Lot No |
Description |
Low Est |
High Est |
1 |
A 19th century mahogany tea table, the folding rectangular rotating top with rounded corners above a plain frieze, raised on turned supports and brass castors, 76 cmH x 102 cmW x 94 cmD |
100 |
150 |
2 |
An early 20th century Indian brass tray top table, the heavily foliate embossed shaped top with central bowl, engraved to underside ‘ School of Art, Japore’, raised on folding carved supports, 52cmH x 77cmDia |
120 |
150 |
3 |
A pair of late 19th century mahogany framed armchairs, the shaped back over scrolling arms ending in ram’s head terminals, with padded seat raised on tapering supports |
300 |
400 |
4 |
A pair of reproduction mahogany spoon-back miniature open armchairs, the carved crested rail above a padded back, scrolling arms and serpentine seat, raised on acanthus carved cabriole supports together with a matching table, chairs 54cmH x 36cmW x 39cmD, table 22cmH x 40cmDia |
60 |
100 |
5 |
A late 19th century Art Nouveau dark oak bureau bookcase, the moulded cornice above a stained glass panel door flanked by two arched shelves, the roll top fall enclosing pigeon holes over a single long drawer and two panelled doors, 198cmH x 83cmW x 36cmD |
80 |
120 |
6 |
A late 19th/early 20th century wooden bound dome top chest with brass lock, 52cmH x 77cmW x 46cmD |
40 |
60 |
7 |
A late 19th century elm clerk’s chair, the shaped top rail above scrolled bowed arm and pierced vase-shaped splats, the revolving solid seat upholstered in tan leather and brass studs and raised on four cabriole-shaped legs, 87cmH x 59cmW x 50cmD |
50 |
70 |
8 |
Five George IV mahogany bar-back chairs with plain mid-rail and drop-in seats, on sabre legs, 87 cmH x 48 cmW x 53 cmD |
120 |
180 |
9 |
A Georgian mahogany bureau, the chequer-strung fall enclosing a series of drawers and pigeon holes, over four inlaid graduated drawers with brass swing handles and embossed oval plates, raised on moulded plinth and squat bracket feet, 104 cmH x 111 cmW x 58 cmD |
180 |
260 |
10 |
An 18th century mahogany demi-lune card table, the folding top revealing a red baize over a boxwood and rosewood inlaid frieze, raised on tapering supports and spade end feet, 74cmH x 90cmW x 88cmD |
50 |
100 |
11 |
A Regency mahogany tea table, the folding cross-banded top with chamfered corners and line inlaid edge, above a plain frieze with central inlaid panel, raised on tapering inlaid supports, approximately 71cmH x 92cmW x 91cmD |
100 |
150 |
12 |
A Regency mahogany chest, the rectangular top above four graduated drawers fitted with brass ring-drop handles and lion mask escutcheon, over a shaped apron, raised on bracket feet, 86cmH x 92cmW x 45cmD |
120 |
180 |
13 |
An early 20th century walnut twin pedestal desk, the tooled leather insert over three frieze drawers and six short drawers, one bearing a retail label for Maple & Co, 75cmH x 152cmW x 82cmD |
250 |
350 |
14 |
A good quality figural walnut and mahogany circular extending dining table resting on four turned columns with splayed legs and brass lion’s paw feet and castors, 128cmDIA x 79cmH |
200 |
300 |
15 |
An early 19th century mahogany bow-fronted chest of two short and three long drawers with brass ring handles, resting on turned supports, 104cmH x 105cmW x 53cmD |
200 |
300 |
16 |
A Regency line inlaid mahogany single wardrobe, the dentil cornice over two panelled doors enclosing hanging space with two storage drawers under, 188cmH x 144cmW x 65CmD |
300 |
400 |
17 |
A Victorian mahogany wash-stand, the hinged top enclosing a wash bowl and accessories, the front elevation having a single false drawer over two short drawers and resting on turned supports, 79cmH x 86cmW x 48cmD |
100 |
200 |
18 |
A late 18th century mahogany bow-fronted chest of two short and three long drawers with brass swing handles, resting on bracket supports,104cmH x 105cmW x 51cmD |
250 |
350 |
19 |
A George III mahogany chest-on-chest, the top section with dentil cornice over two short and three long cockbeeded drawers, with brass swan-neck handles, the base fitted with three long graduated drawers with matching handles, raised on shaped bracket feet, 183cmH x 112cmW x 56cmD |
700 |
900 |
20 |
A late 18th/early 19th century flame figured mahogany serpentine chest, the moulded top with canted corners, above four long graduated cockbeeded drawers with ornate brass swan neck handles, raised on bracket feet, 83cmH x 114cmW x 54cmD |
400 |
600 |
21 |
A matching pair of George III mahogany line inlaid bow front bedside cabinets, each fitted with central cupboard door over one long single drawer, each with lion mask ring handle, the chamfered supports united with a shaped under-tier, 83cmH x 43cmW x 39cmD and 83cmH x 48cmW x 41cmD |
150 |
250 |
22 |
An oak 17th century chest-on-chest, the rectangular moulded top section fitted with one long panelled drawer over one deep drawer, the base fitted with two long drawers, all with brass drop handles and pierced escutcheon, raised on block feet, 93cmH x 98cmW x 53cmD |
500 |
700 |
23 |
A George III mahogany line inlaid bow front corner wash-stand, the quarter-cut top with rounded edges over a single cupboard door, above one short door flanked by two dummy drawers, raised on tapering supports and spade end feet, 82cmH x 70cmW x 51cmD |
100 |
200 |
24 |
A 17th century oak Bible box on stand, the carved sloping fall with iron hinges, over a carved frieze monogrammed M. B. with iron lock, above an arcaded carved stand raised on turned tapering supports and cross-stretcher, 92cmH x 53cmW x 41cmD |
400 |
600 |
25 |
A late 17th/early 18th century oak gate-leg table, the oval top above a moulded frieze and raised on baluster turned supports, 69cmH x 111cmW x 135cm D, open |
180 |
220 |
26 |
An Edwardian chaise longue with buttoned back and scrolling arm upholstered in yellow velvet fabric and raised on tapering turned walnut supports and brass castors, 89cmH x 165cmW x 63cmD |
30 |
50 |
27 |
A mid-19th century mahogany extending dining table, the top with moulded edge and rounded corners and two extra leaves, over a moulded part-frieze and stamped Karby 545 New Oxford Street to inner rail, raised on turned, reeded, shaped supports and brass and ceramic castors, 68cmH x 238cmW x 123cmD |
350 |
400 |
28 |
A Victorian mahogany secretaire bookcase, the moulded cornice over a plain frieze above a pair of flame-figured panelled doors enclosing two shelves, the secretaire base fitted with a series of inlaid drawers and pigeon holes above three graduated, cockbeeded drawers with turned bun handles, raised on bracket feet, 206cmH x 96cmW x 49cmD |
500 |
800 |
29 |
A Regency mahogany chest of four graduated drawers fitted with brass swing handles and oval escutcheon, above a shaped apron and raised on bracket feet, 98.5cmH x 91cmW x 46cmD |
120 |
180 |
30 |
A Regency mahogany chest of two short and three long graduated cockbeeded drawers fitted with brass swing handles and oval escutcheon, above a shaped apron, raised on bracket feet, 97cmH x 98cmW x 47.5cmD |
120 |
180 |
31 |
An early 19th century walnut teapoy, the sarcophagus-shaped top enclosing four caddies and two mixing compartments, raised on an octagonal column support and quatrefoil base and bun feet, 75cmH x 47cmW x 34cmD |
180 |
220 |
32 |
A Regency mahogany breakfast table, the square tilting top with rounded corners on a turned tapering column support and out-swept carved legs, 71cmH x 79cmW x 75cmD |
120 |
180 |
33 |
A Victorian wardrobe chest, the centre section with arched pediment, above a pair of arched panelled doors, over four long graduated drawers with turned bun handles, flanked by a pair of arched panelled wardrobe doors with moulded cornice, raised on a plinth base, 185cmH x 192cmW x 58cmD |
140 |
180 |
34 |
A 19th century rustic low chestnut settle, the single plank back and seat united by square section jointed supports, 77cmH x 161cmW x 51cmD |
600 |
700 |
35 |
An early 18th century elm dough bin, the hand dug bin raised on arched brackets and pole supports, 64cmH x 134cmW x 55cmD |
300 |
500 |
36 |
An early 20th century Indian hardwood occasional table, the circular pierced top heavily carved with blossoms, fans and leaves, above an octagonal-shaped base with pierced floral carved cartouche-shaped panels, 66cmH x 73cmDia |
150 |
200 |
37 |
A set of four mahogany early 19th century mahogany dining chairs, the shaped top and mid rails both with brass lozenge inlay over padded drop-in seats and raised on slender ring-turned supports, 85.5cmH x 41cmW x 43cmD |
40 |
60 |
38 |
A 19th century mahogany line inlaid secretaire chest, the two dummy drawers opening to reveal 16 small drawers and single pigeon hole above two long graduated drawers, all with brass swing handles and back plates, over a shaped apron, raised on bracket feet, 107cmH x 99.5cmW x 47.5cmD |
200 |
300 |
39 |
A Victorian two-seater Chesterfield sofa, the serpentine button back over scrolling arm and carved supports, with feather-filled seats on reeded turned supports and ceramic castors |
50 |
100 |
40 |
A 19th century mahogany dumb waiter, the two circular graduated tiers with moulded rims on a turned tapering column support, raised on three outswept legs and pad feet, 90cmH x 57cmDia |
100 |
150 |
41 |
An early 19th century pine corner cupboard, the moulded cornice above a pair of panelled doors each with brass bun handles and escutcheon, flanked by canted sides, 194cmH x 97cmW x 52cmD |
150 |
250 |
42 |
A 20th century mahogany shaving stand, the circular top on baluster-turned supports over two short drawers and raised on outswept supports and pad feet, 82cmH |
40 |
60 |
43 |
A Victorian pine sleigh bed, the shaped panelled head and foot boards each with turned finials, the shaped sides and slatted base raised on turned supports, 200cmL x 89cmH x 115cmW |
80 |
120 |
44 |
A late 19th century flame figured mahogany dressing table, the rectangular top fitted with two deep vanity drawers, above one long and two short frieze drawers, raised on tapering ring-turned supports together with a matching stool, 86cmH x 105cmW x 57.5cmD |
100 |
150 |
45 |
An Edwardian mahogany pot cupboard, the square top with canted edge, over a single panel door with brass drop handle enclosing a single shelf and raised on a plinth base 70cmH x 37cmW x 32.5cmD |
30 |
50 |
46 |
A late Victorian nursing chair, the rounded back over padded arms and seat upholstered in a blue velvet-style fabric, raised on turned tapering supports on ceramic and brass cup castors, approximately 65cmH x 50cmW x 63cmD |
80 |
120 |
47 |
An early 20th century Oriental chinoiserie decorated table cabinet fitted with a series of drawers and pigeon holes with shaped brass swing handles, raised on a plinth base, 38cmH x 40cmW x 23cmD |
50 |
70 |
48 |
A 19th century oak tilt top table, the circular top on a turned baluster support and raised on three scrolling outswept feet, approximately 73cmH x 54cmDIA |
80 |
120 |
49 |
A set of five 19th century mahogany balloon back dining chairs, the rounded backs with shaped mid-rail above over-stuffed serpentine seats and raised on turned tapering supports, approximately 87cmH x 47cmW x 53cmD |
100 |
150 |
50 |
Four 19th century walnut balloon back chairs, the shaped top rails with scrolling carved mid-rail over padded seats, raised on tapering carved supports, approximately 85cmH x 48cmW x 48cm |
100 |
150 |
51 |
A 19th century oak gate-leg table, the oval folding top with rounded edge above a single end drawer, raised on turned baluster supports and pear-shaped feet, 72cmH x 113cmW x 123cm open |
100 |
150 |
52 |
A 19th century mahogany tilt top table, the octagonal top with carved pentogram to the centre and moulded edge above a Gothic-style frieze on a baluster turned support, raised on three scrolling outswept feet, approximately 74cmH x 70cmW x 70D |
100 |
120 |
53 |
A 19th century elm Windsor rocking chair, the comb-back with shaped pierced splat and rounded arms over a solid seat, raised on turned supports, cross-stretcher and plain rails, approximately 100cmH x 52cmW x 60cmD |
100 |
150 |
54 |
A late 18th/early 19th century oak stool, the rectangular top with central carved cross with arcaded carved edge, raised on turned supports and cross-stretcher, with bun feet, approximately 17cmH x 29cm W x19cmD |
50 |
70 |
55 |
An early 19th century rosewood card table, the burr rotating top inlaid with floral swags, opening to reveal a red circular baize and four corner cups, above a beaded frieze with revolving circular trays above four carved column supports with central finial, raised on four acanthus carved scrolling outswept feet, approximately 70cmH x 90cmW x 88cmD when open |
200 |
300 |
56 |
A 19th century mahogany apprentice piece bureau bookcase, the domed inlaid pediment above a pair of glazed panelled doors enclosing two shelves over a sloping fall opening to reveal drawers and pigeon holes, above three graduated cockbeeded drawers, each with turned bun handles, raised on bracket feet, approximately 84cmH x 33cmW x 23cmD |
120 |
150 |
57 |
A 19th century mahogany framed armchair, the square padded back over scrolling reeded arms with acanthus carved decoration, with rounded padded seat and plain apron, on square tapering carved supports, approximately 92cmH x 63cmW x 60cmD |
120 |
150 |
58 |
An early 19th century walnut side table the rectangular top with moulded edge over a single frieze drawer with turned bun handles, above heavily carved scrolling end supports and cross-stretcher and raised on squat scrolling feet and brass castors, approximately 70cmH x 56cmW x 38cmD |
150 |
180 |
59 |
A Victorian oak corner cupboard, the moulded cornice over an arched panel door carved with crescent moons, crosses and Roman numerals, with central carved arcaded drawer above four panelled cupboard doors, raised on block feet, approximately 182cmH x 67cmW x 40cmD |
130 |
160 |
60 |
An early 20th century oak lady’s bureau, the shaped mirrored-back top over a floral carved fall enclosing a single drawer and pigeon holes, above a single frieze drawer and shaped apron, raised on cabriole supports approximately 122cmH x 71cmW x 40cmD |
130 |
150 |
61 |
A small 19th century mahogany circular two-tier dumb waiter with dentil edges, on vase-shaped support with three outswept legs and pad feet, approximately 60cmH x 33cmDIA |
80 |
100 |
62 |
A late 19th century oak open armchair, the spoon shaped back with floral carved top rail over scroll-carved arm and over-stuffed serpentine seat and raised on turned cabriole shaped supports and brass castors, 97cmH x 67cmW x 73cmD |
80 |
120 |
63 |
A late 17th century joynted oak coffer, the four end panel carved top over a frieze of rosettes above four fluted panels carved with arches, rosettes and leaves, 60cmH x 150cmW x 58cmD |
600 |
800 |
64 |
A late 19th/early 20th century light oak kneehole dressing table, the mirrored back flanked by a pair of small raised drawers on shaped supports over a single frieze drawer, each pedestal fitted with four graduated drawers and raised on plinth bases, 168cmH x 123cmW x 53cmD |
100 |
150 |
65 |
A late 19th century chaise longue, the scrolling back and arm over an over-stuffed seat upholstered in blue floral striped fabric and raised on tapering turned supports and brass cup coasters 88cmH x 158cmL x 63 cmW |
100 |
120 |
66 |
A late 19th century mahogany nursing chair, the fluted back rail and arms with padded arm rests, over a caned back, arms and seat,with turned front and sabre back legs, raised on large cup and casters 90cmH x 61cmW x 74cmD |
60 |
100 |
67 |
A late 19th early 20th century oak wind out dining table the rectangular top with moulded edge and canted corner, with beaded frieze, raised on tapering ring turned supports and brass and ceramic casters, 74cmH x 214cmW x 121cmD |
120 |
150 |
68 |
A large late 19th century pine blanket chest with hinged top, iron swing handles and plinth base 58cmH x 124cmW x 52cmD |
80 |
100 |
69 |
A pair of 19th century walnut balloon back side chairs with scrolling curved mid rail serpentine padded seats and raised on turned fluted legs 87cmH x 47cmW x 52cmD |
20 |
30 |
70 |
A late 19th century oak Art Nouveau three fold panelled screen, decorated with red dyed poppies and stalks 173cmH x 150cmW x 1cmD |
60 |
100 |
71 |
An 18th century coffer, the two plank top with bread board ends , over a four panelled front with ornate iron escutcheon and lock 63cmH x 127cmW x 57cmD |
250 |
350 |
72 |
A 19th century mahogany breakfront press cupboard, the top with moulded cornice and plain frieze above a pair of panelled doors enclosing six press slides, the base fitted with single brush slide over three long graduated cockbeeded drawers with brass swan-neck handles, both flanked with one slide opening wardrobe door, the other fitted with two front opening doors, each enclosing sliding shelves and raised on a plinth base, 224cmH x 192cmW x 57cmD |
800 |
1000 |
73 |
A set of 19th century library steps the domed carved back rail over turned spindles and floral carved panel back over a solid moulded hinged seat opening to reveal four treads, raised on tapering ring turned supports. 89cmH x 46cmW x 43cmD |
80 |
120 |
74 |
A Georgian walnut commode, the top with shaped three-quarter gallery over a pair of panelled doors above a dummy drawer with brass swag handle and raised on square supports 71cmH x 53cmW x 47cmD |
180 |
200 |
75 |
An early 20th century four-fold screen with Oriental needlework panels, approximately 168cmH x 155cmW x 2cmD, when open |
15 |
25 |
76 |
A set of four Edwardian elm dining chairs, the carved arched top rails and turned spindle back over padded seats and raised on tapering ring turned supports and cross-stretchers, together with another similar pair, approximately 86cmH x 40cmW x 44cmD |
15 |
25 |
77 |
A late 18th/early 19th century mahogany bachelor’s chest, the rectangular moulded top above a brushing slide and four long graduated cockbeeded drawers, each with brass swan neck handles, raised on bracket feet, approximately 84cmH x 96cmW x 52cmD |
150 |
200 |
78 |
A rectangular oak drop-leaf gate-leg table, approximately 74cmH x 133cmW x 105cmD, when open |
20 |
30 |
79 |
A child’s wicker tub-shaped armchair, approximately 50cmH x 40cmW x 39cmD |
10 |
20 |
80 |
An Edwardian mahogany octagonal occasional table with galleried under-tier and raised on tapering ring turned supports, approximately 65cmH x 59cmW x 59cmD |
50 |
60 |
81 |
A late 19th/early 20th century walnut bookcase cabinet, the moulded top over a pair of lead lit glazed doors with stained glass lozenge panels, enclosing two shelves and raised on a plinth base, approximately 87cmH x 88cmW x 33cmD |
10 |
20 |
82 |
A 20th century Chinese black painted and gilt butler’s tray and stand, the stray decorated with figures with pierced gilt surround, on simulated bamboo folding stand, 74cmH x 82cmW x 50cmD |
