| Lot No |
Description |
Low Est |
High Est |
| 4 |
An early 20th century Pears print entitled ‘Little Bobs’ dated 1901 from the original painting by Edgar Bundy |
100 |
150 |
| 5 |
An early 20th century print ‘His First Christmas’ from the original painting by Arthur J Elsley together with a 19th century engraving entitled ‘Kathleen Mavourneen |
20 |
30 |
| 6 |
A 20th century contemporary oil on canvas signed to lower right Luke Bryant, unframed |
20 |
30 |
| 7 |
20th century,galleon on rough seas, oil on canvas, indistinctly signed lower right, 43.5cm x 57cm, housed in a gilt frame |
15 |
25 |
| 13 |
Sylvia P Gainsford (20th century, British),a pair of illustrations of a rabbit and a mouse, pencil and watercolour, each signed lower left, 19cm x 11cm, framed and glazed. NB: Sylvia Gainsford is a book and greeting’s card illustrator |
50 |
70 |
| 14 |
Watercolour, ‘The Strand with Beacon’, indistinct monogram |
20 |
30 |
| 15 |
A large print after Louis De Schryner of a Victorian street scene housed in an ornate gilt and ebonised frame |
10 |
20 |
| 16 |
Luisa Dominguez past designer for Norman Hartnell, signed lithograph of a seated nude entitled ‘Rosie’ 26/350 |
50 |
60 |
| 17 |
A 20th century needlework panel depicting roses, blossoms and buds |
20 |
30 |
| 25 |
Jabbar Salman (b.1936, Iraqi), Nomads walking, oil on canvas, signed lower left and indistinctly dated, 33.5cm x 42.5cm, framed |
50 |
100 |
| 26 |
A late 20th century sampler ‘The Enigma of Heemus Arician 24th July 1973’ |
20 |
30 |
| 27 |
A map showing the Hebridean island of Colonsay, framed and glazed |
15 |
20 |
| 36 |
A pair of 19th century over-painted engravings depicting a Victorian lady and gent, unsigned and housed in maple and gilt frames |
30 |
40 |
| 37 |
An oil on canvas of a Parson’s Jack Russell entitled ‘Billy’ |
10 |
20 |
| 38 |
J.F.Anderson, pair of early 20th century watercolours depicting lake scenes with birds, trees and mountains to background, both housed in gilt frames |
30 |
40 |
| 45 |
An oil painting of a kitten sitting on a ledge, indistinctly signed to lower right and housed in a gilt frame |
20 |
40 |
| 46 |
Glynn Thomas (b.1946), ‘Byron’s Pool’, Limited edition print 50/100, signed lower right, 28cm x 20cm, housed in a gilt metal frame |
20 |
40 |
| 47 |
19th century, an estuary scene with fishing boats, figures, horse and cart to shore and buildings to background, oil on panel, unsigned, 21.5cm x 29.5cm, housed in a gilt frame |
30 |
50 |
| 48 |
A pair of early 20th century pencil and pastels depicting stags |
20 |
30 |
| 49 |
Glynn Thomas (b.1946), ‘St. Just in Roseland’, Limited edition print 54/100, signed lower right, 18.5cm x 30cm, housed in a gilt wood frame |
20 |
40 |
| 50 |
Richard T Hutchins (20th century), ‘River Rother at Rye’, watercolour, signed lower right, label to verso, 18cm x 25.5cm, framed and glazed |
20 |
30 |
| 51 |
Early 20th century, Italian lakeside scene with colonnade and market stalls, watercolour, unsigned, 16.5cm x 24cm, framed and glazed |
20 |
40 |
| 59 |
Rachel Dee, pair of oval watercolour, still life studies of flowers, signed and housed in beech frames |
30 |
40 |
| 60 |
M Oliver Rae,, ‘Exeter College, Oxford’, an etching, signed, 14cm x 18.5cm, framed and glazed |
10 |
15 |
| 61 |
A 19th century engraving of a military officer in full dress with sweetheart and dog |
