| Lot Number |
Description |
Low Estimate |
High Estimate |
| 48 |
P F Biagiotti (20th century Italian), ‘Firenze’, oil on canvas, signed and titled en verso, 49.5cm x 69.5cm, housed in a painted frame – Part of a single owner collection |
80 |
120 |
| 49 |
Circle of John Brett (1831 – 1902), coastal scene, oil on canvas, signed lower right and dated 1879, 29cm x 49cm, housed in gilt frame with gesso detail – Part of a single owner collection. |
400 |
600 |
| 50 |
20th Century British, sheep in snowy landscape, oil on board, unsigned, 27cm x 38cm, housed in a plain gilt frame – Part of a single owner collection. |
50 |
60 |
| 51 |
19th Century British, beached sailing boat with figures in the foreground, oil on canvas, bears monogram to lower left, ‘DGJ’, 34.5cm x 44.5cm, housed in gilt frame with gesso detail – Part of a single owner collection |
200 |
300 |
| 52 |
20th Century British, ‘Honfleur’, oil on board, unsigned, titled with label en verso, 44cm x 59cm, housed in a painted pine frame – Part of a single owner collection. |
80 |
120 |
| 53 |
G Delmot (20th century British), waves crashing on the shore, signed lower right, oil on board, 29cm x 34cm, housed in an ornate gilt frame -Part of a single owner collection. |
50 |
70 |
| 54 |
20th Century British, cottages by a lake, oil on board, unsigned, with another painting en verso of figures in a street, 19cm x 29cm, also unsigned, housed in gilt gesso frame – Part of a single owner collection. |
40 |
60 |
| 55 |
George Graham (20th century British), ‘Winter evening’, oil on canvas, signed and dated 1940 lower left, 24.5cm x 34.5cm, with label en verso bearing title, artist’s name and address in Winchelsea, Sussex, housed in painted frame – Part of a single owner collection |
40 |
60 |
| 56 |
Alphonse Van Beurden (1854 – 1938), Belgian landscape of a church, oil on canvas, signed to lower right, 58.5cm x 76cm, housed in plain gilt frame – Part of a single owner collection |
200 |
300 |
| 57 |
20th century British, country church, oil on canvas, unsigned, 38.5cm x 50cm, housed in gilt gesso frame – Part of a single owner collection |
60 |
80 |
| 58 |
20th century British, abstract of bottles, oil on board, unsigned, 40cm x 58cm housed in a gilt frame – Part of a single owner collection |
40 |
60 |
| 59 |
20th century British, cattle grazing by a lane with cottage in the background, oil on canvas, unsigned, inscribed ‘VEJBY’ to the verso, 38cm x 49cm, housed in a gilt gesso frame with acanthus leaf and egg and dart moulding – Part of single owner collection |
40 |
60 |
| 60 |
20th century British, woman and child beneath a tree with hens in the foreground, oil on board, unsigned, 50cm x 36cm, housed in gilt gesso frame – Part of a single owner collection |
40 |
60 |
| 61 |
Dod Procter (1891 – 1975), portrait of a woman, oil on canvas, unsigned, name of artist inscribed to verso of canvas and frame, 67.5cm x 48.5cm, housed in a painted and gilt frame – Part of a single owner collection |
800 |
1200 |
| 62 |
Max Rheinhart, (late 19th/early 20th century) girl collecting water from a woodland stream, oil on canvas, signed lower left, 70cm x 54cm, housed in ornate gilt frame – Part of a single owner collection |
200 |
300 |
| 63 |
The Hon. Duff Tollemache (1859 – 1936), seascape with sailing boat on the horizon, oil on canvas, signed lower right, 46cm x 59cm, housed in gilt frame – Part of a single owner collection |
200 |
300 |
| 64 |
Follower of Henri Theòdore Fantin-Latour (1836-1904), still life of chrysanthemums, oil on canvas, signed ‘Fantin’ lower right, 60cm x 49.5cm, housed in gilt frame – Part of a single owner collection |
100 |
150 |
| 65 |
Henry Macbeth-Raeburn (1860 – 1947), still life of chrysanthemums in a bowl, oil on canvas, signed top left and dated 1884, 43cm x 59cm, housed in gilt gesso frame – Part of a single owner collection |