100 |
150 |
83 |
A 20th century mahogany display cabinet on stand, the serpentine top above a pair of shaped glazed doors enclosing two adjustable shelves, over a single drawer and raised on cabriole supports, approximately 148cmH x 86cmW x 42cmD |
15 |
25 |
84 |
A 19th century walnut tilt top table, the oval top with moulded edge and beaded frieze on a bulbous turned column and raised on four carved scrolling cabriole shaped legs and ceramic castors, approximately 73cmH x 122cmW x 91cmD |
100 |
200 |
85 |
A 19th century mahogany lamp table, the circular top with moulded edge on a bulbous carved tapering column, raised on three heavily carved outswept legs with lion’s paw feet, approximately 71cmH x 51cmD |
60 |
80 |
86 |
A 20th century yew wood desk, the moulded top with tooled leather insert over three frieze drawers, the pedestals fitted with graduated drawers, raised on bracket feet, approximately 78cmH x 122cmW x 61cmD |
100 |
120 |
87 |
An early 20th century mahogany partner’s desk, the moulded top with tooled leather insert over six frieze drawers, the pedestals each fitted with graduated drawers and cupboards and raised on plinth bases, approximately 78cmH x 152cmW x 121cmD |
600 |
800 |
88 |
A 20th century mahogany desk, the moulded top with tooled leather insert over three frieze drawers, the pedestals each fitted with three graduated drawers and raised on plinth bases, approximately 75cmH x 137cmW x 69cmD |
250 |
350 |
89 |
A late 19th century mahogany kneehole desk, the rectangular top with rounded corners above a single central drawer flanked by a pair of cupboard pedestal, one enclosing slides, the other a single shelf, raised on a plinth base, approximately 76cmH x 121cmW x 59cmD |
200 |
250 |
90 |
A George III mahogany circular tilt-top table with baluster support, raised on three outswept legs, approximately 62cm H x 80cmDia |
100 |
150 |
91 |
An Edwardian mahogany pot cupboard, the folding top above a single panelled door with brass drop handle and raised on a plinth base, approximately 78cmH x 71cmW x 34cmD |
20 |
30 |
92 |
A set of six George III-style dining chairs, the shield-shaped backs with pierced scrolling splat and carved acanthus leaf decoration above a padded serpentine-shaped seat, raised on tapering supports and spade end feet, approximately 101cmH x 52cmW x 53cmD |
100 |
120 |
93 |
An Edwardian walnut open armchair, the shaped top rail over a vase-shaped splat with foliate and mask inlay, with scrolling arms and padded seat, raised on cabriole supports, approximately 100cmH x 58cmW x 58cmD |
60 |
80 |
94 |
A pair of late 19th century French walnut armchairs, the caned spoon-shaped back carved with ribbons and flowers, over acanthus carved scrolling padded arms and serpentine seat, raised on tapering fluted supports, approximately 107cmH x 62cmW x 65cmD |
100 |
120 |
95 |
A 19th century burr walnut games table, the serpentine revolving top opening to reveal chequers, backgammon and cribb, over a single drawer and workbox, raised on twin carved baluster-shaped supports with outswept scrolling feet carved with acanthus leaf decoration and ceramic castors, approximately 73cmH x 83cmW x 55cmD |
200 |
300 |
96 |
A set of four 19th century balloon-back chairs with carved mid-rail, padded seats and raised on turned supports and cross-stretchers, approximately 79.5cmH x 41cmW x 50cmD |
40 |
60 |
97 |
A 20th century contemporary coffee table, the baby blue pebble-shaped top on a circular chrome base, approximately 36cmH x 117cmW x 78cmD |
50 |
70 |
98 |
An early 20th century French painted wrought iron wash stand, the top with three-quarter gallery and aperture, raised on four scrolling supports and under-tier |
60 |
80 |
99 |
A modern contemporary side table, the mirrored top with moulded edge above a single mirrored drawer and frieze, raised on scrolling mirrored supports, approximately 76cmH x 102cmW x 41cmD |
50 |
70 |
100 |
A set of four Victorian oak-framed dining chairs, the padded backs above over-stuffed seat with tasselled fringe, raised on turned supports, block feet and castors |
50 |
80 |
101 |
A 19th century rosewood pier cabinet with inlaid design and ornate mounts, fitted with a single glazed door on turned supports, approximately 104cmH x 79cmW x 29.5cmD |
100 |
150 |
102 |
An George III-style Edwardian mahogany sideboard with brass back rail, the shaped front housing a pair of drawers flanked by a pair of cupboard doors, all fitted with brass drop handles, raised on square tapering supports with cross-banding, line inlay and inlay decorations, approximately 134cmH x 168cmW x 66cmD |
100 |
150 |
103 |
A George III oak dresser, the single plank top with rounded edges above three moulded drawers with brass swing handles and shell-embossed back plates, raised on tapering square supports, approximately 88cmH x 183.5cmW x 42cmD |
700 |
1000 |
104 |
An early 19th century oak bureau, the sloping fall enclosing a series of drawers, pigeon holes and two secret compartments, over four long graduated cockbeeded drawers with brass swing handles and ornate back plates, raised on bracket feet, approximately 102cmH x 95cmW x 51cmD |
200 |
300 |
105 |
A Regency mahogany folding card table, the inlaid top with rounded corners opening to reveal a green baize panel above a chequer-strung and geometrically inlaid frieze, raised on tapering ring-turned supports, approximately 74.5cmH x 91cmW x 90cmD when open |
500 |
600 |
106 |
An 18th century oak dresser, the two shelf rack with moulded cornice, plain frieze and shaped supports, the base with rectangular moulded top and pigeon holed back, over six cockbeeded drawers each with brass swing handles and shaped back plates, the arched apron above an eleven planked under-tier and turned supports, raised on block feet, approximately 180cmH x136cmW x 45cmD |
2000 |
2500 |
107 |
A pair of mid-20th century painted metal industrial cabinets, the tops with chrome gallery rails over a single drawer and cupboard door on pole supports united by a square under-tier |
150 |
200 |
108 |
A mid-20th century pierced screen depicting Adam and Eve, approximately 142cmH x 69.5cmW x 30cmD |
20 |
30 |
109 |
A 1930s Art Deco tea table, the rotating rectangular folding top raised on open oval end supports, with chrome cross-stretcher and arched feet, approximately 74cmH x 120cmW x90cmD |
80 |
120 |
110 |
A 19th century mahogany breakfast table, the circular top with moulded edge and beaded frieze above a tapering circular column support, the trefoil base raised on lion’s paw feet and castors, approximately 72cm x 103cmDia |
100 |
120 |
111 |
A late 18th/early 19th century elm corner cupboard front panel with moulded arched door, turned handle and brass escutcheon and canted sides, approximately 119cmH x 89cmW x 30cmD |
30 |
50 |
112 |
An early 19th century oak panel decorated with floral lozenge panels, approximately 40cmH x 101cmW x 2.5cmD |
30 |
40 |
113 |
A 20th century French-style walnut armchair, the padded back with carved moulding over scrolling arms and serpentine seat, raised on cabriole supports, approximately 107cmH x 65cmW x 70cmD |
30 |
50 |
114 |
A Regency mahogany chequer-strung converted commode, the rectangular top over a single cockbeeded drawer above a faux drawer cupboard door fitted with pressed brass knob handles and raised on bracket supports, approximately 74cmH x 68cmW x 49cmD |
60 |
80 |
115 |
An Edwardian mahogany line inlaid double wardrobe, the moulded cornice above a pair of panelled doors with floral wreath inlay and arched bevelled mirror, enclosing a hanging rail and single shelf, raised on bracket supports, approximately 195cmH x 125cmW x 51cmD |
60 |
100 |
116 |
A 19th century rosewood card table, the moulded cross-band top opening to reveal a circular green baize over a floral carved frieze, raised on an octagonal vase-shaped support on four heavily carved scrolling outswept cabriole-shaped legs and brass castors, approximately 78cmH x 90.5cmW x 90.5cmD when open |
250 |
300 |
117 |
A 19th century mahogany drop leaf table, the rectangular top with rounded corners above a pair of scrolling floral fretwork and supports with carved rosettes, raised on bun feet and brass castors, approximately 74.5cmH x 110.5cmW x 89cmD |
100 |
150 |
118 |
A Victorian mahogany folio stand, the two-section top with a heavily carved scrolling front panel raised on a table base with lyre end supports and carved cross-stretcher, approximately 90.5cmH x 48cmW x 24cmD |
100 |
150 |
119 |
A 20th century oak dining table with X- frame supports and cross-stretcher together with four matching chairs with horse head carved back, shaped supports and cross-stretchers, table approximately 76cmH x 140cmW x 80cmD, chairs approximately 100cmH x 46cmW x 46cmD |
80 |
120 |
120 |
A pair of early 20th century terracotta painted gilt columns, the square tops above a scrolling frieze, the tapering panelled trunk with ribbon bow and floral decoration and raised on a square stripped base, each 111cmH |
100 |
200 |
121 |
A 19th century mahogany framed low bedroom chair, the padded back with dome-shaped top rail flanked by fluted turned supports over a circular over-stuffed seat upholstered in a floral patterned fabric, raised on turned tapering supports and ceramic and brass castors, approximately 77cmH x 49cmW x 54cmD |
50 |
80 |
122 |
An Art Deco flame-figured walnut square-section two-tier corner unit with chrome column support and raised on an ebonised plinth base, approximately 53cm x 40cmW x 40cmD |
40 |
60 |
123 |
A mid-20th century pine tambour folding screen with domed shaped top and maker’s plaque for S.N.S A.,149cmH x 240cmW |
250 |
350 |
124 |
An Art Deco hand-painted moulded fire screen decorated as an old country garden with rose arch and stone steps leading to a tree lined lawn, approximately 69cmH x 65cmW x 10cmD |
40 |
60 |
125 |
An early 20th century oak wall cupboard, the domed shaped top with pierced gallery above a single cupboard door with an oval bevel mirror plate flanked by two canted stained glass panels over a single cross-banded drawer with pressed brass knob handle over a shaped apron 64cmH x 64cmW x 17fcmD |
100 |
150 |
126 |
A late 18th/early 19th century elm chest, the rectangular top with moulded edge, opening to reveal a semi-fitted interior, iron lock and brass strap hinges, the exterior with brass swing handles and later ornate pierced brass panels and studwork, approximately 24.5cmH x 54cmW x 36cmD |
120 |
140 |
127 |
An Edwardian inlaid mahogany armchair, the adjustable back with domed top rail and fleur-de-lys carved splat over scrolling arms and padded seat, raised on square tapering supports and brass and ceramic castors, approximately 87cmH x 59.5cmW x 90cmD |
80 |
100 |
128 |
A late 19th/early 20th century ebonised mahogany card table, the moulded rotating top opening to reveal a tooled green baize above a beaded frieze, raised on tapering ring-turned supports and united by spindle cross-stretchers, 73cmH x 91cmW x 91cmD |
80 |
120 |
129 |
A Regency sofa table, the rectangular cross-band top above a pair of inlaid frieze drawers opposing a pair of dummy drawers, with pressed brass knobs on four baluster turned supports and raised on four outswept scrolling feet and brass castors, approximately 73cmH x 156cmW x 71cmD, when open |
200 |
250 |
130 |
An early 20th century pine dresser, the top with moulded cornice over a two-shelf plate rack, the base fitted with two short drawers over a pair of panelled cupboard doors all with ornate iron handles and raised on block feet, approximately 195cmH x 123cmW x 51cmD |
100 |
200 |
131 |
A late 19th century walnut piano stool, the rotating circular top raised on turned outswept supports, 49cmH x 30cmDia |
40 |
60 |
132 |
A late 19th century rosewood lady’s writing table, the shaped inverted breakfront top with central galleried shelf flanked by a pair of raised drawers over a single frieze drawer, with carved apron flanked by two pairs of short drawers and raised on carved cabriole supports, approximately 111cmH x 107cmW x 57cmD |
150 |
250 |
133 |
A late 19th/early 20th century mahogany and rosewood inlaid square piano by Joseph Kirkman, Maker’s to His Majesty, Soho Square, London, the line inlaid top opening to reveal strings, hammers and fret-work panel, over ivory keys, raised on turned tapering supports, approximately 87cm H x 170cm W x 71cm D |
400 |
600 |
134 |
An early 19th century oak mule chest, the rectangular cross-banded moulded hinged panel top above a four panel front fitted with two dummy drawers with brass swing handles, raised on block feet, approximately 68 cm H x 135 cm W x 56 cm D |
50 |
80 |
135 |
A 19th century pine wall shelf, the moulded cornice over three plate shelves with shaped support, approximately 109cmH x 145cmW x 16.5cmD |
50 |
70 |
136 |
A Victorian pine dough bin of sarcophagus form on a single plank base, approximately 25.5cmH x 74cmW x 48.5cmD |
50 |
70 |
137 |
A 19th century pine cupboard, the moulded cornice over a pair of panelled doors enclosing a single shelf above a pair of short drawers, each with brass swing handles and shaped back plates, approximately 86cmH x 89cmW x 34cmD |
70 |
100 |
138 |
A Victorian stripped pine chest, the rectangular top with moulded edge above two short and three long graduated drawers, each with turned bun handles and brass escutcheon, raised on turned supports, approximately 99cmH x 103cmW x 49cmD |
100 |
120 |
139 |
A mid-20th century oak framed begere-style armchair, the cane back and arm on barley-twist support, with over-stuffed seat and floral carved scrolling apron, raised on black turned support, 94cmH x 59cmW x 61cmD |
40 |
50 |
140 |
A mid-19th century oak lowboy, the rectangular top with rounded edge over a single frieze drawer with brass swing handles above a shaped apron, raised on turned tapering pole supports and pad feet, approximately 74cmH x 74cmW x 53cmD |
120 |
150 |
141 |
A George III mahogany side chair, the shaped top rail with husk carved slatted back over an over-stuffed serpentine seat, raised on square tapering supports and cross-stretcher, approximately 90cmH x 53cmW x 52cmD |
40 |
50 |
142 |
A late Victorian oak corner cupboard, the moulded dentil cornice above a single glazed door with ornate brass handle, enclosing two shelves flanked by reeded canted sides, 74cmH x 65cmW x 41cmD |
30 |
50 |
143 |
An early 20th century mahogany extending dining table, the oval top with gadrooned edge over a beaded frieze, raised on scrolling acanthus leaf carved cabriole supports and claw and ball feet, lacking winder, 73cmH x 153cmW x 106cmD, when extended |
50 |
70 |
144 |
An Edwardian armchair, the scrolling back and arms over a padded long seat, raised on ring-turned front supports and ceramic and brass castors, 96cmH x 75cmW x 84cmD |
60 |
100 |
145 |
A 19th century day bed, the scrolling buttoned back over a padded seat and single drop arm, upholstered in a pink velvet-style fabric and raised on squat cabriole supports and castors, 77cmH x 153cmW x 82cmD |
60 |
100 |
146 |
A set of four Edwardian mahogany dining chairs, the floral carved top and mid rail on reeded supports, above floral upholstered over-stuffed seats and raised on tapering ring-turned supports, 92cmH x 49cmW x 52cmD |
40 |
60 |
147 |
An early 20th century breakfront mahogany side cabinet, the top with rounded corners and moulded edge over a blind fretwork carved frieze and single drawer fitted with ornate brass swing handles, above a pair of bevelled mirror doors and shaped under-tier, flanked by two shelves and raised on acanthus carved cabriole supports, 101cmH x 122cmW x 35cmD |
60 |
80 |
148 |
A Victorian wind-out dining table, the top with moulded edge and canted corners above a moulded frieze, raised on floral carved tapering fluted supports and ceramic and brass castors, 74cmH x 241cmW x 120cmD |
80 |
120 |
149 |
A 19th century figural mahogany writing table, the rectangular top with canted corners and carved chamfered edge, above a pair of frieze drawers with brass Gothic-style drop handles, raised on turned tapering octagonal supports, approximately 84cmH x 106cmW x 55cmD |
100 |
120 |
150 |
A George III elm drop-leaf table, the oval top with rounded edge, raised on tapering pole supports and pad feet, approximately 69.5cmH x 119cmW x 94cmD |
100 |
150 |
151 |
A French gilt brass consul table, the serpentine marble top over an ornate scrolling frieze with fleur-de-lys and shell decoration, raised on cabriole-shaped legs with female mask and floral decoration on paw feet, approximately 79cmH x 118cmW x 33cmD |
100 |
150 |
152 |
A late 19th century/early 20th century coopered oak iron-bound umbrella stand, approximately 62cmH |
30 |
50 |
153 |
A small oak corner cupboard |
80 |
120 |
154 |
A 19th century single brass bed with arched head and foot boards and raised on ceramic castors, 186cm x 93cm |
40 |
60 |
155 |
A late 19th century pine wash stand, the top with three-quarter gallery and rounded corners above a single under-tier with shaped apron, raised on turned supports and bun feet together with a Victorian transfer printed blue and white wash bowl decorated with scrolling leaves and flowers marked ‘Togo’ to base, approximately 71.5cmH x 57cmW x 43.5D |
50 |
60 |
156 |
A Lloyd Loom gold painted bow front bedside cabinet, the glass and needlework top above a single cupboard door, raised on arched supports, approximately 64.5cmH x 39cmW x 34cmD |
15 |
20 |
157 |
An early 20th century elm bergere suite comprised of a two seater sofa and two armchairs, each with a shaped scrolling top rail and arms, padded backs and seats over a shaped apron and raised on squat cabriole supports. Sofa approximately 78cmH x 123cmW x 74cmD, chairs approximately 78cmH x 64cmW x 74cmD |
100 |
150 |
158 |
A large late 18th century mahogany bureau, the sloping fall opening to reveal three cupboard doors, each enclosing a series of drawers and pigeon holes, above three long graduated drawers each with brass swing handles and shaped back plate, raised on a plinth base, approximately 114cmH x 110cmW x 5305cmD |
150 |
200 |
159 |
A late 18th century oak gate leg table, the oval top with rounded edge, above a single drawer, raised on baluster turned supports and double bun feet, approximately 71cmH x 127cmW x 104.5cmD when open |
150 |
200 |
160 |
An early 18th century oak coffer, the three-plank panelled top with iron hinges and lock over a two-plank dove-tailed body with iron drop twist handles, raised on shaped bar supports, approximately 60.5cmH x 123cmW x 55cmD |
200 |
300 |
161 |
An early 20th century wicker twin-handled Moses basket, approximately 39.5cmH x 92cmW x 55cmD |
20 |
30 |
162 |
