| Lot Number |
Description |
Low Estimate |
High Estimate |
| 4 |
An oil on board by L. W. Duffett of a village street scene, signed to lower right and housed in an oak frame |
20 |
30 |
| 5 |
A still life watercolour of orchids, unsigned and housed in a gilt frame |
10 |
20 |
| 7 |
A Canaletto print entitled ‘Greenwich Hospital’ circa 1755, from the original oil on canvas in the National Maritime Museum |
20 |
30 |
| 8 |
A watercolour and pen of St Martin du Carigou, Pyrenees, indistinctly signed to lower right and dated December 1983, housed in a wood and gilt frame |
10 |
20 |
| 9 |
A still life oil on board of apothecary’s bottles and a flagon, indistinctly signed to lower right and housed in a gilt frame |
10 |
20 |
| 14 |
A watercolour of a moonlit beach with mountains to the background, indistinctly signed to lower right and dated 1881 |
20 |
30 |
| 15 |
John Rootes, oil on canvas of cottages by a river with trees to the fore and background, signed to lower left |
10 |
15 |
| 21 |
A watercolour of sheep grazing, with church to the background, indistinctly signed and dated to lower right and housed in a gilt frame |
20 |
30 |
| 22 |
A still life watercolour of tulips, daisies and beads entitled ”Green Beads” by Rosa Smith, signed to lower left, label en verso, housed in a moulded silver frame |
20 |
30 |
| 23 |
Hunting interest – Gouache on canvas entitled ”Patchley” map of hunting area with huntsmen, foxes and dogs to the border, signed Brook to lower right and unframed |
30 |
40 |
| 24 |
Elsie Hall, still life of fruit, oil on canvas, signed lower left and dated 1905, 33cm x 51cm, housed in gilt frame with gesso detail |
40 |
60 |
| 25 |
K Bingley, 20th century English, ‘East Head’, Chichester Harbour, oil on board, signed to lower right and housed in a moulded, painted frame, 28.5cm x 49.5cm |
10 |
15 |
| 33 |
A watercolour and gouache of a Doberman by Jane Mill, signed in pencil to lower right and housed in a moulded oak frame |
20 |
30 |
| 34 |
A watercolour of a figure by a river with a village to the background, indistinctly signed and dated to lower right and housed in a gilt frame |
20 |
30 |
| 35 |
A hand coloured engraving entitled ”The Vintage in France” originally drawn by Gustav Dore, unframed |
10 |
15 |
| 36 |
Wallace R Hester (19th/20th century British) two Victorian gentleman taking drinks in a country garden, engraving, signed, unframed |
10 |
20 |
| 37 |
Circle of John Brett (1831 – 1902), coastal scene, oil on canvas, signed lower right and dated 1879, 29cm x 49cm, housed in gilt frame with gesso detail |
250 |
350 |
| 38 |
A watercolour by L H Shelvey entitled ‘Birdham, nr. Chichester’, signed en verso and housed in a gilt frame |
10 |
15 |
| 42 |
A pencil and watercolour entitled ”Jane Seymour, Queen” unfinished, housed in a gilt frame |
15 |
25 |
| 43 |
Late 19th century British, landscape with trees in the foreground, oil on canvas, indistinctly signed lower left, 24.5cm x 34.5cm, housed in gilt frame |
20 |
30 |
| 44 |
Sydney E Wilson, ‘The Truants’, mezzotint, after the picture by W R Bigg RA, signed in pencil. Limited edition with guild stamp housed in gilt gesso frame |
10 |
20 |
| 45 |
A watercolour of a cottage in the woods, indistinctly signed to lower left and housed in a gilt frame |
10 |
20 |
| 46 |
A still life of flowers, oil on canvas, by Erica Eske, signed to lower right, with newspaper cutting to verso |
20 |
40 |
| 52 |
A hand coloured etching entitled ”Collieries”, by W.H.Pyne, published July 1823 by R. Ackermann, housed in a gilt frame |
10 |
20 |
| 53 |
A framed photograph of Major General G.J. Farmar CB, CMG, housed in a moulded oak frame |
10 |
20 |
| 54 |
An oleograph of an incoming fishing boat with figures on the shore, housed in an ornate gilt frame |
