Lot Number |
Description |
Low Estimate |
High Estimate |
4 |
A late 19th century engraving entitled ”Peter Pan” in Kensington Gardens, indistinctly signed to lower right margin and housed in an ebonised frame |
20 |
30 |
6 |
Robert Morden, c.1650-1703, map of Hampshire, hand-coloured engraving 36cm x 41.5cm – Property of the estate of a Doctor, New Romney, Kent |
40 |
60 |
7 |
Bill Holkham, pair of watercolours of silhouetted village scenes, both signed and housed in gilt frames |
25 |
45 |
12 |
20th century British, still life of flowers in a vase, oil on canvas, indistinctly signed to lower right, 48.5cm x 38.5cm, housed in ornate gilt frame |
20 |
30 |
13 |
Max Brandrett, limited edition print, 62/250 entitled ”Masterminded” signed to lower left and housed in a black painted frame |
20 |
40 |
14 |
An early 20th century engraving of a portrait of a bespectacled gentleman, signed F. Huth to lower right, indistinctly signed to lower left and housed in an ebonised and gilt frame |
10 |
15 |
15 |
A 19th century colour engraving from the ‘Cries of London series entitled ‘Strawberries, Scarlet Strawberries’, from a painting by F Wheatley, R.A., engraved by Vendramm, housed in an ornate ebonised frame |
10 |
20 |
16 |
Max Brandrett, limited edition print, 50/500, entitled ”Three of a Kind”, housed in a black painted frame |
20 |
40 |
17 |
Scott Brown (20th Century), ‘Sicily’, pastel, signed lower right and dated 1987, label to verso, 35cm x 54cm |
15 |
20 |
21 |
A 19th century Continental oil on board of a seated gentleman and a child, together with six French hand-coloured prints of various traders |
10 |
20 |
24 |
A late 19th century map depicting the Canadian Pacific Railway and it’s proposed connections, showing the Imperial Route to Australasia and the east, with a copper plate stamped ” The Ryeland” Patent No 16494 and inscribed to verso |
20 |
40 |
25 |
A late 19th century hand-written expenses ledger for Sir Ralph de Beston and Sir Simon de Baldriston, glazed and housed in a gilt frame |
10 |
20 |
26 |
A pair of ornate 19th century floral gilt picture frames decorated with flowers and leaves, each containing Stanley Pike prints |
60 |
80 |
27 |
P. A. John, oil on canvas, mid-20th century portrait of a young lady, signed to lower right and housed in an ornate gilt frame |
20 |
30 |
28 |
A limited edition print numbered 19/90, contemporary landscape, indistinctly signed to lower right and dated 06, housed in a gilt frame |
10 |
15 |
32 |
A 19th century engraving of a Continental street scene by A.E.Hubert, dated 1876, housed in an ebonized and gilt frame |
10 |
15 |
33 |
A Japanese print depicting a bird beneath blossom with character marks to top left, information to verso |
10 |
20 |
34 |
Two signed watercolours, one entitled ” Hop Poles on Plain Farm”, Staplehurst Plain, the other ”Geese and Old Shed”, Bexhill Farm Nurseries, Benenden, both signed Mary West and dated ’93 and ’94, housed in gilt frames |
20 |
30 |
35 |
Stella P Reading, four limited edition prints, 429/750 of country village scenes, housed in gilt frames |
40 |
60 |
36 |
An monochrome engraving of Leeds Castle, framed and glazed |
10 |
20 |
40 |
Four reproduction prints of Winnie the Pooh, after E H Shepard, framed and glazed |
30 |
50 |
41 |
Mark Chester b.1960, ‘Yellow Hammer’, acrylic, signed lower right and dated 1991, label to verso, 17.5cm x 24.5cm, and a photographic print of Mallards by the same artist (2 items) |
40 |
60 |
42 |
Robert Malcolm Rucker, limited edition print, 920/950 of a veranda with flowering shrubs and trees, signed to lower right margin, housed in a painted oak frame |
