| Lot No |
Description |
Low Est |
High Est |
| 256 |
Circle of John Brett (1831 – 1902) Coastal scene Oil on canvas Signed lower right and dated 1879 29cm x 49cm housed in gilt frame with gesso detail |
150 |
200 |
| 257 |
20th Century British Cottages by a lake Oil on board Unsigned With another painting en verso of figures in a street Also unsigned 19 cm x 29 cm Housed in gilt gesso frame |
20 |
30 |
| 258 |
Elsie Hall Still life of fruit Oil on canvas Signed lower left and dated 1905 33cm x 51cm Housed in gilt frame with gesso detail |
40 |
60 |
| 259 |
A 20th century Abstract Oil on board Monogrammed to lower left DGJ 46cm x 67cm Housed in a pine frame |
15 |
25 |
| 260 |
John and Charles Walker, 19th century hand-coloured map of Sussex from the ‘British Atlas’ published by Longman Hurst, Rees & Co, Paternoster Row, framed and glazed, 32cm x 40.5cm |
20 |
30 |
| 261 |
David King Wilson ‘Drovers and Ghost Gums’ Acrylic on board Signed lower right and dated 1990 44cm x 34cm Label to verso |
40 |
60 |
| 262 |
David King Wilson ‘The Seven Sisters’ Oil on board Signed lower right and dated 1990 55cms x 40cms Label to verso Framed |
60 |
100 |
| 263 |
Donald Hamilton Fraser 1929-2009, RA Dancer adjusting her tu-tu Silk screen print Limited edition 166/295 Signed lower right 73cm x 48cm Framed and glazed |
300 |
500 |
| 264 |
Reverend S Shaw ‘View of Elford from the south-east’ Watercolour Signed lower left and dated 1797 25cm x 40cm Framed and glazed |
80 |
100 |
| 265 |
Felix Kelly 1914-1944 ‘Old Cater Ryder Building at 1 King William’s Street, London EC4’ Limited edition print Signed lower right 39.5cm x 51cm Framed and glazed |
120 |
150 |
| 266 |
William Herbert Allen 1863-1943 Harvest scene at sunset Watercolour 24cm x 35cm Signed lower left and dated 1906 Unframed |
50 |
100 |
| 267 |
20th Century British Country village with fields and hills to background Watercolour Indistinctly signed lower right 29cm x 26cm Framed and glazed |
15 |
20 |
| 268 |
Donald Hamilton Frazer 1929-2009, RA ‘Dancer with Sash’, Silk-screen print Limited edition 143/225 Signed in pencil to lower right margin 63cm x 52cm Framed and glazed |
150 |
250 |
| 269 |
After Frederick Walker 1840-1875 Young boy with a dead bird Signed to lower margin Housed in a gilt frame |
20 |
30 |
| 270 |
Antoine Bouvard (1870-1956, French) ‘The Gondola’ Oil on canvas Signed lower right 49cm x 63cm Framed |
4000 |
6000 |
| 271 |
Legh Mulhall Kilpin 1853-1919 ‘Sorrell’ Unsigned 37cm x 54cm Framed |
100 |
150 |
| 272 |
W H Barrow Huntsman and hounds at Battle Abbey Watercolour 18.5cm x 30cm Signed lower right Housed in a gilt frame |
200 |
250 |
| 273 |
E M Booth Grey horse cantering Oil on canvas Signed lower right 66.5cm x 40cm Unframed |
30 |
50 |
| 274 |
19th century Continental Figures by a lake with castle and hills to background Watercolour 12.5cm x 16cm |
20 |
30 |
| 275 |
D Rivers Fly fisherman Oil on canvas Signed lower left 30cm x 50cm Housed in ornate gilt frame |
80 |
120 |
| 276 |
19th century Estuary scene with fishing boats, figures, horse and cart to shore and buildings to background Oil on panel Unsigned 21.5cm x 29.5cm Housed in a gilt frame |
60 |
80 |
| 277 |
K Chong (Oriental) Junks with city and mountains to background Oil on canvas Signed 44.5cm x 60cm Housed in a silvered frame |
