Lot No |
Description |
Low Est |
High Est |
140 |
A 19th century oil on canvas of a seated lady, unsigned, with inscription to verso ‘Matilda Lucas married to James H Euthoren, to go to Sir Arthur Lucas or his son Claude’, housed in an ornate gilt frame, 34cm x 29cm |
200 |
300 |
141 |
Sir William Russell Flint ‘White Interior’ polychrome print, signed in pencil to lower margin, 49cm x 66.5cm |
100 |
120 |
142 |
Sir William Russell Flint ‘Conversation, St. Martin D’Ardeche’, polychrome print, signed in pencil to lower margin, 53cm x 68cm |
100 |
120 |
143 |
Circle of John Brett (1831 – 1902), coastal scene, oil on canvas, signed lower right and dated 1879, housed in gilt frame with gesso detail, 29cm x 49cm |
100 |
150 |
144 |
20th Century British, cottages by lake, oil on board, unsigned, with another painting en verso of figures in a street, also unsigned, housed in gilt gesso frames, 19cm x 29cm |
20 |
30 |
145 |
Elsie Hall. still life of fruit, oil on canvas, signed lower left and dated 1905, housed in gilt frame with gesso detail, 33cm x 51 cm |
40 |
60 |
146 |
A 20th century abstract oil on board, monogrammed to lower left ‘DGJ’, housed in a pine frame, 46cm x 67cm |
15 |
25 |
148 |
Legh Mulhall Kilpin 1853-1919, ‘Sorrell’, unsigned, framed, 37cm x 54cm |
60 |
100 |
149 |
W H Barrow, huntsman and hounds at Battle Abbey, watercolour, signed to lower right, housed in gilt frame, 18.5cm x 30cm |
150 |
200 |
150 |
Patrick Hughes, ‘Made in Sky’, screenprint, limited edition 3/150, signed in pencil to lower margin and dated ’79, 54cm x 54cm |
100 |
150 |
151 |
Patrick Hughes, ‘Registered Rainbows’, artist’s proof VI/XV, signed in pencil to lower margin and dated ’80, 66cm x 56cm |
100 |
150 |
152 |
19th century British, Victorian lady in mourning dress with lace bonnet holding a book, oil on canvas, unsigned, housed in gilt frame, 65cm x 51cm |
50 |
70 |
153 |
A George I small hand-coloured map of Cornwall, ‘The Road from Exeter to Truro in Cornwall’, 18.5cm x 12cm, framed and glazed |
25 |
35 |
154 |
After Cecil Aldin, colour print depicting a female figure and dog carrying a sack of grain to a moonlit windmill, signed in pencil with sketch of a dog to lower margin and housed in a glazed mahogany frame, 24.5cm x 24.5cm. |
30 |
40 |
155 |
Dion Pears, ‘The Niagara coming through the British line’, oil on canvas, signed lower left, 76cm x 92cm |
100 |
120 |
156 |
M.J.Randall, coastal and beach scenes, pair of oil on board, both signed, 19.5cm x 24.5cm |
100 |
150 |
157 |
Sergie Arragones, three cartoons depicting Lindblad South Atlantic Expedition 1970, pen and watercolour, each 21cm x 29.5cm |
250 |
350 |
158 |
F.W.Sturge 20th century, waves crashing against cliffs, signed lower right, housed in a gilt frame, 26cm x 36cm |
60 |
100 |
159 |
Michael Valestin (b.1962, Haitian), a study of a hen, acrylic on canvas, signed, framed, 39.5cm x 49.5cm |
150 |
200 |
160 |
Jacques Valmidor (b1955, Haitian), figures, animals and mythical creatures in a lush landscape, acrylic on canvas, signed, unframed, 61cm x 51cm |
100 |
150 |
161 |
Jacques Valmidor (b1955, Haitian), townsfolk with houses and river in distance, acrylic on canvas, unframed, 51cm x 61cm |
100 |
150 |
162 |
John Ryan (Scottish 1921-2009), reply letter on headed paper discussing a proposed character, Colonel Rottweiller with illustrations, signed and dated 26th Nov, 1989, framed and glazed, 29.5cm x 20.5cm NB: John Ryan was the illustrator of Captain Pugwash whilst living in Rye |
70 |
100 |
163 |
Lennard Lewis (1826-1913), Continental harbour scene, watercolour, signed lower left and dated ’98, framed and glazed, 24cm x 53cm |
