cliffs, signed lower right, housed in a gilt frame, 26cm x 36cm 60 100
159 Michael Valestin (b.1962, Haitian), a study of a hen, acrylic on canvas, signed, framed, 39.5cm x 49.5cm 150 200
160 Jacques Valmidor (b1955, Haitian), figures, animals and mythical creatures in a lush landscape, acrylic on canvas, signed, unframed, 61cm x 51cm 100 150
161 Jacques Valmidor (b1955, Haitian), townsfolk with houses and river in distance, acrylic on canvas, unframed, 51cm x 61cm 100 150
162 John Ryan (Scottish 1921-2009), reply letter on headed paper discussing a proposed character, Colonel Rottweiller with illustrations, signed and dated 26th Nov, 1989, framed and glazed, 29.5cm x 20.5cm NB: John Ryan was the illustrator of Captain Pugwash whilst living in Rye 70 100
163 Lennard Lewis (1826-1913), Continental harbour scene, watercolour, signed lower left and dated ’98, framed and glazed, 24cm x 53cm 60 100
164 J. Manners, watercolour, female with geese, signed to lower right, 20cm x 30 cm 150 170
165 A.W.Weeden, figures harvesting, watercolour, signed lower left, 20.5cm x 35cm 100 150
166 An early 20th century watercolour, coastal scene with cliffs to background, indistinctly signed to lower right, 12cm x 18.5cm 30 50
167 A late 19th/early 20th century watercolour of a young girl, monogrammed ‘SS’, 34cm x 29cm 70 80
168 N.S. Crichton, pair of watercolours, canal scenes, both signed to lower right, 38cm x 17cm 150 200
169 Tom Clough, ‘Newlyn’, watercolour depicting a harbour scene, signed to lower left, 24cm x 48.5cm 600 800
170 John Mitchell Cantle (1849-1919) Australian, pair of watercolours, magpies with insect on branch and a Kookaburra on branch, both signed J.M.Cantle, both 33cm x 20 cm 100 150
171 Dr Thomas Boswell Watson (1815-1860) ‘A Small Sailing Craft’, pen and ink, with exhibition label to verso for ‘Artists of the China Coast 1994’, 9cm x 9cm 150 200
172 Dr Thomas Boswell Watson (1815-1860), Chinese junk, pen and ink, 9cm x 9cm 150 200
173 Ray Highams ‘Geishas’, 20th century watercolour, signed to lower right, 29cm x 19cm 50 70
174 Rowan Crew RBA, b. 1952, oil on board, landscape depicting fields with windmill and buildings to background, signed to lower right, 15.5cm x 31cm 100 150
175 Rowan Crew RBA, b. 1952, ‘Old Romney Across the Marsh’, acrylic, signed to lower right with label to verso, 15cm x 33cm 100 150
176 J.H.Powell, watercolour, estuary scene with bridge, boats and village to background, signed to lower right, approximately 26.5cm x 36.5cm 60 100
177 R. Herdman-Smith F.R.S.A., A.R.W.A., ‘Loch Lomond’, original aquatint engraving, edition limited to 150 signed artist’s proofs, signed and titled in pencil to lower margin with label to verso, 23cm x 29cm 50 70
178 Boris O’Klein, ‘Servate Bar’, coloured etching depicting dogs drinking at bar, signed to lower right, titled in pencil to lower left margin and dated 1938, 17.5cm x 35cm 60 100
179 W R Howard, 1900-1978, watercolour, river scene with village and church to background, signed to lower left and dated 1977, 17cm x 26cm 40 60
180 Beryl Cook, colour print, ‘Ladies playing Pool’, signed to lower right in pen, 24.5cm x 29.5cm 100 150
181 Graham Everden, b.1947, ‘Grasses and Poppies’, limited edition etching 287/350, signed in pencil to lower margin with labels to verso, 20cm x 13cm 80 120
182 A 19th century possible Dutch school oil on veneer depicting a river scene with windmill, boats and buildings to background with inscription to verso, housed in an ornate gilt frame, 29cm x 34cm 150 200
183 Jan Pienkowski British/Polish b.1936, seven ‘Gallery Five’ coloured screen prints, two nasturtiums, two anemone, one pansy, one poppy, one sunflower, all 90cm x 90cm 100 150
