Pictures and Prints – 21st April 2012

Lot No Description Low Est High Est
6 A village street scene oil on board, signed Peter Collens and one other of a Continental street scene (2 items) 10 20
7 A print after D’oyle John and two other pictures (3 items) 10 15
8 An oil on board of the windmill in Cranbrook initialled ‘B’ and dated ’53 and another oil on board of rural buildings, unsigned 10 15
12 A limited edition print by David Aspinall of a view of Bedgbury School from the lake, numbered 23/250, signed twice lower right 15 20
13 An oil on board of a fishing boat at anchor, indistinctly signed 40 60
14 A chalk and charcoal picture of figures performing judo, an oil on canvas of a river scene and other pictures (4 items) 20 30
15 A modern oil on canvas of a seascape, unsigned 10 20
16 A framed indenture dated 1810 10 20
17 A collection of Beryl Cook prints and greetings cards (1 box) 20 40
24 Framed oil on board ”Glebe Farm” indistinctly signed to lower right, together with a crewel work panel of roses 10 20
29 A pair of contemporary fabric prints ‘Slate Fissures’, signed and initialled Olwen Thomas 30 40
34 Two Victorian hand coloured engravings entitled Westminster Pit and Bull Broke Loose 40 60
36 P.Vass after Fragonard ”The Fair Haired Boy” watercolour, together with a framed watercolour of a watermill signed S.H.Elliott dated ’59 (2 items) 10 20
37 An oil on board of a highland river scene, unsigned, the verso with faint inscription and signature 10 20
41 An oil on board of a stone bridge in a lakeland scene, by Betty Phelps, two other pictures by the same artist and a print (4 items) 10 20
42 A Pears print entitled ” Naughty Boy or Compulsory Education” by Briton Riviere RA housed in a faux green marble frame, together with another similar titled ”The Fisher Lass” 20 30
43 A signed etching by James E Bostock, R.E. (1917-2006) entitled ”The Great Hall of Crosby Hall” 25 35
48 A watercolour of a woodland scene, indistinctly signed to lower left, possibly by Miss J Harrison-Brown circa 1908, housed in a gilt frame 20 40
50 Watercolour ”Lone Pine Tree”, signed and an etching by N.Jones ”Hen” signed and numbered (2 items) 30 50
51 Sheila (SAM) Vaughn ”Edwardian Interior” still life of flowers, signed. 60 80
55 A hand coloured map of North America, framed 15 20
56 A watercolour of a farm cart passing a group of pines by Mary Ellen Haward, signed 35 45
57 A framed print of two seated ladies talking, housed in an ebonised frame 15 20
58 A framed Victorian wool work picture of a lady 30 40
59 An oil on canvas of a spaniel retrieving a mallard,, signed R Mason, housed in gilt frame 30 40
60 A collection of framed Louis Wain prints ( 2 boxes) 25 35
65 A limited edition print by David Birtwhistle, ‘The King’s School, Worcester’. 101/250, signed lower right 20 30
66 A Victorian framed floral wool work picture of flowers 20 30
68 A Victorian etching entitled ”The Valley Farm” engraved by George Sanders, from the original painting by John Constable, date 1875, housed in a gilt and ebonised frame 20 30
69 An oil on board in ornate frame of wooden framed houses and town fountain, signed 30 40
70 A pair of 19th century oil on canvas of Ramsgate Lifeboat, entitled ‘Going to the Rescue’ and ‘The Rescue’, each indistinctly signed lower right (possibly E Hemingway ?) dated 1878 and signed and titled to the verso, dated 1878 60 80
76 A pair of wool work pictures of village scenes 40 60
81 A large oil on board of Bodiam Castle with figure in the foreground, signed N F.Gibson, dated 1889 40 60
91 A limited edition 1/50 photographic canvas entitled ”Eat, Drink & be Merry” from an original painting, with signed certificate of authenticity to back 20 30
92 An unframed oil on canvas of a mountain scene 50 60
93 An oil on board by Elizabeth Hunt of a garden gateway, framed 20 30
100 An etching entitled ”Mrs Cooper knitting”, by Doris Marion Stacey (Exhibited 1918-1936), signed 40 60
101 A watercolour of chrysanthemums by Ellen Genn, signed and dated 1879 35 45
102 A watercolour entitled ”Feeding Time for Ducks” by Sian Wilkins, signed 10 15
103 A watercolour still life of poppies, signed to lower right E.Heron, housed in a gilt and ebonised frame 20 30
104 A pair of framed coloured prints both depicting hunting scenes, one entitled ”The Death” 20 40