60 |
100 |
164 |
J. Manners, watercolour, female with geese, signed to lower right, 20cm x 30 cm |
150 |
170 |
165 |
A.W.Weeden, figures harvesting, watercolour, signed lower left, 20.5cm x 35cm |
100 |
150 |
166 |
An early 20th century watercolour, coastal scene with cliffs to background, indistinctly signed to lower right, 12cm x 18.5cm |
30 |
50 |
167 |
A late 19th/early 20th century watercolour of a young girl, monogrammed ‘SS’, 34cm x 29cm |
70 |
80 |
168 |
N.S. Crichton, pair of watercolours, canal scenes, both signed to lower right, 38cm x 17cm |
150 |
200 |
169 |
Tom Clough, ‘Newlyn’, watercolour depicting a harbour scene, signed to lower left, 24cm x 48.5cm |
600 |
800 |
170 |
John Mitchell Cantle (1849-1919) Australian, pair of watercolours, magpies with insect on branch and a Kookaburra on branch, both signed J.M.Cantle, both 33cm x 20 cm |
100 |
150 |
171 |
Dr Thomas Boswell Watson (1815-1860) ‘A Small Sailing Craft’, pen and ink, with exhibition label to verso for ‘Artists of the China Coast 1994’, 9cm x 9cm |
150 |
200 |
172 |
Dr Thomas Boswell Watson (1815-1860), Chinese junk, pen and ink, 9cm x 9cm |
150 |
200 |
173 |
Ray Highams ‘Geishas’, 20th century watercolour, signed to lower right, 29cm x 19cm |
50 |
70 |
174 |
Rowan Crew RBA, b. 1952, oil on board, landscape depicting fields with windmill and buildings to background, signed to lower right, 15.5cm x 31cm |
100 |
150 |
175 |
Rowan Crew RBA, b. 1952, ‘Old Romney Across the Marsh’, acrylic, signed to lower right with label to verso, 15cm x 33cm |
100 |
150 |
176 |
J.H.Powell, watercolour, estuary scene with bridge, boats and village to background, signed to lower right, approximately 26.5cm x 36.5cm |
60 |
100 |
177 |
R. Herdman-Smith F.R.S.A., A.R.W.A., ‘Loch Lomond’, original aquatint engraving, edition limited to 150 signed artist’s proofs, signed and titled in pencil to lower margin with label to verso, 23cm x 29cm |
50 |
70 |
178 |
Boris O’Klein, ‘Servate Bar’, coloured etching depicting dogs drinking at bar, signed to lower right, titled in pencil to lower left margin and dated 1938, 17.5cm x 35cm |
60 |
100 |
179 |
W R Howard, 1900-1978, watercolour, river scene with village and church to background, signed to lower left and dated 1977, 17cm x 26cm |
40 |
60 |
180 |
Beryl Cook, colour print, ‘Ladies playing Pool’, signed to lower right in pen, 24.5cm x 29.5cm |
100 |
150 |
181 |
Graham Everden, b.1947, ‘Grasses and Poppies’, limited edition etching 287/350, signed in pencil to lower margin with labels to verso, 20cm x 13cm |
80 |
120 |
182 |
A 19th century possible Dutch school oil on veneer depicting a river scene with windmill, boats and buildings to background with inscription to verso, housed in an ornate gilt frame, 29cm x 34cm |
150 |
200 |
183 |
Jan Pienkowski British/Polish b.1936, seven ‘Gallery Five’ coloured screen prints, two nasturtiums, two anemone, one pansy, one poppy, one sunflower, all 90cm x 90cm |
100 |
150 |
184 |
Leslie Woolaston, ‘Chalk Hill’, oil on canvas depicting a harbour scene, signed to lower left and dated ’66 with labels to verso 49cm x 59.5cm |
250 |
350 |
185 |
Fred Lister ‘The Blockdale Runner’ watercolour depicting WWI gun ships, signed to lower left and dated 1916, 24.5cm x 35cm |
30 |
50 |
186 |
Fred Lister, watercolour depicting the steamer ‘Memphan’, signed to lower left and dated 1915, 24.5cm x 35cm |
30 |
50 |
187 |
Teng Chuah Thean (1912-2008) Batik printing moonlight seascape with female on jetty and male in boat with mountains to background, signed, 65cm x 89cm |
2000 |
3000 |
188 |