20 |
30 |
43 |
A 19th century Valentine’s card on lace paper by Mick together with two early 20th century framed nursery prints by C.E.Shand (3 items) |
20 |
30 |
48 |
Attributed to William Garland, (Fl.1853-1882), portrait of a lady, oil on canvas, signed to lower right and dated 1854, 76cm x 6.5cm, unframed, and an over-painted photograph of the same sitter (2 items) |
100 |
150 |
49 |
A Japanese painting on silk of blue hydrangeas with frog, signed to lower left, housed in an ebonised frame |
30 |
40 |
50 |
Charles Cundall R.A. colour print ‘River Pageant’ published in 1960 by Frost & Reed Ltd, housed in a gilt frame |
15 |
25 |
51 |
B.R.Yallop, ‘Wroxham Bridge, Norfolk’ and ‘Morning Ferry, Norfolk’, pair of watercolours, both signed to lower right, one dated 1922, both housed in white and gilt frames |
30 |
40 |
54 |
Anthony Richard Tiffin (20th Century British), ‘Slindon Greys’, oil on canvas, signed to lower left, artist’s label to verso, 49.5cm x 60cm, housed in ornate gilt frame |
25 |
35 |
55 |
An Oriental watercolour of a Pergoda with character mark to top right, together with another Oriental watercolour of a Samurai Warrior Deity and a Buddha (2 items) |
30 |
50 |
67 |
A map of Leigh, Essex, printed and hand-coloured, framed and glazed |
20 |
30 |
68 |
A 20th century oil on canvas of a water mill, signed F Roberts to lower left, housed in ornate gilt frame |
30 |
40 |
74 |
A William Russell Flint reproduction print entitled ‘In Ancient Perigord’, framed and glazed |
10 |
15 |
75 |
Oliver Trowell, watercolour, farm buildings by the downs, signed to lower left and housed in a gilt frame |
10 |
15 |
76 |
A Japanese print of figures crossing a river with character marks to upper right |
20 |
30 |
79 |
After Bartolomè Esteban Murillo, two boys eating melons and grapes, oil on board backed canvas, signed ‘Murillo’ lower right, with inscription to verso and associated newspaper cutting 9cm x 15.5cm |
50 |
80 |
80 |
W.M. Rosvear, ”Persian Cat”, pen, brush and ink, signed and dated ’46, with inscription to verso, housed in a gilt and mahogany frame |
20 |
30 |
81 |
19th century watercolour of two figures walking through the gardens of a ruined castle, indistinctly signed and titled, dated 1893 |
20 |
30 |
86 |
Roma Biagioni, ‘Tiwi Poles’, oil on canvas, signed to lower left, with inscription to verso, housed in a gilt frame |
30 |
40 |
87 |
M. Grant, ‘Penzance’, watercolour, signed to left and dated 1938, label to verso, housed in a wooden frame |
20 |
30 |
89 |
S G Gates (20th Century British), autumn village scene with church spire in the distance, oil on board, signed lower right and dated 1974, 48cm x 74cm, housed in gilt frame |
20 |
30 |
96 |
A pair of early 20th century Japanese embroidered silk sleeve panels depicting butterflies inside a floral border |
30 |
50 |
97 |
A 19th century hand-coloured engraving entitled ‘The Universities Boat Race, Cambridge Winning’, initialled C.R. to lower left and housed in a gilt frame |
20 |
30 |
100 |
Timothy O’ Brian, limited edition print 859/1912, ‘Titanic, Ship of Dreams’, complete with a genuine 1912 1d coin and a sample of genuine Titanic coal, signed to bottom centre, with certificate of authenticity to verso |
30 |
50 |
101 |
An early 19th century hand-coloured map of The Hundred of Ringlow containing the Island of Thanet, housed in an ebonised gilt frame |
30 |
50 |
107 |
A modern oil on board of Napoleon Bonapart on horseback, framed |
80 |
100 |
110 |