15 |
25 |
| 278 |
Glynn Thomas (b.1946) ‘Byron’s Pool’ Limited edition print 50/100 Signed lower right 28cm x 20cm Housed in a gilt metal frame |
40 |
60 |
| 279 |
Glynn Thomas (b.1946) ‘St. Just in Roseland’ Limited edition print 54/100 Signed lower right 18.5cm x 30cm Housed in a gilt wood frame |
40 |
50 |
| 280 |
20th Century Jordanian Flowers in a bowl Oil on canvas Signed in Arabic to lower right 64cm x 53cm Unframed Art Gallery label to verso |
20 |
30 |
| 281 |
David Da Costa (20th century Jordanian) Three musicians and instruments Screen print Limited edition 84/120 Signed lower right 45cm x 62cm Framed and glazed Gallery label to verso |
30 |
40 |
| 282 |
Jabbar Salman (b1936, Iraqi) Nomads Oil on canvas Signed lower right and indistinctly dated 36cm x 33cm Framed |
100 |
150 |
| 283 |
Jabbar Salman (b.1936, Iraqi) Nomads walking Oil on canvas Signed lower left and indistinctly dated 33.5cm x 42.5cm Framed |
100 |
200 |
| 284 |
20th Century Continental Street scene with figures Oil on canvas Unsigned 30cm x 41cm Framed |
15 |
25 |
| 285 |
Oscar Droege (1898-1982, German) ‘Oaks’ Original woodcut in colour Signed and dated lower margin in pencil 36cm x 24cm Framed |
50 |
70 |
| 286 |
20th century British Country house with vintage car to foreground and tree-lined background Watercolour Unsigned Housed in an oak frame |
15 |
20 |
| 287 |
C Beyer Still life of apples, grapes, pears and plums Oil on board Signed and dated lower right 1908 21.5cm x 28.5cm Housed in a gilt frame |
50 |
80 |
| 288 |
19th century British Victorian lady in mourning dress with lace bonnet, holding a book Oil on canvas Unsigned 65cm x 51cm Housed in a gilt frame |
80 |
120 |
| 289 |
A George I small hand-coloured map of Cornwall, ‘The Road from Exeter to Truro in Cornwall’, 18.5cm x 12cm, framed and glazed |
25 |
35 |
| 290 |
‘Tex’ Sketch of a gentleman Ink, pencil and crayon Signed Framed and glazed |
25 |
35 |
| 291 |
Evelyn Chester (1875-1925) Still life Oil on board Housed in a gilt wood frame |
40 |
50 |
| 292 |
A large 19th century linen-backed map of Ireland entitled: ‘Ireland, Civil and Ecclesiastical’ by the Rev. Daniel Augustus Beaufort L.L.D. Member of the Royal Irish Academy, London’, published by Js Wyld (successor to Mr Faden), cartographer to the Queen, Charing Cross East, 1838, 110cm x 92cm, mounted on a blind fitting |
60 |
80 |
| 293 |
Y W Lau, Landscape of a man in a punt Oil on canvas Signed (Hong Kong Chinese) 39.5cm x 50cm |
30 |
40 |
| 294 |
Figures in a mid-Eastern street scene Oil on canvas Signed 49cm x 24cm |
40 |
50 |
| 295 |
Pat Tucker ATD (Bromley artist and teacher) A street in Chelsea, London with figures and a ‘Bally’ shoe shop Signed 21cm x 30cm |
20 |
30 |
| 296 |
Brian Reall (photographer and member of The Admiralty Camera Club) ‘Harvesting’ Watercolour Signed and dated 1949 21cm x 32cm |
20 |
30 |
| 297 |
* Lawrence (20th century British) Sailing boats near shoreline Oil on canvas Signed lower right 29cm x 39cm Framed |
30 |
40 |
| 298 |
Hermann Pikull (20th century, German) Three mast ship in full sail Oil on canvas Signed lower right and dated 1959 to verso 49cm x 59cm Framed and glazed |
100 |
120 |
| 299 |
After Shiko Munakata (1903-1975, Japanese) Nude female with flowers Photographic lithograph 38cm x 28cm Framed and glazed |