150 |
250 |
| 66 |
B.Sampson, 20th century British, still life of fruit and flowers in a basket, oil on board, signed lower right, 49cm x 59cm, housed in painted frame – Part of a single owner collection |
30 |
40 |
| 67 |
Piero Biagiolto (20th century, Italian) abstract of a still life of fruit, oil on canvas, signed to the verso ‘P.F.Biagiolte, Fierenze,’ 70cm x 50 cm, housed in painted frame – Part of a single owner collection |
50 |
60 |
| 68 |
20th century British, ‘St. Malo’, oil on canvas, indistinctly signed and titled en verso, 75cm x 38.5cm, housed in gilt and painted wooden frame – Part of a single owner collection |
60 |
80 |
| 69 |
20th century British, still life of anemones, oil on canvas, indistinctly signed lower right, 54cm x 37.5cm, housed in reeded gilt frame – Part of a single owner collection |
50 |
70 |
| 70 |
J R Samfats? (20th century), illustration of a blindfolded man and woman, possibly from Ali Baba and the forty thieves, watercolour and ink, signed lower right, 40cm x 27cm, framed and glazed – Part of a single owner collection |
80 |
120 |
| 71 |
20th century, olive grove with hills in the distance, watercolour, indistinctly signed lower right, 34.5cm x 36cm, framed and glazed – Part of a single owner collection |
20 |
30 |
| 72 |
S. Wood (20th century), farmland landscape with church in the distance, watercolour, signed lower right, 23cm x 29cm, framed and glazed. S. Cooke? (20th century), ‘Wroxham Broad’, watercolour, signed lower right, 11cm x 16cm, framed and glazed (2 items) – Part of a single owner collection. |
20 |
30 |
| 73 |
20th century British, pastel sketch of a portrait of a young woman from three aspects, initialled ‘AR’ to lower right, with Windmill Gallery, Tottenham Court Road, London, label to verso, 22.5cm x 37.5cm, framed and glazed – Part of a single owner collection |
30 |
40 |
| 74 |
19th century British, still life of poppies, oil on canvas, monogrammed to lower right, ‘AVS’ and dated 1899, 45cm x 25.5cm, housed in gilt gesso and painted frame – Part of a single owner collection |
40 |
60 |
| 75 |
L Stuart (20th century), roses, pair of oil on boards, each signed lower right, each 20cm x 25cm, housed in similar gilt gesso frames – Part of a private owner collection |
80 |
100 |
| 76 |
20th century British, Lochside Castle, Scotland, watercolour, unsigned, 17.5cm x 23cm, framed and glazed. E T Jacques (20th century), ‘Plymouth Sound’, watercolour, monogrammed ‘ETJ’ to lower left, with attribution and title en verso, 17.5cm x 31.5cm, framed and glazed (2 items) – Part of a single owner collection |
30 |
40 |
| 77 |
20th Century British, impressionistic scene of a man on a river bank amongst willow trees, oil on canvas, indistinctly signed to lower left, possibly ‘P Thorp’, 29cm x 39cm, housed in gilt frame – Part of a single owner collection |
40 |
60 |
| 78 |
Late 19th century British, landscape with trees in the foreground, oil on canvas, indistinctly signed lower left, 24.5cm x 34.5cm, housed in gilt frame – Part of a single owner collection |
40 |
60 |
| 79 |
R? Stone (late 19th / early 20th century), figures in a wooded glade, oil on canvas, signed lower right 35cm x 29.5cm, housed in gilt frame – Part of a single owner collection |
30 |
40 |
| 80 |
Patrick Lambert Larking (1907 – 1981), still life of flowers between candlesticks, oil on canvas, signed lower left, 39.5cm x 50cm, housed in painted gesso frame – Part of a single owner collection |
40 |
60 |
| 81 |
Elza Karrisoo (20th century, Latvian), pansies, oil on board, signed and dated 1962, lower right, 24cm x 34cm, housed in limed oak frame – Part of a single owner collection |
30 |
40 |
| 82 |
T Wood (20th century), haymaking, watercolour, signed lower right, 25cm x 36.5cm, framed and glazed. 20th century, meandering stream, watercolour, bears monogram lower right, ‘JF’, 19cm x 28cm, framed and glazed (2 items) – Part of a single owner collection |