An original 1967 quad poster for Warner Bros ‘Camelot’ starring Richard Harris, Vanessa Redgrave etc and directed by Joshua Logan |
60 |
80 |
117 |
James McGregor, ‘Cudham Lane, Kent’, watercolour signed and dated ’71 to lower right, housed in a gilt frame |
20 |
30 |
118 |
Victor Coverley Price 1901-1988, ‘Fox’, watercolour, signed lower right, 1988 Exhibition label en verso for the Alpine Club London, 22cm x 30cm |
45 |
55 |
123 |
After David Cox Junior 1809-1885, watercolour, watermill with mountains in the distance, signed, 32.5cm x 48.5cm |
25 |
35 |
124 |
A continental oil on canvas of a tall ship in sail on rough seas, indistinctly signed to lower right and housed in a mahogany frame |
30 |
40 |
125 |
A late Victorian coloured engraving of a horse and jockey entitled ‘Robert the Devil, Winner of the Grand Prize, Paris 1880’ |
10 |
15 |
126 |
Katie Cooper, pencil and chalk, ponies with stag by stream, signed to lower right and dated 1904, housed in an oak frame |
30 |
40 |
127 |
20th century watercolour of a tall ship in full sail on rough seas, indistinctly signed to lower right, housed in a gilt frame |
20 |
40 |
128 |
An early 19th century framed needle and bead-work panel with dove and blackberries to centre, surrounded by floral scrolling swags, unsigned, 51cm x 51.5cm |
50 |
80 |
133 |
Cecil Stephenson, 1889-1965, watercolour, figures on a hillside looking over the valley, with mountains to the background, signed and dated 1914 to lower left with label to verso, housed in a gilt frame |
30 |
50 |
134 |
N. Burney, 20th century watercolour of a Scottish river scene with pine trees and mountains to the background, signed to lower right and housed in an oak frame |
20 |
30 |
135 |
20th Century British, ‘Evening’, High Street, Aylesbury, oil on board, indistinctly signed lower right, 11cm x 13cm |
15 |
20 |
136 |
An Indian painting on fabric of an elephant, framed and glazed |
40 |
60 |
140 |
K. Sholto Douglas (20th Century British), ‘Hunters Moon’, portrait of a horse, oil on canvas, signed to lower left, 39cm x 49cm |
20 |
30 |
141 |
Barton, oil on canvas of a sitting female nude, signed to lower right and housed in an eboniserd gilt frame |
20 |
40 |
142 |
A pair of 20th century etchings depicting French scenes titled ‘Chartres, The Bouju Bridge’ and ‘Rouen Rue du Bac’ both signed to lower left margin and housed in ebonised gilt frames |
20 |
40 |
143 |
An early 19th century framed needle and bead-work panel with flowers and buds to centre, surrounded by leaves and berries, 47cm x 51cm, housed in ornate gilt frame |
40 |
60 |
144 |
After Claude Lorrain, three sepia prints of drawings from the collection of the Duke of Devonshire, Numbers 2, 19 and 24, 32cm x 36.5cm, housed in gilt frames |
50 |
70 |
152 |
Vladimir Griegorovich Tretchikoff 1913-2006 (South African), Poinsettias, photographic print, 43cm x 59cm |
10 |
15 |
153 |
A Victorian sampler with Sabbath day rhyme to centre and bird, flower, tree and angel surround, by Sarah Kershaw, aged 10 years, dated 1863, 31.5cm x 32.5cm, framed and glazed |
50 |
70 |
154 |
An early 20th century stipple engraving after R Stedant of a young girl leaning against a tree |
10 |
20 |
155 |
E.A. Swan, watercolour of field mice nesting, signed to lower right and housed in a gilt frame |
15 |
25 |
156 |
Roland Fiddy (1931-1999), ‘Button up’, mixed media, signed to lower right, label to verso, 22cm x 22cm |
35 |
45 |
160 |
Sydney Arrobus 1901-1990, houses in a forest, watercolour, signed lower left, 30cm x 20cm |
20 |
30 |
161 |
