| Lot No. |
Description |
Low Estimate |
High Estimate |
| 3 |
A 19th century French etching of sailing boats by a pier or jetty, indistinctly signed by the artist and engraver and dated 1890, framed and glazed |
20 |
30 |
| 4 |
An engraving entitled ”A Scene in an Historical Play” exhibited on the Chinese stage, housed in an ebonised gilt frame |
10 |
20 |
| 5 |
A coloured framed print entitled ”Bar Hounds”, after Constance Depler |
20 |
40 |
| 7 |
Christine Kirby oil on board entitled ”Resting in the Garden”, label on back |
15 |
20 |
| 8 |
A 19th century watercolour of a bridge with cattle in the background, signed to lower left J Carson |
20 |
40 |
| 9 |
A pen and watercolour of an interior scene by David Green entitled ”Confucius, Temple of Literature, Hanoi, Vietnam”, dated 1997, label to back, signed and dated 9.10.97 housed in a pine frame |
15 |
20 |
| 17 |
An oil on canvas of a harbour scene with fishing boats to the foreground, signed Denny to lower right and housed in a gilt frame |
20 |
30 |
| 18 |
A watercolour by George Graham, 1881-1949, depicting a rural landscape, signed and dated 1946 |
40 |
50 |
| 19 |
Christine Kirby oil on board entitled ”Angelus Domini” exhibited by the Royal Society of British Artists , 1998 at the Mall Galleries, label to the back |
15 |
20 |
| 20 |
An oil on canvas of a smiling clown, signed Simon to lower left, unframed |
15 |
20 |
| 21 |
An engraving of a thatched cottage with mother and child and figures walking, indistinctly signed to lower left in pencil and housed in an oak frame |
20 |
30 |
| 22 |
A hand coloured engraving after C E Holloway entitled ”Rochester”, published December 1882 by Robert Dunbourne, housed in a faux tortoiseshell and gilt frame |
20 |
40 |
| 31 |
An oil on canvas of a continental harbour scene with boats and a church in the background, housed in a painted gilt frame |
20 |
30 |
| 32 |
A print after John Pettie R. A entitled ”Two Strings to her Bow” published by Cassells magazine 1904, housed in a mahogany frame |
20 |
40 |
| 33 |
An Elsa Lorens limited edition print 45/250 of a desert building with palm trees in the foreground |
10 |
20 |
| 34 |
A coloured mezzotint after George Moorland entitled ”The Thatcher” |
10 |
20 |
| 35 |
An oil on board by Mary Sherman entitled ”Blue Jug with Flowers”, signed to lower left and housed in a part gilt frame |
20 |
30 |
| 36 |
A watercolour by Maurice Coveney entitled ”Rochester Castle”, signed to the lower right and housed in a part gilt frame |
20 |
30 |
| 39 |
Three framed marquetry panel botanical studies, an 18th century engraving in gilt frame and other pictures (1 box) |
20 |
30 |
| 43 |
An oriental silk work picture of a mountain village scene with figures, signed and stamped to top left, housed in a gilt frame |
10 |
20 |
| 44 |
An oil on canvas of still life of flowers, by Robert Cox, signed to the lower right |
15 |
20 |
| 45 |
An oil on board by Elizabeth Hunt of a garden gateway, framed |
10 |
20 |
| 46 |
A watercolour by Elizabeth Fishman of crab and seaweed, signed to the lower right and housed in a painted gilt frame |
20 |
30 |
| 47 |
A pair of ornate gilt gesso frames housing a pair of tapestry panels depicting game birds |
50 |
60 |
| 52 |
Eleven hand coloured prints of oriental ladies,a watercolour of a country manor house, signed S.W.Cranfield dated 1933, a watercolour of a continental archway, unsigned, a watercolour of a thatched cottage plus a framed print of the Duke of Wellington |
20 |
30 |
| 55 |
A hand coloured engraving after G Morland of a family outside a cottage with a church in the background, housed in a gilt and ebonised frame |
20 |
30 |
| 56 |
An early 20th century oil on canvas of a mountain lakeside scene, indistinctly signed to lower right |
20 |
30 |
| 57 |
Two coloured engravings entitled ”Feeding the Pigs” and ”Cow House”, one in a carved oak frame, the other in a gilt frame |
10 |
20 |
| 58 |
A framed watercolour of a continental street scene entitled ”St Andre”, indistinctly signed to lower right together with a hand coloured print of an expansion bridge with mountains in the background, signed to lower right, dated ’86 |
15 |
25 |
| 59 |
A 19th century watercolour of a cottage with figures in the foreground, signed J Carson, dated 1887 |
20 |
40 |
| 60 |
A 19th century oil on canvas of a gentleman sharpening knives whilst a lady waits, unsigned, housed in a gilt frame |
50 |
80 |
| 64 |
An oil on canvas still life of daisies in a vase by Nancy Lee, signed to lower right and housed in a gilt frame |
20 |
30 |
| 65 |
A watercolour of a church ruin, signed F. Adams and dated ’30 |
30 |
50 |
| 66 |