80 |
120 |
| 300 |
Frederick Landseer Griggs (1876-1938) ‘Newark’ Watercolour Signed lower left 22cm x 29cm |
80 |
120 |
| 301 |
D Thorneycroft-Grinyer (20th century British) ‘Lismore Lighthouse’ Watercolour Signed lower right and dated 1975 30cm x 47cm Label to verso Framed and glazed |
50 |
60 |
| 302 |
Douglas (20th century, British) Pair of seascapes Oil on canvas Each signed lower right and dated ’91 34cm x 45cm One with inscription to verso Framed |
50 |
80 |
| 303 |
Margaret Theyre (1897-1977) ‘Pensive Tabby Cat’ Watercolour and gouache Unsigned 49cm x 38cm Framed and glazed Details to verso |
100 |
120 |
| 304 |
Leslie Kent R.B.A. (1890-1980) ‘Hope’s Nose from near Teignmouth, Devon’ Oil on board Signed lower right 24cm x 34cm Details to verso Framed |
200 |
250 |
| 305 |
Early 20th century Village scene with river, fishermen and bridge to background Watercolour Unsigned 17cm x 24.5cm Housed in an oak frame |
10 |
20 |
| 306 |
E. Belda (20th century Continental) Waterside villa with boat and cliffs to background Oil on canvas 16.5cm x 21.5cm Unsigned Housed in a mahogany frame NB: Plaque bearing name E Belda |
15 |
25 |
| 307 |
Hans Gabali (20th century American) Ships in full sail Three miniature oil on boards Each signed 18cm x 13cm 7.5cm x 10cm 7.5cm x 10cm Each with miniature easel |
100 |
200 |
| 308 |
M Crouse Bodiam Castle Watercolour Signed lower left Framed and glazed NB: Title incorrectly written as Bodian |
40 |
60 |
| 309 |
‘The Exchange’ and ‘The Horse Guards’ Etchings Indistinctly signed lower right 20cm x 13cm and 18cm x 12cm Housed in gilt frames |
10 |
20 |
| 310 |
R. Margetts ‘Boats at Medley’ Watercolour Signed lower right with label to verso 38cm x 55cm Housed in a white painted frame |
20 |
30 |
| 311 |
M Oliver Rae, ‘Exeter College, Oxford’, Etching, Signed, 14cm x 18.5cm Framed and glazed |
10 |
15 |
| 312 |
Terry McKivragan, (20th Century British) ‘Henley Regatta’ Limited edition print 190/850 Signed, 16cm x 39cm Framed and glazed together with D C Coull City street scene with figures Signed and dated 1960 22cm x 34cm Framed and glazed (2 items) |
15 |
25 |
| 313 |
R. Styles ‘Tranquility, Sissinghurst ‘ Oil on board Signed lower right and inscribed to back of frame 40cm x 49.5cm |
30 |
50 |
| 314 |
Monica Barry ‘Crummock Water’ Watercolour Signed lower right, titled and dated October to lower margin 37cm x 53cm |
30 |
50 |
| 315 |
Early 20th century Still life oil of fruit, berries and grapes in and around a silver tazza Oil on canvas Monogrammed D.M.C. and dated 1908 to lower right 44cm x 29cm |
40 |
60 |
| 316 |
Catherine Wiles Poppy fields with trees and cottage to background Watercolour Signed lower left 26cm x 37cm |
40 |
60 |
| 317 |
C.B.Summers ‘Military Canal at Appledore ‘ Watercolour, Monogrammed lower left with artist label to verso 24cm x 34cm |
50 |
60 |
| 318 |
A Lankin Still life of roses and vase Oil on canvas Signed lower right and housed in a gilt frame 24cm x 19cm |
10 |
20 |
| 319 |
‘Italia newly augmented by J Speede and are to bee sold in Pops-head aley by George Humble, 1626’, hand-coloured map, the border with vignettes orf Italian cities and Italian characters to the border, 39cm x 52cm, framed and glazed |
600 |
700 |
| 320 |
20th century School master in full robes with classical building to distance Oil on canvas Housed in a gilt frame |
