| Lot No |
Description |
Low Est |
High Est |
| 28 |
A portrait miniature of an early 20th century lady, watercolour on card, backed by a photograph of the same sitter, housed in an oval brass frame, 12.5cm high – Part of a single owner collection |
20 |
30 |
| 94 |
Herbert E Butler (1861-1931), Cornish harbour street scene with houses, figures and hens to the fore, watercolour, signed lower left, framed and glazed |
60 |
100 |
| 95 |
Francis B Tigne (c.1885-1926) The Citadel at Rye with horse, cart and figures to foreground, watercolour, signed lower right, framed and glazed |
50 |
70 |
| 96 |
A 19th century over-coloured photograph of John Morgan Williams, born 1777-1866, from Bridgend, housed in a gilt frame |
20 |
30 |
| 97 |
A pair of restaurant-inspired prints by Woodleigh, housed in gilt frames |
30 |
40 |
| 100 |
J.C.Harrison, limited edition print 356/500 of partridges in flight, signed in pencil to lower margin and housed in a mahogany frame |
15 |
20 |
| 101 |
Geoff Nutkins, colour print entitled ‘Salute to the Few, works in the field stops as a 92 squadron Spitfire from Biggin Hill flown by Lieutenant James Paterson roars across the Darent Valley, Shoreham, Kent’ signed to lower margin and housed in a gilt frame |
20 |
30 |
| 102 |
M Oliver Rae,, ‘Exeter College, Oxford’, an etching, signed, 14cm x 18.5cm, framed and glazed |
10 |
15 |
| 103 |
J. Williamson-Bell, ‘Crab’, artist’s proof embossed print, signed to lower margin with gallery label to verso |
20 |
30 |
| 104 |
A 20th century watercolour of the Taj Mahal with figures to the foreground and monogrammed C R to lower right |
20 |
30 |
| 106 |
A pair of 19th century MM Haghe prints entitled ‘The Stepping Stones’ and ‘My Lady’s Garden’ |
15 |
20 |
| 107 |
Marjorie C Bates, four coloured engravings depicting ‘Shakespeare’s Birth Place’, ‘Uncle Tom’s Cabin’, ‘Stanley Place’ and ‘The Old Rectory, Cheese Hill’ housed in simulated rosewood frames |
20 |
30 |
| 110 |
Sheila Vaughan. Acrylic on board. ‘The Chinese Vase’ signed with mono SAM – her nickname. Proved |
30 |
50 |
| 111 |
C Beyer, still life of apples, grapes, pears and plums, oil on board, signed and dated lower right 1908, 21.5cm x 28.5cm, housed in a gilt frame |
15 |
25 |
| 112 |
Oil on paper, decanter, bottle and two wine glasses, signed and dated 10/11/49 |
35 |
45 |
| 115 |
An early 20th century Venetian scene, watercolour, depicting gondola, figures walking and buildings, unsigned and housed in a gilt frame |
20 |
30 |
| 116 |
A mid-20th century Oriental watercolour depicting flowers and bees with character marks and cyphers |
10 |
20 |
| 119 |
20th Century Jordanian, flowers in a bowl, oil on canvas, signed in Arabic to lower right 64cm x 53cm, unframed, Art Gallery label to verso |
20 |
30 |
| 120 |
D Rivers, fly fisherman, oil on canvas, signed lower left, 30cm x 50cm, housed in ornate gilt frame |
30 |
50 |
| 123 |
Early 20th century, figure walking on a pathway with windmill to background, watercolour, unsigned, 22cm x 28cm, housed in a gilt frame |
10 |
20 |
| 124 |
Early 20th century, still life oil of fruit, berries and grapes in and around a silver tazza, oil on canvas, monogrammed D.M.C. and dated 1908 to lower right, 44cm x 29cm, framed |
20 |
40 |
| 129 |
An early 20th century watercolour depicting trees and fields with buildings to background, indistinctly signed to lower right |
20 |
30 |
| 130 |
A late 19th/early 20th century watercolour of a young girl |
70 |
80 |
| 131 |
B. Markland, oil on canvas of a tree-lined avenue with figures and buildings, signed to lower right and housed in a pine frame |
30 |
40 |
| 135 |
N.S. Crichton, pair of watercolours, canal scenes |