112 A pair of oils on canvas, one depicting a mountain river scene the other a bridge crossing a river flanked by mountains, both by the same artist, one indistinctly signed to lower right 30 40
113 A watercolour of a man fishing from the quay. the city in the distance, possibly by Cyril Chitty circa 1905, housed in a gilt frame 20 30
114 An oil on canvas of ladies by a lakeside chateau, signed De Bois to lower right, housed in a gilt frame 15 20
116 A 19th century Chinese hand painted festival scene on silk with character name to the bottom left hand corner 50 80
117 A limited edition hunting print, numbered 254/375, signed to lower right 20 30
120 An oil on board of a rural landscape and another river scene by Jane Allan, a 20th century British artist, both signed 10 15
121 A framed pastel of three puppies, monogrammed to lower left and dated 1915, housed in an oak frame 20 30
122 ”Summer Lane” limited edition print, 40 of 100, signed to lower right, together with a contemporary abstract print (2 items) 10 20
123 Susan Jackman framed print; ‘The Long Man of Wilmington, East Sussex’, signed in pencil to lower left, together with a print of ladies working in a field, signed Fred Morgan 20 30
134 A pen and watercolour picture entitled ”Trafalgar Square” by J. Gilbert, signed to lower right 20 30
135 A watercolour entitled ”The Canal, Bruges”, signed to back, circa 1916 15 25
136 An oil on canvas housed in a gilt frame of Marble Arch by P. Belloni, signed to lower right 30 40
137 A watercolour by Dennis Ramsey showing a beach scene, dated 1960, signed to lower left 20 30
138 A framed military print ”Farewell” originally painted by R. Hillingford for Black & White 15 20
142 Margaret Pearce, 20th century Rye artist, watercolour of a still life and a castle ruin, each signed (2 items) 30 50
143 A 19th century watercolour of figures outside of a church, unsigned 40 60
145 An oil on canvas of a snowy mountain scene, indistinctly signed to lower right 10 15
146 An oil on canvas housed in a gilt frame of a ship unloading, by G. Butler, signed to lower left, dated ’89 30 40
150 A humorous Japanese print 25 35
152 A small oil on board of a hound and her puppies, signed S. Martin and dated 1685, housed in ornate gilt frame 80 120
153 A Victorian oil on canvas of a still life of fruit, indistinctly signed to lower left, dated 1871, housed in a gilt frame 20 30
162 A limited edition print by Gordon Rushmer entitled ‘Dusk’, numbered 5/850, signed to bottom right 10 15
163 A watercolour of butterflies initialled E.H. dated 1986 10 15
164 R.J. Parker ”Clayton Mill” water colour, signed to lower right. 10 15
165 Two mahogany framed prints entitled ”Feeding the Swans” and ”Feeding the Rabbits” 10 15
166 A signed, coloured etching entitled ”Hay Whirls, Winchelsea” by Pamela Nash, dated 1981 2/25 30 40
167 A pair of gouaches of lake scenes, unsigned, framed and glazed 10 20
191 A box of Victorian and later framed prints and photographs including Bodiam Castle, Hastings beach etc. 15 20
212 Craig Long, limited edition print numbered 21/395, entitled ‘Cockington Court’, signed and framed, together with a collection of watercolours, prints and etchings 20 30
218 A box of assorted Victorian and later prints, watercolours, photographs etc. 20 30
223 An oriental framed silk floral panel, an oil on board of a waterfall signed M. Holmes together with six other paintings and prints 10 15
224 An unframed watercolour of a castle ruin with indistinct signature to bottom left 10 20
239 A collection of mainly RAF prints to include ‘The Night of the Dambusters’, ‘Time to go home’, ‘Bristol Blenheim MK IV’ and others 20 30
258 A framed Victorian plaster panel decorated in relief of a winged lady and cherub 20 30
349 A pair of large modern prints housed in gilt frames, and a large oak framed rectangular wall mirror 10 15
371 Valerie Daniel, ‘Cottage Window’, artist’s proof, unframed, together with a good collection of modern contemporary colour prints, mostly signed 40 50
373 A folder containing various 18th and 19th century prints, etchings and book plates 30 40
375 Four signed prints of working dogs, all by the same hand 30 50
499 ”Zebra Crossing” signed limited edition etching 50 of 100, dated 1988, together with a signed limited edition photograph of giraffes 12 of 75, a photo plus a Wentworth wooden jigsaw (4 items) 10 20
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