30 |
40 |
| 83 |
Charles Holroyd (1861-1917), ‘The pines of Hampstead Heath’, etching, signed lower left, titles en verso, 20cm x 15cm, framed and glazed. George Huardel-Bly (b. 1872), a country road with village in the distance, etching, signed lower left and inscribed ‘proof 49 (Jap.)’, 25cm x 15cm, framed and glazed (2 items) – Part of a single owner collection |
40 |
60 |
| 84 |
20th century British, lady seated beneath a tree, oil on board, unsigned, 50cm x 36cm, housed in gilt gesso frame – Part of a single owner collection |
30 |
40 |
| 85 |
18th century portrait of a young girl, oil on canvas, 46cm x 38.5cm, glazed and housed in ornate oval gilt gesso frame – Part of a private owner collection |
150 |
250 |
| 86 |
19th century British, ‘Alloa Fair, behind the scenes’, oil on panel, titled lower left, title and dated 1884 en verso, unsigned, 34cm x 24cm, housed in ornate gilt gesso frame – Part of a single owner collection |
70 |
100 |
| 87 |
Early 20th century British, riverside hamlet, oil on board, unsigned, 24.5cm x 34.5cm, housed in gilt frame – Part of a single owner collection |
50 |
70 |
| 88 |
George Graham (20th century), autumnal wooded scene, oil on canvas, signed to lower left with indistinct date, 24cm x 34cm, housed in gilt frame with egg and dart moulding – Part of a single owner collection |
40 |
60 |
| 89 |
19th century Continental, sailing boat beside a quay being unloaded, with castle on hill top in distance, oil on canvas, unsigned, 30cm x 41cm, housed in gilt frame with gesso detail – Part of a single owner collection |
80 |
120 |
| 90 |
20th century British, still life of chrysanthemums in a vase, oil on canvas, unsigned, 34.5cm x 19cm, housed in ornate gilt gesso frame – Part of a single owner collection |
20 |
30 |
| 91 |
Clare Atwood (20th century), ‘White Roses’, oil on board, signed lower left and dated ’50, exhibition label from the New English Art Club with artist’s name, address in Tenterden, title of work and original price en verso, 37cm x 45.5cm, housed in gilt frame – Part of a single owner collection |
80 |
120 |
| 92 |
Elsie Hall, still life of fruit, oil on canvas, signed lower left and dated 1905, 33cm x 51cm, housed in gilt frame with gesso detail – Part of a single owner collection |
80 |
120 |
| 93 |
Alfred George Morgan (1848 – 1930), cliff face with rock pools in the foreground and town in the distance, oil on canvas, signed lower right, 40cm x 49cm, housed in white painted and fabric frame – Part of a single owner collection |
100 |
200 |
| 94 |
Alfred H. Vickers (1853 – 1905), lakeland scene with figure in the foreground, oil on canvas, indistinctly signed lower left and dated 1888, 20cm x 30cm unframed – Part of a single owner collection |
80 |
120 |
| 95 |
Thomas Buford Meteyard ( 1865 – 1928 ), spot lights against city skyline overlooking a river, watercolour, signed lower right, 15.5cm x 22cm, framed – Part of a single owner collection |
100 |
200 |
| 96 |
George Cole (1810 – 1883), rowing boats at a rivers edge with sailing boats in the distance, oil on panel, signed ‘G. Cole’ lower right with indistinct date, bears indistinct description to the back, 20.5cm x 35.5cm, unframed – Part of a single owner collection |
150 |
250 |
| 97 |
Thomas Buford Meteyard (1865 – 1928), ‘The sinking sands’, watercolour, signed lower right, with Fine Art Society exhibition label dated 1922, 27.5cm x 38cm, unframed – Part of a single owner collection |
40 |
60 |
| 98 |
Thomas Buford Meteyard (1865 – 1928), city skyline overlooking docks, signed lower right, 18cm x 12.5cm, framed and glazed – Part of a single owner collection |
80 |
120 |
| 99 |