184 Leslie Woolaston, ‘Chalk Hill’, oil on canvas depicting a harbour scene, signed to lower left and dated ’66 with labels to verso 49cm  x 59.5cm 250 350
185 Fred Lister ‘The Blockdale Runner’ watercolour depicting WWI gun ships, signed to lower left and dated 1916, 24.5cm x 35cm 30 50
186 Fred Lister, watercolour depicting the steamer ‘Memphan’, signed to lower left and dated 1915, 24.5cm x 35cm 30 50
187 Teng Chuah Thean (1912-2008) Batik printing moonlight seascape with female on jetty and male in boat with mountains to background, signed, 65cm x 89cm 2000 3000
188 Khalil Ibrahim (1934) Batik printing religious scene depicting a deity on horseback with disciples and waving figures, signed and dated ’67, 61cm x 84cm 1000 2000
189 Bodge ‘Garden Love’, acrylic on board. Borth artist inspired by local land and seascapes, has exhibited in Wales and England and has done many community murals 100cm x 40cm 100 150
190 Giovanni Maria Mossa, lady in a hat, oil on canvas, signed lower left, with inscription to verso, 27cm x 20.5cm 250 350
191 Vilmo Gibello (b. 1916) 20th century abstract continental street scene with figures, oil on canvas signed to lower right with inscription to verso (please see artist’s website) 75cm x 49.5cm 350 450
192 Amsterdam scene, Joseph Albert Terry, oil on board, housed in an ornate gilt brass frame, 29cm x 24.5cm 300 500
193 Two Mongolian paintings on silk, one depicting huntsmen the other a dignitary and followers, 41cm x 27.5cm and 47cm x 34cm 80 120
194 A Mongolian hand-painted miniature scene depicting fishermen, framed, 7cm dia 30 50
195 An 18th century oval portrait miniature on ivory of a young woman, housed in an ornate oval gilt frame, 6cm x 4.75cm 150 200
196 A 19th century portrait miniature on ivory of a gentleman, housed in a 5.25cm x 4.25cm rectangular ebonized frame with gilt metal mounts 80 120
197 A 19th century oval portrait miniature on ivory of a Russian Orthodox priest with a feather quill in his hand, 7.75cm x 6.5cm, housed in a rectangular rosewood frame with gilt metal mounts 150 200
198 A Georgian oval portrait miniature on ivory of a boy, housed in a rectangular ebonized frame with gilt metal mounts, 7.25cm x 5.75cm 100 150
199 An 18th century rectangular portrait miniature on ivory of Prince Josef Antoni Poniatonski (1763-1813), housed in a rectangular ebonized frame with gilt metal mounts, 9.75cm x 7.25cm 150 250
200 A 19th century oval portrait miniature on ivory of a gentleman, signed F.Luff, 5.5cm x 4.5cm housed in a pinchbeck brooch with keepsake panel to the verso housing locks of hair and half pearls, the brooch housed in a rectangular ebonized frame with gilt metal mount 100 150
201 An oval portrait miniature on ivory of a Georgian lady, housed in a gilt metal frame, 7cm x 5.5cm 80 120
202 An oval portrait miniature on ivory of a gentleman, housed in an ebonized frame with gilt metal mount, 6.5cm x 5cm 100 150
203 A 19th century portrait miniature of a gentleman on ivory, signed S. Drach and dated 1884, housed in an ebonized frame, 7.5cm x 6cm 100 200
204 Three 19th century miniature studies on ivory depicting important Indian buildings including the Taj Mahal, all housed in oval ebonized frames, each approximately 3.5cm x 4.5cm 80 120
205 An oval portrait miniature on ivory of an 18th century lady housed in a 19th century ornate gilt metal frame with label to verso inscribed Marie Antoinette, 6.5cm x 5cm 100 120
206 A late 18th century portrait miniature on ivory of Lady Elizabeth Foster (1759-1824) who was a novelist and later became the Duchess of Devonshire. Her colourful life was depicted in the 2008 film ‘The Duchess’. Housed in a gilt brass mount and ebonized frame, 9.25cm x 7.25cm 120 180
