Pictures and Prints – 14th July 2012

Lot No. Description Low Estimate High Estimate
3 A 19th century French etching of sailing boats by a pier or jetty, indistinctly signed by the artist and engraver and dated 1890, framed and glazed 20 30
4 An engraving entitled ”A Scene in an Historical Play” exhibited on the Chinese stage, housed in an ebonised gilt frame 10 20
5 A coloured framed print entitled ”Bar Hounds”, after Constance Depler 20 40
7 Christine Kirby oil on board entitled ”Resting in the Garden”, label on back 15 20
8 A 19th century watercolour of a bridge with cattle in the background, signed to lower left J Carson 20 40
9 A pen and watercolour of an interior scene by David Green entitled ”Confucius, Temple of Literature, Hanoi, Vietnam”, dated 1997, label to back, signed and dated 9.10.97 housed in a pine frame 15 20
17 An oil on canvas of a harbour scene with fishing boats to the foreground, signed Denny to lower right and housed in a gilt frame 20 30
18 A watercolour by George Graham, 1881-1949, depicting a rural landscape, signed and dated 1946 40 50
19 Christine Kirby oil on board entitled ”Angelus Domini” exhibited by the Royal Society of British Artists , 1998 at the Mall Galleries, label to the back 15 20
20 An oil on canvas of a smiling clown, signed Simon to lower left, unframed 15 20
21 An engraving of a thatched cottage with mother and child and figures walking, indistinctly signed to lower left in pencil and housed in an oak frame 20 30
22 A hand coloured engraving after C E Holloway entitled ”Rochester”, published December 1882 by Robert Dunbourne, housed in a faux tortoiseshell and gilt frame 20 40
31 An oil on canvas of a continental harbour scene with boats and a church in the background, housed in a painted gilt frame 20 30
32 A print after John Pettie R. A entitled ”Two Strings to her Bow” published by Cassells magazine 1904, housed in a mahogany frame 20 40
33 An Elsa Lorens limited edition print 45/250 of a desert building with palm trees in the foreground 10 20
34 A coloured mezzotint after George Moorland entitled ”The Thatcher” 10 20
35 An oil on board by Mary Sherman entitled ”Blue Jug with Flowers”, signed to lower left and housed in a part gilt frame 20 30
36 A watercolour by Maurice Coveney entitled ”Rochester Castle”, signed to the lower right and housed in a part gilt frame 20 30
39 Three framed marquetry panel botanical studies, an 18th century engraving in gilt frame and other pictures (1 box) 20 30
43 An oriental silk work picture of a mountain village scene with figures, signed and stamped to top left, housed in a gilt frame 10 20
44 An oil on canvas of still life of flowers, by Robert Cox, signed to the lower right 15 20
45 An oil on board by Elizabeth Hunt of a garden gateway, framed 10 20
46 A watercolour by Elizabeth Fishman of crab and seaweed, signed to the lower right and housed in a painted gilt frame 20 30
47 A pair of ornate gilt gesso frames housing a pair of tapestry panels depicting game birds 50 60
52 Eleven hand coloured prints of oriental ladies,a watercolour of a country manor house, signed S.W.Cranfield dated 1933, a watercolour of a continental archway, unsigned, a watercolour of a thatched cottage plus a framed print of the Duke of Wellington 20 30
55 A hand coloured engraving after G Morland of a family outside a cottage with a church in the background, housed in a gilt and ebonised frame 20 30
56 An early 20th century oil on canvas of a mountain lakeside scene, indistinctly signed to lower right 20 30
57 Two coloured engravings entitled ”Feeding the Pigs” and ”Cow House”, one in a carved oak frame, the other in a gilt frame 10 20
58 A framed watercolour of a continental street scene entitled ”St Andre”, indistinctly signed to lower right together with a hand coloured print of an expansion bridge with mountains in the background, signed to lower right, dated ’86 15 25
59 A 19th century watercolour of a cottage with figures in the foreground, signed J Carson, dated 1887 20 40
60 A 19th century oil on canvas of a gentleman sharpening knives whilst a lady waits, unsigned, housed in a gilt frame 50 80
64 An oil on canvas still life of daisies in a vase by Nancy Lee, signed to lower right and housed in a gilt frame 20 30
65 A watercolour of a church ruin, signed F. Adams and dated ’30 30 50