Andrew Healey Hislop (1887 – 1954), street steps with figures shopping, etching, signed lower left, 39cm x 19.5cm, unframed – Part of a single owner collection |
20 |
30 |
| 100 |
Pauline Logan, ‘Hollow Walls Farm’, Rock Hill, Staplecross, limited edition wood engraving, signed and numbered 2/50, lower left, titled en verso with artist’s name and address, 25cm x 29.5cm, unframed – Part of a single owner collection |
10 |
20 |
| 101 |
Harry Bright (1846 – 1895), Bullfinch, pencil and watercolour, signed lower right and dated 1887, 30cm x 25cm, unframed – Part of a single owner collection |
30 |
50 |
| 102 |
A collection of 19th century and later original unframed studies on paper and card, various mediums – Part of a single owner collection |
40 |
50 |
| 103 |
Robert Walker Macbeth (1848 – 1910), travelling musicians seated in a country churchyard, etching, signed lower left, published in 1903, 36cm x 46cm, unframed – Part of a single owner collection |
20 |
30 |
| 104 |
Henry Sheppard Dale (1852 – 1921), abbey ruins, etching, signed lower right, 20cm x 30.5cm, Henry G Walker (20th century), figures on cobbled street with harbour in the distance, etching, signed lower right, 25cm x 20cm. Elsie Vera Cole (1885 – 1968), ‘Britons Arms, Elm Hill, Norwich’, etching, signed lower right, 21cm x 14cm, all unframed, and a large assortment of unframed 18th century and later prints – Part of a single owner collection |
40 |
60 |
| 105 |
A small oil on panel of Edward the confessor, 17.25 x 12cm – Part of a single owner collection |
50 |
60 |
| 106 |
Ethel Louise Rawlings (20th century), still life of flowers in a vase, oil on canvas, signed to lower left, RBA label to the verso inscribed ‘Spring’, 60cm x 73cm, housed in an ornate gilt gesso frame – Part of a single owner collection |
60 |
80 |
| 107 |
20th century British, study of a nude lady, oil on board, unsigned, 76cm x 50cm, housed in a gilt frame with gesso detail – Part of a single owner collection |
40 |
60 |
| 108 |
20th century British abstract still life of items on a kitchen table, oil on board, unsigned, 100cm x 76.5cm, unframed – Part of a single owner collection |
30 |
50 |
| 202 |
Edward J Cherry FRSA (1886-1960), two etchings entitled ”The Upper Pool, London” and ”Land Gate, Rye”, signed artist’s proofs, label en verso (2 items) |
30 |
60 |
| 203 |
Signe Kolding, 20th century Danish, Hastings based ceramicist, ex-member of the Rye Society of Artists, oil on canvas, ‘To Reach Centre of the Earth’, unsigned |
30 |
40 |
| 204 |
A print after Arthur J Elesley entitled ‘A Young Briton’, framed and glazed and another sentimental Victorian print (2 items) |
10 |
15 |
| 208 |
Two 19th century watercolours depicting French bandsmen and an associated print, all similarly framed and glazed |
150 |
200 |
| 209 |
A pen and watercolour of an interior scene by David Green entitled ”Confucius, Temple of Literature, Hanoi, Vietnam”, dated 1997, label to back, signed and dated 9.10.97, housed in an oak frame |
10 |
15 |
| 210 |
Two hand coloured engravings of ships housed in bird’s eye maple frames, framed and glazed |
40 |
60 |
| 216 |
Four watercolours signed by J. T. Parry depicting mountain and lake scenes, together with a print of a seated lady holding a cat (5 pictures) |
15 |
25 |
| 222 |
An engraving, entitled ‘Chelsea’, depicting a bridge over the Thames at Chelsea, from an original etching by James McNeil Whistler – Part of the contents of a West Sussex country manor |
15 |
20 |
| 223 |
Rye interest, two engravings ”The Mermaid Inn” and ”Mermaid Street” both signed in pencil to lower right, Hodges, and signed and titled in pen to lower left border, housed in black lacquered frames – Part of the contents of a West Sussex country manor |
30 |
40 |
| 224 |