150 |
200 |
| 136 |
An early 20th century watercolour, coastal scene with cliffs to background |
30 |
50 |
| 137 |
An early 20th century watercolour of a seated gent |
30 |
40 |
| 140 |
Edward J Cherry, F.R.S.A., four original artist’s proof etchings entitled ‘Peter Pan’, ‘St. Margaret’s’, ‘Embankment’ and ‘Edinburgh Castle’, all with labels to verso and signed to lower margins (1 box) |
40 |
60 |
| 142 |
An early 20th century Continental watercolour depicting a sea wall with figures and mountains to background, unsigned and housed in a gilt frame |
15 |
25 |
| 143 |
Tom Clough, ‘Newlyn’, watercolour |
600 |
800 |
| 148 |
A 19th century Continental hand-coloured map depicting North Africa and the Mediterranean sea housed in a gilt frame |
30 |
40 |
| 149 |
R.H.Lietke, Edwardian watercolour, south view of Winchester Church, signed, framed with gold leaf mount |
50 |
70 |
| 150 |
M. Knox (20th century), an alpine scene, an oil on canvas, signed, 17cm x 24cm, housed in an ornate gilt frame |
20 |
30 |
| 151 |
20th century, school master in full robes with classical building to distance, oil on canvas, unsigned, 90cm x 60cm, housed in a gilt frame |
30 |
50 |
| 153 |
Cecil Scruby, watercolour, pheasant shooting |
60 |
100 |
| 154 |
20th century,18th century military officer in full uniform, oil on canvas, unsigned, 90cm x 59.9cm, housed in an ornate gilt frame |
60 |
80 |
| 155 |
R.H. Lietke, watercolour, Edwardian period, west view of Winchester Church, signed, framed with gold leaf mount |
50 |
70 |
| 156 |
An oil on board, still life of daffodils |
10 |
20 |
| 162 |
Jean Oxley, watercolour of a hillside village, signed to lower right and dated ’91, housed in a wooden frame |
20 |
30 |
| 163 |
Maureen L Coley, ‘Stoney Middleton, Derby’ watercolour, signed and dated 1989 and housed in a gilt frame |
20 |
30 |
| 167 |
Robin Armstrong, limited edition print of a trout taking a fly, numbered 495/500, signed lower left, framed and glazed together with a hand-coloured print entitled ‘Durham Cathedral’, framed and glazed (2 items) |
10 |
20 |
| 169 |
‘Tex’, sketch of a gentleman, ink, pencil and crayon, 28cm x 19cm, signed, framed and glazed |
15 |
25 |
| 170 |
A print of Battle Abbey after J W M Turner, framed and glazed |
20 |
30 |
| 171 |
A 19th century engraving of a blindfolded female,possibly with printed signauture Fredi Holly,& housed in an oak frame. |
15 |
25 |
| 172 |
A 20th century oil on canvas of a Venetian scene depicting a canal with boats and buildings to background, indistinctly signed to lower right and housed in an ornate pine frame |
35 |
50 |
| 173 |
A hand-coloured etching of Canterbury Cathedral, indistinctly signed to lower right |
10 |
20 |
| 175 |
W. H. Cooper (1903), watercolours depicting ‘Tophet Bastion, Great Gabit’ and ‘Scafell Pike from Upper Eskdale’, both signed to lower left with labels to verso |
30 |
40 |
| 178 |
B. Markland, oil on canvas, ‘Brighton Beach’, fishermen with landing jetty, signed to lower right and inscribed to verso |
30 |
40 |
| 179 |
A late 19th century Venetian scene watercolour gouache depicting boats on a canal, indistinctly signed to lower right, dated ’95 and housed in a gilt frame |
20 |
30 |
| 180 |
Three modern carved wooden wall panels |
30 |
50 |
| 181 |
A pair of Oriental prints ‘Winter Landscape’ originally two extracts from a long scroll, painter unknown, one with label to verso |
20 |
30 |
| 182 |
G Ralling (20th century British), ‘Sweetpeas with fruit’, oil on board, unsigned, details to verso, framed |
50 |
70 |
| 187 |
S. Berndt, 20th century watercolour print, still life of flowers, berries and fruit with Harrods picture framing department label to verso and housed in a gilt frame |