66 A coloured print of a French boat race after F Dufaux, housed in a gilt and wooden frame 20 30
67 A watercolour by L H Shelvey entitled ‘Birdham, nr. Chichester’, signed in verso and housed in a gilt frame 30 50
68 A watercolour by Lepine entitled ”Menton Promenade, South of France”, signed to lower right and housed in a white painted frame 30 40
74 An oil on canvas of children walking by a water mill, signed Talmadgeto to lower left and housed in a gilt frame 20 30
75 A watercolour by W I Main of a country pond with overhanging trees and rhododendrons, signed to lower right and housed in an oak frame 20 40
76 A picture by N Petrovic of a village scene with trees and ladies walking, signed to lower right, housed in a brushed aluminium frame 20 40
77 An oil on canvas of a sailing boat by moon light, signed to lower left J. Wilson Hepburn and housed in a wood and gilt frame 20 40
78 A pastel by Celia Vodden entitled ”Early Morning”, signed to lower left and housed in a gilt frame 30 40
79 An oil on canvas by William Francis Burton, 1907-1995, of a landscape with windmills in the foreground and distance, entitled ”Derelict Mills, Norfolk”, signed to the lower right and also signed and titled en verso 30 40
85 A watercolour by Oliver Hall of a boat on a river with a bridge and village in background, signed to lower left, and housed in a gilt frame 20 40
86 An oleograph of a pre-Raphaelite lady leaning against a tree 15 20
87 An oil on canvas of a road through a pine forest, indistinctly signed to lower right and housed in a gilt frame 20 40
88 An oil on board of still life by Tom Weedon entitled ”Autumn”, signed to lower right and housed in a gilt frame 20 40
95 A set of six risque hand coloured prints of a lady bathing and getting dressed 30 50
97 A pair of 19th century engravings of the Thames at Hampton and the Thames at Twickenham, both housed in gilt and ebonized frames 20 30
98 A modern oil on canvas of a sailing ship, indistinctly signed 20 30
105 A 20th century oil on board by S R Bennett entitled ‘Snowdonia’, signed lower right 30 50
106 A 19th century oil on canvas entitled ”Foyers Pier, Loch Ness” by M. Holden, signed to lower right and housed in a gilt frame 100 120
107 A large unframed 20th century oil on canvas of two horses 50 60
108 An oil on canvas in the style of Constable, housed in a gilt frame, signed Robert Ixer 100 150
109 Douglas Falconer (1913 – 2004), oil on canvas, ‘Loch Tay, Perthshire, Scotland’, signed to lower right, titled and signed to verso, housed in an ornate gilt frame 150 200
115 A print of a horse, signed Judy Goodman, framed and glazed together with another print showing St Paul’s, London (2 items) 10 20
117 A print after Pablo Picasso entitled ”Sleeping Women”, measuring 46cm x 61cm, housed in a pine frame 10 20
118 A Victorian oil on canvas of a young lamb peering through a gate 80 120
119 A blue and white Flemish tile in the 17th century style, depicting a hunting scene, housed in an ornate black and gilt frame 15 25
120 A pair of prints by Heaton Cooper entitled ”Scafell Pike from Upper Eskdale, 1936” and ”Tophet Bastion, Great Gable”. 10 15
122 An early 20th century ornate oval gilt frame housing a bevelled glass mirror, a framed set of three early 20th century postcards of Hastings and a print of cattle and a bridge (3 items) 15 20
123 A framed coloured print by Henry Matisse entitled ”Woman and Monkeys” measuring approximately 120cm x 35cm together with other prints 10 15
124 A watercolour, possibly of a moored Thames barge, by R C Boar, signed to lower right together with a framed watercolour entitled ” Castiglione, D’Orcia, Tuscany” by David Walsh, dated 1995, signed to lower right, plus a charcoal and pastel of a nude female, indistinctly signed to lower right and housed in a gilt frame 20 30
128 A watercolour by Elizabeth Fishman of a beach scene with buildings in the background, signed to the lower right and housed in a painted pine frame 20 30
130 A watercolour of winter fruits by E M Gaughan, signed to the lower right, housed in a black frame 15 20
131 A Mary Sherman watercolour and ink lake scene with mountains in the background, signed lower right and housed in a gilt and painted frame 20 40
132 A Mary Sherman pastel, still life, of flower and kettle, signed to lower right and housed in a gilt and painted frame 20 40