30 |
40 |
| 55 |
An oil on board of moored boats, indistinctly signed to lower left and dated ’64, housed in a white painted frame |
15 |
25 |
| 56 |
A hand coloured engraving entitled ”Ramsgate” depicting fishing boats on rough harbour seas, drawn by E.W.Cooke and engraved by W. Finden, housed in a gilt frame |
10 |
20 |
| 57 |
Maureen L Coley, a watercolour entitled ”Stoney Middleton, Derby”, signed to the lower right and dated 1989 |
10 |
15 |
| 58 |
A watercolour entitled ”The Garden of the King of Italy’s Palace”, signed to lower left and housed in a wooden frame |
10 |
15 |
| 64 |
A 19th century coaching print |
10 |
20 |
| 65 |
A framed and glazed watercolour entitled Brae Tor and Jubilee Cross, Lydford, Dartmoor depicting hills to the background with moorland and ponies to the fore, signed F Beni to lower left, labels en verso |
30 |
50 |
| 67 |
A limited edition print, 1/50, by Keith Grant entitled ”A Thames Barge Race in the Estuary” |
30 |
40 |
| 68 |
An oil on board by German artist C.F.W. Schleh entitled ‘Winkelin Sulz AmEck, signed to lower left and housed in a gilt frame |
30 |
50 |
| 75 |
A limited edition print entitled ‘Hook Line’ initialled ‘SJS’, dated ’93 and numbered 2/50 housed in an unusual chain frame |
15 |
20 |
| 77 |
An etching entitled ”Anglesey Mill” by Keith Andrew, signed and dated ’77 to lower right, 39/75 to lower left, labels en verso |
20 |
40 |
| 78 |
An oil on canvas depicting the temptation of Christ, unsigned |
30 |
50 |
| 82 |
The Hon. Duff Tollemache (1859 – 1936), seascape with sailing boat on the horizon, oil on canvas, signed lower right, 46cm x 59cm, housed in a gilt frame |
100 |
150 |
| 83 |
Malcolm Crouse (19th/20th century, British) ”Pass at Nant Ffrancan from Bangor”, watercolour, titled lower centre, signed lower right, housed in a gilt frame. |
40 |
60 |
| 87 |
A framed and glazed etching depicting Greenwich, London with a jetty, boats and barges afloat on the Thames to the foreground together with a framed and glazed etching marked 97/200 of a city square bordered by grand buildings, signed Chas H Clarke to lower right (2 items) |
30 |
50 |
| 88 |
An oil on board of figures walking through fields in crop, monogrammed JS to lower left and housed in a painted wooden frame |
20 |
30 |
| 97 |
An oil on canvas of a flower study showing autumn leaves and fruit by Mrs Isabella Lauder Thomson, labels en verso, glazed and housed in an ornate gilt frame |
40 |
60 |
| 102 |
Shirkley Carnt (20th century British), ‘Old Coal Barn, Thornton’, oil on canvas, signed to lower right, label to verso |
40 |
60 |
| 103 |
Local interest watercolour entitled ”Pevensey Gate” by Sir Anthony Williams KCMG, label en verso, signed to lower right and housed in a gilt frame |
20 |
40 |
| 105 |
20th Century British, cottages by a lake, oil on board, unsigned, with another painting en verso of figures in a street, 19 cm x 29 cm, also unsigned, housed in gilt gesso frame |
20 |
30 |
| 106 |
Graham Clarke (b. 1941), ‘Darthur’, limited edition print numbered 93/200 Ed A’, signed and titled in pencil, part of the ‘History of England’ sequence |
100 |
200 |
| 111 |
A print on board entitled ”Dawn Chase” depicting a ship in sail on rough seas, by Montague Dawson |
80 |
120 |
| 114 |
A still life oil on board of blue hydrangeas and a flagon, indistinctly signed to lower left and housed in an ornate gilt frame |
40 |
60 |
| 121 |
A pair of early 20th century coloured engravings of reclining maidens, one with a bow, the other with flowers, both laying at the water’s edge, with trees and mountains to the background. Both inscribed and indistinctly signed to lower right and housed in gilt frames ( 2 items ) |
40 |
60 |
| 123 |
