| Lot No |
Description |
Low Est |
High Est |
| 77 |
A Mongolian handpainted miniature scene depicting fishermen, framed |
50 |
80 |
| 90 |
A Moorcroft framed wall depicting rams and sheep on a hillside designed by Philip Gibson |
80 |
120 |
| 106 |
A small circular Edwardian watercolour portrait of a lady |
15 |
25 |
| 109 |
A Victorian starfish shaped novelty framed seascape behind convex glass, the frame mounted with assorted shells |
30 |
40 |
| 130 |
An early 20th century colour print depicting a Venetian scene, signed C Kiwihara in pencil to lower margin |
10 |
20 |
| 134 |
W. H. Cooper (1903), prints depicting ‘Tophet Bastion, Great Gabit’ and ‘Scafell Pike from Upper Eskdale’, both signed to lower left with labels to verso |
30 |
40 |
| 135 |
A Middle Eastern abstract oil on canvas, signed to lower left and dated 2004, housed in a gilt wood frame |
25 |
35 |
| 136 |
A modern canvas of ‘James Dean Porsche Spyder, 1955’ |
10 |
20 |
| 137 |
THIS LOT HAS BEEN WITHDRAWN – A Maw, interior of Worcester Cathedral, watercolour, inscription to verso |
30 |
50 |
| 138 |
A Middle Eastern abstract oil on board with scrolling design in relief, signed to lower left, gallery label to verso, housed in a gilt and wood frame |
20 |
30 |
| 145 |
Arthur Maw, after Samuel Prout, Cathedral interior scene, watercolour |
15 |
25 |
| 146 |
Jean Laurent (1816-1886), fishing boat on stormy seas with rowing boat beside and cliffs in the distance, signed ‘Jean Laurent’ lower right, 22.5cm x 28.5cm, framed |
100 |
200 |
| 147 |
A 20th century Japanese arisugawa (deer pattern) Nishiki woven silk panel by the Tatsumura Textile Co Ltd (for further information visit www.tatsumuratextile.trustpass.alibaba.com |
30 |
50 |
| 148 |
Two Chinese paintings on silk, one depicting figures with mythical creatures the other of goldfish and vases |
100 |
150 |
| 155 |
J F Marchland, watercolour, landscape with trees and house |
10 |
20 |
| 156 |
A Graham Clarke print, possibly depicting Hastings, unsigned |
20 |
30 |
| 157 |
A large oil on canvas depicting a Nomadic settlement, signed to lower right, possibly Jabbar Salman |
40 |
60 |
| 158 |
Edwina Leapman, still life oil on board depicting a plated fish, cooking pot and vegetables |
150 |
200 |
| 164 |
An early 20th century four aperture miniature picture frame |
10 |
20 |
| 167 |
Five pictures painted on glass, possibly Tibetan |
30 |
50 |
| 170 |
John Coulson, two watercolours depicting a beach and a house nestling within hills |
10 |
20 |
| 182 |
THIS LOT HAS BEEN WITHDRAWN – Cecilia Maw, a pair of watercolour portraits of young girls entitled ‘Anne Dorothea Maw’ and ‘Constance Hannah Maw’ |
30 |
50 |
| 183 |
Barbie Soan, ‘Bewl Water’, watercolour depicting boats with trees and hills to background |
20 |
30 |
| 190 |
A watercolour of a farmhouse by F.A.Towers, signed and dated ’65 |
10 |
15 |
| 191 |
THIS LOT HAS BEEN WITHDRAWN – An over-painted print of a portrait of an 18th century gentleman housed in gilt frame |
25 |
35 |
| 192 |
Murielle Bird, oval portrait of Mary Howitt, watercolour, label to verso with inscription and dated 1874 |
50 |
70 |
| 193 |
A large Iranian abstract oil on canvas, signed to lower left, framed, bearing gallery label to verso |
20 |
30 |
| 194 |
Archie Nixon, ‘Pathway in Miltenberg’ watercolour, signed to lower left |
20 |
30 |
| 195 |
A hand-coloured engraving of a cathedral with figures to the fore, indistinctly signed to lower right and housed in an ebonised frame |
10 |
20 |
| 198 |
An oil on board, still life of daffodils |
10 |
20 |
| 199 |
A late 19th century engraving, over painted in watercolours, depicting huntsmen stalking a deer at the water’s edge, unsigned and housed in a gilt frame |
10 |
20 |
| 203 |
20th century, oil on board, portrait of a man reading a paper |
10 |
15 |
| 204 |
J.C.Harrison, limited edition print 356/500 of partridges in flight, signed in pencil to lower margin and housed in a mahogany frame |
10 |
20 |
| 205 |
A 19th century mezzotint depicting figures outside a tavern, heightened in white, framed and glazed |
30 |
40 |
| 206 |
Archie Niven ‘Zug Mit Dem Rigi’, Continental watercolour depicting a lakeside village, signed to lower left |
15 |
20 |
| 209 |
Edwina Leapman, still life oil on board depicting a wine bottle, stone jar, lemon and cup, unsigned |
100 |
150 |
| 210 |
20th century abstract oil depicting an entwined couple with figure watching, with signature and label to verso |