An Edwardian mahogany occasional table, the circular cross-banded chequer-strung top over a line inlaid frieze, raised on slender tapering supports united by scrolling cross-stretchers and floral decorated under-tier, approximately 70cmH x 50cmDia |
30 |
40 |
163 |
A late 19th century satinwood wardrobe, the plain frieze over a single panel door with arched bevelled plate, flanked by two arched panels carved with fruit and leaves, raised on bracket feet, approximately 196cmH x 91.5cmW x 42cmD |
60 |
100 |
164 |
An Edwardian mahogany washstand, the rectangular top with turned spindle back and moulded edge, above a floral carved frieze and single drawer, stamped Edwards & Roberts with brass Gothic handle, raised on tapering ring-turned supports, approximately 73.5cmH x 106cmW x 48D |
40 |
60 |
165 |
A matched pair of Edwardian walnut inlaid side chairs, both with embroidered seats, largest 94cmH x 41.5cmW x 39cmD |
10 |
15 |
166 |
A 19th century pitch pine chest, the rectangular moulded top over two short and two long graduated drawers, each with turned wood and brass swing handles, raised on a plinth base, approximately 89.5cmH x 123cmW x 55.5cmD |
100 |
150 |
167 |
A 19th century mahogany wardrobe, the single arched panel door with turned knob handle enclosing hanging space and single drawer, raised on a plinth base, once part of a larger wardrobe, approximately 181cmH x 68.5cmW x 56cmD |
30 |
40 |
168 |
A late 19th/early 20th century mahogany chest, the rectangular top with moulded edge over two short and three long graduated drawers, each with brass swing handles and pierced back plate, raised on bracket feet, approximately 99cmH x 103cmW x 49.5cmD |
70 |
90 |
169 |
A 20th century mahogany coffee table, the rectangular panelled top over a beaded frieze, raised on chamfered supports and pierced brackets, approximately 47cmH x 127cmW x 54cmD |
20 |
30 |
170 |
A 19th century mahogany fire screen of rectangular form with brass entwined serpent handle over a clear glass panel and raised on outswept supports and pad feet, approximately 100cmH x 49.5cmW x 42cmD |
20 |
30 |
171 |
A 19th century pine dresser, the top with moulded cornice and plain frieze over a three-shelf rack with shaped supports, the rectangular base with breadboard ends over three short drawers with pressed iron cup handles, above four panelled doors, raised on a plinth base, approximately 247cmH x 188.5cmW x 56.6cmD |
300 |
500 |
172 |
A 19th century pine bookcase, the moulded top above a pair of glazed panelled doors enclosing two shelves over a single long drawer with ceramic bun handles, the base with later carved oak panel door, raised on block feet, approximately 200cmH x 96.5cmW x 39cmD |
100 |
200 |
173 |
A 19th century Chesterfield two seat sofa, the rounded back and scrolling arms over a single seat, raised on ring-turned mahogany supports and ceramic castors, approximately 69cmH x 180cmW x 83cmD |
50 |
100 |
174 |
A 19th century mahogany framed armchair, the spoon-shaped back with scrolling padded arms and seat upholstered in green velvet-style fabric, raised on tapered ring-turned supports and iron castors, approximately 104cmH x 68cmW x 84cmD |
80 |
120 |
175 |
A late Victorian low nursing chair, the scrolled back over a rounded padded seat raised on tapering ring-turned supports and ceramic castors, approximately 73cmH x 54cmW x 76cmD |
10 |
15 |
176 |
A Victorian pine blanket box with hinged lid, raised on block and castor feet, approximately 52cmH x 91cmW x 48cmD |
40 |
60 |
177 |
A 19th century mahogany butler’s tray on folding stand, approximately 84cmH x 80cmW x 54.5cmD |
40 |
60 |
178 |
An Edwardian inlaid mahogany inlaid three-tier cake stand on shaped supports, surmounted with turned finial, approximately 96cmH x 28cmDia |
80 |
120 |
179 |
A pair of 19th century rosewood and boxwood strung tub-shaped chairs, the back with padded top rail and lozenge and floral inlay over shaped arms and over-stuffed seat, raised on square tapering supports and spade end feet, each approximately 70cmH x 73cmW x 64cmD |
80 |
120 |
180 |
A 19th century rosewood centre table, the oval top with moulded edge above a scrolling frieze, raised on twin octagonal vase-shaped supports and carved cross-stretcher with scrolling outswept feet and brass castors, approximately 72cmH x 134cmW x 69cmD |
150 |
250 |
181 |
An Edwardian mahogany Wellington chest filing cabinet by ‘The Shannon Limited, London’, the square moulded top above four short drawers, each opening to reveal original fitting clip boards, fitted with brass monogrammed handles and raised on a plinth base, approximately 50cmH x 38cmW x 41cmD |
60 |
100 |
182 |
A 19th century rosewood spoon-back low chair upholstered in gold velvet-style fabric, with serpentine seat and raised on turned fluted supports and brass and ceramic castors, approximately 83cmH x51cmW x 61cmD |
40 |
60 |
183 |
A pair of early 20th century armchairs, with scrolling backs and arms and padded seats upholstered in a red floral fabric over tapestry upholstery and raised on turned bun feet and coasters 86cm H x 91cm W x 98cm D |
40 |
60 |
184 |
A matched pair of late 19th century tub shaped armchairs the scrolling button backs and arms on turned mahogany supports over circular padded seats and raised on turned tapering supports and castors, 75cmH x 66cmW x 62cmD and 72cmH x 69cmW x 72cmD |
120 |
150 |
185 |
A 19th century chaise longue with scrolling back and arm upholstered in a pink floral fabric raised on ormulo mounted turned mahogany supports and brass castors together with a matching spoon back low chair upholstered in green velvet style fabric, 76cmH x 180cmW x 72cm and 72cmH x 62cmW x 83cmD |
150 |
200 |
186 |
A 19th century Prie Dieu chair the high back with shaped top over a padded seat upholstered in green velvet fabric and raised on turned rosewood supports and brass cup and castors, 100cmH x 47cmW x 56cmD |
40 |
60 |
187 |
An Edwardian walnut occasional table the octagonal chequer and box wood strung top with central scrolling foliate inlay, raised on square tapering inlaid supports and castors united by a cross stretchered under tier 72cm x H x 68.5cm W x 68.5cm D |
70 |
90 |
188 |
A 19th century walnut wine table, the rectangular top with gadrooned edge and carved acanthus leaf corners, over a turned three-column support and raised on three carved outswept feet, approximately 74cmH 42cmW x 31cmD |
50 |
100 |
189 |
A Victorian walnut wind out dining table the top with canted corners and moulded edge with one extra leaf, over a beaded frieze and raised on ring turned tapering supports and ceramic and brass casters 74cm H x 145cm W x 104cm D |
80 |
120 |
190 |
A 19th century mahogany square section four tier what-not the hinged top opening to reveal an adjustable reading slope and rest, fitted single base drawer with carved knob handle and raised on tapering reeded column supports and brass castors, 137cmH x 54cmW x 44cmD |
200 |
300 |
191 |
A late 18th early 19th century oak joynt stool, the rectangular top with round edge over a moulded frieze and raised on balustre turned supports and cross stretchers 60cm H x 48cm W x 31cm D |
50 |
80 |
192 |
A late 19th century Georgian style sideboard, the serpentine top over a single long cockbeeded drawer flanked by six short cockbeeded drawers with ornate swing and knob handles and raised on chamfered supports and brass castors 83cm x 121cm W x 54cm D |
50 |
80 |
193 |
A late 19th century walnut Secretaire A Abbatant, the top with a scrolling carved pediment over a single drawer and fall front, opening to reveal an arrangement of drawers and writing surface above three shaped long drawers, flanked by floral carved pilasters and raised on squat scrolled feet, approximately 183cmH x 105cmW x 53cmD |
300 |
400 |
194 |
A late 19th century stool, the rectangular floral upholstered top raised on turned tapering rosewood supports, 51cmH x 45cmW x 41cmD |
30 |
40 |
195 |
A late Victorian armchair, the square-shaped back over scrolling arm and padded seat, raised on ring-turned mahogany supports and castors, 93cmH x 73cmW x 84cmD |
60 |
100 |
196 |
A George III mahogany wash-stand, the square hinged top opening to reveal apertures for basin and brush holder above an under-tier with single drawer, raised on square support united by a cross-frame cross-stretcher, 82cmH x 35.5cmW x 35.5cmD |
80 |
120 |
197 |
A 19th century mahogany breakfront wardrobe chest, the moulded cornice and plain frieze above a central mirrored door enclosing four linen slides and three long drawers with floral decorated recessed handles flanked by a pair of panelled wardrobe doors each enclosing hanging space and single drawers and raised on a plinth base, approximately 205cmH x 230cmW x 75cmD |
250 |
350 |
198 |
An early 19th century mahogany chest, the rectangular top with moulded edge over two short and three long graduated cockbeeded drawers, each with brass swing handles and pressed floral back plates and raised on a moulded base, approximately 90cmH x 114cmW x 52cmD |
150 |
250 |
199 |
An early 20th century oak four seat pew with moulded top rail over a panelled back and raised on shaped supports, 91cmH x 236cmW x 54cmD |
80 |
120 |
200 |
An early 20th century oak two seat pew with moulded top rail over a panelled back and raised on shaped supports, 89cmH x 146.5cmW x 54cmD |
80 |
120 |
201 |
A 19th century pine domed top iron-bound chest fitted with iron lock and iron side handles, 52cmH x 100cmW x 49cmD |
120 |
150 |
207 |
A pair of 20th century Italian terracotta olive jars of ovoid form, each with triangular top and single handle, approximately 74cmH |
100 |
120 |
208 |
An early 20th century garden table, the rectangular reconstituted weathered stone top on triangular painted supports, 54cmH x 110cmW x 51cmD |
80 |
100 |
209 |
A 20th century circular teak sunburst design garden table on folding wrought iron base together with six matching armchairs, table 78cmH x 110cmDia, chairs 89cmH x 57cmW x 47cmD |
50 |
100 |
210 |
A 20th century garden seat, the scrolling foliate cast metal ends and arms united by teak slats, 82cmH x 126cmW x 60cmD |
30 |
40 |
211 |
A garden bench with slatted wooden seats, lattice-shaped iron back and scrolling wrought iron ends, approximately 80cmH x 129cmW x 60cmD |
30 |
40 |
212 |
A 20th century teak garden bench with slatted back and seat with rounded arms, raised on square section supports, 85cmH x 193cmW x 66cmW |
70 |
100 |
213 |
A 20th century teak garden bench with slatted back and seat, shaped arms and raised on square section supports, 82cmH x 128cmW x 59cmD |
50 |
70 |
214 |
A George III mahogany fretwork mirror with original bevelled plate, approximately 88cmH x 60cmW x 2.5cmD |
120 |
150 |
215 |
A 19th century mahogany dressing table mirror, the dome topped plate on spiral turned supports with ornate brass candle sconces, surmounted with turned finial, raised on a shaped base and gadrooned bun feet, 82cmH x 78cmW x 31cmD |
50 |
100 |
216 |
A pair of 19th century gilt metal two branch girondelle mirrors, the rectangular bevelled plates housed in a floral moulded frame surmounted with cherubs and urn 41cmH x 21cmW |
60 |
80 |
217 |
A Victorian mahogany toilet mirror, the rectangular plate on scrolling supports on a rectangular base, raised on bun feet, 52cmH x 47cmW x 23cmD |
40 |
60 |
218 |
A circular gilt framed convex wall mirror with ebonized surround, the frame with egg and dart moulding and ball decoration, 39cmW and a larger similar gilt framed circular convex wall mirror 41.5cmW (2 items) |
40 |
60 |
219 |
A large 20th century Venetian octagonal mirror surmounted with floral swags, each plate with bevelled edges and decorated with flower heads and glass beads, 139cmH x 73cmW |
100 |
150 |
220 |
A mid 20th century painted French oval mirror with bevelled plate, the pierced frame surmounted with floral swags and flowers, 138cmH x 78cmW |
50 |
100 |
221 |
A 19th century giltwood and gesso over mantel mirror, the dome top plate housed in a floral button and bead decorated frame surmounted with ferns and flora, approximately 112cmH x 98cmW |
50 |
100 |
222 |
A late 19th century walnut framed toilet mirror, the oval plate on scrolling supports and cross-stretcher, raised on shaped outswept feet, approximately 40cmH x 45cmW x 18cmD |
20 |
30 |
223 |
A Georgian walnut toilet mirror, the rectangular plate on square reeded supports with brass finials, the based fitted with two frieze drawers with brass swing handles, raised on squat bun feet, 44cmH x 44.5cmW x 19cmD |
30 |
50 |
224 |
A 19th century circular mirror with convex plate housed in an ebonised and gilt ball decorated frame, 34.5cmDia |
40 |
50 |
225 |
A 20th century gilt brass cartouche-shaped mirror, the arched plate surmounted with scrolling swags, 122cmH x 62.5cmW |
80 |
120 |
226 |
A 1930s bevel edged mirror housed in a silver-plated frame with simulated bamboo and hammer design border, 48cmH x 49cmW |
35 |
45 |
227 |
An early 20th century wall mirror, the oval plate housed in a simulated rosewood beeded and carved frame, 64cmH x 55cmW |
20 |
30 |
228 |
A late 18th/early 19th century dressing table mirror, the rectangular bevel plate on finial topped tapering supports, the stand with shaped single drawer opening to reveal various fitted compartments with lidded boxes, brushes and pen trays, with turned bun handles and brass escutcheon, raised on bracket feet, 66cmH x 45cmW x 23cmD |
100 |
150 |
230 |
A pair of 20th century Spanish Blanc de Chine Corinthian column table lamps, complete with floral decorated plinths, 65cmH |
70 |
100 |
231 |
A Victorian ornate silver-plated and brass oil lamp with cut-glass reservoir and opaque glass rose topped light shade with acid etching, 62cmH |
100 |
150 |
232 |
A 1960s contemporary nine sided chrome and smoked glass octagonal ceiling light, 60cmDia |
100 |
150 |
233 |
A pair of 1920s/1930s fruitwood table lamps, the hexagonal tops on three baluster turned supports, raised on a hexagonal stepped base and bracket feet, 46cmH |
50 |
70 |
234 |
An early 20th century oak standard lamp, the shaped turned column with carved acanthus decoration on a circular ring turned base, raised on bun feet, 138cmH |
60 |
80 |
235 |
A pair of early 20th brass wall sconces on dolphin wall brackets, 10.5cmH |
30 |
50 |
236 |
A 20th century Victorian glass five branch chandelier with cut-glass lustres and swags, 38cmH |
60 |
100 |
237 |
An Art Deco beech palm tree-shaped standard lamp on a circular base, 146cmH |
15 |
20 |
238 |
A 19th century Dutch-style ceiling rise and fall oil lamp with black painted ornate supports and white glass shade |
30 |
50 |
239 |
A modern burgundy and cream ground carpet decorated with flowers and scrolls, approximately 170 cm x 125 cm |
10 |
15 |
240 |
A 20th century blue ground Kurdish-style carpet retailed by Harvey Nichols of Knightsbridge, No 68, with label to underside, approximately 314cmL x 152cmW |
250 |
350 |
241 |
A 20th century red ground Turkish-style carpet retailed by Harvey Nichols of Knightsbridge, No 829, with label to underside, approximately 220cmL x 138cmW |
100 |
150 |
242 |
A 20th century red ground geometrically woven Shirvan-style carpet, approximately 278cmL x 134cmW |
250 |
350 |
243 |
A Shirvan-style blue ground woven rug with red, cream and green floral border and central geometric pattern, 154cmL x 104cmW |
40 |
60 |
244 |
A cream ground Turkish Hamadan-style rug with red, blue, green and yellow floral design and border of flowers and diamond shapes, 154cmL x 104cmW |
40 |
60 |
245 |
A terracotta ground Kelim-style rug with geometric pattern and star pattern border, 147cmL x 96cmW |
40 |
60 |
246 |
A red ground Hamadan-style rug with eight-point central pattern, 119cmL x 73cmW |
40 |
60 |
247 |
A 19th century Persian blue ground silk rug decorated with roses, buds and leaves with scrolling foliate border, 52cm x 47cm, together with two brown Afghan geometrically woven horse saddle straps, 253cmL x 15cmW and 161cm long x 18cmW |
80 |
120 |
249 |
A 20th century red ground Turcoman rug, 155cmL x 79cmW |
40 |
60 |
250 |
A 20th century red ground geometrically woven Turkish prayer mat, 190cm x 102cm |
60 |
80 |
256 |
Circle of John Brett (1831 – 1902) Coastal scene Oil on canvas Signed lower right and dated 1879 29cm x 49cm housed in gilt frame with gesso detail |
150 |
200 |
257 |
20th Century British Cottages by a lake Oil on board Unsigned With another painting en verso of figures in a street Also unsigned 19 cm x 29 cm Housed in gilt gesso frame |
20 |
30 |
258 |
Elsie Hall Still life of fruit Oil on canvas Signed lower left and dated 1905 33cm x 51cm Housed in gilt frame with gesso detail |
40 |
60 |
259 |
A 20th century Abstract Oil on board Monogrammed to lower left DGJ 46cm x 67cm Housed in a pine frame |
15 |
25 |
260 |
John and Charles Walker, 19th century hand-coloured map of Sussex from the ‘British Atlas’ published by Longman Hurst, Rees & Co, Paternoster Row, framed and glazed, 32cm x 40.5cm |
20 |
30 |
261 |
David King Wilson ‘Drovers and Ghost Gums’ Acrylic on board Signed lower right and dated 1990 44cm x 34cm Label to verso |
40 |
60 |
262 |
David King Wilson ‘The Seven Sisters’ Oil on board Signed lower right and dated 1990 55cms x 40cms Label to verso Framed |
60 |
100 |
263 |
Donald Hamilton Fraser 1929-2009, RA Dancer adjusting her tu-tu Silk screen print Limited edition 166/295 Signed lower right 73cm x 48cm Framed and glazed |
300 |
500 |
264 |
Reverend S Shaw ‘View of Elford from the south-east’ Watercolour Signed lower left and dated 1797 25cm x 40cm Framed and glazed |
80 |
100 |
265 |
Felix Kelly 1914-1944 ‘Old Cater Ryder Building at 1 King William’s Street, London EC4’ Limited edition print Signed lower right 39.5cm x 51cm Framed and glazed |
120 |
150 |
266 |
William Herbert Allen 1863-1943 Harvest scene at sunset Watercolour 24cm x 35cm Signed lower left and dated 1906 Unframed |
50 |
100 |
267 |
20th Century British Country village with fields and hills to background Watercolour Indistinctly signed lower right 29cm x 26cm Framed and glazed |
15 |
20 |
268 |
Donald Hamilton Frazer 1929-2009, RA ‘Dancer with Sash’, Silk-screen print Limited edition 143/225 Signed in pencil to lower right margin 63cm x 52cm Framed and glazed |
150 |
250 |
269 |
After Frederick Walker 1840-1875 Young boy with a dead bird Signed to lower margin Housed in a gilt frame |
20 |
30 |
270 |
Antoine Bouvard (1870-1956, French) ‘The Gondola’ Oil on canvas Signed lower right 49cm x 63cm Framed |
4000 |
6000 |
271 |
Legh Mulhall Kilpin 1853-1919 ‘Sorrell’ Unsigned 37cm x 54cm Framed |
100 |
150 |
272 |
W H Barrow Huntsman and hounds at Battle Abbey Watercolour 18.5cm x 30cm Signed lower right Housed in a gilt frame |
200 |
250 |
273 |
E M Booth Grey horse cantering Oil on canvas Signed lower right 66.5cm x 40cm Unframed |
30 |
50 |
274 |