A framed and glazed hand-coloured etching entitled ‘Gods’, signed in pencil to lower right, indistinct inscription en verso together with several signatures |
20 |
30 |
| 124 |
A pair of framed and glazed watercolours showing snowy rural scenes, both signed, one indistinctly to lower left, the other ‘Nicholas’ to lower right. |
20 |
40 |
| 126 |
An oval oil on board of flowers in a vase, signed Julia Sant to lower right and housed in a gilt frame together with another oil on board by Lilian Curney entitled ”Autumn Flowers and Leaves” signed to lower right, dated 1981 en verso, housed in a gilt frame (2 items) |
25 |
35 |
| 128 |
An early 20th century coloured engraving of a lake with statues and wooded area to background, possibly Versailles, indistinctly signed to lower right and numbered 42 to lower left, housed in an oak frame |
40 |
60 |
| 129 |
A 20th century watercolour of a desert scene with mountains to the background, signed Kena to lower right |
20 |
30 |
| 130 |
W Wasdell Trickett (19th/20th century British) ”Earl Rowland” pastel on paper, signed and dated 1937 lower right, titled to frame: ‘Sir Rowland – Countess Sheila, Winner, Cold Stream Point-to-Point, 1937’, framed and glazed |
100 |
150 |
| 133 |
A framed and glazed watercolour of a tree with church and houses to the background, indistinctly signed, an oil on board entitled ‘April Harmony’ by Brian Macey, signed to lower left and dated 1985 and a watercolour of the River Dart at Buckfastleigh, signed Sidney Rye ’20 to lower right (3 items) |
25 |
35 |
| 134 |
A large coloured print of children playing on a beach, housed in a stained pine frame |
10 |
20 |
| 135 |
A pair of framed and glazed silk on rice paper pictures depicting oriental ladies and a gentleman. Provenance en verso states that they were presented to Col Eric Underhill R.A.M.C., at the time a Captain, by a grateful patient in Baghdad whose life he had saved, possibly in 1923 (2 items) |
50 |
70 |
| 140 |
An oil study of yellow and purple irises, indistinctly signed, possibly N. Beeby, housed in a gilt frame with anti-reflective glazing |
30 |
50 |
| 141 |
A framed and glazed watercolour of Canterbury Cathedral by Daisie Sowman (Mrs Dale) label en verso from The East Kent Art Society, Sidney Cooper School of Art, Canterbury, signed to lower left and dated 1924 |
20 |
30 |
| 142 |
An unsigned oil on canvas showing farm folk by a tranquil river with sheep and countryside to the background, and trees to the foreground |
20 |
30 |
| 143 |
A framed and glazed watercolour of East Shefford Rectory, Berkshire, signed K.S. to lower right, with label en verso, which reads ”Home of Richard and Emma Mooyart (nee Meyer, only sister of Horace) before coming to Eastbourne |
20 |
30 |
| 144 |
A framed engraving entitled ”Apollo and Daphne” together with a hand-coloured print of a bathing lady (2 items) |
20 |
30 |
| 149 |
K Watkins, oil on board, gathering hay, signed to lower right and housed in a gilt frame |
20 |
30 |
| 150 |
A Kath Daintith-Jones pastel of the sun setting over the sea entitled ‘Evening Sky at Llandduls”, monogrammed to lower right and housed in a gilt frame |
30 |
50 |
| 151 |
An oil on canvas of a thatched cottage and trees beside a lake, indistinctly signed to lower right and housed in a white painted frame |
10 |
20 |
| 153 |
An original limited edition etching with aquatint by Leon E Verdier entitled ‘Chateau du Chillon, Suisse’ signed by the artist to lower right, framed and glazed |
25 |
35 |
| 154 |
A framed and glazed watercolour entitled ‘Paignton, S. Devon’ by Patrick Nairne, signed with initials to lower right |
20 |
40 |
| 160 |
A 19th century hand coloured engraving of Scotney Castle, housed in a gilt frame |
15 |
25 |
| 161 |
A pencil drawing of a mother and child crossing a country bridge, with trees and field to the background |