15 |
20 |
| 190 |
B. Markland, oil on board, still life of flowers and vase, signed to lower right and housed in a pine frame |
15 |
20 |
| 191 |
Edwin Harris, watercolour, landscape, framed and glazed |
30 |
40 |
| 195 |
Donald Maxwell (1877-1936), ‘Lympne’, a hand-coloured print, signed to lower right, inscription to verso reads: ‘Gift from Ken Bronwin after the death of his mother and the break-up of the family home.’ |
30 |
50 |
| 198 |
A set of three William ‘Bill’ Pappas hand-coloured screen prints depicting scenes from the book ‘The People of Old Jerusalem’ dated 1978/79 entitled Mea Shearim, Beersheba and Jerusalem, all housed in pine frames |
50 |
70 |
| 202 |
Lilian Tyler, still life watercolour of pansies in bowl, signed to lower right and housed in a gilt frame |
20 |
30 |
| 203 |
A late 20th century oil on board of sailing boats at night, signed to lower right Liom and housed in a white painted frame |
20 |
30 |
| 205 |
A pair of 19th century watercolour and feather pictures depicting South American birds, a Zacatero and a Calandrea, unsigned and housed in gilt ebonised frames |
40 |
50 |
| 207 |
A large print after Monet, framed and glazed |
10 |
20 |
| 208 |
J. P. Hammersley, ‘Bridge over Cradley Brook Wood’, Engraving, Limited Edition 1/16, Monogrammed to margin and signed label to verso, Dated 1987-1988 |
20 |
30 |
| 209 |
A mid-20th century pencil and charcoal picture depicting a sparrow hawk and prey, indistinctly signed top lower left and dated 1949 |
50 |
70 |
| 213 |
A Reeves ‘Tree’, pencil drawing, signed to lower right and housed in an aluminium frame |
15 |
20 |
| 214 |
A pair of prints entitled ‘A Courtyard, Dorking’ and ‘ A Corner of Old Dorking’, both signed by the artist George H Downing, framed and glazed |
60 |
100 |
| 242 |
A box of assorted 19th century and later engravings, prints etc to include The Guard’s Memorial 1928, Belgrade Square, St. Mary’s College Library at Winchester plus others |
20 |
30 |
| 243 |
A brass magazine rack and four prints including Van Gogh’s ‘Sunflowers’ |
10 |
15 |
| 245 |
A collection of pictures, prints, engravings to include an oil on board of a cathedral, an etching of Ely Cathedral, several hand-coloured engravings of local and European scenes including Rye, Dover and London (2 boxes) |
30 |
40 |
| 252 |
A pair of early 20th century pencil and pastels depicting stags, framed and glazed |
20 |
30 |
| 253 |
Patricia Walker, ‘Knickerbocker Glory’, mixed media, unsigned with Mercury Gallery label to verso. |
20 |
30 |
| 254 |
A late 19th century engraving, over painted in watercolours, depicting huntsmen stalking a deer at the water’s edge, unsigned and housed in a gilt frame |
20 |
30 |
| 255 |
Vincenzo Volpi limited edition print 16/150 depicting Florence, signed to lower margin and housed in a gilt frame with label to verso |
20 |
30 |
| 256 |
19th century, an estuary scene with fishing boats, figures, horse and cart to shore and buildings to background, oil on panel, unsigned, 21.5cm x 29.5cm, housed in a gilt frame |
20 |
30 |
| 257 |
A Minotto, watercolour of a Venetian scene, gondola on canal between elegant buildings, signed to lower left and housed in a chequer-strung frame |
20 |
40 |
| 259 |
A Constable print ‘Flatford Mill’ housed in an ornate gilt frame |
10 |
20 |
| 260 |
N.G. Wykes, watercolour and gouache, ‘Wild Grasses’, signed and dated 1935 to lower right and housed in an ebonised frame |
30 |
40 |
| 261 |
A 20th century watercolour, seascape, depicting flowers to the fore and rocks to the background, possibly monogrammed J G to lower left and with inscription to verso |