20 |
30 |
| 62 |
Shaw. ‘Pandora’s Box’, an oil on canvas, signed with inscription to verso and dated 1984-86, 71cm x 71cm, unframed |
30 |
50 |
| 63 |
A 20th century watercolour depicting a large building, possibly a college, with river to foreground, indistinctly signed to lower left and housed in a gilt frame |
20 |
30 |
| 64 |
A 20th century watercolour depicting a forest scene with loggers and horse-drawn cart pulling timber, unsigned and housed in a gilt frame |
30 |
40 |
| 68 |
T.K.Green (Continental), figure in courtyard, watercolour, signed lower left, 35cm x 25cm, housed in a gilt frame |
15 |
25 |
| 69 |
M. Knox (20th century), an alpine scene, an oil on canvas, signed, 17cm x 24cm, housed in an ornate gilt frame |
30 |
50 |
| 70 |
A 20th century oil on board of a lake scene with fishermen and rowing boat to the fore, mountains to the background, unsigned and housed in a gilt frame |
20 |
30 |
| 71 |
A pair of 19th century MM Haghe prints entitled ‘The Stepping Stones’ and ‘My Lady’s Garden’ |
15 |
20 |
| 72 |
Marjorie C Bates, four coloured engravings depicting ‘Shakespeare’s Birth Place’, ‘Uncle Tom’s Cabin’, ‘Stanley Place’ and ‘The Old Rectory, Cheese Hill’ housed in simulated rosewood frames |
30 |
50 |
| 73 |
R. Margetts, ‘Boats at Medley’, watercolour, signed lower right with label to verso, 38cm x 55cm, housed in a white painted frame |
20 |
30 |
| 81 |
A. Jackson (19th century British), two pictures depicting a pair of working horses in harness, oil on canvas, signed lower right, 29cm x 40cm, housed in ornate gilt frames |
30 |
50 |
| 82 |
A pair of Art Deco colour prints depicting restaurant scenes |
30 |
40 |
| 83 |
Jabbar Salman (b1936, Iraqi), Nomads, oil on canvas, signed lower right and indistinctly dated 36cm x 33cm, framed |
50 |
100 |
| 84 |
A watercolour of a harbour scene entitled ‘Watchett’, signed to lower left Peter J Burke |
20 |
30 |
| 90 |
20th Century Jordanian, flowers in a bowl, oil on canvas, signed in Arabic to lower right 64cm x 53cm, unframed, Art Gallery label to verso |
20 |
30 |
| 91 |
An early 20th century Continental watercolour depicting a sea wall with figures and mountains to background, unsigned and housed in a gilt frame |
20 |
30 |
| 92 |
C.B.Summers, ‘Military Canal at Appledore ‘, watercolour, monogrammed lower left with artist label to verso, 24cm x 34cm, framed and glazed |
30 |
50 |
| 93 |
An early 20th century watercolour depicting trees and fields with buildings to background, indistinctly signed to lower right |
20 |
30 |
| 100 |
* Lawrence (20th century British), sailing boats near shoreline, oil on canvas, signed lower right, 29cm x 39cm, framed |
15 |
25 |
| 101 |
20th Century Continental, street scene with figures, oil on canvas, unsigned, 30cm x 41cm, framed |
15 |
25 |
| 103 |
Oil on board canvas, still life of apothecary jars and preserve pan, indistinctly signed to lower right and housed in a mahogany gilt frame |
30 |
50 |
| 104 |
An early 20th century watercolour depicting a female with ribbons in her hair |
20 |
30 |
| 111 |
Tsutaya Ryuko (1889-1933, Japanese), a Japanese male with tea bowl, gouache, signed lower right, 48cm x 32cm, framed and glazed |
200 |
300 |
| 112 |
Maureen L Coley, ‘Stoney Middleton, Derby’ watercolour, signed and dated 1989 and housed in a gilt frame |
20 |
30 |
| 115 |