19th century Continental Figures by a lake with castle and hills to background Watercolour 12.5cm x 16cm |
20 |
30 |
275 |
D Rivers Fly fisherman Oil on canvas Signed lower left 30cm x 50cm Housed in ornate gilt frame |
80 |
120 |
276 |
19th century Estuary scene with fishing boats, figures, horse and cart to shore and buildings to background Oil on panel Unsigned 21.5cm x 29.5cm Housed in a gilt frame |
60 |
80 |
277 |
K Chong (Oriental) Junks with city and mountains to background Oil on canvas Signed 44.5cm x 60cm Housed in a silvered frame |
15 |
25 |
278 |
Glynn Thomas (b.1946) ‘Byron’s Pool’ Limited edition print 50/100 Signed lower right 28cm x 20cm Housed in a gilt metal frame |
40 |
60 |
279 |
Glynn Thomas (b.1946) ‘St. Just in Roseland’ Limited edition print 54/100 Signed lower right 18.5cm x 30cm Housed in a gilt wood frame |
40 |
50 |
280 |
20th Century Jordanian Flowers in a bowl Oil on canvas Signed in Arabic to lower right 64cm x 53cm Unframed Art Gallery label to verso |
20 |
30 |
281 |
David Da Costa (20th century Jordanian) Three musicians and instruments Screen print Limited edition 84/120 Signed lower right 45cm x 62cm Framed and glazed Gallery label to verso |
30 |
40 |
282 |
Jabbar Salman (b1936, Iraqi) Nomads Oil on canvas Signed lower right and indistinctly dated 36cm x 33cm Framed |
100 |
150 |
283 |
Jabbar Salman (b.1936, Iraqi) Nomads walking Oil on canvas Signed lower left and indistinctly dated 33.5cm x 42.5cm Framed |
100 |
200 |
284 |
20th Century Continental Street scene with figures Oil on canvas Unsigned 30cm x 41cm Framed |
15 |
25 |
285 |
Oscar Droege (1898-1982, German) ‘Oaks’ Original woodcut in colour Signed and dated lower margin in pencil 36cm x 24cm Framed |
50 |
70 |
286 |
20th century British Country house with vintage car to foreground and tree-lined background Watercolour Unsigned Housed in an oak frame |
15 |
20 |
287 |
C Beyer Still life of apples, grapes, pears and plums Oil on board Signed and dated lower right 1908 21.5cm x 28.5cm Housed in a gilt frame |
50 |
80 |
288 |
19th century British Victorian lady in mourning dress with lace bonnet, holding a book Oil on canvas Unsigned 65cm x 51cm Housed in a gilt frame |
80 |
120 |
289 |
A George I small hand-coloured map of Cornwall, ‘The Road from Exeter to Truro in Cornwall’, 18.5cm x 12cm, framed and glazed |
25 |
35 |
290 |
‘Tex’ Sketch of a gentleman Ink, pencil and crayon Signed Framed and glazed |
25 |
35 |
291 |
Evelyn Chester (1875-1925) Still life Oil on board Housed in a gilt wood frame |
40 |
50 |
292 |
A large 19th century linen-backed map of Ireland entitled: ‘Ireland, Civil and Ecclesiastical’ by the Rev. Daniel Augustus Beaufort L.L.D. Member of the Royal Irish Academy, London’, published by Js Wyld (successor to Mr Faden), cartographer to the Queen, Charing Cross East, 1838, 110cm x 92cm, mounted on a blind fitting |
60 |
80 |
293 |
Y W Lau, Landscape of a man in a punt Oil on canvas Signed (Hong Kong Chinese) 39.5cm x 50cm |
30 |
40 |
294 |
Figures in a mid-Eastern street scene Oil on canvas Signed 49cm x 24cm |
40 |
50 |
295 |
Pat Tucker ATD (Bromley artist and teacher) A street in Chelsea, London with figures and a ‘Bally’ shoe shop Signed 21cm x 30cm |
20 |
30 |
296 |
Brian Reall (photographer and member of The Admiralty Camera Club) ‘Harvesting’ Watercolour Signed and dated 1949 21cm x 32cm |
20 |
30 |
297 |
* Lawrence (20th century British) Sailing boats near shoreline Oil on canvas Signed lower right 29cm x 39cm Framed |
30 |
40 |
298 |
Hermann Pikull (20th century, German) Three mast ship in full sail Oil on canvas Signed lower right and dated 1959 to verso 49cm x 59cm Framed and glazed |
100 |
120 |
299 |
After Shiko Munakata (1903-1975, Japanese) Nude female with flowers Photographic lithograph 38cm x 28cm Framed and glazed |
80 |
120 |
300 |
Frederick Landseer Griggs (1876-1938) ‘Newark’ Watercolour Signed lower left 22cm x 29cm |
80 |
120 |
301 |
D Thorneycroft-Grinyer (20th century British) ‘Lismore Lighthouse’ Watercolour Signed lower right and dated 1975 30cm x 47cm Label to verso Framed and glazed |
50 |
60 |
302 |
Douglas (20th century, British) Pair of seascapes Oil on canvas Each signed lower right and dated ’91 34cm x 45cm One with inscription to verso Framed |
50 |
80 |
303 |
Margaret Theyre (1897-1977) ‘Pensive Tabby Cat’ Watercolour and gouache Unsigned 49cm x 38cm Framed and glazed Details to verso |
100 |
120 |
304 |
Leslie Kent R.B.A. (1890-1980) ‘Hope’s Nose from near Teignmouth, Devon’ Oil on board Signed lower right 24cm x 34cm Details to verso Framed |
200 |
250 |
305 |
Early 20th century Village scene with river, fishermen and bridge to background Watercolour Unsigned 17cm x 24.5cm Housed in an oak frame |
10 |
20 |
306 |
E. Belda (20th century Continental) Waterside villa with boat and cliffs to background Oil on canvas 16.5cm x 21.5cm Unsigned Housed in a mahogany frame NB: Plaque bearing name E Belda |
15 |
25 |
307 |
Hans Gabali (20th century American) Ships in full sail Three miniature oil on boards Each signed 18cm x 13cm 7.5cm x 10cm 7.5cm x 10cm Each with miniature easel |
100 |
200 |
308 |
M Crouse Bodiam Castle Watercolour Signed lower left Framed and glazed NB: Title incorrectly written as Bodian |
40 |
60 |
309 |
‘The Exchange’ and ‘The Horse Guards’ Etchings Indistinctly signed lower right 20cm x 13cm and 18cm x 12cm Housed in gilt frames |
10 |
20 |
310 |
R. Margetts ‘Boats at Medley’ Watercolour Signed lower right with label to verso 38cm x 55cm Housed in a white painted frame |
20 |
30 |
311 |
M Oliver Rae, ‘Exeter College, Oxford’, Etching, Signed, 14cm x 18.5cm Framed and glazed |
10 |
15 |
312 |
Terry McKivragan, (20th Century British) ‘Henley Regatta’ Limited edition print 190/850 Signed, 16cm x 39cm Framed and glazed together with D C Coull City street scene with figures Signed and dated 1960 22cm x 34cm Framed and glazed (2 items) |
15 |
25 |
313 |
R. Styles ‘Tranquility, Sissinghurst ‘ Oil on board Signed lower right and inscribed to back of frame 40cm x 49.5cm |
30 |
50 |
314 |
Monica Barry ‘Crummock Water’ Watercolour Signed lower right, titled and dated October to lower margin 37cm x 53cm |
30 |
50 |
315 |
Early 20th century Still life oil of fruit, berries and grapes in and around a silver tazza Oil on canvas Monogrammed D.M.C. and dated 1908 to lower right 44cm x 29cm |
40 |
60 |
316 |
Catherine Wiles Poppy fields with trees and cottage to background Watercolour Signed lower left 26cm x 37cm |
40 |
60 |
317 |
C.B.Summers ‘Military Canal at Appledore ‘ Watercolour, Monogrammed lower left with artist label to verso 24cm x 34cm |
50 |
60 |
318 |
A Lankin Still life of roses and vase Oil on canvas Signed lower right and housed in a gilt frame 24cm x 19cm |
10 |
20 |
319 |
‘Italia newly augmented by J Speede and are to bee sold in Pops-head aley by George Humble, 1626’, hand-coloured map, the border with vignettes orf Italian cities and Italian characters to the border, 39cm x 52cm, framed and glazed |
600 |
700 |
320 |
20th century School master in full robes with classical building to distance Oil on canvas Housed in a gilt frame |
40 |
60 |
321 |
20th century 18th century military officer in full uniform, Oil on canvas Unsigned Housed in an ornate gilt frame |
80 |
120 |
322 |
Boats in an estuary Pastel Indistinctly signed lower right 44cm x 62.5cm |
20 |
30 |
323 |
H C Wilcock Two pictures, one depicting a thatched cottage with figures, the other a tree-lined lane with figures, Watercolours Both signed lower right |
15 |
25 |
324 |
An early 20th century Possibly Portsmouth harbour with sailing ships and buildings to background Engraving |
20 |
30 |
325 |
Barratt ‘At Gruot Dracknstein’ Oil onboard Signed and dated 1959 to lower right 46cm x 78cm |
80 |
120 |
326 |
20th century Galleon on rough seas Oil on canvas Indistinctly signed lower right Housed in a gilt frame |
30 |
40 |
327 |
Barton Huntsmen around a table Oil on canvas Signed lower left Housed in a gilt frame |
50 |
60 |
328 |
Early 20th century Figure walking on a pathway with windmill to background Watercolour Unsigned 22cm x 28cm Housed in a gilt frame |
10 |
20 |
329 |
Henry Matthew Brock (1875-1960) ‘Willows’ Watercolour Signed and dated October 1905 |
30 |
50 |
330 |
V. Lines ‘ The Oldest House in Kent, near Folkestone’ Oil on canvas Signed, titled and dated 1923 Framed |
50 |
100 |
331 |
Sylvia P Gainsford (20th century, British) Pair of illustrations of a rabbit and a mouse Pencil and watercolour Each signed lower left 19cm x 11cm Framed and glazed NB: Sylvia Gainsford is a book and greeting’s card illustrator |
80 |
100 |
332 |
Antonio Nappo (20th century Italian) Circular illustration of cherubs harvesting grapes Gouache Signed ‘Pompeii – A Nappo 13cm diameter Unframed |
20 |
30 |
333 |
T.K.Green (Continental) Figure in courtyard Watercolour Signed lower left 35cm x 25cm Housed in a gilt frame |
20 |
30 |
334 |
19th century British Epsom Races from Leaving Home, The Start and Retiring Home Newspaper plates One with newspaper stamp lower left, originally drawn by C.Guys and J. Gilbert and engraved by Orrin Smith & W.J.Linton, 37cm x 26cm |
20 |
30 |
335 |
19th century British Hunting interest ‘Coming In At The Death’ Hand-coloured engraving Published 8th April 1800, by H. Humphrey, No 27 St James’ Street, London |
30 |
40 |
336 |
A. Jackson (19th century British) Two pictures depicting a pair of working horses in harness Oil on canvas Signed lower right 29cm x 40cm Housed in ornate gilt frames |
50 |
100 |
337 |
Chickens and ducks Oil on board 14cm x 18cm Housed in an ornate gilt frame |
50 |
80 |
338 |
Gerard Geyomand ‘Paul Albert Monas at Work’ Oil on canvas Details en verso 59cm x 49cm Housed in a gilt frame |
80 |
120 |
339 |
Ernest Pierce ‘Across the Bay’ Dry paint etching Signed lower right 44.5cm x 29cm |
20 |
30 |
340 |
19th century British Religious scene Oval woolwork and painted silk panel 34cm x 42cm With eglemise mount and housed in a gilt frame |
20 |
30 |
341 |
D Edmonds River running through countryside under cloudy skies, mountains to the background, trees and fence to the foreground Watercolour signed lower right and dated ’99 36cm x 51cm |
15 |
20 |
342 |
Jane Honner ‘Hokula Farm’ Pencil and pen 21cm x 28.5cm Signed lower right and dated 1988 |
15 |
20 |
343 |
20th century ‘Sunset over Loch Linnhe, Scotland’ Watercolour Indistinctly signed lower right 23cm x 33cm Housed in a mahogany gilt frame |
15 |
20 |
344 |
D Edmonds River scene with trees and mountains to background watercolour Signed lower left 26cm x 36.5cm Housed in a painted pine frame, |
15 |
20 |
345 |
Wolfgang Tumpel (German designer) Kunstgewebe museum poster Dated 22 September 1978-7th January 1979 82cm x 58cm |
40 |
60 |
346 |
Georg Baselitz (German artist) Stadt Museum poster Dated 25 June – 8 August 1976 82cm x 58cm |
40 |
60 |
347 |
A 1978 ‘Sahara’ German film poster 82cm x 58cm |
40 |
60 |
348 |
Shaw ‘Pandora’s Box’ Oil on canvas Signed with inscription to verso and dated 1984-86 71cm x 71cm Unframed |
30 |
50 |
349 |
Tsutaya Ryuko (1889-1933, Japanese) A Japanese male with tea bowl Gouache Signed lower right 48cm x 32cm |
400 |
500 |
350 |
Robert Taylor ‘Spitfire’ signed Douglas Bader and Johnny Johnson First edition print |
100 |
120 |
351 |
Robert Taylor ‘Hurricane’, signed Bob Stanford-Tuck First edition print, |
80 |
100 |
352 |
Alfred Seifert (1850-1901) A 19th century crystoleum of a young female with floral garland in hair Signed and dated ’97 25cm x 20cm Housed in a gilt frame |
120 |
150 |
353 |
Louis Van Staaten (Dutch 1836-1909) Dutch canal scene with barge, and church and windmill to background Watercolour Signed lower left 65cm x 30cm Housed in an ornate gilt frame |
300 |
400 |
354 |
Early 20th century (English school) ‘The Piping Shepherd’ Oil on canvas Unsigned |
30 |
50 |
355 |
John Falconer Slater (British,1857-1937) Landscape with cottage to background Oil on canvas Signed lower left 77cm x 46cm Unframed |
300 |
500 |
356 |
Beryl Antonia Yeoman (Australian, 1907-1970) Pen and ink cartoon Captioned ‘ It’s all happened since Callaghan raised the income tax and the retirement pensions’ Signed lower left Housed in an ebonised framed NB: She was a prolific cartoonist for ‘Punch’ magazine known as ‘Anton’ |
100 |
150 |
357 |
Philton Latortue (b.1944, Haitian) A fantasy painting of lions at their wedding breakfast table Acrylic on board Signed 34cm x 44cm |
200 |
250 |
358 |
Michael Valestin (b.1962, Haitian) A study of a hen Acrylic on canvas Signed 39.5cm x 49.5cm |
200 |
250 |
359 |
Jacques Valmidor (b1955, Haitian) Figures, animals and mythical creatures in a lush landscape, Acrylic on canvas 61cm x 51cm |
150 |
200 |
360 |
Jacques Valmidor (b1955, Haitian) Townsfolk with houses and river in distance Acrylic on canvas Signed 51cm x 61cm |
150 |
200 |
361 |
After John Sell Cotman (1782-1842) ‘Howden Church’ Original etching from the Bohn Edition 1838 published Norwich Feb 5, 1811 Framed, glazed and mounted |
30 |
40 |
362 |
Gillian Tapsell ‘Cranbrook Railway Station’ Oil on canvas Signed |
80 |
120 |
363 |
S Message (20th century, British) Plover Watercolour Signed and dated ’01 |
100 |
200 |
364 |
A Y Gross (20th century) ‘Vignes’ Limited edition etching 3/4 Signed and titled lower margin 26cm x 34cm Framed and glazed |
20 |
30 |
365 |
Hamish Fletcher ‘Segovia’ Watercolour Signed, titled and dated 1921 lower right 22cm x 23.5cm Framed and glazed |
40 |
60 |
366 |
20th century British Snow scene Woodblock 315cm x 28.5cm Framed and glazed |
10 |
20 |
367 |
After Lionel Edwards ‘The Flint & Denbigh Vale of Clwyd’ Photographic print Signed in pencil to lower left margin with Fine Art Trade Guild stamp 33.5cm x 49cm Framed and glazed |
30 |
50 |
368 |
J. Hoffmann A miniature portrait of a young gentleman with cravat Oil on copper Signed and dated 1800 5cmDia |
80 |
120 |
369 |
Richard T Hutchins (20th century) ‘River Rother at Rye’ Watercolour Signed lower right, label to verso 18cm x 25.5cm |
30 |
40 |
370 |
A 19th century Rye swing bridge on the South Eastern Railway together with an engraving of Ipres Tower, the Prison at Rye, hand-coloured engraving published 14th May, 1785, S. Hooper, 16cm x 25cm and 15cm x 25cm |
30 |
50 |
371 |
John Ryan (Scottish 1921-2009) Reply letter on headed paper discussing a proposed character, Colonel Rottweiller with illustrations Signed and dated 26th Nov, 1989 29.5cm x 20.5cm Framed and glazed NB: John Ryan was the illustrator of Captain Pugwash whilst living in Rye, |
100 |
150 |
372 |
19th century 18th century couple A pair of hand-painted portrait silhouettes 10.5cm x 8.5cm Housed in oval brass and ebonised frames, one with oak leaf and acorn hanging mount, |
60 |
80 |
373 |
Louis Neville (Act 1887-1914) Tug boats Watercolour Signed lower right 7.5cm x 22.5cm Framed and glazed |
50 |
70 |
374 |
Lennard Lewis (1826-1913) Continental harbour scene Watercolour Signed lower left and dated ’98 24cm x 53cm Framed and glazed |
100 |
150 |
375 |
Louis Neville (Act 1887-1914) Boats in port Watercolour Signed lower right and dated 1911 30cm x 59cm Framed and glazed |
80 |
120 |
376 |
Louis Neville (Act 1887-1914) Sailing boat in a storm Watercolour Signed lower right and dated 1892 26cm x 44.5cm Framed and glazed |
50 |
70 |
377 |
Early 20th century Italian lakeside scene with colonnade and market stalls Watercolour Unsigned 16.5cm x 24cm Framed and glazed |
40 |
60 |
378 |
Louis Neville (Act 1887-1914) ‘Harwich’ and ‘Parkstone’ Pair of watercolours Each signed lower right and dated 1903 and 1908 16cm x 35cm Framed and glazed |
150 |
200 |
379 |
19th century British ‘Near Winchester’ Oil on board 19cm x 25cm |
40 |
60 |
380 |
19th century British River scene with sailing boats, bridge, castle and church in the distance Unsigned 9cm x 19.5cm Framed and glazed |
20 |
30 |
381 |
Andrea Biendetti (1851-1946) Venetian canal scene Watercolour Signed lower left 15cm x 25cm Framed |
40 |
60 |
382 |
Louis Neville (Act 1887-1914) ‘Dartmouth’ Watercolour Signed lower right and dated 1914 16cm x 34.5cm Framed |
70 |
90 |
383 |
Louis Neville (Act 1887-1914) Three mast sailing boat with steam ship in the distance Watercolour Signed lower right and dated 1888 19cm x 35cm Framed and glazed |
70 |
90 |
384 |
Louis Neville (Act 1887-1914) Two mast sailing boat Watercolour Signed lower right and dated 1903 17.5cm x 26cm Framed and glazed |
60 |
80 |
385 |
Enrico Ursella (Italian 1887-1955) Oil on panel Figures harvesting hay with trees and hills to background Signed to lower right with pencil inscription to verso 29cm x 39cm |
300 |
500 |
386 |
Enrico Ursella (Italian 1887-1955) Oil on panel Portrait of a female with head scarf Signed to lower right 39cm x 29cm |
200 |
300 |
387 |
18th century British School Oval portrait of a gentleman Oil on board-backed canvas Unsigned 25cm x 20cm Housed in gilt framed |
150 |
200 |
395 |
A pair of 20th century cast bronzed standing male and female greyhounds, 29cmH x 35cmL |
70 |
100 |
396 |
A pair of small 20th century terracotta heads of Buddha |
20 |
30 |
397 |
A 20th century terracotta head of Buddha |
15 |
25 |
398 |
A pair of 1930s chromium-plated figures of female nudes holding aloft baskets of flowers, signed to bases, ‘Limousin’, mounted on alabaster plinths, one a/f |
20 |
30 |
399 |
A late 19th/early 20th century bronze figure of a kneeling cherub holding a captured duck with fleece over one knee next to stylized reeds, mounted on a later circular mahogany base, 23cmH |
250 |
300 |
400 |
A green painted Art Deco plaster figure of a semi-nude female archer with greyhound, bow lacking,the plinth base possibly signed Ecot Delvin,approximately 27cmH x 65cmL |
50 |
80 |
401 |
A small 20th century bronze of a classical nude male on circular plinth, 13cmH |
50 |
60 |
402 |
A 19th century French white marble and spelter striking mantel clock surmounted with a figure of a young boy seated amongst rocks and flowers, the shaped base with enamel dial and Roman numerals, the dial marked ‘Raingo Fres A Paris’, 48 cmH x 40 cmW x 16 cmD |
150 |
250 |
403 |
A 19th century wooden-bound brass four drawer telescope, with sliding lens covers, inscribed ‘Hayward, London, Day and Night’, approximately 92cm long when extended |
80 |
120 |
404 |
A late 19th century brass-cased mantel clock by A.D.Mougin, with three-quarter galleried top over a hand-painted and enamel dial with Arabic numerals, decorated with 18th century huntsmen and dogs within trees, flanked by four corintheum column supports and raised on an acanthus moulded base and bracket feet, 32cmH |
400 |
500 |
405 |
A Victorian mahogany-cased station clock with fusee movement, stamped R.H.L. & Co, the circular dial with Roman numerals and brass bezel |
120 |
180 |
406 |
