| Lot No |
Description |
Low Estimate |
High Estimate |
| 4 |
An oil on board of a nude lady, indistinctly signed to lower right, housed in a gilt frame |
20 |
30 |
| 5 |
Signed print after E.A.Hickling, ”The Tyne”, signed in pencil to lower right, housed in an ornate ebonised gilt frame |
15 |
20 |
| 6 |
Christine Kirby oil on board entitled ”Resting in the Garden”, label on back |
20 |
30 |
| 7 |
Christine Kirby oil on board entitled ”Angelus Domini, exhibited by the Royal Society of British Artists , 1998 at the Mall Galleries, label to the back |
20 |
30 |
| 8 |
A pair of oil on boards of still lives of fruit, both initialled ‘GW’ to lower right, housed in ornate gilt frames |
40 |
60 |
| 9 |
A limited edition lithograph of Mount Sion |
40 |
60 |
| 18 |
A watercolour entitled ”Arch of Hadrian” ruins with figures in the foreground, indistinctly signed to lower left and housed in a gilt frame |
30 |
40 |
| 19 |
A watercolour of a village near Lansdowne, Bath unsigned, housed in a gilt frame |
15 |
20 |
| 20 |
Three oil and watercolours of Italian waterfront scenes, each inscribed ‘Piccolo Mondo, 14/11/68’, signed ‘Clarance’, framed and glazed |
15 |
20 |
| 28 |
A coloured mezzotint after George Moorland entitled ”The Thatcher” |
15 |
20 |
| 29 |
A coloured engraving after G Morland ”The Country Butcher”, housed in an ebonised gilt frame |
15 |
20 |
| 30 |
Three contemporary abstract oils on board by Mary Sherman entitled ”The Sea”, ”Hot & Cold” and ”Rock”, all framed |
30 |
40 |
| 41 |
Two coloured engravings entitled ”Feeding the Pigs” and ”Cow House”, one in a carved oak frame the other in a gilt frame |
30 |
40 |
| 42 |
A 19th century engraving entitled ”Nelson’s Ship The Victory in the Battle of Trafalgar”, engraved by John Burnet |
20 |
30 |
| 43 |
A 19th century oriental watercolour on rice paper of potters with baskets of ceramics |
30 |
50 |
| 44 |
A watercolour of a couple cuddling by moonlight, signed to lower right, Cordy 85, housed in a gilt frame |
20 |
30 |
| 45 |
An engraving entitled ”Church of the Holy Sepulchre” housed in an ebonised and gilt frame |
20 |
30 |
| 48 |
A framed engraving after David Wilke entitled ”The Penny Wedding”, originally presented to William IV, housed in an ebonised gilt frame |
15 |
20 |
| 49 |
A pair of hand painted botanical studies on rice paper |
20 |
30 |
| 50 |
A fishmonger sign and a watercolour – unframed |
20 |
30 |
| 51 |
A Victorian print entitled ”Perdita” (Mary Anderson) from Shakespeare’s ” A Winter’s Tale” |
10 |
15 |
| 52 |
A Mary Sherman watercolour and ink lake scene with mountains in the background, signed lower right and housed in a gilt and painted frame |
20 |
40 |
| 53 |
An oil on board of a Tudor House with tree and hedges to foreground, unsigned, housed in a white painted frame |
20 |
30 |
| 58 |
A limited edition print of Cheltenham College numbered 465/650, signed to lower right and housed in a gilt frame |
20 |
30 |
| 59 |
A watercolour by Nick Grant of a Scottish scene, dated 1986 |
15 |
20 |
| 60 |
A 20th century oil on canvas of a mountain river, signed Meyer, house in gilt frame |
40 |
60 |
| 61 |
A small oil on canvas of a greyhound by Ann Evans, housed in a gilt frame |
40 |
60 |
| 62 |
A Mary Sherman pastel, still life, of flower and kettle, signed to lower right and housed in a gilt and painted frame |
20 |
40 |
| 69 |
A 19th century French etching of sailing boats by a pier or jetty, indistinctly signed by the artist and engraver and dated 1890, framed and glazed |
30 |
50 |
| 70 |
An oil on board by Mary Sherman entitled ”Blue Jug with Flowers”, signed to lower left and housed in a part gilt frame |
20 |
30 |
| 71 |
An oil on board of still life by Tom Weedon entitled ”Autumn”, signed to lower right and housed in a gilt frame |
50 |
60 |
| 73 |
A print after Peter Scott entitled ”The Wide Fens – Pink Feet”, housed in an oak frame |
15 |
25 |
| 74 |
Mary Sherman, oil on canvas portrait of a lady, signed to lower right and housed in a pine frame |
20 |
30 |
| 80 |
An oil on canvas by John Claydon entitled ”The Elder Tree”, signed to lower left and housed in a painted frame |
20 |
40 |
| 81 |
A watercolour by Harold Cook, entitled ”Garden on Wet Evening”, signed to lower left and housed in a painted white frame |
20 |
40 |
| 89 |
An oil on board still life by Mary Sherman entitled ”Spring at Last”, signed to lower right and housed in a gilt and painted frame |
20 |
30 |
| 90 |
An oil on board still life of fruit, flowers and wine housed in an oval gilt frame |
20 |
30 |
| 91 |