15 |
20 |
| 162 |
A hand coloured print of the Royal Cinque Ports Golf Club, Deal from the original at the South Eastern Hotel, Deal |
10 |
20 |
| 163 |
A print after Arthur J Elesley entitled ‘A Young Briton’, framed and glazed and another sentimental Victorian print (2 items) |
10 |
15 |
| 165 |
An oriental embroidered silk panel depicting ladies, trees, and flowers. Framed and glazed |
15 |
25 |
| 166 |
A 20th century abstract, oil on board, monogrammed to lower left DGJ, housed in a pine frame |
30 |
40 |
| 177 |
A collection of pictures and frames including two unframed oils, an unframed print on canvas, a heavy ornate gilt frame, an oil on board of a rural scene signed K. Douglas to lower left etc plus four prints depicting actors and characters including Lily Brayton as Ophelia and Oscar Asche as King Claudius from a performance of Hamlet at the Adelphi Theatre on May 23rd, 1905 |
20 |
40 |
| 183 |
Gililley ”Crackington Haven” oil on board, signed to lower right, C. Ward, a floral watercolour, J. Webb ”Poppies”, pen and watercolour, signed lower right together with other watercolours and prints etc. (1 box) |
20 |
30 |
| 200 |
An oil on canvas of a mountain river scene, indistinctly signed to lower left, together with a watercolour of a continental street scene, signed to lower right (2 pictures) |
10 |
15 |
| 204 |
Two boxes of assorted pictures to include oils, watercolours, prints, needleworks etc. (2 boxes) |
20 |
30 |
| 212 |
An oil on canvas of a harbour scene entitled ‘Simonstown’ indistinct date, initialled D.J.A. to lower right, framed and glazed together with a Medici print of a Botticelli girl, plus others (5 items) |
20 |
40 |
| 213 |
A watercolour entitled ‘Eastern Arab Corps Piper’ together with a coloured etching of the Houses of Parliament, marked 8/50 to lower left and signed in pencil R.J.Ballard to lower right plus a watercolour entitled ‘The Warren, Folkestone’, details en verso (3 items) |
20 |
40 |
| 214 |
A 19th century oil on board of a lady, unframed |
20 |
30 |
| 215 |
Assorted pictures, prints and photographs including a watercolour of a cottage with garden and trees in bloom, signed Jessie Sayer to lower right, an oil on board of pansies by J. Jackson and three framed and glazed photographs of Indian dignitaries in ceremonial uniform etc (1 box) |
30 |
40 |
| 268 |
Arabian Days IV ”Antarah Bin Shadad”, ”The Hero”, Mahjoub H. Alawadh, framed colour print |
20 |
30 |
| 269 |
A collection of pictures and prints including a modern oil on canvas of a still life of flowers together with a wall mirror (1 box) |
10 |
15 |
| 270 |
A large print of a pensive gentleman in battle dress, indistinctly inscribed and titled to the base, framed and glazed together with a print entitled ”Sunset in the Highlands” depicting cattle drinking at a loch with mountains in the background, framed and glazed (2 items) |
10 |
15 |
| 281 |
A quantity of prints and engravings showing assorted scenes including The Fish Market, Toronto 1841, Quebec 1840, Venice etc. together with nautical scenes and three Italian prints depicting various trades (10 items) |
20 |
40 |
| 296 |
Assorted pictures including a sketch of The Pantiles, Tunbridge Wells, engravings of London scenes, an unframed oval mirror, two framed oils of boats etc (1 box) |
15 |
20 |
| 303 |
Assorted pictures and prints including two pencil and pen sketches entitled ‘Bologna’ and ‘Montepulciano’, unsigned, a framed and glazed watercolour entitled ‘A typical Maltese farmhouse,’ signed to lower right by artist Edwin Galea and dated 1977, label en verso, continental street scenes,a watercolour of a boat entitled Quiet Waters, Norfolk Broads, signed E.M. Gaughan,a still life watercolour of flowers signed Equarg plus other items (12 items) |