Cecil Scruby, watercolour, pheasant shooting |
100 |
150 |
| 121 |
An oil on board, still life of daffodils |
20 |
30 |
| 122 |
C Beyer, still life of apples, grapes, pears and plums, oil on board, signed and dated lower right 1908, 21.5cm x 28.5cm, housed in a gilt frame |
30 |
40 |
| 123 |
A pair of restaurant-inspired prints by Woodleigh, housed in gilt frames |
30 |
40 |
| 124 |
N. Barraclough, oil on boarded canvas of an autumn lake scene with trees and mountains to the background, signed and dated 1934 to lower right and housed in a gilt frame |
30 |
50 |
| 125 |
Jean Oxley, watercolour of a hillside village, signed to lower right and dated ’91, housed in a wooden frame |
30 |
40 |
| 129 |
Early 20th century, figure walking on a pathway with windmill to background, watercolour, unsigned, 22cm x 28cm, housed in a gilt frame |
10 |
20 |
| 130 |
Early 20th century, still life oil of fruit, berries and grapes in and around a silver tazza, oil on canvas, monogrammed D.M.C. and dated 1908 to lower right, 44cm x 29cm, framed |
20 |
40 |
| 132 |
Two mid-20th century framed magazine plates, one depicting ‘Butlins for your Holiday’ and the other a 1954 Buick convertible car |
30 |
40 |
| 133 |
N. Barraclough, oil on canvas of boats on a river with buildings and hills to background, signed and dated 1929 and housed in a gilt frame |
20 |
30 |
| 134 |
Hamish Fletcher, ‘Segovia’, watercolour, signed, titled and dated 1921 lower right, 22cm x 23.5cm, framed and glazed |
30 |
50 |
| 136 |
S Message (20th century, British), ‘Plover’, watercolour, signed and dated ’01, 34.5cm x 25.5cm, framed and glazed |
60 |
100 |
| 137 |
Pat Tucker ATD (Bromley artist and teacher), a street in Chelsea, London with figures and a ‘Bally’ shoe shop, signed, 21cm x 30cm |
10 |
20 |
| 138 |
‘Tex’, sketch of a gentleman, ink, pencil and crayon, 28cm x 19cm, signed, framed and glazed |
25 |
35 |
| 139 |
An Aboriginal colour print on fabric ‘Gathering of the Spirits’ by Phillip Hall, housed in a stained pine frame together with an authentic Navajo sand painting, with inscription to verso |
30 |
40 |
| 141 |
Monica Barry, ‘Crummock Water’, watercolour, signed lower right, titled and dated October to lower margin, 37cm x 53cm, framed and glazed |
20 |
30 |
| 142 |
A 20th century watercolour of two nude females possibly Indonesian, signed Aguna, housed in a gilt frame |
20 |
30 |
| 144 |
A 17th century framed indenture for 34 Ditchling Rise, Brighton |
30 |
40 |
| 149 |
Catherine Wiles, poppy fields with trees and cottage to background, watercolour, signed lower left, 26cm x 37cm |
20 |
40 |
| 150 |
N. Barraclough, oil on boarded canvas of a harbour scene with fishing boats to the fore and hills to the background, signed and dated 1934 to lower right, housed in a gilt frame |
30 |
50 |
| 151 |
20th century,18th century military officer in full uniform, oil on canvas, unsigned, 90cm x 59.9cm, housed in an ornate gilt frame |
60 |
80 |
| 152 |
Gillian Tapsell, ‘Cranbrook Railway Station’, oil on canvas, signed, 39.5cm x 49.5cm, framed |
50 |
70 |
| 153 |
V. Lines, ‘The Oldest House in Kent, near Folkestone’, oil on canvas, signed, titled and dated 1923, 29.5cm x 48.5cm, framed |
30 |
50 |
| 158 |
A 20th century charcoal on card of a young boy with scarf, possibly signed Mary Anne, together with a 1950s print of a girl and a golly |
20 |
30 |
| 159 |