An oil on board of a 19th century scene depicting a castle by a waters edge with figures and boats in the foreground, unsigned |
10 |
15 |
| 94 |
A London Town Plan, hand coloured engraving by Joseph Meyer dated 1843, framed |
80 |
120 |
| 95 |
A 19th century print of trap racing entitled ‘The Celebrated Tom Thumb, the Property of G Osbaldson, Esq.,’ housed in a gilt frame with eglomise mount |
15 |
25 |
| 99 |
A small selection of eight equestrian prints including a bird’s eye maple framed example and hunting and coaching scenes together with a large hardback book of coaching scenes (1 box) |
15 |
25 |
| 101 |
An oil on board by Elizabeth Hunt of a garden gateway, framed |
10 |
20 |
| 102 |
A photographic print entitled ”Oxford Cambridge Lacrosse Cricket Team. J Rosedale July 18 1902 |
20 |
40 |
| 103 |
Terry Evans, b.1943, a local Sussex artist, impasto oil on canvas of poppies, signed to the lower right. His work is exhibited in many galleries countrywide |
80 |
120 |
| 104 |
A large oil on canvas of a tree lined road with houses and hills in the background, indistinctly signed and dated to lower right, housed in a pine frame |
15 |
25 |
| 105 |
A 20th century oil on canvas by V. Talbot of a street scene by a dockyard, dated ’77 |
20 |
30 |
| 106 |
An oil on canvas by William Francis Burton, 1907-1995, of a landscape with windmills in the foreground and distance, entitled ”Derelict Mills, Norfolk”, signed to the lower right and also signed and titled en verso |
50 |
70 |
| 111 |
A watercolour by George Graham, 1881-1949, depicting a rural landscape, signed and dated 1946 |
60 |
80 |
| 112 |
A pen and watercolour of an interior scene by David Green entitled ”Confucius, Temple of Literature, Hanoi, Vietnam”, dated 1997, label to back, signed and dated 9.10.97 and housed in a pine frame |
30 |
50 |
| 113 |
A still life of a fish by Haydn Cornner b.1961, signed to the lower right |
40 |
60 |
| 114 |
An Edwardian oil on board of a Continental waters’ edge scene with figures and boats in the foreground, initialled ‘B’ and dated 1901, housed in a gilt frame |
40 |
60 |
| 115 |
Fritz B Artheus fl. 1881-1914, a watercolour of school boys outside a school, signed and dated 1902, housed in an ornate gilt gesso frame |
150 |
250 |
| 119 |
An early 20th century ornate oval gilt frame housing a bevelled glass mirror, a framed set of three early 20th century postcards of Hastings and a print of cattle and a bridge (3 items) |
15 |
20 |
| 120 |
A framed coloured print by Henry Matisse entitled ”Woman and Monkeys” measuring approximately 120cm x 35cm together with other prints |
10 |
15 |
| 121 |
A 19th century Flemish School oil on board of an elderly scholar reading a document, unsigned |
100 |
150 |
| 122 |
A Glenn Lello watercolour and bodycolour portrait of a young man, signed and dated 9 ’54 |
30 |
40 |
| 125 |
A box of assorted oils, watercolours and prints to include landscapes, seascapes etc |
20 |
40 |
| 127 |
A watercolour by German artist Otto Tilche fl.late 19th century/early 20th century of an Arab on a camel in the foreground, with mosque in the distance, signed |
30 |
40 |
| 128 |
A 19th century watercolour of a cottage with figures in the foreground |
40 |
60 |
| 129 |
An etching by Graham Culverd entitled ”Harvesting”, signed to the lower right |
15 |
20 |
| 132 |
An oriental silk work picture of a mountain village scene with characters, signed and stamped to top left, housed in a gilt frame |
20 |
40 |
| 133 |
A watercolour by Esme E Crockford entitled ”The Weald” near Sutton Valence, Kent, signed to lower left and date ’61 |
20 |
40 |
| 134 |
A print after Frank O Salisbury entitled ”Wonders of the Sea” housed in a gilt frame |
20 |
40 |
| 135 |
A 19th century watercolour of a bridge |
30 |
40 |
| 136 |
An oil on canvas by William Langley (fl.1880-1920) showing a coastal scene with dunes on the foreground, signed lower right and housed in a gilt frame |
50 |
80 |
| 142 |
A pair of oil on canvas lake scenes with figures walking along a tree lined embankment, one indistinctly signed to lower left and both housed in gilt frames |
40 |
60 |
| 143 |
An unframed late 19th century oil on canvas of a mountain scene |
10 |
20 |
| 144 |
A limited edition print 40/500 entitled ”Post Haste”. Goodwood 27th July 1993, Race No 1. The Citroen Xantia Stables, Won by No 18 Comanche Companion, owned by Drofmor Racing. Indistinctly signed to lower right and housed in a part gilt frame |
30 |
40 |
| 145 |
A print after Pablo Picasso entitled ”Sleeping Women”, measuring 46cm x 61cm, housed in a pine frame |