20 |
30 |
| 318 |
Five framed and glazed engravings of historical figures including King John, King Edward II and King Henry III (5 items) |
15 |
25 |
| 330 |
A collection of seventeen large French polychrome lithographs depicting scenes from the New Testament, all unframed |
30 |
40 |
| 331 |
A. E. Fisher watercolours of various subjects together with other watercolours, oils, engravings etc. (1 box) |
30 |
40 |
| 340 |
Seven 19th century coloured engravings, all religious studies, to include ”The Screen in the Church of Aerscot”, ”Pulpit in St Gudule, Brussels”, ”The Tomb of De Merodes Family” etc |
30 |
40 |
| 343 |
Various pictures including a coloured engraving of The West Gate, Canterbury, ‘Chiddingstone’, signed G. E. Mackley to lower right, The Pike and Harbour at Dover, The Pantiles, Tunbridge Wells, Calverley Park, Tunbridge Wells and another engraving entitled ‘The Entrance to Portreath, Cornwall’, all framed and glazed (6 items) |
20 |
30 |
| 348 |
An Edwardian watercolour of houses beside a bridge, a watercolour of a mountain river scene plus two hand coloured fashion prints (4 items) |
10 |
20 |
| 354 |
A quantity of framed and glazed prints depicting various scenes including the Howland Great Wet Dock c1700, Greenwich, Gravesend, Windsor Castle etc together with a coloured print entitled ‘An Ancient Briton Contemplating the Costume of his Descendants’ (6 items) |
20 |
40 |
| 358 |
A coloured mezzotint after George Moorland entitled ”The Thatcher” |
10 |
15 |
| 361 |
A lithograph entitled ‘Le Chateau de Chillon’, framed |
10 |
15 |
| 364 |
A 19th century gilt and ebonised gesso picture frame aperture, approximately 93 cms x 72.5 cms |
30 |
40 |
| 367 |
An unframed watercolour of a woodland scene together with a watercolour of a country pond with cottage to background, both signed J Lynch together with a mezzotint entitled ‘The Bunch of Grapes’ (3 items) |
30 |
40 |
| 370 |
A large mixed media picture of a woman, with another in the background, entitled ‘Tristesse’, numbered 31/350 to lower left, indistinctly signed to lower right, glazed and framed |
60 |
80 |
| 379 |
Various pictures and prints including a pair of framed and glazed watercolours of by-gone rural scenes, both signed W.B.Tanner to lower right, one possibly entitled Nr .Coates, the other possibly Amberley together with an ornate gilt easel-back frame and other items (5 items, 1 box) |
20 |
40 |
| 380 |
An early 20th century limited edition 41/100 coloured engraving of a Dutch harbour scene with fishing boats, fishermen and figure to the harbour stairs, indistinctly signed to lower right and housed in an oak frame |
40 |
60 |
| 381 |
A 20th century moulded gilt picture frame decorated with scrolling floral swags with plaque reading Jakob Bogdani 1160 – 1724, aperture approximately 120.5 cms x 90.5 cms |
40 |
60 |
| 383 |
A large quantity of assorted pictures to include engravings, prints, charcoal and other mediums (2 boxes) |
20 |
30 |
| 384 |
A Pear’s print of a young boy blowing bubbles, an ornate gilt framed mirror with bevelled edge plate together with a framed Edwardian photograph (3 items) |
20 |
30 |
| 385 |
An etching by Robert Walker Macbeth (1848 – 1910) of travelling musicians seated in a country churchyard, signed lower left, published 1903, 36cm x 46cm, unframed |
10 |
15 |
| 450 |
A print of Bodiam Castle after William Alexander Ansted, engraved by Arthur Coombe, signed, unframed |
40 |
60 |
| 465 |
A large collection of assorted watercolours, oils, prints and engravings of various subjects (1 box) |
20 |
30 |
| 491 |
Assorted pictures and prints and a pine framed wall mirror (7 items) |
10 |
15 |
| 492 |
A print of Warwick Castle and two oak framed prints (3 items) |
10 |
15 |