| Lot No |
Description |
Low Est |
High Est |
| 3 |
A still life watercolour of fruit and flagon by Vanda Evans, signed to the lower right, housed in a gilt and painted frame |
30 |
50 |
| 4 |
A watercolour by Nick Grant of a Scottish scene, dated 1986 |
30 |
40 |
| 5 |
Equine interest prints ”The Mail Coach Changing Horses”, ” Les Saites d’une Coarse” plus another of a couple on a horse drawn carriage (3 items) |
30 |
40 |
| 6 |
A pencil sketch by Willilam Sidney Causer (1876-1958), of a street scene, signed and inscribed ‘To Mavis’, framed and glazed |
40 |
60 |
| 7 |
A watercolour and pen entitled ”House at Bibury” Cotswolds, dated 1986, housed in a gilt and painted frame |
20 |
30 |
| 18 |
A limited edition print by David Birtwhistle, ‘The King’s School, Worcester’. 101/250, signed lower right |
10 |
20 |
| 19 |
A watercolour still life of a flagon, apple and vase by L.V.Evans, signed to lower right and housed in a pine frame |
20 |
30 |
| 20 |
An oil on board by Fred Stubbings inscribed on reverse ”The Windmill, Coleshill, Nr Amersham, Bucks”, Signed and dated 1935 |
60 |
100 |
| 21 |
An unframed late 19th century oil on canvas of a mountain scene |
25 |
35 |
| 22 |
A 19th century print of trap racing entitled ‘The Celebrated Tom Thumb, the Property of G Osbaldson, Esq.,’ housed in a gilt frame with eglomise mount |
35 |
40 |
| 28 |
John Wakefield ”Bishop’s Lighthouse” watercolour signed to lower left and housed in a pine frame |
30 |
40 |
| 29 |
Two novelty hand coloured cricketing prints entitled ”E ain’t goin’ to wicket-keep” and ”You can’t intimidate me” |
20 |
30 |
| 30 |
An 18th century coloured engraving entitled ” The Melton Breakfast” |
20 |
30 |
| 31 |
An oil on canvas by L.V.Evans of a country garden pond, signed to lower right, housed in a gilt frame |
20 |
30 |
| 32 |
A watercolour by Mary Smith entitled ”Mulberry Tree”, Gladbury Farm, Great Clacton, signed to lower right and housed in a painted frame |
20 |
40 |
| 33 |
A watercolour entitled ”Hippocastanacene”, signed to the lower left G.M.K. and dated 1981, housed in a pine and gilt frame |
20 |
30 |
| 38 |
A watercolour and pencil by J Gunnell entitled ”Jolly Town”, signed to the lower right, dated July ’75, housed in a pine frame together with a watercolour of an aquatic aeroplane, signed J.P.Crete |
20 |
30 |
| 39 |
A limited edition 1/50 photographic canvas entitled ”Eat, Drink & be Merry” from an original painting, with signed certificate of authenticity to back |
10 |
15 |
| 40 |
An oil on canvas of a two-mast sailing boat, signed P Tew |
20 |
30 |
| 41 |
A signed watercolour by Ian Bowles of a red kite |
50 |
60 |
| 50 |
A pair of Victorian prints entitled ”In Sunshine Again” and ”Silent Sympathy”, both housed in gilt frames |
20 |
30 |
| 51 |
An original WWII air raid poster housed in a wooden gilt frame |
60 |
100 |
| 52 |
A limited edition print by H K Whatmore, 69/100 ”The Hollies”, signed lower right housed in a gilt frame |
30 |
40 |
| 58 |
An oil on board by Elizabeth Hunt of a garden gateway, framed |
20 |
30 |
| 59 |
A watercolour of a coastal scene near Cape Town, South Africa, signed A.G.H, dated 1915 |
35 |
45 |
| 60 |
An oil on board by Janet Simpson of a Kent village, possibly Brenchley. Circa 1960. Signed |
30 |
50 |
| 61 |
A Japanese print showing an angry giant and on-lookers |
25 |
35 |
| 62 |
A pen and ink drawing of a Liverpool tug ”Kylebank”, moored in Manchester Ship Canal, signed Jae S Park ’76 |
25 |
35 |
| 63 |
A Victorian etching in an oval gilt mount of Napoleon on horseback, after Messoneer |
25 |
35 |
| 66 |
An oil and watercolour on board of a country garden, indistinctly signed to lower right and housed in a painted frame |