15 |
20 |
| 263 |
A late 20th century sampler ‘The Enigma of Heemus Arician 24th July 1973’ |
15 |
20 |
| 264 |
A late 19th/early 20th century watercolour depicting a three-mast steam ship and fishing boats, indistinctly monogrammed to lower right and housed in a stained oak frame |
30 |
40 |
| 267 |
A 20th century Russell Flint print ‘Jessica and Jemima’ together with a Picasso print of a young girl and a dog (2 items) |
30 |
40 |
| 268 |
20th Century Continental, street scene with figures, oil on canvas, unsigned, 30cm x 41cm, framed |
15 |
25 |
| 269 |
Richard Glazier, ‘The Bridge’, watercolour at Cragg Vale, Blackstones Edge, signed to lower left and dated 1887, with inscription to verso |
40 |
60 |
| 271 |
An early 20th century print ‘His First Christmas’ from the original painting by Arthur J Elsley together with a 19th century engraving entitled ‘Kathleen Mavourneen |
20 |
30 |
| 272 |
An early 20th century Oriental print ‘Beauty’ depicting a female and a monkey flanked by ciphers, originally designed by Harunobo, with label to verso |
30 |
40 |
| 273 |
Sylvia P Gainsford (20th century, British),a pair of illustrations of a rabbit and a mouse, pencil and watercolour, each signed lower left, 19cm x 11cm, framed and glazed. NB: Sylvia Gainsford is a book and greeting’s card illustrator |
20 |
40 |
| 275 |
A 20th century contemporary oil on canvas signed to lower right Luke Bryant, unframed |
10 |
20 |
| 276 |
20th century,galleon on rough seas, oil on canvas, indistinctly signed lower right, 43.5cm x 57cm, housed in a gilt frame |
10 |
20 |
| 277 |
An early 20th century Pears print entitled ‘Little Bobs’ dated 1901 from the original painting by Edgar Bundy |
70 |
100 |
| 278 |
A pair of Oriental watercolours depicting birds alighting a flower and bamboo stems, artist’s signature to lower left, both glazed and housed in gilt frames |
20 |
30 |
| 280 |
A 1978 ‘Sahara’ German film poster, 82cm x 58cm, framed and glazed |
20 |
30 |
| 281 |
Georg Baselitz (German artist), Stadt Museum poster, dated 25 June – 8 August 1976, 82cm x 58cm, framed and glazed |
20 |
30 |
| 282 |
Wolfgang Tumpel (German designer), Kunstgewebe museum poster, dated 22 September 1978-7th January 1979, 82cm x 58cm, framed and glazed |
20 |
30 |
| 289 |
A collection of assorted 19th century and later engravings, prints and photographs to include Spanish Gypsies by Rosa Bonbenz, a Pear’s Print ‘The Old Farm’, shipping and hunting interest etc (1 box) |
20 |
30 |
| 293 |
A collection of 20th century prints to include three Parisian scenes, a Richard Akerman floral print plus four others (1 box) |
15 |
20 |
| 297 |
Assorted pictures and prints to include a watercolour of a river with trees to fore and hills to background signed J. Bywater to lower right, three oils of fruit and flowers in ornate gilt frames plus other pictures |
20 |
30 |
| 298 |
Two Indian beaded and embroidered panels, resin figures and other items (1 box) |
20 |
30 |
| 300 |
A framed and glazed cross-stitch and bead-work rectangular panel depicting the six wives of Henry VIII |
20 |
30 |
| 301 |
Frederick John Widgery (1861-1942), settlement with mountains to background, gouache, indistinctly titled and signed to lower left, framed and glazed |
100 |
150 |
| 302 |
Frederick John Widgery (1861-1942), Coastal scene with flowers, dunes, beach and rocks to foreground, watercolour, signed to lower left, framed and glazed |
100 |
150 |
| 303 |
Frederick John Widgery (1861-1942), Stone crossing point over a moorland stream with mountains in the distance, signed to lower left, framed and glazed |
100 |
150 |
| 304 |