40 |
60 |
| 321 |
20th century 18th century military officer in full uniform, Oil on canvas Unsigned Housed in an ornate gilt frame |
80 |
120 |
| 322 |
Boats in an estuary Pastel Indistinctly signed lower right 44cm x 62.5cm |
20 |
30 |
| 323 |
H C Wilcock Two pictures, one depicting a thatched cottage with figures, the other a tree-lined lane with figures, Watercolours Both signed lower right |
15 |
25 |
| 324 |
An early 20th century Possibly Portsmouth harbour with sailing ships and buildings to background Engraving |
20 |
30 |
| 325 |
Barratt ‘At Gruot Dracknstein’ Oil onboard Signed and dated 1959 to lower right 46cm x 78cm |
80 |
120 |
| 326 |
20th century Galleon on rough seas Oil on canvas Indistinctly signed lower right Housed in a gilt frame |
30 |
40 |
| 327 |
Barton Huntsmen around a table Oil on canvas Signed lower left Housed in a gilt frame |
50 |
60 |
| 328 |
Early 20th century Figure walking on a pathway with windmill to background Watercolour Unsigned 22cm x 28cm Housed in a gilt frame |
10 |
20 |
| 329 |
Henry Matthew Brock (1875-1960) ‘Willows’ Watercolour Signed and dated October 1905 |
30 |
50 |
| 330 |
V. Lines ‘ The Oldest House in Kent, near Folkestone’ Oil on canvas Signed, titled and dated 1923 Framed |
50 |
100 |
| 331 |
Sylvia P Gainsford (20th century, British) Pair of illustrations of a rabbit and a mouse Pencil and watercolour Each signed lower left 19cm x 11cm Framed and glazed NB: Sylvia Gainsford is a book and greeting’s card illustrator |
80 |
100 |
| 332 |
Antonio Nappo (20th century Italian) Circular illustration of cherubs harvesting grapes Gouache Signed ‘Pompeii – A Nappo 13cm diameter Unframed |
20 |
30 |
| 333 |
T.K.Green (Continental) Figure in courtyard Watercolour Signed lower left 35cm x 25cm Housed in a gilt frame |
20 |
30 |
| 334 |
19th century British Epsom Races from Leaving Home, The Start and Retiring Home Newspaper plates One with newspaper stamp lower left, originally drawn by C.Guys and J. Gilbert and engraved by Orrin Smith & W.J.Linton, 37cm x 26cm |
20 |
30 |
| 335 |
19th century British Hunting interest ‘Coming In At The Death’ Hand-coloured engraving Published 8th April 1800, by H. Humphrey, No 27 St James’ Street, London |
30 |
40 |
| 336 |
A. Jackson (19th century British) Two pictures depicting a pair of working horses in harness Oil on canvas Signed lower right 29cm x 40cm Housed in ornate gilt frames |
50 |
100 |
| 337 |
Chickens and ducks Oil on board 14cm x 18cm Housed in an ornate gilt frame |
50 |
80 |
| 338 |
Gerard Geyomand ‘Paul Albert Monas at Work’ Oil on canvas Details en verso 59cm x 49cm Housed in a gilt frame |
80 |
120 |
| 339 |
Ernest Pierce ‘Across the Bay’ Dry paint etching Signed lower right 44.5cm x 29cm |
20 |
30 |
| 340 |
19th century British Religious scene Oval woolwork and painted silk panel 34cm x 42cm With eglemise mount and housed in a gilt frame |
20 |
30 |
| 341 |
D Edmonds River running through countryside under cloudy skies, mountains to the background, trees and fence to the foreground Watercolour signed lower right and dated ’99 36cm x 51cm |
15 |
20 |
| 342 |
Jane Honner ‘Hokula Farm’ Pencil and pen 21cm x 28.5cm Signed lower right and dated 1988 |
15 |
20 |
| 343 |