A Victorian walnut-cased regulator-style wall clock, the moulded cornice over a circular 17cm enamel and brass dial with Roman numerals and inner subsidiary dial flanked by ebonised turned pilasters, terminating in urn-shaped finial, 96cmH |
100 |
150 |
407 |
A 19th century oak-cased mercury ‘Royal Polytechnic’ barometer by Joseph Davis & Co with 24cm circular register with various meteorological predictions indicated by brass pointers, above a glazed rectangular body section housing Centigrade and Fahrenheit thermometers, with Admiral Fitzroy’s special remarks above, 104cmH |
300 |
500 |
408 |
A late 19th century French brass carriage timepiece, the white enamel dial with Roman numerals and marked Thurlow, Paris, flanked by four fluted columns surmounted with turned finial and reeded handle, enclosed by five bevelled glass viewing panels and a blind fretwork frieze, complete with velvet-lined travelling case 16cmH |
80 |
120 |
409 |
A mid-20th century brass carriage timepiece, the white enamel dial with Roman numerals, enclosed by four bevelled glass viewing panels, 11cmH |
60 |
100 |
410 |
A 19th century walnut-cased drop dial wall clock, the circular enamel dial with Roman numerals, powered by a single fusee movement, marked E.D.W. d Funnell, Brighton above a shaped glass aperture, flanked by carved scrolling supports, 50cmH x 36cm DIA |
130 |
150 |
411 |
An Art Deco Walther & Sohne blue glass clock garniture, the painted dial with Roman numerals and pierced hands, flanked by two kneeling females, on an octagonal shaped base, together with a pair of octagonal flared rim conical vases on circular bases |
30 |
50 |
412 |
An Edwardian oak-cased barometer, the foliate carved pediment above an enamel and brass mercury thermometer, flanked by octagonal tapering columns above a 12cm circular enamel register with brass pointer, 77cmH |
50 |
70 |
413 |
A Victorian red marble and slate architectural mantel clock , the enamel and brass Greek key decorated dial with Roman numerals, with French movement, flanked by fluted columns above a stepped incised base with marble butterfly inlay, 36cm |
80 |
120 |
414 |
An early 19th century walnut-cased stick barometer, the stepped pediment top with ivory register signed ‘Rose Ramsgate’ over a concealed mercury tube and ivory adjuster, 93cmH |
300 |
500 |
415 |
An early 20th century Thornton Pickard ‘Special Ruby’ plate camera, lacking lens, with associated plates |
20 |
30 |
416 |
A Victorian walnut-cased chiming bracket clock, the arched pediment above a circular enamel and brass dial with Roman numerals, marked J Prior, Hastings, with German movement, surrounded by applied embossed brass foliage, flanked by fluted pilasters above a carved panel and plinth base and block feet, 39cmH |
150 |
200 |
417 |
A Victorian mahogany-cased chain-driven American shelf clock, the moulded cornice above a square enamel dial with Roman numerals and printed floral decoration, the movement stamped ‘Forestville M.F.G. Co, Bristol CT, USA’ and door transfer printed with lion mask and floral glass panel, flanked by turned pilasters above a frosted glass panel door and shaped supports, 82cmH |
100 |
150 |
418 |
A 1930s Short & Mason oak-cased ‘Stormoguide’ barometer, the painted metal dial with rising/falling aperture, inscribed ‘F.W.Sturt, Scientific Optician, 30, The Pantiles, Tunbridge Wells. Made by Short & Mason, Made in England, Copyright 1930’. To verso an F W Sturt advertising label and handwritten note reading: ” Sturt William Frederick, The Pantiles, building demolished in 1938, shop was a Chemist shop used by Mr W Maddock & a Mr Atterton, then Maddock and Harrow, stood next to Cadena cafe and clock”, 60cmH x 61cmW x 7.5cmD |
300 |
400 |
419 |
A 1930s/1940s oak iron-cased clocking in/out clock, the silvered dial with Roman numerals and brass hands, marked ‘British Time Recorder Co Ltd 149 Farringdon Road, London E.C.’ above a brass date aperture, 89cmH x 33.5cmW x 28cmD |
100 |
120 |
420 |
A 1930s mahogany-cased eight day chiming wall clock, the silvered dial with Roman numerals over a bevelled glass pendulum aperture with applied acanthus decoration, 67cmH |
60 |
100 |
421 |
A 19th century mahogany and boxwood strung banjo barometer, having broken swan neck pediment with urn finial over four silvered gauges, convex mirror and ivory re-adjuster, the brass bezel to central gauge inscribed ‘Fox Hunter’s Steeplechase, Aintree, 24 March 1934, E.C.P. from A.F.F.N.’ and marked to balance gauge L. Caminada, Manchester, 96cmH |
150 |
250 |
422 |
A 19th century walnut-cased chain-driven bracket clock, the silvered dial with Roman numerals, flanked by applied brass scrolling masks surmounted by a silvered boss marked Mark Leo Hudson, Cuckfield, 47cmH |
60 |
80 |
423 |
A 19th century walnut eight day striking longcase clock, the hood with scrolling pediment with circular bezel flanked by motifs, the circular brass dial with Roman numerals and subsidiary dial engraved ‘James P Parker, Launceston’, the panel door trunk with canted sides and applied scrolling foliage and plinth base, 208cmH |
400 |
600 |
424 |
A 19th century oak longcase 30-hour clock, the hood with moulded cornice and plain frieze, with pillared pin-hinged door revealing a brass dial with Roman numeral marked J. Hedge, Colchester engraved with stylized flowers and leaves, the walnut cross-banded and inlaid case raised on bracket feet,197cmH |
300 |
400 |
425 |
A late 19th century circular walnut-cased chain-driven striking wall clock with 22cm enamelled dial with Roman numerals complete with bracket |
100 |
150 |
426 |
A 19th century marble and slate architectural mantel clock, the brass and enamel dial with Roman numerals, flanked by shaped orange marble pilasters above a plinth base, 37cmH |
80 |
120 |
427 |
An Edwardian inlaid walnut cased mantel clock, the dome top over a circular 13cm enamelled dial with Arabic numerals, raised on a plinth base and brass bun feet, lacking pendulum |
80 |
120 |
428 |
A pair of early ‘Dollond of London’ black lacquered leather-bound binoculars and case |
40 |
50 |
429 |
A 19th century Dolland of London ‘Day & Night’ four drawer wooden-bound brass marine telescope |
40 |
60 |
430 |
A mid-20th century RAF A.M. Bubble Sextant Mark IXA, complete with case and accessories |
80 |
100 |
431 |
A set of early 20th century brass apothecary scales by Beckers Son of Rotterdam, housed in a mahogany case with glazed sliding front panel above an adjusting knob and single drawer containing various weights and accessories |
40 |
60 |
432 |
A Rej Beck compound achromatic microscope with lacquered brass lenses and fittings with brushed steel body, the wooden case with table of linear magnifying powers to interior |
30 |
40 |
434 |
A 19th century ivory games box with black penned armorial with Latin inscription ‘Sola Etunica Virtus’, ( Bravery Alone is Invincible) with floral borders, 19cmW x 14cmD x 6.25cmL, containing red-stained and ivory white backgammon counters |
200 |
300 |
435 |
A 19th century Continental circular painted tortoiseshell lidded box, penned with a portrait of a Royal couple with laurel leaf surround to the circular lid, the base decorated with a soldier seated on a drum with cannon and flags behind, 7.5cm dia |
50 |
80 |
436 |
A late 18th/early 19th century Lignum-Vitae string box of cylindrical form with circular stepped lid, surmounted with a finial cutter, approximately 19cmH x 13cmDia |
80 |
120 |
437 |
A 19th century boxwood strung burr walnut oval-shaped tea caddy, 11.5cmH x 15cmW x 8.5cmD |
80 |
100 |
438 |
A 19th century mother of pearl inlaid jewellery box, the interior fitted with single tray with purple silk-cushioned compartments and storage 12cmH x 30cmW x 22.5cmD |
60 |
100 |
439 |
An Edwardian brass-bound burr walnut writing slope, the lid with brass shield plaque opening to reveal a tooled leather-insert two inkwell compartment, pen tray and stamp holder 14cmH x 35cmW x 24cm D |
60 |
100 |
440 |
A 19th century brass inlaid lignum vitae writing slope, the lid with brass plaque inscribed ‘Presented To The Rev’d Attwood by The Teachers and Scholars of Blackford School Xmas 1895’ opening to reveal a black tooled leather slope, two inkwells, pen tray and stamp box 16cmH x 35cmW x 24cmD |
80 |
120 |
441 |
A late Georgian/early Victorian spice tin of cylindrical form with domed lid and swing handle enclosing six spice bays with central grater,11cm x 18cmDia, |
40 |
60 |
442 |
A 19th century sarcophagus-shaped mahogany tea caddy with painted paper lining, the two compartments having pearlised pin-head knobs, with unrelated glass mixing centre bowl, 16cmH x 29.5cmW x 14.5cmD |
50 |
70 |
443 |
A late 19th century rosewood writing slope, the interior fitted with pen tray, stamp holder and two inkwell compartments, the exterior with single side drawer and brass swing handles, 15.5cmH x 46cmW x 25cmD |
60 |
100 |
444 |
A 19th century pine iron-bound glove box, with hinged front panel, 7cmH x 25.5cmW x 10cmD |
20 |
40 |
445 |
A 19th century jewellery box decorated with a seated female at the river’s edge |
50 |
60 |
446 |
A Regency rosewood box-strung tea caddy of sarcophagus form, with ornate pressed brass ring handles, the interior fitted with two hinged caddies, lacking glass mixing bowl, 16cmH x 31cmW x 16cmD |
40 |
60 |
447 |
A small square hand-painted Russian lacquered box, decorated with an Asiatic pheasant and signed to the base, 3cm wide, a circular ruby-flashed and wheel-engraved lidded glass box decorated with a stag, 8.5cm dia, a heart-shaped porcelain enamel decorated box with brass mounts and hinged lid, 6cm long and a circular cinnabar lidded box, 6cm dia (4 items) |
50 |
70 |
448 |
A black lacquered and abalone inlaid rectangular lidded box, the hinged lid decorated with birds amongst foliage, the sides inlaid with flowers, 26cmH x 37.5cmW x 9cmD |
50 |
80 |
449 |
A Victoria 1894 half sovereign |
100 |
150 |
450 |
A George V 1911 sovereign, 1911, 8g, 0.26ozt |
140 |
180 |
451 |
A 1925 Dutch gold 10 gilder coin, 6.8g |
120 |
160 |
452 |
A 1935 Swiss gold 20 franc ‘Helvetia’ coin, housed in removable 9 carat gold pendant mount, 11.5g |
150 |
180 |
453 |
An 18 carat gold diamond single stone ring, the round brilliant cut diamond approximately 0.25 carats, in claw setting, to a plain yellow gold shank, 2.7g |
100 |
150 |
454 |
A modern diamond cluster ring, the central round brilliant cut diamond approximately 0.65 carats, the ten surrounding round brilliant cut diamonds each approximately 0.20 carats, all claw set in unmarked white metal with plain shank, 5.3g gross |
800 |
1200 |
455 |
A yellow and white metal rolled curb link diamond set chain, stamped ‘585’, 80cm long, 50g |
500 |
800 |
456 |
A 9 carat gold onyx set fob in the form of an eagle on a branch, 8.9g gross suspended from a rose gold gate link chain, 9.9g |
150 |
200 |
457 |
A Victorian gold citrine set brooch, the large emerald cut citrine claw set within open scroll surround, unmarked, 4.5cm x 4cm |
100 |
150 |
458 |
A Victorian hollow gold bird brooch set with two mixed cut rubies, the stamped and chased brooch depicting a bird on it’s nest amongst blossom, unmarked, 3.25cm x 2.25cm, 4.1g |
100 |
150 |
459 |
A Victorian gold and banded agate bracelet, the six various agate cabochon cut stones in individual settings joined to one another by two rows of fine belcher link chain, 12.2g gross |
100 |
150 |
460 |
A late Victorian/Edwardian gold and seed pearl necklace, another similar necklace, 10.9g gross, a Victorian carved hardstone cameo oval pendant, an agate brooch and a single earring |
100 |
150 |
461 |
Assorted 9 carat gold items comprised of three bangles, a Maltese cross pendant, a wedding band, a fine chain and a watch strap, combined weight 34.7g and a 9 carat gold cased lady’s Omega watch, Birmingham 1932 |
250 |
350 |
462 |
A collection of Victorian and later jewellery, costume jewellery and trinkets including gold, silver, ivory, paste, coral, rock crystal, enamelled and mourning jewellery, housed in a small leather jewellery box and an olive wood jewellery box |
80 |
120 |
463 |
A Norwegian silver and enamel necklace by Karl Rasmussen and two pairs of silver and enamel clip-on earrings by David Anderson |
50 |
80 |
464 |
A 20th century amber bracelet comprised of thirteen rectangular beads threaded on elastic and a three leaf brooch |
20 |
30 |
465 |
A Victorian circular gold amethyst and seed pearl brooch, a 9 carat gold amethyst set bar brooch, boxed, a Victorian half seed pearl set star pendant brooch, boxed and a 9 carat gold gem set crescent brooch, boxed (4 items) |
100 |
150 |
466 |
An 18 carat gold ring set with a small old cut diamond in gypsy setting, London 1901, 3.3g, boxed, a Victorian shell cameo ring and two other 9 carat gold gem set rings, combined weight 7.6g gross, all boxed |
80 |
100 |
467 |
A late Victorian/Edwardian sapphire and diamond triple cluster ring, the three oval mixed cut sapphires with eight diamond cut surround, all claw set with carved shoulders, marks rubbed, shank re-sized, 3.6g, boxed |
250 |
350 |
468 |
A long Victorian string of graduated ivory beads and a smaller string of ivory beads, a Victorian carved ivory rose choker pendant and a string of graduated bone beads (4 items) |
50 |
80 |
469 |
A pair of 9 carat gold foxes head cuff links with ruby eyes, two other pairs of 9 carat gold cuff links and a tie clip, 16.5g |
80 |
120 |
470 |
A sapphire and diamond oval flower head cluster ring, the dark oval mixed cut sapphire within eight round brilliant cut diamond surround, the shank stamped ’18CT’, gross weight approximately 0.32 carats, 3.6g gross |
100 |
200 |
471 |
An early 20th century 18 carat gold opal and diamond three stone ring, the heart-shaped opal claw set between two old cut diamonds, each approximately 0.06 carats, 3.3g gross, boxed |
150 |
200 |
472 |
An 18 carat gold ruby and diamond three stone ring, the oval mixed cut ruby in four claw setting flanked by two brilliant cut diamonds, Sheffield 2007, 3.1g gross, boxed |
150 |
200 |
473 |
An 18 carat white gold cross pendant and one other 18 carat gold pendant set with aquamarines, sapphires, diamonds and amethysts, 25mm and 28mm long, 3.8g gross |
60 |
80 |
474 |
A 9 carat gold Victorian style amethyst and half seed pearl flower head drop pendant, London 1999, 3.5cm long, 2.5g gross |
40 |
60 |
475 |
An 18 carat gold and platinum diamond solitaire ring, the round brilliant cut diamond approximately 0.75 carats, claw set within rose cut diamond set shoulders, the shank with inscription dated 1938, 2.5g gross |
500 |
800 |
476 |
A collection of six micro-mosaic brooches and a pair o clip-on earrings and other jewellery including a 9 carat gold mounted oval shell cameo brooch, silver items and a mother of pearl brooch |
40 |
60 |
477 |
A large turquoise set silver and brass inlaid bangle with rope twist and beaded decoration, 10.5cm long. |
46 |
60 |
478 |
A Victorian gold hinged locket with engine turned design on rose gold chain, 46cm long, 13.7g gross |
100 |
150 |
479 |
An Egyptian yellow metal pendant and chain and other gold items, 9.2g gross |
80 |
100 |
480 |
A pair of yellow metal cuff links with engraved heart decoration and interwoven initials, stamped ’10K’, 6.9g, boxed |
50 |
70 |
481 |
A modern 9 carat gold multi-gem bracelet set with oval mixed cut garnets, peridots, amethysts, citrines and aquamarines, boxed |
80 |
120 |
482 |
A string of individually knotted clarified amber pebble beads, 80cm long and another similar string, 65cm long |
20 |
30 |
483 |
A Victorian silver and silver gilt mounted clear and red paste set cross pendant, 6cm long |
30 |
40 |
484 |
A quantity of assorted Victorian and later jewellery, costume jewellery and buckles including a dress stud set, jet brooches, paste and marcasite items and two silver propelling pencils |
40 |
60 |
485 |
A 9 carat gold wedding band, Birmingham 1900, 3.3g |
25 |
35 |
486 |
A Victorian glass beaded necklace with novelty glass beads in the form of fruit, boxed |
10 |
15 |
487 |
A 22 carat gold wedding band, 3.5g, in vintage box, an aquamarine set cross pendant on chain stamped ‘375’, a 9 carat gold garnet three stone ring, a 9 carat gold diamond single stone illusion set ring, a 9 carat garnet single stone ring and a 9 carat gold garnet and aquamarine three stone ring, combined weight, 11.4g |
80 |
120 |
488 |
Assorted 9 carat gold and yellow metal jewellery stamped ‘375’ including earrings, necklaces, a hinged bangle and other items, 92.2g gross |
650 |
750 |
489 |
Eight assorted 9 carat gold and yellow metal gem set rings, 21.6g gross |
100 |
150 |
490 |
A 9 carat gold curb link bracelet with 14 charms, with heart-shaped padlock clasp and an additional clasp, 70.4g gross |
550 |
600 |
491 |
A 22 carat gold wedding band, Birmingham 1958 and one other 22 carat gold wedding band, 8.4g gross |
160 |
180 |
492 |
A Victorian garnet and emerald ring, the three oval cut graduated garnets interspersed with four small rectangular cut emeralds with pierced scrolling shoulder and chased shank, 1.9g |
100 |
200 |
493 |
A pre-WW1 silver threepence coin bracelet, a hinged silver bangle, an oval carved shell cameo pendant and other silver items and coins |
20 |
30 |
494 |
An early 20th century silver Scottish ‘pebble’ agate flower head cloak brooch, the central orange paste ‘Cairngorm’ claw set within six bloodstone and red agate stones with chased decoration |
60 |
80 |
495 |
A Victorian 18 carat gold graduated half pearl five stone ring with diamond points and pierced and carved shoulders, 3.6g gross |
120 |
150 |
496 |
An early 20th century diamond crossover ring, the eight round brilliant cut diamonds set on two parallel lines of four, gross weight approximately 0.70 carats, the head of the ring set in white with yellow shank, 3.1g gross, boxed |
220 |
250 |
497 |
A Victorian 9 carat gold mourning ring with woven hair panels inscribed with initials ‘C.C’ bearing inscription to the inside of the shank: ‘Avis Cooper, died May 18th 1879 aged 44 years’, Birmingham 1879, 3g gross |
120 |
140 |
498 |
A peridot and diamond flower head cluster ring, the round mixed cut peridot four claw set within eight small round brilliant cut diamond surround in rub over setting, stamped ‘750’, gross weight approximately 0.40 carats, 3.3g gross, boxed |
220 |
250 |
499 |
A long Victorian string of coral beads with 9 carat gold clasp, 105.5 cm long |
150 |
200 |
500 |
A Victorian 9 carat gold citrine and half seed pearl heart-shaped double cluster bar brooch with crown surmount, stamped, boxed |
150 |
200 |
501 |
A 9 carat gold Victorian style carved half hoop garnet and diamond ring, the three round mixed cut garnets interspersed by four small round brilliant cut diamonds, London 1981, 2.7g |
100 |
150 |
502 |
A late Victorian 9 carat gold opal five stone ring, the round graduated opal cabochons rub over set, 2.6g gross |
100 |
150 |