207 A Georgian circular portrait miniature on ivory of a lady wearing pearls, unsigned, housed in an oval gilt frame, indistinct inscription in biro to the verso, possibly ‘Fox, Duchess of…’ 6.5cm dia 100 200
208 An oval portrait miniature on ivory of a gentleman, housed in an ornate gilt metal frame, 5.75cm x 4.25cm 100 150
209 An Edwardian oval miniature pencil sketch of a lady, housed in a silver gilt frame, London 1906, 7.5cm x 6cm 50 80
210 A Georgian oval portrait miniature on ivory of a young girl, housed in an ebonized frame, 6cm x 4.75cm 100 150
211 A 19th century oval portrait miniature on ivory of a gentleman, housed in an oval gilt frame, 6.75cm x 5.5cm 80 120
212 An 18th century oval portrait miniature of Princess Sophia of Gloucester (1773-1884) housed behind domed glass with gilt surround, housed in an ebonized frame, 8cm x 6.5cm 150 200
213 A small oval miniature portrait on ivory of a woman, housed in an ebonized oval frame, 4.5cm x 3.5cm 100 150
214 Murielle Bird, oval portrait of Mary Howitt, watercolour, label to verso with inscription and dated 1874, 20cm x 15.5cm 30 50
215 A collection of ten 18th and 19th century silhouettes, housed in papier maché frames 300 500
216 A small circular Edwardian watercolour portrait of a lady, 9.5cm dia 10 20
217 William Trost Richards (American 1833-1905), waves crashing on rocks, watercolour, signed and dated 1876, inscribed ‘Phill’, 22.5cm x 35cm 1000 1500
218 20th Century, track within trees, oil on canvas, unsigned, housed in a 19th century ornately carved gilt frame, 46cm x 38cm 200 300
219 H.W. Hicks, pair of watercolours, both depicting moorland scenes with heathers, hills and sheep, both signed to lower right and housed in gilt frames, 13cm x 37cm 30 50
220 I. Kirkpatrick, watercolour depicting desolate houses, signed to lower right, 17cm x 51cm 40 60
221 A 19th century oil on board depicting dogs, unsigned and housed in a maple frame, 14cm x 19cm 100 120
222 A 19th century Indian painting on silk of an elephant, 90cm x 102cm 250 300
223 Richard D Winter, pair of engravings of canal scenes, signed, framed, 27cm x 68.5cm 60 100
224 A watercolour of the main deck of a tall ship, indistinctly signed to lower left, 24cm x 32cm 60 80
225 An early 20th century oil on canvas of a Dutch canal and street scene, possibly signed J.Thulger. 40cm x 60cm 50 70
226 A 19th century oval portrait miniature of a gentleman, the reverse housing a glazed keepsake panel 7cm x 5.5cm 100 150
228 Frank Stratford, otter with its catch, oil on canvas, signed lower left 24.5cm x 35cm 1000 1200
229 John Brunsdon (1933) etching ‘Moonshine’ with aquatint. Limited edition 57/100 signed in pencil to lower margin. 30cm x 22cm 60 80
230 John Brunsdon (1933) ‘Little Fry Up’ etching with aquatint, artist proof 5/15 signed in pencil to lower margin. 29.5cm x 44cm 120 150
231 John Brunsdon (1933) ‘Gower’ etching with aquatint, limited edition 53/125 signed in pencil to lower margin. 44.5cm x 59.5cm 120 150
232 John Brunsdon (1933) ‘Worms Head’ etching with aquatint, limited edition 27/150 signed in pencil to lower margin. 60.5cm – 45cm 120 150
233 Jennie Tomsley ‘Window on a Wood’ Dunwich limited edition 34/34, signed in pencil to lower margin. 29cm x 43cm 50 70
234 Vilmo Gibello (b.1916) ‘The Pyramid’ abstract oil on canvas, signed to upper right with inscription to verso, unframed (please see artist’s website) 38cm x 46cm 350 450
This entry was posted in Pictures and Prints. Bookmark the permalink. Both comments and trackbacks are currently closed.