20th century ‘Sunset over Loch Linnhe, Scotland’ Watercolour Indistinctly signed lower right 23cm x 33cm Housed in a mahogany gilt frame |
15 |
20 |
| 344 |
D Edmonds River scene with trees and mountains to background watercolour Signed lower left 26cm x 36.5cm Housed in a painted pine frame, |
15 |
20 |
| 345 |
Wolfgang Tumpel (German designer) Kunstgewebe museum poster Dated 22 September 1978-7th January 1979 82cm x 58cm |
40 |
60 |
| 346 |
Georg Baselitz (German artist) Stadt Museum poster Dated 25 June – 8 August 1976 82cm x 58cm |
40 |
60 |
| 347 |
A 1978 ‘Sahara’ German film poster 82cm x 58cm |
40 |
60 |
| 348 |
Shaw ‘Pandora’s Box’ Oil on canvas Signed with inscription to verso and dated 1984-86 71cm x 71cm Unframed |
30 |
50 |
| 349 |
Tsutaya Ryuko (1889-1933, Japanese) A Japanese male with tea bowl Gouache Signed lower right 48cm x 32cm |
400 |
500 |
| 350 |
Robert Taylor ‘Spitfire’ signed Douglas Bader and Johnny Johnson First edition print |
100 |
120 |
| 351 |
Robert Taylor ‘Hurricane’, signed Bob Stanford-Tuck First edition print, |
80 |
100 |
| 352 |
Alfred Seifert (1850-1901) A 19th century crystoleum of a young female with floral garland in hair Signed and dated ’97 25cm x 20cm Housed in a gilt frame |
120 |
150 |
| 353 |
Louis Van Staaten (Dutch 1836-1909) Dutch canal scene with barge, and church and windmill to background Watercolour Signed lower left 65cm x 30cm Housed in an ornate gilt frame |
300 |
400 |
| 354 |
Early 20th century (English school) ‘The Piping Shepherd’ Oil on canvas Unsigned |
30 |
50 |
| 355 |
John Falconer Slater (British,1857-1937) Landscape with cottage to background Oil on canvas Signed lower left 77cm x 46cm Unframed |
300 |
500 |
| 356 |
Beryl Antonia Yeoman (Australian, 1907-1970) Pen and ink cartoon Captioned ‘ It’s all happened since Callaghan raised the income tax and the retirement pensions’ Signed lower left Housed in an ebonised framed NB: She was a prolific cartoonist for ‘Punch’ magazine known as ‘Anton’ |
100 |
150 |
| 357 |
Philton Latortue (b.1944, Haitian) A fantasy painting of lions at their wedding breakfast table Acrylic on board Signed 34cm x 44cm |
200 |
250 |
| 358 |
Michael Valestin (b.1962, Haitian) A study of a hen Acrylic on canvas Signed 39.5cm x 49.5cm |
200 |
250 |
| 359 |
Jacques Valmidor (b1955, Haitian) Figures, animals and mythical creatures in a lush landscape, Acrylic on canvas 61cm x 51cm |
150 |
200 |
| 360 |
Jacques Valmidor (b1955, Haitian) Townsfolk with houses and river in distance Acrylic on canvas Signed 51cm x 61cm |
150 |
200 |
| 361 |
After John Sell Cotman (1782-1842) ‘Howden Church’ Original etching from the Bohn Edition 1838 published Norwich Feb 5, 1811 Framed, glazed and mounted |
30 |
40 |
| 362 |
Gillian Tapsell ‘Cranbrook Railway Station’ Oil on canvas Signed |
80 |
120 |
| 363 |
S Message (20th century, British) Plover Watercolour Signed and dated ’01 |
100 |
200 |
| 364 |
A Y Gross (20th century) ‘Vignes’ Limited edition etching 3/4 Signed and titled lower margin 26cm x 34cm Framed and glazed |
20 |
30 |
| 365 |
Hamish Fletcher ‘Segovia’ Watercolour Signed, titled and dated 1921 lower right 22cm x 23.5cm Framed and glazed |
40 |
60 |
| 366 |
20th century British Snow scene Woodblock 315cm x 28.5cm Framed and glazed |
10 |
20 |
| 367 |