A large print of a pensive gentleman in battle dress, indistinctly inscribed and titled to the base, framed and glazed together with a print entitled ”Sunset in the Highlands” depicting cattle drinking at a loch with mountains in the background, framed and glazed (2 items) |
15 |
25 |
| 230 |
An oil on canvas of children walking by a water mill, signed Talmadgeto to lower left and housed in a gilt frame |
10 |
20 |
| 231 |
An oil on canvas of an alpine scene, indistinctly signed to lower right |
50 |
60 |
| 232 |
A painting on silk of two Indian women playing musical instruments, together with an aquatint depicting Marshal Blucher, after Sir Thomas Lawrence PRA, and another print, all framed and glazed (3 items) |
15 |
20 |
| 235 |
‘A New Mapp of the Kingdome of England, Representing the Princedome of Wales, and other Provinces, Cities, Market Towns, with the Roads from Town to Town’, sold by Visscher and John Overton, c.1694, hand coloured, 57cm x 49cm, framed and glazed |
150 |
250 |
| 236 |
A framed oil on board of a pond and trees in autumn with a church and hills in the background, unsigned |
10 |
20 |
| 237 |
Michael J Morris ”Ditchling” oil on canvas, signed to lower right |
15 |
25 |
| 238 |
Madeline Hughes (19th and 20th century) a pair of watercolours of Continental scenes with mother and child in a market place and on a balcony overlooking the sea, one signed, housed in gilt mounts with ornate gilt gesso frames |
40 |
60 |
| 244 |
An oil on board of a street scene, an etching entitled ”The Victory”, a framed and glazed watercolour of people on a bridge looking down into the water, signed nicole ’92 and one other print (4 items) |
10 |
20 |
| 248 |
Ann Carr ”Pussy and three red tulips” oil on canvas, signed to lower right with gallery label to verso, housed in a painted wooden frame |
20 |
30 |
| 251 |
A Christopher D Arnold watercolour of a village river scene, together with a village scene watercolour signed E.T.M. 1920, plus another watercolour entitled ”Sharpenhoe Clappers” indistinctly signed to lower right |
20 |
30 |
| 252 |
A British European Airways poster by Percy Drake Brookshaw (1907 – 1993) |
50 |
60 |
| 253 |
A large oil on canvas of Victorian ladies and a child at the beach on a windy day, signed to the lower right, by P Rossi, housed in a gilt frame |
10 |
20 |
| 254 |
A watercolour of 19th century continental ladies in a cellar, signed T.K.Green |
20 |
40 |
| 255 |
An Ian Black ”Thirasia Island” Aegean Sea oil on board harbour scene, with paper inscription to back housed in a wood and gilt frame |
30 |
40 |
| 262 |
Gordon Stewart Cameron R.S.A (b.1916), a still life of daisies, poppies and nasturtiums, signed to lower right. Royal Scottish Academy Exhibition 1976, label to verso, housed in an ornate gilt frame |
150 |
250 |
| 265 |
A portrait of a sleeping gentleman, oil on canvas, unsigned, housed in a decorative wooden frame |
25 |
35 |
| 272 |
A picture by Bernard Page of ships in an estuary with a windmill and the city to the background, signed to lower left and housed in an ornate gilt frame |
20 |
30 |
| 273 |
Ann Carr ”Pussy and The Blue Jug”, oil on canvas, signed to lower right, with gallery label to verso, housed in a painted wooden frame |
20 |
30 |
| 279 |
A framed and glazed artist’s proof entitled ”Friedland 1807”, signed L. Ruet and two framed and glazed engravings showing events at Epsom Races |
20 |
30 |
| 280 |
Arabian Days IV ”Antarah Bin Shadad”, ”The Hero”, Mahjoub H. Alawadh, framed colour print |
20 |
30 |
| 281 |
A British Railways poster by Percy Drake Brookshaw (1907 – 1993) |
50 |
60 |
| 282 |
Oscar Barbalan (1909 – 1987), oil on board of houses with a woman at the top of a ladder in front of a crowd of people, signed to top right ‘Barblan, Barcelona, B – 936’, framed |
100 |
150 |
| 283 |
An oil on canvas of sailing boats signed, G Butten, and dated ’85 |
10 |
20 |
| 290 |
Michael J Morris ”Stanmore Park” oil on canvas, signed to lower right |