J S C Simpson (20th Century British), ‘Hemsby, Norfolk’, etching, signed and titled to lower margin, 26.5cm x 21cm, housed in carved oak frame |
10 |
20 |
163 |
J.P.M. Ateer ‘Dunseverick Harbour, Co. Antrim’ watercolour, signed and dated 1995 |
20 |
30 |
164 |
Christine Bernhardt-Kirby (1914-2008), oil on board ‘Creature Comforts’, under the guidance of Jonas Plosky (1940-2011) |
25 |
35 |
166 |
Joan L Archer (20th Century British), ‘Cotswold Village’, pen and watercolour, signed to lower left and dated ’90, 14cm x 19.5cm |
10 |
20 |
167 |
Thomas Buford Meteyard 1865-1928, City skyline overlooking docks, watercolour, signed lower right, 18cm x 12.5cm |
100 |
150 |
168 |
19th Century Continental, figures kneeling before a shrine, oil on board, unsigned, with inscription en verso, 18.5cm x 15.5cm |
40 |
60 |
169 |
A late 19th century engraving, ‘The Liverpool Grand National Steeple Chase’, originally painted by J Sturgess and engraved by E.G.Hester, housed in a white painted frame |
10 |
15 |
170 |
A 1904 coloured print by Longmans, Green & Co showing a golly and four wooden girl puppets afloat on a door, with a setting sun to the background together with another print, possibly by the same artist of golly as Father Christmas, re-printed from original 1907 prints of ‘The Golliwog’s Christmas’ by Florence Kate Upton, 1873-1922 (2 items) |
30 |
40 |
171 |
E Wilkins (20th Century British), seascape with sailing boats, watercolour, signed to lower left. 16cm x 24cm |
10 |
15 |
175 |
A 19th century seascape of a cliff-lined shore with sailing boats |
20 |
30 |
176 |
A limited edition print entitled ‘Squatter Huts’ 101/500, signed to lower right |
10 |
20 |
181 |
Four assorted prints including one depicting a mounted huntsman with hounds, a Vanity Fair print by Vincent Brooks, Day & Son Ltd entitled ‘A King’s Jockey’, a Victorian cricket match plus one photographic print of a house, all framed and glazed (4 items) |
10 |
15 |
185 |
Assorted etchings, prints and oils mostly of local scenes including Well Gate, Canterbury, Charing, Kent, Rochester and Richmond Hill (1 box, 12 pics) |
10 |
20 |
208 |
Assorted prints comprised of a Bartolozzi print after Guercine of St John, a pair of monochrome prints of steam trains, signed John S Gibb, a pair of hand-coloured book plates of birds and five others (10 items) |
30 |
50 |
212 |
Assorted pictures, paintings and prints including landscapes etc (1 box) |
10 |
20 |
215 |
Three watercolours of Kentish oast houses, a windmill and a sailing boat, all indistinctly signed (3 items) |
20 |
30 |
223 |
Assorted pictures and prints including maps, landscapes, still life and botanical prints, mostly framed and glazed (2 boxes) |
20 |
30 |
257 |
J S C Simpson (20th Century British), ‘Herring City’, etching, signed and titled to lower margin, 20cm x 20cm, unframed |
10 |
15 |
258 |
J S C Simpson (20th Century British), ‘Crooke Cottages’, etching, signed, titled and inscribed to lower margin, 18.5cm x 30cm, unframed |
10 |
15 |
299 |
A set of five celestial maps from a set entitled ”The Stars in Six Maps” on the gnomonic projection , revised by the Rev W.R. Dawes under the superintendence of the Society for the Diffusion of Useful Knowledge. Hand-coloured, originally drawn by W. Newton and engraved by J & C Walker, London |
50 |
80 |
302 |
Oliver Trowell, oil on canvas, a weather-boarded bungalow and garden with sunflowers, shrubs and tennis court to foreground, signed to lower left and housed in a painted and gilt frame together with another of the same bungalow |
10 |
15 |
303 |