20 |
30 |
| 211 |
Priscilla A Ryan, after A Nonetti, watercolour of fishermen |
30 |
50 |
| 212 |
F de Villeneve, print of a house of cards |
10 |
20 |
| 213 |
Frances Geake (1903-1955), three watercolours depicting a lake, a fell-side stream and a rural landscape, all signed |
60 |
90 |
| 218 |
Patricia Garner, watercolour of a spaniel, signed and dated ’91 |
15 |
20 |
| 219 |
David De Costa, limited edition print 84/120, depicting Peruvian musicians |
20 |
30 |
| 220 |
A Middle Eastern abstract oil on board decorated with relief moulding |
20 |
30 |
| 222 |
A 19th century watercolour of an estuary with moored yachts to fore, monogrammed ‘W’ to lower left and housed in an ornate gilt wood frame |
10 |
20 |
| 226 |
A modern oil on canvas depicting a nude male seated figure with lyre and cats and trees to background, signed R.Andraide and dated 06 |
20 |
40 |
| 227 |
Oil on canvas, cottage with castle to background |
15 |
25 |
| 230 |
An oil on board of Tenterden, signed and dated 1966 |
40 |
60 |
| 231 |
An early 20th century Continental watercolour depicting a sea wall with figures and mountains to background, unsigned and housed in a gilt frame |
10 |
20 |
| 232 |
Oil on canvas, lake scene in gilt frame, signed Trott and dated 1983 |
15 |
20 |
| 233 |
Two Middle Eastern oil on board abstract paintings, both signed to lower left and dated 1992, housed in ebonised frames |
20 |
30 |
| 236 |
One box of assorted Victorian and later oils, watercolours, etchings, limited edition prints, etc |
15 |
20 |
| 247 |
Assorted Victorian watercolours, etchings and advertising prints plus a 19th century leather bound musical photograph album (1 box) |
30 |
50 |
| 251 |
A pair of early 20th century oval frames, a watercolour of a river scene and other pictures |
20 |
40 |
| 255 |
Three Spy prints depicting J H Taylor, Mr H Mallaby-Deeley and Mr Horace H Hilton plus other prints |
10 |
20 |
| 260 |
Assorted pictures to include a watercolour entitled ‘Pennance Point, Swanpool, Falmouth’ signed Tony Warren to lower right and dated 1984, bird studies, prints, oils etc |
10 |
20 |
| 262 |
A 19th century pastel on paper, coastal scene depicting a boy and a girl carrying a young girl in fishing nets with fishing boat and sea to background, indistinctly signed to lower left and housed in an ebonised frame |
20 |
30 |
| 263 |
A late 19th/early 20th century watercolour depicting a three-mast steam ship and fishing boats, indistinctly monogrammed to lower right and housed in a stained oak frame |
10 |
20 |
| 264 |
S. Tosuke, watercolour depicting figures walking on a tree lined lakeside path with building to background, signed to lower left |
10 |
20 |
| 265 |
A pair of Terry Harrison limited edition golfing prints 20/250 and 19/250 of the short 17th known as Alamein and Government House on the 4th green, both framed and signed to lower margin |
40 |
50 |
| 266 |
A Mongolian painting on silk of huntsmen |
80 |
120 |
| 267 |
Chris Rooke, Winchelsea, watercolour, signed and dated ’91 |
25 |
35 |
| 268 |
A pair of Joan de Bethel watercolour and pencil of costume designs, framed and glazed |
60 |
80 |
| 270 |
A 19th century hand-coloured map of the United Kingdom, possibly Norwegian, dated 1844 |
15 |
20 |
| 271 |
A 19th century oil on canvas of a girl and a dove, signed J. Collins |
50 |
100 |
| 272 |
Susan Maxwell Scott, canal scene, oil on board |
30 |
50 |
| 273 |
20th century watercolour depicting seated African female, indistinctly signed to lower right and housed in a white painted frame |
20 |
30 |
| 275 |
A collection of Victorian and later prints, a woolwork picture, a mirror, photographs etc |
10 |
20 |
| 276 |
M. Fahey, ‘Crysanths on the brick’, pastel, signed to lower right and dated ’87, inscribed to verso |
20 |
30 |
| 277 |
In the manner of George Cattermole (1800-1868), ‘Hay Barge’, watercolour, framed and glazed, with information to verso |
15 |
20 |
| 278 |
‘The Finding of the Sayer in the Temple’, print |
15 |
25 |
| 279 |
Sydney E Wilson, colour print entitled ‘The Truants’, gallery label to verso |
15 |
25 |
| 280 |
THIS LOT HAS BEEN WITHDRAWN – Cecilia Maw, Primroses, oil on board, circa 1900 |
40 |
60 |
| 281 |
Ann Sadler ‘Ealise St Jacques, Tignes’ watercolour depicting a snow covered mountain village, signed to lower right and dated ’95 |
15 |
20 |
| 284 |
Wallace Wood, ‘Dallington, Sussex’, watercolour depicting fields and windmill and hills to the background, signed to lower right |