15 |
20 |
| 67 |
A pair of hand painted botanical studies on rice paper |
40 |
60 |
| 69 |
Five hand coloured prints of tropical birds together with one of ducks all housed in gilt frames |
40 |
60 |
| 78 |
A coloured print entitled ”Saddling The Favourite” together with a hand coloured engraving entitled ”Windsor Castle” (2 items) |
20 |
30 |
| 85 |
An 18th century oil on canvas, portrait of a lady in the style of George Romney F.S.A. (1734-1802), housed in ornate gilt frame, unsigned |
300 |
400 |
| 88 |
A framed pastel of a country building, indistinctly signed to lower right together with an oil on board of a churchyard, signed J. Skittrall, 1952 |
20 |
30 |
| 94 |
Three oil and watercolours of Italian waterfront scenes, each inscribed ‘Piccolo Mondo, 14/11/68’, signed ‘Clarance’, framed and glazed |
30 |
40 |
| 97 |
A London Town Plan, hand coloured engraving by Joseph Meyer dated 1843, framed |
100 |
150 |
| 111 |
A framed engraving after David Wilke entitled ”The Penny Wedding”, originally presented to William IV, housed in an ebonised gilt frame |
30 |
40 |
| 112 |
An Arthur Rackham print entitled ‘A chrysanthemum heard her, and said pointedly, ‘Hoity-toity, what is this’, framed |
15 |
20 |
| 113 |
A 19th century hand painted on vellum huntsman with hounds, unsigned, housed in a gilt frame |
30 |
40 |
| 114 |
A large oil on canvas of a tree lined road with houses and hills in the background, indistinctly signed and dated to lower right, housed in a pine frame |
30 |
50 |
| 115 |
Two coloured engravings entitled ”Feeding the Pigs” and ”Cow House”, one in a carved oak frame the other in a gilt frame |
30 |
40 |
| 121 |
A JAK coloured newspaper cartoon ”This is your Mother Eric, give yourself up, they know you’re in the Militant Tendency” |
20 |
30 |
| 122 |
A 19th century engraving of Chelsea Pensioners |
20 |
40 |
| 125 |
An early 20th century ornate oval gilt frame housing a bevelled glass mirror, a framed set of three early 20th century postcards of Hastings and a print of cattle and a bridge (3 items) |
35 |
40 |
| 130 |
A pair of contemporary fabric prints ‘Slate Fissures’, signed and initialled Olwen Thomas |
15 |
20 |
| 131 |
A framed coloured print by Henry Matisse entitled ”Woman and Monkeys” measuring approximately 120cm x 35cm |
15 |
25 |
| 132 |
A Victorian print entitled ”Perdita” (Mary Anderson) from Shakespeare’s ” A Winter’s Tale” |
20 |
30 |
| 133 |
A watercolour of a village near Lansdowne, Bath unsigned, housed in a gilt frame |
30 |
40 |
| 134 |
Coloured engraving after G Morland ”The Country Butcher”, housed in an ebonised gilt frame |
30 |
40 |
| 139 |
A coloured mezzotint after George Moorland |
30 |
40 |
| 140 |
RAF interest ”Lest Ye Forget” limited edition print 184/650, signed by Squadron Leader Paul Day, Squadron Leader Tony Iveson and artist Robert Tomlin, housed in a gilt and wooden frame |
30 |
40 |
| 146 |
An oil on canvas housed in a gilt frame of a ship unloading, by G. Butler, signed to lower left, dated ’89 |
15 |
20 |
| 147 |
An oil on canvas of a snowy mountain scene, indistinctly signed to lower right |
10 |
15 |
| 148 |
After J F Herring, mezzotint of a farmyard scene, engraved by C Paterson, housed in a birds eye maple frame |
15 |
20 |
| 149 |
A pair of modern prints of still life |
10 |
15 |
| 155 |
A hand coloured map of North America, framed |
10 |
15 |
| 156 |
A small oil on canvas of a terrier |
100 |
150 |
| 169 |
An oil on board of a stone bridge in a lakeland scene, by Betty Phelps, two other pictures by the same artist and a print (4 items) |
10 |
20 |
| 170 |
A large contemporary oil on canvas of fields in crop, housed in a pine frame |