S. Berndt, 20th century watercolour print, still life of flowers, berries and fruit with Harrods picture framing department label to verso and housed in a gilt frame |
20 |
30 |
| 160 |
N. Barraclough, oil on boarded canvas of a view of a coastal village with boat and hills to distance, signed and dated 1934, housed in a gilt frame |
30 |
50 |
| 161 |
Hermann Pikull (20th century, German), three-mast ship in full sail, oil on canvas, signed lower right and dated 1959 to verso, 49cm x 59cm, framed and glazed |
60 |
80 |
| 162 |
D Rivers, fly fisherman, oil on canvas, signed lower left, 30cm x 50cm, housed in ornate gilt frame |
50 |
70 |
| 163 |
R. Styles, ‘Tranquility, Sissinghurst’, oil on board, signed lower right and inscribed to back of frame, 40cm x 49.5cm, framed |
20 |
30 |
| 164 |
A Salvador Dali abstract print together with a coloured map of Grenada (2 items) |
20 |
30 |
| 165 |
N. Barraclough, oil on boarded canvas of a lake scene with trees and daffodils to the fore and mountains to the background, signed and dated to lower right 1934 and housed in a gilt frame |
30 |
50 |
| 166 |
David King Wilson, ‘The Seven Sisters’, oil on board, signed lower right and dated 1990, 55cms x 40cms, label to verso, framed |
40 |
60 |
| 168 |
Edward J Cherry, F.R.S.A., four original artist’s proof etchings entitled ‘Peter Pan’, ‘St. Margaret’s’, ‘Embankment’ and ‘Edinburgh Castle’, all with labels to verso and signed to lower margins |
80 |
120 |
| 173 |
Henry Matthew Brock (1875-1960), ‘Willows’, watercolour, signed and dated October 1905 22.5cm x 36cm, framed and glazed |
15 |
25 |
| 174 |
Terry McKivragan, (20th Century British), ‘Henley Regatta’, limited edition print 190/850, signed, 16cm x 39cm, framed and glazed, together wit D C Coull, city street scene with figures, signed and dated 1960, 22cm x 34cm, framed and glazed (2 items) |
15 |
25 |
| 176 |
20th century, school master in full robes with classical building to distance, oil on canvas, unsigned, 90cm x 60cm, housed in a gilt frame |
30 |
50 |
| 178 |
Brian Reall (photographer and member of The Admiralty Camera Club), ‘Harvesting’, watercolour, signed and dated 1949, 21cm x 32cm, framed and glazed |
10 |
20 |
| 181 |
An oil of Bodiam bridge and two others |
10 |
20 |
| 198 |
A collection of Victorian and later engravings and watercolours, oils and prints of various subjects, all housed in gilt frames |
15 |
25 |
| 203 |
A collection of 19th century and later prints and engravings to include ‘The Aged Christian’ and ‘Little Sister’ |
20 |
30 |
| 206 |
A collection of assorted prints to include a hunting scene, a map of Kent, wool-work panel etc |
10 |
20 |
| 220 |
A 20th century print of a map of Kent, a painted wooden ‘Fine Wines’ sign and a photographic canvas of a sunflower, signed lower right Giles B |
10 |
20 |
| 245 |
C. Holmes (20th century), Watercolour, framed, signed lower left (partly obscured by mount) |
20 |
30 |
| 281 |
J. Hoffmann A miniature portrait of a young gentleman with cravat Oil on copper Signed and dated 1800 5cmDia Unframed |
50 |
100 |
| 312 |
A 1978 ‘Sahara’ German film poster, 82cm x 58cm, framed and glazed |
40 |
60 |
| 313 |
Georg Baselitz (German artist), Stadt Museum poster, dated 25 June – 8 August 1976, 82cm x 58cm, framed and glazed |
40 |
60 |
| 314 |