503 |
A yellow metal sapphire and diamond ring, the oval mix cut sapphire four claw set, flanked by twelve small round brilliant cut diamonds in channel setting stamped ‘750’, 2.5g gross |
180 |
220 |
504 |
An 18 carat white gold diamond and rock crystal drop pendant, the tear-drop rock crystal surmounted by a round brilliant cut diamond, approximately 0.15 carats in rub over setting, on a fine 18 carat white gold chain |
300 |
400 |
505 |
An 18 carat gold diamond circular cluster ring, the central round brilliant cut diamond approximately 0.15 carats, surrounded by two bands of 20 eight-cut diamonds, combined weight approximately 0.20 carats, London, 1966 |
300 |
400 |
506 |
A pair of diamond stud earrings, the round brilliant cut diamonds each approximately 0.22 carats, housed in four claw setting, the butterfly-screw backs stamped ‘750’ |
420 |
460 |
507 |
A modern 18 carat white gold diamond and aquamarine ring, the oval mix cut aquamarine in four claw setting with diamond baguette set shoulders, 2.6g gross |
500 |
550 |
508 |
A modern 18 carat gold diamond three stone cross-over ring, the three graduated round brilliant cut diamonds approximately 0.13, 0.22 and 0.13 carats in claw setting, the inside of the shank stamped ‘DIA. 0.50’, 3.6g gross |
500 |
550 |
509 |
A modern 18 carat white gold emerald and diamond ring, the emerald cut diamond in four claw setting with diamond baguette set shoulders, 2.9g gross |
800 |
850 |
510 |
A modern 18 carat white gold ruby and diamond ring, the round mixed cut ruby in four claw setting with tapered baguette cut diamond set shoulders, each approximately 0.15 carats, 3.3g |
850 |
950 |
511 |
A modern 18 carat white gold sapphire and diamond ring, the oval mixed cut sapphire in four claw setting with diamond baguette set shoulders, 2.6g gross |
850 |
950 |
512 |
A diamond daisy head cluster ring, the central round brilliant cut diamond approximately 0.45 carats, with eight round brilliant cut diamond surround, each approximately 0.18 carats, all in rub over settings with pierced gallery, stamped ’18CT’, 3.7g, boxed |
850 |
950 |
513 |
A pair of modern diamond stud earrings, the round brilliant cut stones each approximately 0.75 carats, in rub over setting with screw backs, boxed |
1500 |
1800 |
514 |
An 18 carat gold diamond solitaire ring, the round brilliant cut stone 1.28 carats in claw setting, Sheffield 1898, 3.7g gross |
1800 |
2000 |
515 |
A large carnelian gentleman’s signet ring, the intaglio carved stone depicting a crown above a shield containing scrolling initials with floral swags, birds and scrolls, in yellow unmarked metal setting, housed in a fitted gilt tooled leather box |
650 |
750 |
516 |
A large 18 carat gold oval sapphire and diamond cluster ring, the central oval mixed cut sapphire claw set within twelve round brilliant cut diamond surround, gross weight approximately 0.60 carats, London 1972, 5.4g gross |
700 |
900 |
517 |
A late Victorian diamond brooch in the form of a stylized flower head set with a central rose cut diamond, 6mm diameter, surrounded by eight rose cut diamonds set within a swirling open work design with rose-cut diamond set border, all set in silver with gold back, housed in fitted box, 28cm diameter |
700 |
900 |
518 |
A diamond drop pendant, set with seven small eight-cut diamonds with central marquise-cut diamond drop, 2cm long on fine white metal chain, all unmarked, combined weight 2.6g |
200 |
300 |
519 |
An early 20th century graduated amber bead necklace, 53cm long, 39.8g gross |
100 |
150 |
523 |
A set of six Ashanti silver-coloured metal cast models of tribal musicians, combined weight 4.17ozt, 129.9g |
100 |
150 |
524 |
An Edwardian silver square section 8” ruler with retractable sealing wax and seal top end, London 1908, a silver and mother of pearl folding fruit knife, Sheffield 1913, a silver strainer (handle lacking), London 1904, and other items, weighable silver, 1.83ozt, 56.9g |
100 |
200 |
525 |
A silver Baker’s Patent ‘Pathfinder’ place finder, the eight individually numbered pegs are held by gilded fingers, which open like a fan when the hinged case is opened, engraved with a crest of a lion with a sun and moon, London 1904, 5cm long |
80 |
120 |
526 |
A tortoiseshell and silver gilt mounted cigarette case, Birmingham 1926, 8.25cm x 7.5cm |
40 |
60 |
527 |
A silver propelling pencil of hexagonal form with agate set seal top, another propelling pencil, a silver athletic’s medal, Birmingham 1931, a miniature silver vanity mirror, Birmingham 1906, and a silver folding fruit knife, Sheffield 1903 (5 items) |
50 |
80 |
528 |
A 19th century ivory tusk vase, carved in relief depicting elephants and tree between arched and circular bands,10cmH |
50 |
100 |
529 |
A Victorian miniature silver chamber stick, London 1891, a miniature silver presentation cup and plinth, a small Edwardian silver and tortoiseshell mounted pin cushion, London 1908, a Victorian stamp box, Birmingham 1901, a mother of pearl salt with silver pedestal base, London 1908, a silver-topped jar and a silver book mark, Glasgow 1929, combined weight of weighable silver, 1.05ozt, 32.6g |
150 |
200 |
530 |
A 19th century carved ivory cribbage board, decorated with roses, 20.5cm x 6.5cm |
80 |
120 |
531 |
A 19th century carved ivory octagonal spinning dice, numbered 1-8, 10cmH |
30 |
50 |
532 |
A silver gemstone set vesta case with hammered finish, intertwined engraved initials, with import mark, a small circular silver-mounted velvet pin-cushion, a silver cigarette case, a silver pocket fruit knife and sheath and a silver-cased pencil, weighable silver, 4.09ozt, 127.3g |
40 |
60 |
533 |
A mother-of-pearl handled twin blade folding pocket knife and two others (3 items) |
20 |
30 |
534 |
A Bakelite-handled triple blade Sheffield pocket knife |
15 |
25 |
535 |
A hand-made 1920s brass-handled folding pocket knife |
15 |
25 |
536 |
An early 20th century naively carved ivory handle with later magnifying glass fitting |
40 |
60 |
537 |
A 9 carat gold circular powder compact, Birmingham 1921, 32.7g gross, with engine turned decoration, on a yellow metal chain, 5.9g |
250 |
280 |
538 |
An early 20th century ornate silver-plated pierced and chased nurse’s belt |
10 |
15 |
539 |
An Edwardian rectangular silver and guillochè enamel pill box, Birmingham 1909 and two other small boxes |
70 |
90 |
540 |
A silver propelling pen and pencil with hardstone set finial and chased decoration, a silver-handled butter knife, a silver-handled nail file, a small silver whistle and other items |
80 |
120 |
541 |
An early 20th century gold propelling pencil by S. Mordan & Co., inscribed with initials ‘A.F.R.’, 8.5cm long, 15.2g gross (including pencil) |
80 |
120 |
542 |
A George III silver caddy spoon, London 1802 by John James Whiting, with old English thread pattern handle and leaf shaped bowl, 10.5 cm long, 0.41ozt |
150 |
200 |
543 |
A pair of Georgian silver sugar tongs, by George Burrows, with chased decoration and repair, 15 cm long, 1 ozt |
15 |
25 |
544 |
A George IV silver fiddle pattern condiment spoon, London 1825, a silver salt spoon, London 1926 and a silver mustard spoon, London 1881, combined weight 0.77 ozt and a silver-plated butter knife |
15 |
25 |
545 |
Assorted silver items comprised of a silver pepperette, Birmingham 1903, another silver pepperette, London 1916, a pair of silver old English pattern sauce ladles, London 1813 and one other similar silver sauce ladle, each engraved with scrolling interlocking initials ‘RH’, and three silver old English bead pattern tea spoons, London 1862, each engraved with scrolling interlocking initials ‘AER’, 8 items, 5.65 ozt gross |
75 |
85 |
546 |
A large silver cigarette case with engine turned decoration and inscription dated 1947, three other silver cigarette cases and a silver vesta case, Birmingham 1902, combined weight 16ozt, 497.6g |
150 |
250 |
547 |
A pair of small silver four-section wire toast racks, raised on bun feet, Birmingham 1918, 7cm long, 2.18 ozt, 68g |
40 |
60 |
548 |
Three small silver picture frames, Birmingham 1907, Birmingham 1901, Birmingham 1915; two silver-backed brushes, Birmingham 1903; a silver handled and backed hair brush, Birmingham 1904; a silver vanity mirror, Birmingham 1909 (7 items) |
30 |
40 |
549 |
A cased set of Coalport yellow ground coffee cans and saucers with silver holders and spoons, Birmingham 1922, combined silver weight 7.1ozt, 221.1g |
150 |
200 |
550 |
Six Victorian silver spoons, all similar, London 1893, by John Aldwinckle & Thomas Slater, ratstail Hanoverian pattern, each approximately 13.5cmL, total weight 153.3g, 4.93ozt |
40 |
60 |
551 |
A Victorian silver-covered table bell, Birmingham 1890, the cover pierced and chased with floral pattern, approximately 8cmH, cover only 71.2g, 2.29ozt |
40 |
60 |
552 |
A Georgian silver sugar caster, London 1826, by William Bateman, pot-bellied on circular domed foot, decorated in floral repousse with pierced lid with finial, approximately 8cmH overall, 73.7g, 2.37ozt |
30 |
40 |
553 |
A George II silver mug, London 1759, of baluster form on spreading rim foot with repousse floral panels, scroll handle and engraved dedication on front panel, 12.3cmH, 344.0g, 11.06ozt |
100 |
150 |
554 |
Four silver napkin rings, combined weight 1.68ozt, 52.3g, a cased silver-backed hair brush and comb by Mappin & Webb, an Indian filigree pepperette, a silver-plated club table lighter in the form of an oil lamp and other items |
25 |
35 |
555 |
A Victorian silver picture frame, London 1891, approximately 16.5cm x 12.3cm |
20 |
30 |
556 |
A pair of William IV silver sugar tongs, London 1830, possibly William Bateman, 15cmL, 46.4g, 1.49ozt. A silver marrow scoop, a Georgian silver butter knife, London 1800, ivory handle, 18.5cmL overall, a pair of silver-plated grape shears, approximately 17.7cmL, with original case (4 items) |
30 |
50 |
557 |
A glass and silver club table lighter, the lobed glass body with silver parasol cap, Birmingham 1915, 8cmH |
30 |
40 |
558 |
A Victorian silver brandy warmer complete with trivet and burner, London 1891, by Daniel & John Welby, ebony handle, including trivet 10.2cmH, weight 4.2ozt, 130.6g |
50 |
60 |
559 |
A silver-mounted circular butter dish, Birmingham 1943, with wavy rim, raised on ball feet, 1.83ozt, 56.9g, with frosted glass dish, 14cmDia |
10 |
20 |
560 |
A small Edwardian silver hip flask, London 1902, 9cm, miniature WWII medals on a bar including the 1939-45 Star and the Atlantic Star and other items |
25 |
35 |
561 |
A cased mid-20th century Aynsley pink ground coffee set with gilt Greek key border, with green crown mark to base, in silver holders, Birmingham 1946, combined silver weight 3.79ozt, 117.8g |
100 |
150 |
562 |
A 1930s engine-turned silver perpetual desk calendar by W.J.Myatt & Co., Birmingham 1930 with month and date apertures and brass winders, on a wooden plinth base, Patent No 9964, approximately 8cmH x 12.5cmW, excluding plinth |
30 |
50 |
563 |
A small silver pierced pedestal bon-bon dish, Birmingham 1922, 5.5cm high, 0.71ozt, 22.1g and a silver menu holder on circular leaded base |
15 |
20 |
564 |
A Victorian silver and cut-glass desk stand by George Jackson & David Fullerton, London 1897, fitted with two cut-glass inkwells and a taper stick, on shaped tray and raised on four feet, 25cmL |
180 |
220 |
565 |
A silver cigar ashtray, the circular bowl double cigar rests with scrolling decoration and feet, London 1899, 11cm long, 1.21ozt, 87.7g |
25 |
35 |
566 |
A rectangular silver cigarette box with hinged lid and engine turned decoration, Chester 1926 (at fault), 12cm x 9cm x 2.5cm |
20 |
25 |
567 |
A rectangular silver cigarette box with chamfered corners and engine turned decoration, Birmingham 1954, 15.5cm x 9cm |
50 |
70 |
568 |
A silver sauce boat, Sheffield 1956, with shaped rim, raised on three legs, 4.37ozt; 135.9g, and a silver-plated gravy boat |
40 |
60 |
569 |
A silver three-piece cruet, comprised of a salt, pepperette and mustard, each raised on wavy rims on shell feet, Birmingham 1933, combined weight 4ozt, 124.4g |
35 |
45 |
570 |
A silver pepper mill of lighthouse form, Birmingham 1929, 8.5cmH |
20 |
30 |
571 |
Two Edwardian silver decanter labels ‘Port’ and ‘Sherry’, London 1903, a similar silver ‘Whiskey’ decanter label, Sheffield 1896 and one other silver ‘Port’ decanter label, Birmingham 1982 |
70 |
90 |
572 |
An oval silver pedestal sugar basket, Birmingham 1970, on stepped foot, 4.5ozt, 140.2g and a small silver trumpet-shaped vase, 13.25cmH |
35 |
45 |
573 |
An Arts and Crafts silver pedestal cup, Sheffield 1913, by James Ducon & Son, with hammered finish on circular base, 15.5cmH, 9.23ozt/287.1g |
100 |
150 |
574 |
A small silver-topped glass hat pin jar, Birmingham 1913, a three-piece silver-backed brush and mirror set with engine turned decoration, Birmingham 1961, and a rectangular glass hat pin box with silver-plated lid |
45 |
55 |
575 |
A 20th century silver salver, London 1920, circular-shaped with scroll border on three hoofed feet, stamped ‘Tiffany & Co, London’, 31cm Dia, 910g, 29ozt |
250 |
300 |
576 |
A 20th century silver christening mug, Sheffield, 1952, baluster shape with scroll handle on spreading circular foot, Coronation mark, 8cmH, 107.2g, 3.45ozt |
30 |
40 |
577 |
A 20th century silver bon-bon dish, Sheffield 1979, circular with scrolled moulded rim on three scroll feet, by Mappin & Webb, 11cmDia, 97.3g, 3.13ozt. As new in original packing |
30 |
40 |
578 |
Two 20th century silver octagonal coasters, Birmingham 1979, by Mappin & Webb, (9cmW max), total weight of both items 94.7g, 3.05ozt. As new, in original packing |
30 |
40 |
579 |
A 20th century silver wine taster, London 1979, with stylized handle, by Mappin & Webb, 8cmDia, 129.3g, 4.16ozt. As new in original packing |
40 |
60 |
580 |
A 20th century silver butter dish with knife and glass liner, Sheffield, 1979, the dish by Mappin & Webb with moulded border, 10.2cmDia, the knife-maker’s mark ‘H.H.’, 11.3cmL, total weight of dish and knife (excluding glass) 83.1g, 2.67ozt. As new in original packaging |
25 |
35 |
581 |
A 20th century silver christening set of napkin ring, egg cup and spoon, the napkin ring, Birmingham 1947, by Adie Brothers, the egg cup, Birmingham 1949, by Adie Brothers, mounted on spreading foot, 5.8cmH, the spoon, Sheffield 1948, maker’s mark CB & S. Total weight of these items 58.5g, 1.88ozt. All in presentation box |
20 |
30 |
582 |
A 20th century silver napkin ring, Sheffield 1979, by Mappin & Webb, engraved ‘ASBT’, 84.6g, 2.72ozt, boxed in original packaging |
25 |
35 |
583 |
A 20th century silver sugar caster, Birmingham 1964, by Mappin & Webb, tapered body with pierced domed cover surmounted by vase-shaped finial, approximately 16.2cmH, 175.2g, 5.63ozt |
55 |
65 |
584 |
A 20th century silver set of six coffee spoons, Sheffield 1979, rat’s tail pattern, by Mappin & Webb, total weight of six items 59.1g, 1.90ozt. In original presentation box |
20 |
30 |
585 |
A 20th century silver cigarette box, Birmingham 1938, hinged lid, full wooden lining, by A & J Zimmerman, 11cm x 8.4cm x 4cm |
25 |
35 |
586 |
An Edwardian silver and mother of pearl 12 place set of fruit knives and forks, Sheffield 1907, housed in an oak box |
80 |
100 |
587 |
A 20th century silver triangular coaster, Birmingham 1979, by Mappin & Webb, 10.5cmW (max), 94.1g, 3.03ozt. As new in original packaging |
30 |
40 |
588 |
An Indian silver child’s cup with chased decoration, stamped ‘PAK 94 SIL’ to base, 5.5cm high, 1.87ozt, 58.2g |
10 |
20 |
589 |
A late Victorian silver-plated ovoid shaped teapot and stand (burner lacking), the teapot engraved with scrolling initials, the base raised on three scroll supports with shell feet, teapot and stand 28cmH |
20 |
40 |
590 |
A George III silver old English pattern mustard spoon, London 1803, by Peter Ann and William Bateman, 9.5 cm long, 0.23 ozt, a silver cake fork, handle lacking and assorted silver-plated items including teapot, gravy boat, sugar bowl and other items |
20 |
30 |
591 |
A Middle Eastern silver plate on copper dish, with hand-beaten and chased design, silver plate heavily worn, 21 cmDia together with an Egyptian brass dish with silver and copper overlaid decoration and hammered design, 18.25 cmDia |
20 |
30 |
592 |
A part canteen of silver-plated old English bead pattern cutlery, comprised of five tablespoons, six dinner forks, eleven dessert forks, four dessert spoons, three tea spoons, two coffee spoons and a mustard spoon, all engraved with interlocking initials ‘GB’, and a matched soup ladle. A silver old English bead pattern dessert spoon and fork, possibly originally a christening set, engraved with the initials ‘CGB’, London 1898, 2.29ozt |
70 |
90 |
593 |
A Sheffield plated square four section decanter stand with scroll handles, engraved with scrolling initials and the crest of a dog |
60 |
80 |
594 |
An ornate silver-plated two-branch candelabra together with a pair of James Dixon & Son candlesticks |
80 |
100 |
595 |
A Mappin & Webb oak canteen housing Elkington & Co and other cutlery |
80 |
100 |
596 |
A large early 20th century oval silver-plated twin handled tray engraved with floral sprays, ribbons, swags and ferns 67cmW x 47cmD |
60 |
80 |
597 |
An oak brass-bound canteen of assorted cutlery together with other silver-plated cutlery |
30 |
50 |
598 |
A pair of silver-plated and ivory handled fish servers engraved with birds in flight, with carved handle, silver finials and knop, Sheffield 1900, cased |
80 |
100 |
599 |
A twelve place set of ivory handled silver-plated fish knives, forks and servers in mahogany case |
20 |
30 |
600 |
A small quantity of plated ware to include two sets of fish servers, one by Mappin & Webb, sugar tongs, ladle etc |
15 |
25 |
601 |
A Victorian silver-plated desk stand, housing two square section cut-glass inkwells, with acanthus leaf moulding and scroll handle, raised on four scroll supports, 20cmL |
50 |
70 |
602 |
A pair of silver-plated antler-handled fish servers and a cased set of Continental horn and silver-plated salad servers |
50 |
80 |
606 |
A Perthshire millefori glass paperweight with label to base, 7cmDia |
40 |
60 |
607 |
A mid-20th century Murano glass figure of a fish in greens, amber and gold with open mouth and raised dorsal fin, 35cm long together with a Murano pink and blue glass seated figure of a cat, 16cmH |
80 |
100 |
608 |
A Lalique art glass ‘Parme’ frosted crystal decanter, the oval body with double concave frosted sides and raised ripple design throughout, etched to base ‘Lalique R France’, 20cmH |
180 |
220 |
609 |
An Art Deco amber glass figural flower stand of lozenge form with central semi-nude female and arched mirrored back, 22cmH x 26cmW |
30 |
50 |
610 |