20 |
30 |
| 175 |
Four novelty golfing prints by Gary Patterson |
20 |
40 |
| 183 |
A limited edition print, 684/850, by Patricia Hall entitled ” The Pond, Lindfield, Sussex”, signed to lower right, a hand coloured engraving entitled ” The Quay at Ramsgate” , a Monet print entitled ”Nympheas” together with other prints |
15 |
25 |
| 193 |
A box of assorted Victorian and later prints, watercolours, photographs etc. |
10 |
15 |
| 196 |
Two hand coloured botanical engravings together with two Moos Stage prints of Buckingham Palace and Westminster Abbey |
15 |
25 |
| 203 |
A collection of prints and a marquetry picture of Cranbrook windmill |
20 |
40 |
| 210 |
An oil on canvas of a village street scene unsigned, oil on board of a river with trees in the foreground signed D Burnside ’75 and other pictures (1 box) |
15 |
20 |
| 211 |
A signed watercolour by Arthur Blackman depicting couples walking through a forest, together with a collection of framed engravings and prints |
20 |
30 |
| 222 |
A large collection of unframed prints to include The Thames at Greenwich, Scotney Castle, Vickers Wellington Bomber etc (1 box) |
20 |
40 |
| 249 |
A mezzotint housed in a gilt brass frame |
20 |
40 |
| 282 |
A hand coloured print entitled ” The Huntsman’s Courtship” originally painted by S E Walter 1899 housed in an ebonised frame |
30 |
50 |
| 289 |
A hunting print entitled ” His Old Demesne” originally painted by Alfred Munnings, together with another of a couple outside a church with horses, originally painted by Heywood Hardy 1885 |
30 |
40 |
| 296 |
A pair of prints after Breaski and another pair of prints entitled ‘The home of the deer’ and ‘The cool of the evening’ (4 items) |
15 |
20 |
| 300 |
A collection of pictures including a tapestry, watercolours etc (1 box) |
20 |
40 |
| 304 |
Two mahogany framed prints entitled ”Feeding the Swans” and ”Feeding the Rabbits” |
10 |
15 |
| 305 |
A collection of reproduction maps of Sussex entitled ‘250 years of reproductions of printed maps published between the years 1575 and 1825’ with introductory notes by R A Skelton. 28 sheets edited by Harry Mongary |
40 |
60 |
| 357 |
A Pears print entitled ” Naughty Boy or Compulsory Education” by Briton Riviere RA housed in a faux green marble frame, together with another similar titled ”The Fisher Lass” |
10 |
15 |
| 362 |
A box of assorted pictures and prints to include a signed etching by Arthur Spencer |
25 |
35 |
| 368 |
Hunting interest hand coloured engraving entitled ”Loves Stratagem” originally painted by Heywood Hardy and engraved by J B Pratt |
30 |
50 |
| 370 |
A small quantity of pictures and frames to include a watercolour entitled ”Palmer’s Farm”, signed Mick Forstal, an oil on board entitled ”Golden Acres” by N. Banks, dated 1873 and a shop registration form for the selling of sugar, dated 1917 etc. |
20 |
30 |
| 373 |
A watercolour of a jockey signed Caroline Gibb |
30 |
40 |
| 374 |
An oil on canvas housed in a gilt frame of Marble Arch by P. Belloni, signed to lower right |
15 |
20 |
| 375 |
A modern print Arthur Secunda, signed lower right, together with a Victoria & Albert museum poster for ”Flowered Silks” |
10 |
15 |
| 513 |
A collection of various pictures and prints including a 19th century pen drawing entitled ‘Norman Stairway in the Close, Canterbury Cathedral’ dated July ’91 |
15 |
20 |
| 592 |
A large ornate gesso black and gilt picture frame |
12 |
18 |
| 648 |
Two vintage maps of England, Wales and Scotland, both on wall mounted rollers, published by The Railway Clearing House, London |
40 |
50 |
| 653 |
A printed Hessian wall hanging depicting a forest scene |
20 |
40 |