40 |
60 |
| 285 |
June Martin, ‘Garden Court Hall’, watercolour, initialled ‘JPM’ |
10 |
20 |
| 286 |
Two Mongolian paintings on silk, one depicting huntsmen the other a dignitary and followers |
150 |
200 |
| 289 |
An unsigned oil on canvas of a rural landscape, an oil on board by Stewart Reid and a watercolour by M.F. Prout |
30 |
50 |
| 292 |
THIS LOT HAS BEEN WITHDRAWN – Cecilia Maw, child on a swing, oil on canvas, signed and dated ’05 |
40 |
60 |
| 293 |
An abstract oil on canvas of panels, possibly depicting lacework, unsigned and unframed |
20 |
30 |
| 294 |
A framed watercolour of lilies and an architectural print |
10 |
20 |
| 295 |
I. Kirkpatrick, watercolour depicting desolate houses, signed to lower right |
60 |
100 |
| 296 |
Archie Niven, ‘A Woodland Walk’, watercolour, signed to lower right |
20 |
30 |
| 299 |
M. Fahey, ‘In Front of the Low Piggery’, pastel depicting summer flowers against brick buildings, inscribed to verso, a pastel depicting a forest pond with figure to background, signed to lower right and dated ’98, ‘Chrysanthemums in pewter ewer with quince’, still life, watercolour, inscribed to verso and dated ’91 and a pair of 19th century colour engravings entitled ‘Guinea Pigs’ and ‘Dancing Dogs’, originally painted by G. Morland, housed in gilt frames |
10 |
20 |
| 307 |
A collection of watercolours, etchings, photographs and prints to include framed photographs of Sir John Shaw K.C.M.C Governor of Trinidad and Tobago 1947/48 and his wife on the steps leading from the Hall of Government House |
20 |
40 |
| 310 |
A collection of pictures, prints and photographs of the Old Town, Hastings, a 20th century oil on board by George R Deakins and assorted prints and an oval chequer strung wall mirror (1 box) |
20 |
40 |
| 356 |
A pair of Illustrated London News colour prints entitled ‘Cause’ and ‘Effect’ depicting terriers playing with a mineral bottle |
15 |
20 |
| 357 |
G. Quinton, oil on canvas, still life of summer flowers in glass vase, signed to lower right |
10 |
20 |
| 358 |
A 19th century mezzotint of a young girl housed in an ornate oval gilt frame, signed J. Herbert Wilson |
30 |
50 |
| 360 |
A 20th century print after Alfred De Breanski of a Scottish mountain lake with stag and Highland cattle, J. Williamson-Bell, ‘Crab’, artist’s proof embossed print, signed to lower margin with gallery label to verso together with A. Reeves ‘Tree’, pencil drawing, signed to lower right and housed in an aluminium frame |
10 |
20 |
| 361 |
Three 20th century oil on canvases depicting figures on a path, farmland landscape and a still life with shells, each initialled ‘SMS’ together with a 20th century, unsigned, still life of fruit (4 items) |
40 |
50 |
| 364 |
Jean Oxley, watercolour of a hillside village, signed to lower right and dated ’91, housed in a wooden frame |
10 |
20 |
| 365 |
A 20th century watercolour, seascape, depicting flowers to the fore and rocks to the background, possibly monogrammed J G to lower left and with inscription to verso |
10 |
20 |
| 369 |
An oil on board, landscape with buildings to background and boats to fore, signed and dated to lower right Abo Karimo Mairy and signature to reverse |
10 |
20 |
| 372 |
A 19th century giltwood gesso oval picture frame with ribbon bow and floral decoration |
15 |
20 |
| 373 |
A pair of gilt floral decorated oval picture frames together with a circular polished aluminium mirror frame |
15 |
20 |
| 429 |
A pair of 20th century prints depicting birds among roses and leaves |
10 |
20 |
| 435 |
A Victorian colour print after Fannie Moody ‘Sporting Prospect’, depicting terriers |
10 |
20 |
| 436 |
An early 20th century print of 17th/18th century seated gentlemen |
10 |
20 |
| 442 |
An early 20th century etching ‘The Right Way’ etched by James Dobie and originally painted by W. Dendy Sadler |
15 |
20 |
| 443 |
An abstract oil on canvas depicting symbols and a central figurative scene, signed |
20 |
30 |
| 445 |
A 20th century diorama of the ‘Lady Daphine’ a Spritsail Thames barge, signed to lower right B. Martin and dated 1997, housed in a wooden box frame |
10 |
20 |
| 447 |
A late 19th/early 20th century oil on board of a white standing terrier with brass and leather collar, unsigned |
30 |
50 |
| 556 |
Ann le Bas, Royal Academy line engraving ‘Walberswick Ferry’ 23/200, signed, framed, R.A. certificate to verso |
75 |
95 |