A pair of 20th century Glasform iridescent and frosted glass mushrooms including one with a silver applied frog, both with labels to bases, 7cmH |
40 |
60 |
611 |
A Rene Lalique amethyst glass ‘Faucon’ car mascot, modelled as a falcon, moulded ‘R LALIQUE’, etched ‘No.1124 and ‘FRANCE’, 15.5cmH and a Breves Galleries Rene Lalique mascot mount, 6.8 centimetres inside diameter nickel plated, round with bulb, socket, wiring, mounting ring, screw and bolts with original illuminated Lalique Mascot Mount including amber, red, orange, yellow and blue coloured lenses |
2000 |
2500 |
612 |
A 20th century Lalique stylized foliate frosted and clear glass scent bottle engraved ‘Lalique, France’ to base, 7cmH |
70 |
100 |
613 |
A pair of mid-20th century mottled green and orange frosted glass spill vases with silver rims, dated London 1941-42, 16cmH |
40 |
50 |
614 |
A late 20th century Murano clear and red glass curling sculpture, mounted on a black glass cube, engraved to base Murano, 22/6/78 and indistinctly signed, 35cmH |
60 |
100 |
615 |
A 20th century Baccarat floral-etched scent bottle for Marcel Rochas Paris, complete with case and travelling stopper, 12cmH |
80 |
120 |
616 |
A Whitefriars tangerine drunken bricklayer vase designed by Geoffrey Baxter, circa 1960s, 21cmH |
120 |
140 |
617 |
A pair of 1940s Wedgwood chargers decorated with flowers and foliage in reds and blues, each 41cmDia |
80 |
120 |
618 |
Signe Kolding, 20th century Danish, once Hastings based ceramicist, ex-member of the Rye Society of Artists, pottery figure of a woman, 42.5cm high |
40 |
60 |
619 |
Signe Kolding, 20th century Danish, once Hastings based ceramicist, ex-member of the Rye Society of Artists, pottery plaque of a woman, 76cm long |
30 |
40 |
620 |
Signe Kolding, 20th century Danish, once Hastings based ceramicist, ex-member of the Rye Society of Artists, pottery plaque of the back of a woman, 77cm long |
50 |
60 |
621 |
A 19th century Wedgwood ‘Mr Punch’ novelty drink set comprising tray with mounted cups, two beakers and decanter with ‘Punch’ stopper |
30 |
50 |
622 |
A collection of assorted Carlton Ware to include a hand-painted ‘Tralian’ design lobster plate, two Australian design triangular leaf dishes, a sheep toast rack, a yellow ground leaf dish and vase decorated with flowers and a rose-encrusted specimen vase |
50 |
70 |
623 |
An Italian majolica circular plaque, in the Della Robbia style, moulded in relief with Mary and Child surrounded by cherubs with a garland of fruit and pine cones, inscribed S.A.C.A. 288, Made in, Italy, 42cmDia |
100 |
120 |
624 |
A large green glazed ceramic planter decorated with dragons, 49cmH x 52cmDia |
60 |
100 |
625 |
A late 19th century Derby Imari floral patterned circular shaped tray with panels of birds and blossoms, with impressed and red painted marks to base, 48.5cmDia |
200 |
250 |
626 |
A Minton 46-piece part dinner service comprised of serving bowls, meat plate, tureen, gravy boat and stand, soup bowls, plates, bowls, side plates etc |
50 |
70 |
627 |
A Royal Doulton Dickens Ware ‘Captain Cutle’ coffee pot, 21cmH |
40 |
50 |
628 |
A Victorian and later 30-piece Cauldon part tea service decorated with flowers and birds |
30 |
40 |
629 |
A pair of early 20th century oval relief moulded plaster plaques depicting St Christopher, one with glazed convex glass and bottle, housed in ebonised frames, 6.5cm x 5cm |
30 |
50 |
630 |
Three late 18th/early 19th century Meissen bowls plus two side plates and similar pierced bowl, hand-painted with floral sprays and insects, two early 19th century Derby Imari patterned plates together with two Victorian Copeland Spode crescent-shaped plates decorated with blue and pink flowers and gilt rims |
50 |
70 |
631 |
An extensive 19th century Davenport ironstone dinner service, hand-painted with floral sprays in gilt, blue and red, comprised of tureens, meat plates, serving bowls, dinner and side plates etc |
300 |
500 |
632 |
A rare 19th century Minton pierced cabinet painted by Antonin Boullemier depicting a young girl in a blue floral robe with fan and butterfly beside a tree with pagoda to background, signed lower left, impressed Minton mark to base with date cypher for 1873, 13cmDia |
150 |
250 |
633 |
A Royal Doulton figure ‘The Cobbler’ HN1706 |
50 |
70 |
634 |
A large 19th century pottery Moriage hand-painted turquoise ground vase, the pierced flared rim above twin scrolling handles and six floral panels, raised on a stepped offset hexagonal base, 47cmH |
50 |
70 |
635 |
A Doulton Lambeth Slaters Patent green ground bottle-shaped vase decorated with piped scrolling leaves and green floral sprays on a circular base with impressed marks and monogrammed ‘E.A.’, 28cmH, two small Doulton Lambeth harvest jugs, 11cm high and a larger Royal Doulton harvest jug, 15cm high |
30 |
50 |
636 |
Three pieces of Wedgwood monochromed cream ware comprised of a tazza with transfer printed scenes of Henley on Thames, Medmenham Abbey, Bisham Abbey and George and Dragon Waregrave, a Rex Whistler design sugar bowl depicting Clovelly and a large fruit bowl transfer printed with Asiatic pheasants to interior and exterior |
40 |
60 |
637 |
A 19th century Wedgwood majolica turquoise ground octagonal jardiniere decorated with pomegranates and scale patterned panels, raised on four stylized jardiniere shaped feet, impressed marks to base, 20cmH |
100 |
120 |
638 |
A 19th century Wedgwood ‘Syp’ blue and white transfer decorated ‘Peony’ pattern teapot with internal strainer, with impressed marks to base, 19cmH |
60 |
80 |
639 |
A Doulton Lambeth salt-glazed baluster ale jug, with four applied portrait roundels of youth to old age, each circled by a proverb, ‘He that buys land buys stones’, ‘He that buys flesh buys bones’, ‘He that buys eggs buys many shells’ and ‘He that buys ale buys nothing else’, with impressed marks to base and monogrammed ‘WW’, possibly Emily Wood, 19cmH |
60 |
80 |
640 |
A 20th century Wegwood black jasperware plaque entitled ‘Dancing Hours’ impressed to back ‘Dancing Hours, 2, Wedgwood Made in England, 75, NB’, mounted on a padded, cushioned gilt frame, 7cm x 22cm |
120 |
140 |
641 |
A Portmeirion treacle-glazed game dish, a Jenny Neilson wash basin and jug together with a Victorian cheese dish and cover (1 box) |
30 |
50 |
642 |
A 20th century Palissy for Royal Worcester ‘Game Series’ part dinner/tea set (1 box) |
30 |
50 |
643 |
A 19th century Staffordshire pottery figural spill vase depicting Red Riding Hood and Wolf against a tree and foliage, 19cmH |
20 |
30 |
644 |
A 19th century Staffordshire pottery figure of a shepherd and dog with sheep and lambs on a stylized grassy base, 13cmH |
40 |
60 |
645 |
A Royal Doulton character jug ‘Long John Silver D6335’, together with a Beswick character jug ‘Sairey Gamp No 371’ (2 items) |
40 |
50 |
646 |
A pair of late 19th century parian figures depicting two classic maidens in draped gowns, one with a dagger, the other with bird and flowers, both on floral decorated oval plinths, one 34cm high, the other 33.5cm high |
50 |
100 |
647 |
A 19th century parian figure of a classical maiden in draped gown with bird and child resting against a tree stump, 36.5cm high |
30 |
50 |
648 |
A Royal Doulton blue and green ground tankard decorated with bands of flower heads and leaves monogrammed to base ‘G.P.’, 10cmH |
30 |
40 |
649 |
A 19th century stone-glazed water cistern with applied grape and vine relief moulding and Royal Crest with central panel inscribed ‘Lipscombe & Co, Patentees, 44 Queen Victoria Street, Mansion House, London At Temple Bar’ together with an 18th century four-division decanter |
60 |
80 |
650 |
A Doulton Lambeth pottery ‘Jack’ jug with silver collar, London 1896 19.5cmH |
40 |
60 |
651 |
A Royal Worcester blush ivory flat-back ewer, hand-painted with roses and wild flowers, puce mark to base, dated 1899, 13cmH |
70 |
100 |
652 |
A pair of Moorcroft green and blue ground dwarf candlesticks in the ‘Hibiscus’ pattern, with circular paper labels to base, 9cmH |
70 |
90 |
653 |
A pair of Royal Doulton blue ground chimney-shaped vases decorated with pipe-lined roses, buds and leaves, monogrammed ‘LB’ to base, 22.5cmH |
40 |
60 |
654 |
A 19th century Wedgwood terracotta jug with glazed interior, date mark for 1850, 15cmH together with an ‘F & R Pratt & Co’ terracotta jug decorated with gilt rim and handle and linked-ring banding, 12cmH |
40 |
60 |
655 |
A late 18th century Chamberlains Worcester white ground cabbage leaf moulded jug with gilt mask spout and blue and white transfer printed floral sprays, indistinct monogram to front, 19.5cmH |
150 |
250 |
656 |
A mid-20th century Continental porcelain figure of a child ballerina with semi-raised hands and title mark ‘W’ below a crown, 15cmH |
40 |
60 |
657 |
A Gustavsberg waisted vase circa 1950s, decorated by Stig Lindberg from the Grazia series, decorated with solid silver overlaid with wild flowers and plants on a white ground with insect, 22cmH |
100 |
150 |
658 |
An Arabia of Finland parian vase of cylindrical form designed by Gunvor olin-Gronquist, decorated with relief moulded wild flowers, 21cmH |
30 |
50 |
659 |
A Mettlach half litre beer stein with incised colour panels depicting 15th century huntsman and prey, the pewter lid with oak leaf relief decoration surmounted with an acorn finial and thumb piece, 22.5cmH |
150 |
200 |
660 |
A 19th century James Dudson jasperware coffee pot, the tapering body with applied classical maidens, grapes and vines, with tree trunk spout and rope twist handle, impressed marks to inner lid, 23cmH |
50 |
100 |
661 |
A 20th century Carltonware tea and coffee set decorated with bands of geometric circles and squares on a yellow and brown ground, comprised of tea and coffee pot, four cups and saucers and a sugar bowl |
20 |
30 |
662 |
A collection of Crown Stafford ‘Hunting Scene’ ceramics to include pin dishes, mustard, egg cup, saucers, plates, long dish etc |
25 |
35 |
663 |
A Clarice Cliff harvest jug decorated with wheat and floral spray, the handle moulded with apples and pears, 22cmH |
35 |
50 |
664 |
A Troika pottery Tin Mine lamp base, in the form of a stone building and chimney, in browns and greens, by Jane Fitzgerald, 22cmH |
450 |
550 |
665 |
A Troika pottery spice jar, with white glazed neck and shoulders and cube body, with geometric Aztec design panels, designed by Annette Walters, 15cmH |
80 |
100 |
666 |
A Troika pottery cube vase, each side decorated with geometric panels, designed by Annette Walters, monogrammed to base, 8cmH |
80 |
100 |
667 |
A Troika pottery cylindrical vase,decorated with bands, circles and squares on a blue and beige ground, designed by Annette Walters, monogrammed to base, 14cmH |
80 |
100 |
668 |
A Troika pottery marmalade pot of square form decorated with geometric panels, designed by Louise Jinks, monogrammed to base, 9cmH |
80 |
100 |
669 |
A 19th century Meissen figural salt with girl looking into the painted bowl of a smuggling scene together with a Continental porcelain figure of a lady in a crinoline dress (2 items) |
50 |
70 |
670 |
A 19th century majolica urn decorated with figures from a Bacchanalian scene with ram’s head handles, 55cmH |
120 |
150 |
671 |
A large quantity of Limoges dinnerware, decorated with floral sprays, with shaped rim |
150 |
200 |
672 |
A collection of Portmeirion ‘Botanic Gardens’ tableware to include dinner and side plates, cups, saucers, bowls etc |
30 |
50 |
673 |
An early 20th century Royal Doulton blue ground ewer together with a Royal Doulton specimen vase, 29cmH and 18cmH |
30 |
40 |
674 |
An early 20th century Doulton Slaters flared rim treacle-glazed vase decorated with flowers and leaves, 40cm |
50 |
60 |
675 |
A 19th century ceramic figure of a gentleman in 18th century dress resting on a tree stump with a bouquet of flowers, on a floral decorated arched base, stamped to the base 195245, 21.5cmH |
30 |
50 |
676 |
A 19th century Dresden porcelain lidded vase decorated with gilt scrolling swags and hand-painted floral sprays, Dresden under crown to base and stamped 2, 34cmH |
80 |
120 |
677 |
A Torquay pottery bowl decorated with a parrot and a similar vase (2 items) |
10 |
15 |
678 |
A pair of Royal Doulton blue ground vases decorated with roses, buds and leaves, inscribed ‘F.J.’ to base, each 20cmH |
30 |
50 |
679 |
A pair of Royal Doulton chimney-shaped blue ground vases decorated with roses, buds and leaves, inscribed ‘BN’ to bases, each 26cmH |
30 |
50 |
680 |
A pair of 19th century Vienna porcelain figures of a male with a hare and goose in pouch to side, the female with basket of fruit and garland of grapes and vines to hair, both on rocky tree stump bases, each 14cmH |
80 |
120 |
681 |
A pair of 19th century porcelain two-branch figural candelabra, the floral decorated sconces surmounted on stylized tree stumps, the male with sheep and basket, the female with goat and flower bouquet, both on rocky bases, each 19cmH |
100 |
200 |
682 |
A Royal Copenhagen figure group depicting a cockerel and hen on a circular base, possibly signed Christian Thomson, 14cmH |
80 |
120 |
686 |
20th Century Japanese Blossoms with trees in the distance Limited edition print 199/200 Signed and numbered 48cm x 37.5cm Framed and glazed |
10 |
15 |
687 |
Nine19th century Chinese porcelain fluted finger bowls decorated with crickets and flowers, character marks to base (9 items) |
250 |
350 |
688 |
A Chinese pale celadon jade oval belt ornament, carved with a lion-dog, 7 cmL x 4 cmW |
150 |
200 |
689 |
A late 19th century Cantonese famille rose punch bowl, both interior and exterior decorated with hand-painted panels of sages, birds and foliage with character mark to base, 28cmDia |
120 |
180 |
690 |
A Chinese and tortoiseshell case with raised painted bird decoration, 11.5cmL |
25 |
35 |
691 |
A pair of Chinese bottle-shaped cloisonne vases, the neck and shoulders decorated with scrolling foliage, the body with cranes, lilies and river bank on a turquoise ground, inscribed 1784 to base, 27cmH |
80 |
120 |
692 |
A mid-20th century Japanese papier mache circular tray decorated with birds, branches and blossom 50cmDia |
30 |
50 |
693 |
An early 20th century Japanese red lacquered papier mache tray with mother of pearl inlay depicting a mounted huntsman with dog and prey amongst trees, 36.5cmDia |
30 |
50 |
694 |
A 19th century Chinese export ivory and hand-painted fan, the leaf decorated with Mandarin figures with applied ivory faces and fabric costumes, the ivory sticks carved with figures, pagodas and foliage, housed in an ebonised gilt frame, 28cmH x 51cmW |
600 |
800 |
695 |
A 19th century Chinese silver export dragon boat with oarsmen, drummer and figures with flags and banners, mounted on an ornately carved hardwood stand, 12cmL |
250 |
350 |
696 |
A 19th century Chinese silver export Procession group comprised of 14 figures with Sedan chair, musical instruments, banners and flags, mounted on an ornately carved pierced stand, with character marks to fixing plate, 18cmL |
250 |
350 |
697 |
A Japanese Satsuma vase with tapered waist and flared rim, hand-painted with figural panels with cobalt blue and gilt surround, signed to base, 24cmH |
30 |
40 |
698 |
A late 19th century Satsuma vase decorated with hand-painted panels depicting a sage with follower and Geisha girl with pagodas and mountains to background, unsigned, 45cmH |
80 |
120 |
699 |
A late 19th century famille rose flared-rim vase decorated with hand-painted battling warriors with applied animals to neck and shoulder, character mark to base, 44.5cmH |
50 |
60 |
700 |
A 19th century naively carved Oriental hardwood female figure in robes with arms crossed and plaited hair with incised carved feet to base, 26cmH |
150 |
200 |
701 |
A Nanking Cargo tea bowl and saucer decorated with palms and flowers with brown ground exterior and Christie’s Lot 5245 label to base, 7.5cmDia and 12cmDia |
60 |
100 |
702 |
Two pairs of Japanese shibyama black lacquer panels, both depicting birds, blossoms and branches, all housed in floral carved hardwood frames 54cmH x 37cmW x 2cmD |
30 |
50 |
703 |
A late 19th century Chinese export ivory and hand-painted fan, the leaf decorated with Mandarin figures with applied ivory faces and fabric costumes, the stained ivory sticks carved with figures, pagodas and trees, housed in a silk-lined cushioned gilt frame, 27cmH x 50cmW |
300 |
400 |
704 |
A large 20th century Cantonese vase, the neck and shoulders with applied lizards and animals, the body decorated with figural panels, peonies and chrysanthemums, character marks to base, approximately 93cmH |
50 |
70 |
705 |
An early 20th century Oriental green lacquered chinoiserie desk set comprised of a calendar, a pen tray, an inkwell and a blotting book, decorated with figures, pagodas and boats |
40 |
60 |
706 |
A pair of square Oriental caddies, the shoulders decorated with hibiscus sprays over a four panel body depicting elephants, pagodas and palms, inscribed ‘143’ and ‘103’ to bases, 15cm high |
70 |
100 |
708 |
A 19th century Wucai hand-painted bottle-shaped vase depicting the Eight Immortals in reds, blues, greens and yellow, 32cmH |
100 |
120 |
709 |
A Chinese brass coin, 4.5cm and a small silver scroll holder, 3.25cm |
25 |
35 |
710 |
An early 18th century Chinese famille verte and Imari patterned dish decorated with a vase, fan, scrolls, chest and fruit, 14.5cm |
150 |
250 |
711 |
A 19th century Japanese bronze koro, of hexagonal form decorated in relief with panels of birds and foliage, with scrolling handles, raised on four supports, on hexagonal base, 36cm high |
150 |
200 |
712 |
A pair of 19th century Chinese hardwood carved figures of deities, each holding scrolls and staffs, on naturalistic bases, approximately 39cmH |
80 |
100 |
713 |
A pair of early 20th century Satsuma vases decorated with geese and bamboo shoots, unsigned, each approximately 47cmH |
30 |
40 |
714 |
A set of four 20th century Japanese hand-painted silk panels, each depicting birds, blossoms and grasses, each approximately 80cmW x 32.5cmW |
40 |
60 |
715 |
A 19th century signed Japanese carved ivory shibyama decorated banana with narrow tapered stalk and one end partly peeled, applied with various insects including a mother of pearl winged dragon fly, beetles, spiders etc, 14cmL |
400 |
500 |
716 |
A 19th century Chinese blue and white charger decorated with six flower heads within a scrolling border with central foliate panel, character mark to base 46.5cmH |
150 |
200 |
717 |
A Chinese carved pale green hardstone pendant in the form of fruit and leaves suspended from a beaded necklace |
200 |
250 |
718 |
A late 19th century ring-turned fruitwood cosh/truncheon with central iron swivel, approximately 41cm long |
60 |
80 |
719 |
A 19th century bamboo and leather riding crop, a Victorian cane and lead cosh together with a 20th century turned hardwood truncheon (3 items) |
60 |