A coloured print of a French boat race after F Dufaux, housed in a gilt and wooden frame |
20 |
30 |
| 67 |
A watercolour by L H Shelvey entitled ‘Birdham, nr. Chichester’, signed in verso and housed in a gilt frame |
30 |
50 |
| 68 |
A watercolour by Lepine entitled ”Menton Promenade, South of France”, signed to lower right and housed in a white painted frame |
30 |
40 |
| 74 |
An oil on canvas of children walking by a water mill, signed Talmadgeto to lower left and housed in a gilt frame |
20 |
30 |
| 75 |
A watercolour by W I Main of a country pond with overhanging trees and rhododendrons, signed to lower right and housed in an oak frame |
20 |
40 |
| 76 |
A picture by N Petrovic of a village scene with trees and ladies walking, signed to lower right, housed in a brushed aluminium frame |
20 |
40 |
| 77 |
An oil on canvas of a sailing boat by moon light, signed to lower left J. Wilson Hepburn and housed in a wood and gilt frame |
20 |
40 |
| 78 |
A pastel by Celia Vodden entitled ”Early Morning”, signed to lower left and housed in a gilt frame |
30 |
40 |
| 79 |
An oil on canvas by William Francis Burton, 1907-1995, of a landscape with windmills in the foreground and distance, entitled ”Derelict Mills, Norfolk”, signed to the lower right and also signed and titled en verso |
30 |
40 |
| 85 |
A watercolour by Oliver Hall of a boat on a river with a bridge and village in background, signed to lower left, and housed in a gilt frame |
20 |
40 |
| 86 |
An oleograph of a pre-Raphaelite lady leaning against a tree |
15 |
20 |
| 87 |
An oil on canvas of a road through a pine forest, indistinctly signed to lower right and housed in a gilt frame |
20 |
40 |
| 88 |
An oil on board of still life by Tom Weedon entitled ”Autumn”, signed to lower right and housed in a gilt frame |
20 |
40 |
| 95 |
A set of six risque hand coloured prints of a lady bathing and getting dressed |
30 |
50 |
| 97 |
A pair of 19th century engravings of the Thames at Hampton and the Thames at Twickenham, both housed in gilt and ebonized frames |
20 |
30 |
| 98 |
A modern oil on canvas of a sailing ship, indistinctly signed |
20 |
30 |
| 105 |
A 20th century oil on board by S R Bennett entitled ‘Snowdonia’, signed lower right |
30 |
50 |
| 106 |
A 19th century oil on canvas entitled ”Foyers Pier, Loch Ness” by M. Holden, signed to lower right and housed in a gilt frame |
100 |
120 |
| 107 |
A large unframed 20th century oil on canvas of two horses |
50 |
60 |
| 108 |
An oil on canvas in the style of Constable, housed in a gilt frame, signed Robert Ixer |
100 |
150 |
| 109 |
Douglas Falconer (1913 – 2004), oil on canvas, ‘Loch Tay, Perthshire, Scotland’, signed to lower right, titled and signed to verso, housed in an ornate gilt frame |
150 |
200 |
| 115 |
A print of a horse, signed Judy Goodman, framed and glazed together with another print showing St Paul’s, London (2 items) |
10 |
20 |
| 117 |
A print after Pablo Picasso entitled ”Sleeping Women”, measuring 46cm x 61cm, housed in a pine frame |
10 |
20 |
| 118 |
A Victorian oil on canvas of a young lamb peering through a gate |
80 |
120 |
| 119 |
A blue and white Flemish tile in the 17th century style, depicting a hunting scene, housed in an ornate black and gilt frame |
15 |
25 |
| 120 |
A pair of prints by Heaton Cooper entitled ”Scafell Pike from Upper Eskdale, 1936” and ”Tophet Bastion, Great Gable”. |
10 |
15 |
| 122 |
An early 20th century ornate oval gilt frame housing a bevelled glass mirror, a framed set of three early 20th century postcards of Hastings and a print of cattle and a bridge (3 items) |
15 |
20 |
| 123 |
A framed coloured print by Henry Matisse entitled ”Woman and Monkeys” measuring approximately 120cm x 35cm together with other prints |
10 |
15 |
| 124 |
A watercolour, possibly of a moored Thames barge, by R C Boar, signed to lower right together with a framed watercolour entitled ” Castiglione, D’Orcia, Tuscany” by David Walsh, dated 1995, signed to lower right, plus a charcoal and pastel of a nude female, indistinctly signed to lower right and housed in a gilt frame |
20 |
30 |
| 128 |
A watercolour by Elizabeth Fishman of a beach scene with buildings in the background, signed to the lower right and housed in a painted pine frame |
20 |
30 |
| 130 |
A watercolour of winter fruits by E M Gaughan, signed to the lower right, housed in a black frame |
15 |
20 |
| 131 |
A Mary Sherman watercolour and ink lake scene with mountains in the background, signed lower right and housed in a gilt and painted frame |
20 |
40 |
| 132 |
A Mary Sherman pastel, still life, of flower and kettle, signed to lower right and housed in a gilt and painted frame |