In the manner of George Cattermole (1800-1868), ‘Hay Barge’, watercolour, framed and glased, with information to the verso |
50 |
80 |
| 305 |
A set of four botanical watercolour studies of flowers on hand-made paper, three signed Lorenz Christensen, entitled ‘Alpen Rose’, ‘Schwalbenwurz Enzian’, ‘Alpenaster U. Kohl Roschen’ and ‘Kohlmeise’ |
40 |
50 |
| 309 |
D Davis (19th century/early 20th century British), five watercolours, ‘Ilfracombe from the Capolian Rock’, 11.25cm x 14.5cm, ‘The Plantation, W. Runton’, 16.5cm x 24.5cm ‘Shanklin, Isle of Wight’, 10.25cm x 17cm, ‘At East Runton’, 14.5cm x 24.5cm, ‘Harlyn Bay, Cornwall’, 10cm x 39cm, four signed, one dated 1898, all framed and glazed, housed in gilt frames |
15 |
25 |
| 311 |
A box of assorted 19th century and later oils, engravings and prints on various subjects to include a copy of a menu in hand writing of Charles Dickens |
20 |
30 |
| 312 |
A quantity of 19th century and later engravings and prints to include hunting and coaching scenes etc |
15 |
20 |
| 315 |
Assorted pictures and prints to include an etching of Dulwich College Chapel, signed lower left A J Meyers, an oil on board of flowers, a framed menu from a meeting of The Travellers Club etc (1 box) |
15 |
20 |
| 356 |
J. Manners, watercolour, female with geese |
150 |
170 |
| 357 |
A.W.Weeden, figures harvesting |
100 |
150 |
| 358 |
Graham Clarke, ‘Hopalong’ |
100 |
120 |
| 392 |
A collection of six 19th century and later engravings and prints to include a Canileto colour print of London |
20 |
30 |
| 396 |
A collection of assorted 19th century and later oils, watercolours, prints and engravings of various subjects (1 box) |
20 |
30 |
| 397 |
A 20th century print ‘Le Depart’ depicting huntsmen before the off |
10 |
20 |
| 412 |
A collection of bird prints and others (1 box) |
10 |
20 |
| 423 |
George A Shock (20th century British), ‘Jumping, Morland Cattle Show’, watercolour and pencil sketch, signed and dated July 22/23, together with other pictures (1 box) |
10 |
20 |
| 433 |
After John Sell Cotman (1782-1842), ‘Howden Church’, original etching from the Bohn Edition 1838 published Norwich Feb 5, 1811, signed lower left, 39cm x 28.5cm, framed, glazed and mounted |
15 |
20 |
| 452 |
Jack Spurling (1870-1933), two pairs of prints of ships in full sail, each signed in pencil, framed and glazed |
40 |
60 |
| 456 |
Assorted prints of Canterbury |
10 |
15 |
| 483 |
Four various original pictures including an oil on board of a water buffalo |
15 |
25 |
| 485 |
A 20th century pen and ink drawing of a period family house in Beckley, indistinctly signed to lower right and housed in a mahogany frame |
20 |
30 |
| 489 |
A. E. Fisher watercolours of various subjects together with other watercolours, oils, engravings etc. (1 box) |
15 |
25 |
| 497 |
An early 20th century Margaret Tarrant colour print entitled ‘The Elfin Chorus’ and housed in a mahogany frame |
10 |
20 |
| 511 |
Shaw. ‘Pandora’s Box’, an oil on canvas, signed with inscription to verso and dated 1984-86, 71cm x 71cm, unframed |
30 |
50 |
| 513 |
William Neill (20th century, Scottish), a pair of signed limited edition prints of waterfowl entitled ‘Balranald’, numbered 159/200 and ‘Faoileag-an-Sgadain’ numbered 152/200, each framed and glazed and originally retailed by Roger Green Fine Art, High Halden, Ashford, Kent |
15 |
20 |
| 516 |
Sarah L Goode, ‘Forest Heights’, artist’s proof coloured etching, signed to lower margin, unframed |
10 |
20 |
| 522 |
A 20th century hand-coloured map of Sussex plus three other framed maps |
20 |
30 |
| 523 |
A collection of hand-coloured engravings, oils and maps of various subjects, framed and unframed |
20 |
30 |