A collection of pictures and prints to include two watercolours, one depicting a Scottish mountain scene with stream to foreground, the other a sandy bay with cliffs and rock pools, both monogrammed A.A.J |
20 |
30 |
334 |
Marc-Anrele Fortin, ‘Paysage Rustique’, limited edition print 402/500, with certificate of authenticity to verso, complete with box |
30 |
40 |
348 |
Assorted pictures and prints including three Japanese paintings on silk of flowers, signed, an Edwardian print of Bromley Parish Church, plus others (1 box) |
20 |
30 |
356 |
Assorted pictures including two oils on board of flowers, signed Nancy Illingworth, a landscape on board, signed P Williamson, two limited edition prints by Brian Aigbec entitled ‘Hops’ and ‘L’Hiver’ 37/200 plus others (1 box) |
15 |
25 |
378 |
Assorted watercolours and prints of local landscapes, buildings and churches including All Saints, Hastings, Fairlight, Pevensey, The Red Lion public house, Brede, Hastings Castle, Guestling Church, most signed or initialled and dated R.K. or R. King (1 box, 13 pics) |
15 |
25 |
387 |
Pamela McDowell, pressed flower picture dated 1969, another dated 1968, a collection of prints by the same artist together with four 19th century engravings and other prints |
20 |
30 |
402 |
A collection of various artists’ proofs of country pubs, possibly for a travel brochure, together with a print of St. Paul’s Cathedral, London |
10 |
20 |
404 |
Henry C Jarvis. four watercolours of the house and gardens at Woodfield, one dated 1919, all signed |
30 |
50 |
411 |
A 19th century wool-work panel depicting three ladies and a child, housed in an oak frame |
20 |
30 |
414 |
Two early 20th century etchings of farmhouses, indistinctly signed in pencil to mount and two watercolours of Valle Crucis Abbey, Llangollen (4 items) |
10 |
20 |
426 |
Robert Cox, oil on board, still life of roses, housed in an ornate gilt frame together with a collection of oils, prints and engravings |
20 |
30 |
428 |
A box of assorted pictures and prints to include Julie Douglas limited edition print 409/500 of Geese, a coloured engraving of Winchelsea Church, a Peter Scott ‘Flash by Two Tree’ print plus other items |
10 |
15 |
434 |
Eight fashion and other prints, framed and glazed |
30 |
40 |
441 |
A large pair of contemporary 20th century oils on canvas, one depicting a female nude, the other of mother, father and child, both sighed Laverne to verso, housed in oak frames |
30 |
50 |
444 |
A moulded faux brass panel depicting an early 19th century kitchen with mother, father and children at meal time, housed in an oak and gilt frame |
15 |
20 |
453 |
A good collection of assorted photographs and photographic prints to include Micky Rooney, James Mason, Clarke Gable plus others |
30 |
50 |
593 |
Assorted pictures and prints including a Carling advertising mirror |
15 |
25 |
631 |
A collection of assorted 19th century and earlier book plates, pencil sketches and other artwork, housed in a folio |
45 |
55 |
637 |
Assorted oils, watercolours, prints, maps etc to include two Ronald Searle character prints (1 box) |
10 |
15 |
638 |
Assorted prints to include railway advertising, a reproduction map of Sussex, prints after Lowry and assorted stamp montages (1 box) |
20 |
30 |
645 |
19th Century Continental, portrait of a gentleman, oil on canvas applied to board, unsigned, 25.5cm x 20cm, housed in ornate gilt frame |
50 |
60 |
736 |
A pair of modern Continental oils on board, one depicting a gypsy girl on horse, the other a female figure surrounded by flowers |
10 |
20 |