20 |
40 |
| 136 |
Fritz B Artheus fl. 1881-1914, a watercolour of school boys outside a school, signed and dated 1902, housed in an ornate gilt gesso frame |
80 |
120 |
| 137 |
An engraving entitled ”Church of the Holy Sepulchre” housed in an ebonised and gilt frame |
10 |
20 |
| 138 |
Two prints of early World maps housed in pine frames |
15 |
20 |
| 139 |
An oil on board of a Tudor House with tree and hedges to foreground, unsigned, housed in a white painted frame |
20 |
30 |
| 140 |
A watercolour by Nick Grant of a Scottish scene, dated 1986 |
15 |
20 |
| 148 |
Signed print after E.A.Hickling, ”The Tyne”, signed in pencil to lower right, housed in an ornate ebonised gilt frame |
10 |
20 |
| 149 |
A limited edition print of Cheltenham College numbered 465/650, signed to lower right and housed in a gilt frame |
20 |
30 |
| 150 |
An oil on board by E E Carey, Still Life of Flowers, signed |
20 |
30 |
| 151 |
A pair of coloured prints entitled ”Meadow Stream and ”Evenings Closing Time” both after Hubert G Percy, both housed in Victorian gilt frames |
30 |
50 |
| 156 |
A watercolour entitled ”Arch of Hadrian ruins” with figures in the foreground, indistinctly signed to lower left and housed in a gilt frame |
20 |
30 |
| 171 |
A folio of 18th and 19th century engravings, prints and book plates to include ”The Convalescent from Waterloo, Napoleon, Wellington” etc |
15 |
20 |
| 175 |
Six assorted watercolours and prints to include a village scene, a still life and floral studies etc |
15 |
20 |
| 183 |
A collection of humorous prints of golfers and school boys, and other prints and picture frames |
20 |
30 |
| 185 |
Five coloured engravings by Robert Dighton to include ”Agamemnon, a Great General”, ”Absolute Wisdom”, ”George III, aged 72”, ”Pizarro, Hear Me” and ”A View from Oriel College, Oxford” |
50 |
70 |
| 189 |
A box of assorted Victorian and later bird and botanical prints, mainly housed in gilt frames |
10 |
20 |
| 191 |
A coloured print after Cecil Aldin of huntsmen celebrating in a tavern |
20 |
30 |
| 192 |
An assortment of watercolours, 18th and 19th century prints, an oriental painted silk panel and an embroidered picture, all framed and glazed (1 box) |
10 |
20 |
| 242 |
A coloured print by Richard Shirtcliffe entitled ”The Cove”, signed in pencil to lower right, housed in a painted gilt frame |
15 |
20 |
| 243 |
A watercolour of a windmill together with other watercolours and pictures |
20 |
30 |
| 253 |
Two vintage maps of Durham and Newcastle, a floral woolwork, fashion print, an unsigned watercolour of a quay side, plus other prints and engravings including a framed print advertising Lillington Pleasure Grounds and Gardens |
10 |
20 |
| 281 |
A Christine Kirby ”Mother and Child” oil on board and another by the same artist, unsigned |
10 |
20 |
| 297 |
Two British Airways photographic prints, one of Concorde, the other of a Jumbo, both in flight and both encased in aluminium. |
20 |
30 |
| 300 |
An oil on canvas of a continental street scene, unsigned and housed in a mahogany frame together with an oil on board of another continental street scene, indistinctly signed to lower right and housed in a wooden frame |
15 |
20 |
| 302 |
A coloured print after E.R.Sturgeon entitled ‘The Water Carrier’, housed in a painted wooden frame together with a framed print entitled ‘Degas’ housed in a gilt frame |
15 |
20 |
| 304 |
Three Oriental silk work panels depicting warriors together with two photographic prints, one of Table Top Mountain and the other entitled ” The Bahamas” |
10 |
20 |
| 306 |
A monotype coloured etching entitled ”Cat Face” by Margaret Roberts, together with an artist’s proof entitled ”For Peter with Love” and a limited edition print, numbered 44/80, both indistinctly signed by the same artist |
15 |
20 |
| 392 |
A large ornate gesso black and gilt picture frame |
10 |
15 |
| 393 |
A collection of various pictures and prints including a 19th century pen drawing entitled ‘Norman Stairway in the Close, Canterbury Cathedral’ dated July ’91 |
10 |
15 |
| 447 |
Three boxes of assorted pictures and prints |
10 |
15 |
| 488 |
A collection of unframed watercolours, oils and prints to include floral studies, maps etc. |
10 |
15 |
| 489 |
A Chinese machine woven panel housed in a mahogany frame |
10 |
20 |
| 492 |
Madeline Hughes (19th and 20th century) a pair of watercolours of Continental scenes with mother and child in a market place and on a balcony overlooking the sea, one signed, housed in gilt mounts with ornate gilt gesso frames |
150 |
200 |
| 494 |
A print after Peter Scott entitled ”The Wide Fens – Pink Feet”, housed in an oak frame |
15 |
25 |