20 |
30 |
| 147 |
A hand painted porcelain panel by M Woodhouse of a stag barking on a snowy hillside and two oval hand painted porcelain plaques of hunting scenes (3 items) |
15 |
25 |
| 150 |
A collection of unframed prints and watercolours and a novelty calendar, including a watercolour by D H Wilkinson entitled ”Rye Mill, Sussex” and a pencil sketch by Janet E Bruce entitled Beddgelert, North Wales |
10 |
15 |
| 151 |
An oil on board by F M Mellon of a canal scene with figures fishing opposite the Blue Anchor pub, signed to lower right and dated 1958, housed in an ornate gilt frame |
20 |
40 |
| 152 |
An engraving entitled ”A Scene in an Historical Play” exhibited on the Chinese stage, housed in an ebonised gilt frame |
15 |
25 |
| 153 |
Five Victorian and later framed prints to include ”In Doubt”, ”The New Love” etc. |
30 |
40 |
| 163 |
A collection of 20th century prints including miniatures and two wall mirrors (2 boxes) |
10 |
15 |
| 171 |
A collection of prints and a marquetry picture of Cranbrook windmill |
10 |
20 |
| 185 |
A large collection of unframed prints to include The Thames at Greenwich, Scotney Castle, Vickers Wellington Bomber etc (1 box) |
10 |
15 |
| 187 |
An oil on canvas of a village street scene unsigned, oil on board of a river with trees in the foreground signed D Burnside ’75 and other pictures (1 box) |
10 |
15 |
| 189 |
A box of assorted Victorian and later bird and botanical prints, mainly housed in gilt frames |
20 |
30 |
| 196 |
An assortment of pictures, prints and photographs including two pencil studies of 19th century street scenes, an oil on board of a windmill, flower studies hand painted on silk and other pictures (2 boxes) |
30 |
40 |
| 197 |
An assortment of watercolours, 18th and 19th century prints, an oriental painted silk panel and an embroidered picture, all framed and glazed (1 box) |
10 |
20 |
| 203 |
A watercolour and bodycolour oval portrait of a girl in a silver plated frame and two oval portraits entitled ‘Madge’ and ‘Agatha’ by Emily Bannard (3 items) |
10 |
15 |
| 205 |
An oil on canvas of continental figures sat at an alter, unsigned and without a frame |
30 |
40 |
| 207 |
A good collection of pen and ink and printed illustrations, all novelty scenes, possibly book plates |
30 |
50 |
| 215 |
A Victorian sketch book with colour and pencil drawings, some dated |
30 |
40 |
| 247 |
A watercolour of red irises by Janet McTear, signed to lower right and housed in a pine frame |
20 |
40 |
| 252 |
Two gilt framed prints of country churches together with a framed print of a continental doorway |
15 |
20 |
| 271 |
Two vintage maps of Durham and Newcastle, a floral woolwork, fashion prints, an unsigned watercolour of a quay side, plus other prints and engravings including a framed print advertising Lillington Pleasure Grounds and Gardens |
30 |
40 |
| 302 |
A collection of pictures and prints to include a Geoffrey Hatcher signed pen and ink, a watercolour of a hunting scene and an oil on board of ladies doing the laundry together with other items |
30 |
40 |
| 315 |
A box of assorted pictures and prints to include a signed etching by Arthur Spencer |
10 |
15 |
| 324 |
David T Bowyer ”Five Ducks” limited edition 53/150, signed to lower right, Jay Lessells ”Squirr of Eigg” limited edition print 5/30, signed to lower right, together with two other signed prints and two courtroom prints entitled ”A respected citizen” and ”This Saintly Woman” |
20 |
40 |
| 330 |
An Elsa Lorens limited edition print 45/250 of a desert building with palm trees in the foreground |
10 |
20 |
| 409 |
A collection of various pictures and prints including a 19th century pen drawing entitled ‘Norman Stairway in the Close, Canterbury Cathedral’ dated July ’91 |
10 |
15 |
| 421 |
A large ornate gesso black and gilt picture frame |
10 |
15 |
| 542 |
A collection of framed prints and watercolours to include The Cutty Sark, Southend, The Beautiful Game etc |
20 |
30 |
| 543 |
A folio of 18th and 19th century engravings, prints and book plates to include ”The Convalescent from Waterloo, Napoleon, Wellington” etc |
30 |
50 |
| 545 |
A small quantity of pictures and frames to include a watercolour entitled ”Palmer’s Farm”, signed Mick Forstal, an oil on board entitled ”Golden Acres” by N. Banks, dated 1873 and a shop registration form for the selling of sugar, dated 1917 etc. |
10 |
15 |
| 546 |
A folio of assorted artists’ proofs and prints, to include Katherine Shepherd, Ann May, Jan Kennedy plus other artists |
30 |
50 |