Wolfgang Tumpel (German designer), Kunstgewebe museum poster, dated 22 September 1978-7th January 1979, 82cm x 58cm, framed and glazed |
40 |
60 |
| 320 |
Norman Parkinson advertising print, photographs 1934-1984, Hamilton’s, Carlos Place, London W1 |
10 |
20 |
| 335 |
A collection of eleven prints of Tudor ladies and gentlemen, framed and glazed (1 box) |
20 |
30 |
| 350 |
19th century British, Epsom Races from Leaving Home, The Start and Retiring Home Newspaper plates, one with newspaper stamp lower left, originally drawn by C.Guys and J. Gilbert and engraved by Orrin Smith & W.J.Linton, 37cm x 26cm, framed and glazed |
20 |
30 |
| 353 |
Pictures and prints to include a bookplate of a Victorian scene, six humorous golfing prints by Edmund G Fuller, two watercolours of rural scenes, signed M. Winnslade to lower right and a coloured print entitled ‘The Bean and Billet, Chester’ (1 box) |
20 |
30 |
| 374 |
George A Shock (20th century British), ‘Jumping, Morland Cattle Show’, watercolour and pencil sketch, signed and dated July 22/23, together with other pictures |
15 |
20 |
| 414 |
Four various original pictures including an oil on board of a water buffalo |
20 |
30 |
| 419 |
Central stylised floral cartouche and hunt scene, two tapestry panels, 35cm x 48cm and 54cm x 36.5cm0 |
20 |
30 |
| 421 |
A collection of 20th century prints to include three Parisian scenes, a Richard Akerman floral print plus four others |
30 |
40 |
| 428 |
A pair of prints entitled ‘A Courtyard, Dorking’ and ‘ A Corner of Old Dorking’, both signed by the artist George H Downing, framed and glazed |
100 |
120 |
| 437 |
An early 20th century woolwork panel depicting an 18th century hunting scene |
15 |
25 |
| 442 |
A collection of 19th century engravings to include Oliver Cromwell, The Escape of John Wesley, The Parish Beadle etc |
20 |
30 |
| 443 |
A large print of a Victorian scene of boys fishing, housed in an ornate gilt and ebonised frame |
10 |
20 |
| 444 |
William Neill (20th century, Scottish), a pair of signed limited edition prints of waterfowl entitled ‘Balranald’, numbered 159/200 and ‘Faoileag-an-Sgadain’ numbered 152/200, each framed and glazed and originally retailed by Roger Green Fine Art, High Halden, Ashford, Kent |
15 |
20 |
| 445 |
Man Ying, pen and ink illustration, with Chinese, Mandarin or Cantonese text, framed together with a Chinese pen and ink illustration, landscape, framed, glazed and mounted (2 items) |
20 |
30 |
| 446 |
After John Sell Cotman (1782-1842), ‘Howden Church’, original etching from the Bohn Edition 1838 published Norwich Feb 5, 1811, signed lower left, 39cm x 28.5cm, framed, glazed and mounted |
15 |
20 |
| 447 |
Boats in an estuary Pastel Indistinctly signed lower right 44cm x 62.5cm Framed and glazed |
20 |
30 |
| 451 |
An early 20th century stipple engraving after R Stedant of a young girl leaning against a tree |
10 |
20 |
| 452 |
Barton, huntsmen around a table, oil on canvas, signed lower left, 49.5cm x 60cm, housed in a gilt frame |
20 |
40 |
| 657 |
D Davis (19th century/early 20th century British), five watercolours, ‘Ilfracombe from the Capolian Rock’, 11.25cm x 14.5cm, ‘The Plantation, W. Runton’, 16.5cm x 24.5cm ‘Shanklin, Isle of Wight’, 10.25cm x 17cm, ‘At East Runton’, 14.5cm x 24.5cm, ‘Harlyn Bay, Cornwall’, 10cm x 39cm, four signed, one dated 1898, all framed and glazed, housed in gilt frames |
30 |
50 |