15 |
25 |
| 291 |
Douglas Falconer (1913 – 2004), oil on canvas, ‘Loch Tay, Perthshire, Scotland’, signed to lower right, titled and signed to verso, housed in an ornate gilt frame |
40 |
60 |
| 292 |
A framed coloured print by Andy Warhol entitled ”The Art of Mickey Mouse” |
20 |
30 |
| 293 |
Two coloured mezzotints entitled ‘Blind Girl of the Environs of Rome’ and ‘Country Girl of Tuscany’, both framed and glazed |
10 |
20 |
| 294 |
Four 18th and 19th century coloured engravings |
10 |
20 |
| 298 |
A Limited edition print 168/500 by Keith Woodcock entitled ”Overturning the Odds”, signed by Wg Cmdr Roland Beaumont OBE, DSO, DFC to lower left and Keith Woodcock to lower right, housed in a wood and gilt frame |
30 |
40 |
| 299 |
A colour lithograph by W. Gauci of a painting by J B Pyne entitled ”Thirlmere & Wytheburn”, signed to lower right and housed in a gilt frame |
20 |
30 |
| 300 |
A hand coloured engraving after G Morland of a family outside a cottage with a church in the background, housed in a gilt and ebonised frame |
10 |
20 |
| 301 |
Signed French mezzotint after Gaston Hoffman, entitled ‘Le Dernier Argument’, signed to lower right ‘Hoffman’, framed and glazed |
10 |
20 |
| 306 |
A coloured mezzotint after George Moorland entitled ”The Thatcher” |
10 |
15 |
| 307 |
A lithograph entitled ‘Le Chateau de Chillon’, framed |
20 |
30 |
| 308 |
Hunting interest, four large colour prints depicting hunting scenes entitled ”The Meet”, ”The Run”, ”The Find” and ”The Kill”, all housed in oak frames |
80 |
100 |
| 309 |
A pair of pastel sketches of children, both signed by the artist and dated 1994, Florence |
10 |
20 |
| 315 |
Two watercolour studies of irises in flower, both signed by the artist, DFM – Meadle, dated 1947 and 1952 |
15 |
20 |
| 321 |
An oil on canvas, still life of flowers, fruit and a wine glass, indistinctly signed to lower right and housed in a painted frame |
10 |
20 |
| 322 |
Charles Cattermole (1832-1900), ‘Capture of a Cannon’, watercolour, signed to lower left, label to verso, housed in a gilt frame, 14cm x 43cm |
150 |
250 |
| 323 |
20th century English School, ‘Bisham Abbey’, oil on canvas, unsigned, exhibitor label to verso, housed in a wooden painted frame, approx 62.5cm x 75cm – Part of the contents of a West Sussex country manor |
50 |
60 |
| 334 |
A 20th century colour mezzotint entitled ”Tom Oldaker” huntsman to the Berkeley Hunt on ”Pickle”, signed in pencil Robert Houston to lower right and housed in a moulded gilt frame, approximately 38cmH x 50cmW – Part of the contents of a West Sussex country manor |
30 |
40 |
| 335 |
Three oils on board by Gartner presented to Frank J Martin on his retirement from SCM Proctor-Lewyt, June 4th 1970, all signed with attribution to Rosemary Gartner en verso, housed in wood and gilt frames |
240 |
260 |
| 336 |
Julia Wilson limited edition print 9/45 indistinctly titled to lower left, another Julie Wilson limited edition print entitled ”Nasturtium” 4/28, both signed to lower left together with another limited edition print entitled ”Saturation point” 21/28, possibly signed Ford |
30 |
50 |
| 337 |
A pair of early 20th century oil on boards of lakeland scenes, housed in oval frames |
10 |
20 |
| 338 |
K Bingley, 20th century English, ‘East Head’, Chichester Harbour, oil on board, signed to lower right and housed in a moulded, painted frame, 28.5cm x 49.5cm – Part of the contents of a West Sussex country manor |
40 |
60 |
| 371 |
A set of three prints depicting Kentish agricultural scenes and five others (8 items) |
10 |
20 |
| 373 |
A collection of assorted pictures and prints (1 box plus other pictures) |
10 |
20 |
| 493 |
An 18th century framed silhouette of a gentleman and a daguerreotype (2 items) |
80 |
120 |
| 505 |
An 18th century miniature of a gentleman on ivory in ebonised frame |
100 |
200 |