100 |
720 |
A late Victorian conche shell lamp, carved, depicting the Three Graces on clouds flanked by flowers and leaves, raised on three bronze dolphins, 28cmH |
20 |
40 |
721 |
A 19th century ‘Davy’ type 6 miner’s lamp, 24cm high |
30 |
50 |
722 |
An early 20th century two-piece blue enamel ‘News of the World’ advertising sign, 165cmW x 15cmH and 155cmW x 15cmH |
80 |
120 |
723 |
An early 20th century white and blue enamel ‘Daily Telegraph’ advertising sign, 76cmW x 9cmH |
40 |
60 |
724 |
An early 20th century white and blue enamel ‘Sunday Telegraph’ advertising sign, 76cmW x 9cmH |
40 |
60 |
725 |
An early 20th century white and blue enamel ‘News of the World on Sale Here’ rectangular advertising sign, 76cmH x 30.5cmW |
50 |
70 |
726 |
A pair of early 20th century black and white enamel ‘News of the World on Sale Here’ advertising signs plus one other, 51cmH x 30.5cmW |
30 |
50 |
727 |
A Victorian tortoiseshell and mother of pearl desk stand fitted with two inkwells, stamp box and pen tray |
250 |
300 |
728 |
A small black painted metal-cased electric magic lantern, 26cm high |
10 |
20 |
729 |
A cased Meerschaum pipe together with another cased pipe with a silver collar |
25 |
35 |
730 |
A mid-20th century ‘Our Colour Dyeing’ tin shop counter advertising sign, approximately 51cmH x 31cmW |
25 |
45 |
731 |
A mid-20th century ‘Fresh Air, Fine Cleaning’ tin shop counter advertising sign, 51cmH x 31cmW |
25 |
45 |
732 |
A metal double-sided ‘Cheshire County Council’ bus stop sign, 40cm X 33.5cm |
30 |
50 |
733 |
A metal double-sided ‘Lyon’s Tea’ advertising sign, 30.5cm x 42cm |
30 |
50 |
734 |
A late Victorian long burr walnut and amber stemmed pipe with silver ferrule, Birmingham 1896, maker’s mark B.B.B., inscribed with initials ‘L.B.’, 33.5cmL, cased |
150 |
250 |
735 |
An Edwardian Ross of Manchester leather ‘Jack’ jug with silver collar, Sheffield 1906, 19cmH |
60 |
80 |
736 |
An HMV Model 1121 valve radio, circa 1950 in a walnut case |
40 |
60 |
737 |
An Ogden’s ‘St Julien Tobacco’ enamel wall sign, circa 1930s, with white lettering against a woodgrain-effect ground, 40.5cmH x 218cmW |
100 |
120 |
738 |
An Ogden’s ‘St Bruno Flake’ enamel wall sign, circa 1920s/30s, with shaded yellow and red lettering against a navy blue ground, in original wooden frame, 37.5cmH x 129cmW |
120 |
140 |
739 |
A 20th century Hessian hop pocket stamped ‘Shepherd Neame Ltd. East Kent, 1973, Ospringe’, 228cmH x 95cmW |
20 |
30 |
740 |
A 20th century Hessian hop pocket stamped ‘L.U. Hubble & Son Ltd, East Kent, 1974, Harbledown’, 226cmH x 95cmW |
20 |
30 |
741 |
A 20th century Hessian hop pocket stamped ‘L.U. Hubble & Son Ltd., East Kent, 1974, Harbledown G No. 67’, 22cmH x 95cmW |
20 |
30 |
742 |
A large 20th century North African rimmed bowl, hand-painted with scrolling and geometric designs, divided by white metal filigree strapwork panels and rim, 39cmDia |
30 |
50 |
743 |
A modern printed tin Michelin sign, 75cmH x 75cmW |
40 |
60 |
744 |
A late 20th century gilt metal copy of ‘The Spirit of Ecstasy’, mounted on an oval mahogany plinth, 13cmH |
50 |
70 |
745 |
Ethnographic interest – a carved wooden Maringei headrest, Papua New Guinea, in the form of a wooden crocodile, 60cmL |
80 |
100 |
746 |
Ethnographic interest – A Kamanabit village, Papua New Guinea ancestral carved wooden figure and another from the Munik Lakes, 25cm high |
100 |
150 |
747 |
Ethonographic interest – A Kina shell necklace from the Gaigarobi village (Sawos people) in Papua New Guinea, 20cm wide |
50 |
60 |
748 |
Ethnographic interest – A Cuscus teeth necklace, from Papua New Guinea, 60cm |
30 |
40 |
749 |
Ethnographic interest – An Abelam people from Papua New Guinea ivory nose ornament, 17cm long |
30 |
40 |
750 |
A late 19th/early 20th century oak-cased gramophone with a green and gilt painted scallop-shaped horn |
40 |
60 |
751 |
A 1930s G.E.C. mottled brown Bakelite radio on chrome feet, approximately 45.5cmH x 37.5cmW x 22cmD Untested and sold as spares |
40 |
60 |
752 |
An early 20th century mahogany ‘Tyrela’ gramophone cased, the hinged oval top with boxwood inlay and moulded edge, the trunk with transfer urns and swags, over a pair of inlaid doors with brass drop handles and raised on slender tapering supports, approximately 77cmH x 44cmW x 51cmD |
30 |
40 |
757 |
A 19th century wooden doll together with an early 20th century ventriloquist’s doll, a 20th century bisque headed doll plus other dolls (1 box) |
50 |
80 |
758 |
Wilfredian League of Gugnuncs, membership booklet and plush figure |
40 |
50 |
759 |
An Armand Marsaille bisque-headed doll, known as ‘Eleanor’, with associated clothes etc |
100 |
150 |
760 |
A child’s rocking horse with glass eyes, horsehair mane and tail and leather saddle, re-painted, 88cm x 150cm |
100 |
150 |
761 |
An Armand Marseille Koppelsdorf bisque-headed doll with blue glass sleeping eyes, with open mouth and two upper teeth and blonde hair, with composition bent limbed body, to back of head stamped A.M. Koppelsdorf, Germany 1330 A7M, 50cmL |
80 |
120 |
762 |
A vintage scratch-built model of a Thames barge |
60 |
100 |
763 |
A 1940s/1950s motorised model launch reputedly built by an ex-R.A.F. Squadron Leader from parts from a Dakota aircraft, approximately 124cmL |
100 |
150 |
764 |
A Markes & Co early tin plate spinning top |
10 |
15 |
765 |
A Tri-Ang ‘Minic Motorways’ No. M1511 set |
80 |
100 |
766 |
An Exlto collector’s 1.18 scale model Lotus 49 Jim Clark, complete with box |
80 |
100 |
767 |
An early 20th century Lotto game and a jig-saw puzzle, both boxed |
10 |
20 |
768 |
A vintage game of bar skittles (Devil-amongst-tailors) comprised of green baize table, skittles, stand and pole with swivelled ball and chain |
50 |
60 |
769 |
‘The Instructive Picture Book or a Few Attractive Lessons from the Natural History of Animals’ by Adam White, published by Edmonton & Douglas, Edinburgh, third edition, 1859 |
50 |
60 |
770 |
‘The Regent or Royal Tablet of Memory for 1824 with an Almanac containing a variety of useful information’, housed in red leather binding and a similar pocket diary and Almanac for 1826, also bound in red leather, unused |
20 |
30 |
771 |
A shaped rectangular brass-bound leather case fitted with various buckles and straps, circa 1900, approximately 32cmH x 15cmW x 11cmD |
40 |
60 |
772 |
Boer War interest, Prisoner of War walking stick, the tapering fruitwood haft finely carved ‘Gemaakt Door, Krygs Gevangene, St. Helena 1901, Joor General P.A. Cronje van O Johnsonsen, K.G.V.’ surmounted with a knop handle, 83cm long |
500 |
600 |
773 |
A 1930s/1940s flying helmet by Ariakit in tan leather with chamois lining, size 7, complete with Gosport tube telecom headset and flying goggles |
75 |
100 |
774 |
A mid-20th century grey painted brass gimble compass by ‘Sestrel’ stamped 5381 to base, housed in its original fitted wooden case, 13.5cmDia |
50 |
70 |
775 |
Military interest, a pair of brass Trench Art candlesticks of Middle Eastern design, the base overlaid in white metal ‘Damascus 1st Oct 1918, 26cmH. Emir Said, the Governor of Damascus surrendered the town on the above date to Major Arthur Olden and T.E.Lawrence (Lawrence of Arabia) and the Arab Forces |
40 |
60 |
776 |
A WWII American silk Propaganda flier printed with the American flag and bearing the words ‘Dear Friend, I am an Allied fighter, I did not want to come here to do any harm to you who are my friends. I only want to do harm to the Japanese and chase them away from this country as quickly as possible. If you assist me, my Government will sufficiently reward you when the Japanese are driven away’, repeated in 17 languages, to be dropped from the air, approximately 44cmL x 30cmW |
10 |
20 |
777 |
Military interest, a pair of WWI trench art vases of pinched waisted form, with bands of flower heads and leaves between pinched, hammered bands, dated April 1917 and Feb 1908, approximately 23cmH |
60 |
80 |
779 |
An early 20th century taxidermy study of a Kingfisher mounted on a naturalistic rocky base with ferns and grasses, on a circular ebonised base with glass dome |
50 |
70 |
780 |
An 18th century and later flintlock pistol, the stock stamped M. M. and side plate stamped G.H. below a crown with brass trigger guard (a/f), approximately 19cm long |
100 |
150 |
781 |
A taxidermy study of a canary mounted on twigs and grass, on painted sky background, housed in an oval ebonised frame |
50 |
70 |
782 |
An early 19th century Continental pin fire double barrel pistol, the octagonal barrel with spring bayonet and box lock action, with moulded wooden grip and steel lanyard, 30cm long |
150 |
200 |
783 |
A set of eight vintage Pattison iron putting marker flags |
40 |
50 |
784 |
An early 20th century ”Basque’ poaching stick, the brass and leather lattice work handle unscrewing to reveal a hunting spear, the tapering hardwood shaft terminating in a brass and iron club, 91cmL |
65 |
75 |
785 |
An early 20th century taxidermy study of a badger’s head, mounted on an oak shield-shaped plaque, inscribed ‘Essex Fox Hounds, Big Wood, Lambourne, 5th Sept 1924’ mounted by the Army & Navy Stores Naturalist Dept, London S.W., ivorine plaque to verso |
70 |
90 |
786 |
A 20th century taxidermy study of a chub housed in a glass case with naturalistic background, 37cmH x 67.5cmW x 12.5cmD |
100 |
120 |
787 |
A 20th century taxidermy study of a brown trout housed in a glass case with naturalistic background with label inscribed ‘Brown Trout 6lbs 4oz, Chew Valley Lake, Mr Ian Haywood, May 2007’, 35cmH x 70cmW x 14cmD |
100 |
120 |
788 |
A 20th century taxidermy study of a pike in a predatory pose, housed in a glass case with naturalistic background, 42cmH x 63.5cmW x 14cmD |
120 |
140 |
789 |
A pair of 1930s taxidermy studies of hares, mounted on oak shield-shaped plaques, the reverse both stamped ‘P. Spicers & Sons, Taxidermists, Leamington’ and one with part paper label, both with ivorine plaques to front, one inscribed ‘Oakhurst Beagles, Tuesnoad, Jan 11th, 1930’ and the other ‘Oakhurst Beagles, Lackenden, Feb 5th, 1931’ |
250 |
350 |
790 |
A pair of early 20th century taxidermy studies of fox heads, mounted on oak shield-shaped plaques, the reverse both stamped ‘P. Spicers & Son, Taxidermists, Leamington’, both with ivorine plaques to front, one inscribed ‘A.V.F.H., Brewer’s Wood, Feb 4th, 1925’ and the other ‘A.V.F.H., Birchett Wood, March 9th, 1936’ |
250 |
350 |
791 |
Four Victorian copper jelly moulds, three of castellated form, one stamped ‘Trottier Paris 12’ and two stamped ‘R.T. 266’ and ‘R.T. 285’, the other stamped ‘110’ |
120 |
150 |
792 |
A late 19th century white painted conservatory heater, the removable top with brass knob handle opening to reveal a pot holder, the ornate body decorated with scrolling foliage above a stylized fire place and cherub, the base with acanthus leaf border and bracket feet, 64cmH x 32cmW x 23cmD |
70 |
100 |
793 |
A vintage French galvanised 82 bottle wall-mounted wine rack, fitted with a pair of lockable slatted doors, 122cmH x 79cmW x 35cmD |
50 |
70 |
794 |
A 19th century copper and silver plate hunting horn by Butler, Haymarket, London, 25cm long |
40 |
60 |
795 |
A 20th century black painted cast iron anvil of usual form, 17cmH x 33cmW |
60 |
80 |
796 |
Two late 19th/early 20th century Leon Jaeggi & Son copper saucepans and a matching fish steamer (3 items) |
80 |
120 |
797 |
A 20th century white painted iron seven-branch candleholder ceiling light |
30 |
40 |
798 |
A late 19th century Indian copper and white metal offertory tray decorated with an acanthus leaf border and bands of scrolling foliage, with central deity, 45.5cmDia. |
60 |
80 |
799 |
A vintage copper United Dairies milk churn marked U.D.(W) Ltd, Trowbridge, 51cmH x 34cmDia |
60 |
100 |
800 |
A large Georgian wire and brass fire guard |
10 |
20 |
801 |
A collection of Georgian and later pewter to include pint tankards, an ink well, a monogrammed jug, a pair of salts, some with touch marks |
50 |
60 |
802 |
A 19th century gilt pressed brass inkwell stand decorated with scrolling floral swags and fruit, with raised pen holder, standing on bracket feet, together with a pair of bevel-cut glass inkwells with facet-cut hinged tops, 22cmH x 14cmW |
50 |
70 |
803 |
A Victorian brass door stop, the slender reeded column with applied ring handle on a stepped bell-shaped base 44cm H |
40 |
60 |
804 |
A collection of Art Nouveau door furniture to include five door knobs and 11 finger plates each decorated with stylized tulips plus the three escutcheon together with ten 1930s cream glazed ceramic finger plates |
40 |
60 |
805 |
A Victorian brass inkwell of triangular form, raised on griffin supports with mask decoration, 127cm wide |
20 |
30 |
806 |
A Victorian cotton lady’s slip with machine ground lace insert to bodice, deep flounce and scalloped edge, a fine cotton slip with lace and ribbon trim to neckline and a cotton lawn hand-stitched slip with lace trim and dotted Swiss front panel (3 items) |
20 |
30 |
807 |
Assorted Victorian textiles including lace trimmed cotton bonnets, a cream silk collar with hand-made lace border, two white cotton maid’s aprons, a pair of linen sleeves, two silk blouses, one with glass buttons, a lace on machine ground shrug plus other items (1 box) |
25 |
35 |
808 |
A Victorian white cotton full length nightgown with pin-tuck front, fabric covered brass buttons, Broderie Anglaise edged neckline and sleeves together with another similar plus a short sleeved example with pink-tuck bib insert (3 items) |
30 |
40 |
809 |
A Victorian white cotton full length nightshirt with pin-tucked bib and hand-stitched Broderie Anglaise trimmed collar and sleeves, together with another similar (2 items) |
20 |
30 |
810 |
Assorted Victorian cotton and linen undergarments including a fine lawn petticoat with Broderie Anglaise edging, pin-tucked ruffle and hand-embroidered flowers to front, a pair of lace and ribbon trimmed lady’s drawers, silk and voile camisoles with hand-stitched lace trim, a lace trimmed combination garment plus other items (1 box) |
30 |
40 |
811 |
A lady’s two-piece evening suit by Susan Small of London comprised of a shift dress with belt and button detail together with a matching coat with fur-trimmed collar, both in turquoise applique fabric, over-stitched with bronze thread |
30 |
40 |
812 |
A 19th century walking cane with ivory knop handle in the form of a parrot with glass eye, 90cmH |
100 |
150 |
813 |
A fruitwood cane with silver knop handle together with an ebonised cane with silver ferrule and horn handle, 92.5cm and 91cm |
40 |
60 |
814 |
An Indian hardwood walking cane, the handle carved with a kneeling elephant amongst palms above finely carved panels depicting birds, scrolling foliage and acanthus leaves, 91cm |
30 |
50 |
815 |
A vintage ‘Drew of Piccadilly Circus’ leather-bound steamer trunk, the top with 1930s Swiss pictorial luggage labels, mounted with brass lock, padded interior and monogrammed E.P.S. together with two suitcases with brass lock and luggage labels for The Orient Line, Southern Railway, Appledore etc |
80 |
100 |
816 |
A small early 20th century tan leather Gladstone bag with brass button lock and leather handle, approximately 19cmH x 42cmW x 21cmD |
40 |
60 |
817 |
A small early 20th century tan leather Gladstone bag with brass button lock and luggage label for Montreux Grand Hotel, Switzerland and leather handle, monogrammed E.P.S. with leather lining and single pocket, approximately 20cmH x 37cmW x 19cmD |
40 |
60 |
818 |
An early 20th century umbrella, the cane shaft with silver swan’s head handle, dated London 1910, with pink glass edges and chased floral scrolls, 90cmL together with a mid-20th century cane and canvas parasol, 82cmL |
50 |
60 |
819 |
A collection of vintage handbags to include a tapestry example with purse, a black silk clutch bag with bead decoration, a black silk evening bag with clasp decorated with glass beads, a circular beaded purse with silver clasp together with two coloured glass hairpins and a beaded choker necklace |
50 |
80 |
820 |
A collection of six 19th century and later fans to include an ivory and silk fan with hand-painted floral leaf, a pierced floral inlaid bone handled fan with hand-coloured leaf depicting Spanish dancers plus four other examples |
70 |
90 |
821 |
A late 19th century Victorian crocodile skin travelling vanity case, the fitted interior housing bottles, jars and boxes with silver-plated lids plus mother of pearl handled grooming accessories and folding mirror, 10cmH x 29cmW x 22cmD |
80 |
120 |
822 |
A 20th century ‘Young’s’ formal wear grey top hat size 7.5 together with a ‘Young’s’ grey tie and matching dress gloves, complete with fitted case |
30 |
50 |
823 |
A vintage Butler Wilson beaded handbag stitched with multi-coloured glass beaded panels and tassels, with jewelled set fastener and interior zip pocket |
40 |
50 |
824 |
A mid-20th century wool-work panel depicting a vase and flowers |
20 |
30 |
825 |
A 19th century swan feather fan, hand-painted with birds surrounded by flowers and leaves, with profusely carved ivory handle, 32.5cmH x 22.5cmW |
150 |
200 |
826 |
An early 20th century celluloid fan, the floral pierced stick hand-painted with blue flower heads and leaves, housed in a glazed gilt frame, 15.5cmH x 30cmW |
30 |
50 |
827 |
An Indian silver-handled foliate carved cane with silver collar, 90cmL |
65 |
75 |
828 |
A 19th century walking cane with monogrammed silver horses’ hoof handle, 92cmL |
65 |
75 |
829 |
A 19th century rosewood walking cane with reeded knop handle and floral engraved brass ferrule stamped collar marked ‘Boseruh’, the lattice carved shaft with leather strap, 89cmL |
50 |
60 |
830 |
A 19th century walking cane, the tapering shaft surmounted with a stag antler carved bird handle, 87cmL |
20 |
30 |
831 |
An early 20th century tan leather suitcase with brass locks and leather handles, monogrammed to top H.M.C, approximately 18cmH x 55cmW x 37cmD |
80 |
120 |
832 |
An early 20th century tan leather suitcase retailed and stamped Harrods, London fitted with brass Legge’s locks, part fitted interior and leather handle, approximately 18cmH x 61cmW x 39cmD |
80 |
120 |
833 |
A 20th century tan leather trunk, the lined interior with single pocket and maker’s label for ‘Inthai, Barcelona’ and fitted with two side handles, 41cmH x 70cmW x 50cmD |
30 |
50 |
834 |
A handmade cotton lace table cloth made for the Great Exhibition 1851, decorated with central beehive, flanked by roses, thistles and shamrocks for England, Scotland and Ireland with the word ‘Industry’ and ‘1851’, glazed and framed, 76cmH x 108cmW |
60 |
80 |
835 |
An early 20th century leather attaché case with re-enforced corners and leather handle, monogrammed C.J.S to top, approximately 13cmH x 45cmW x 28cmD |
10 |
15 |