136 Fritz B Artheus fl. 1881-1914, a watercolour of school boys outside a school, signed and dated 1902, housed in an ornate gilt gesso frame 80 120
137 An engraving entitled ”Church of the Holy Sepulchre” housed in an ebonised and gilt frame 10 20
138 Two prints of early World maps housed in pine frames 15 20
139 An oil on board of a Tudor House with tree and hedges to foreground, unsigned, housed in a white painted frame 20 30
140 A watercolour by Nick Grant of a Scottish scene, dated 1986 15 20
148 Signed print after E.A.Hickling, ”The Tyne”, signed in pencil to lower right, housed in an ornate ebonised gilt frame 10 20
149 A limited edition print of Cheltenham College numbered 465/650, signed to lower right and housed in a gilt frame 20 30
150 An oil on board by E E Carey, Still Life of Flowers, signed 20 30
151 A pair of coloured prints entitled ”Meadow Stream and ”Evenings Closing Time” both after Hubert G Percy, both housed in Victorian gilt frames 30 50
156 A watercolour entitled ”Arch of Hadrian ruins” with figures in the foreground, indistinctly signed to lower left and housed in a gilt frame 20 30
171 A folio of 18th and 19th century engravings, prints and book plates to include ”The Convalescent from Waterloo, Napoleon, Wellington” etc 15 20
175 Six assorted watercolours and prints to include a village scene, a still life and floral studies etc 15 20
183 A collection of humorous prints of golfers and school boys, and other prints and picture frames 20 30
185 Five coloured engravings by Robert Dighton to include ”Agamemnon, a Great General”, ”Absolute Wisdom”, ”George III, aged 72”, ”Pizarro, Hear Me” and ”A View from Oriel College, Oxford” 50 70
189 A box of assorted Victorian and later bird and botanical prints, mainly housed in gilt frames 10 20
191 A coloured print after Cecil Aldin of huntsmen celebrating in a tavern 20 30
192 An assortment of watercolours, 18th and 19th century prints, an oriental painted silk panel and an embroidered picture, all framed and glazed (1 box) 10 20
242 A coloured print by Richard Shirtcliffe entitled ”The Cove”, signed in pencil to lower right, housed in a painted gilt frame 15 20
243 A watercolour of a windmill together with other watercolours and pictures 20 30
253 Two vintage maps of Durham and Newcastle, a floral woolwork, fashion print, an unsigned watercolour of a quay side, plus other prints and engravings including a framed print advertising Lillington Pleasure Grounds and Gardens 10 20
281 A Christine Kirby ”Mother and Child” oil on board and another by the same artist, unsigned 10 20
297 Two British Airways photographic prints, one of Concorde, the other of a Jumbo, both in flight and both encased in aluminium. 20 30
300 An oil on canvas of a continental street scene, unsigned and housed in a mahogany frame together with an oil on board of another continental street scene, indistinctly signed to lower right and housed in a wooden frame 15 20
302 A coloured print after E.R.Sturgeon entitled ‘The Water Carrier’, housed in a painted wooden frame together with a framed print entitled ‘Degas’ housed in a gilt frame 15 20
304 Three Oriental silk work panels depicting warriors together with two photographic prints, one of Table Top Mountain and the other entitled ” The Bahamas” 10 20
306 A monotype coloured etching entitled ”Cat Face” by Margaret Roberts, together with an artist’s proof entitled ”For Peter with Love” and a limited edition print, numbered 44/80, both indistinctly signed by the same artist 15 20
392 A large ornate gesso black and gilt picture frame 10 15
393 A collection of various pictures and prints including a 19th century pen drawing entitled ‘Norman Stairway in the Close, Canterbury Cathedral’ dated July ’91 10 15
447 Three boxes of assorted pictures and prints 10 15
488 A collection of unframed watercolours, oils and prints to include floral studies, maps etc. 10 15
489 A Chinese machine woven panel housed in a mahogany frame 10 20
492 Madeline Hughes (19th and 20th century) a pair of watercolours of Continental scenes with mother and child in a market place and on a balcony overlooking the sea, one signed, housed in gilt mounts with ornate gilt gesso frames 150 200
494 A print after Peter Scott entitled ”The Wide Fens – Pink Feet”, housed in an oak frame 15 25
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