After Lionel Edwards ‘The Flint & Denbigh Vale of Clwyd’ Photographic print Signed in pencil to lower left margin with Fine Art Trade Guild stamp 33.5cm x 49cm Framed and glazed |
30 |
50 |
| 368 |
J. Hoffmann A miniature portrait of a young gentleman with cravat Oil on copper Signed and dated 1800 5cmDia |
80 |
120 |
| 369 |
Richard T Hutchins (20th century) ‘River Rother at Rye’ Watercolour Signed lower right, label to verso 18cm x 25.5cm |
30 |
40 |
| 370 |
A 19th century Rye swing bridge on the South Eastern Railway together with an engraving of Ipres Tower, the Prison at Rye, hand-coloured engraving published 14th May, 1785, S. Hooper, 16cm x 25cm and 15cm x 25cm |
30 |
50 |
| 371 |
John Ryan (Scottish 1921-2009) Reply letter on headed paper discussing a proposed character, Colonel Rottweiller with illustrations Signed and dated 26th Nov, 1989 29.5cm x 20.5cm Framed and glazed NB: John Ryan was the illustrator of Captain Pugwash whilst living in Rye, |
100 |
150 |
| 372 |
19th century 18th century couple A pair of hand-painted portrait silhouettes 10.5cm x 8.5cm Housed in oval brass and ebonised frames, one with oak leaf and acorn hanging mount, |
60 |
80 |
| 373 |
Louis Neville (Act 1887-1914) Tug boats Watercolour Signed lower right 7.5cm x 22.5cm Framed and glazed |
50 |
70 |
| 374 |
Lennard Lewis (1826-1913) Continental harbour scene Watercolour Signed lower left and dated ’98 24cm x 53cm Framed and glazed |
100 |
150 |
| 375 |
Louis Neville (Act 1887-1914) Boats in port Watercolour Signed lower right and dated 1911 30cm x 59cm Framed and glazed |
80 |
120 |
| 376 |
Louis Neville (Act 1887-1914) Sailing boat in a storm Watercolour Signed lower right and dated 1892 26cm x 44.5cm Framed and glazed |
50 |
70 |
| 377 |
Early 20th century Italian lakeside scene with colonnade and market stalls Watercolour Unsigned 16.5cm x 24cm Framed and glazed |
40 |
60 |
| 378 |
Louis Neville (Act 1887-1914) ‘Harwich’ and ‘Parkstone’ Pair of watercolours Each signed lower right and dated 1903 and 1908 16cm x 35cm Framed and glazed |
150 |
200 |
| 379 |
19th century British ‘Near Winchester’ Oil on board 19cm x 25cm |
40 |
60 |
| 380 |
19th century British River scene with sailing boats, bridge, castle and church in the distance Unsigned 9cm x 19.5cm Framed and glazed |
20 |
30 |
| 381 |
Andrea Biendetti (1851-1946) Venetian canal scene Watercolour Signed lower left 15cm x 25cm Framed |
40 |
60 |
| 382 |
Louis Neville (Act 1887-1914) ‘Dartmouth’ Watercolour Signed lower right and dated 1914 16cm x 34.5cm Framed |
70 |
90 |
| 383 |
Louis Neville (Act 1887-1914) Three mast sailing boat with steam ship in the distance Watercolour Signed lower right and dated 1888 19cm x 35cm Framed and glazed |
70 |
90 |
| 384 |
Louis Neville (Act 1887-1914) Two mast sailing boat Watercolour Signed lower right and dated 1903 17.5cm x 26cm Framed and glazed |
60 |
80 |
| 385 |
Enrico Ursella (Italian 1887-1955) Oil on panel Figures harvesting hay with trees and hills to background Signed to lower right with pencil inscription to verso 29cm x 39cm |
300 |
500 |
| 386 |
Enrico Ursella (Italian 1887-1955) Oil on panel Portrait of a female with head scarf Signed to lower right 39cm x 29cm |
200 |
300 |
| 387 |
18th century British School Oval portrait of a gentleman Oil on board-backed canvas Unsigned 25cm x 20cm Housed in gilt framed |
150 |
200 |