Khalil Ibrahim (1934) Batik printing religious scene depicting a deity on horseback with disciples and waving figures, signed and dated ’67, 61cm x 84cm |
1000 |
2000 |
189 |
Bodge ‘Garden Love’, acrylic on board. Borth artist inspired by local land and seascapes, has exhibited in Wales and England and has done many community murals 100cm x 40cm |
100 |
150 |
190 |
Giovanni Maria Mossa, lady in a hat, oil on canvas, signed lower left, with inscription to verso, 27cm x 20.5cm |
250 |
350 |
191 |
Vilmo Gibello (b. 1916) 20th century abstract continental street scene with figures, oil on canvas signed to lower right with inscription to verso (please see artist’s website) 75cm x 49.5cm |
350 |
450 |
192 |
Amsterdam scene, Joseph Albert Terry, oil on board, housed in an ornate gilt brass frame, 29cm x 24.5cm |
300 |
500 |
193 |
Two Mongolian paintings on silk, one depicting huntsmen the other a dignitary and followers, 41cm x 27.5cm and 47cm x 34cm |
80 |
120 |
194 |
A Mongolian hand-painted miniature scene depicting fishermen, framed, 7cm dia |
30 |
50 |
195 |
An 18th century oval portrait miniature on ivory of a young woman, housed in an ornate oval gilt frame, 6cm x 4.75cm |
150 |
200 |
196 |
A 19th century portrait miniature on ivory of a gentleman, housed in a 5.25cm x 4.25cm rectangular ebonized frame with gilt metal mounts |
80 |
120 |
197 |
A 19th century oval portrait miniature on ivory of a Russian Orthodox priest with a feather quill in his hand, 7.75cm x 6.5cm, housed in a rectangular rosewood frame with gilt metal mounts |
150 |
200 |
198 |
A Georgian oval portrait miniature on ivory of a boy, housed in a rectangular ebonized frame with gilt metal mounts, 7.25cm x 5.75cm |
100 |
150 |
199 |
An 18th century rectangular portrait miniature on ivory of Prince Josef Antoni Poniatonski (1763-1813), housed in a rectangular ebonized frame with gilt metal mounts, 9.75cm x 7.25cm |
150 |
250 |
200 |
A 19th century oval portrait miniature on ivory of a gentleman, signed F.Luff, 5.5cm x 4.5cm housed in a pinchbeck brooch with keepsake panel to the verso housing locks of hair and half pearls, the brooch housed in a rectangular ebonized frame with gilt metal mount |
100 |
150 |
201 |
An oval portrait miniature on ivory of a Georgian lady, housed in a gilt metal frame, 7cm x 5.5cm |
80 |
120 |
202 |
An oval portrait miniature on ivory of a gentleman, housed in an ebonized frame with gilt metal mount, 6.5cm x 5cm |
100 |
150 |
203 |
A 19th century portrait miniature of a gentleman on ivory, signed S. Drach and dated 1884, housed in an ebonized frame, 7.5cm x 6cm |
100 |
200 |
204 |
Three 19th century miniature studies on ivory depicting important Indian buildings including the Taj Mahal, all housed in oval ebonized frames, each approximately 3.5cm x 4.5cm |
80 |
120 |
205 |
An oval portrait miniature on ivory of an 18th century lady housed in a 19th century ornate gilt metal frame with label to verso inscribed Marie Antoinette, 6.5cm x 5cm |
100 |
120 |
206 |
A late 18th century portrait miniature on ivory of Lady Elizabeth Foster (1759-1824) who was a novelist and later became the Duchess of Devonshire. Her colourful life was depicted in the 2008 film ‘The Duchess’. Housed in a gilt brass mount and ebonized frame, 9.25cm x 7.25cm |
120 |
180 |
207 |
A Georgian circular portrait miniature on ivory of a lady wearing pearls, unsigned, housed in an oval gilt frame, indistinct inscription in biro to the verso, possibly ‘Fox, Duchess of…’ 6.5cm dia |
100 |
200 |
208 |
An oval portrait miniature on ivory of a gentleman, housed in an ornate gilt metal frame, 5.75cm x 4.25cm |
100 |
150 |
209 |
An Edwardian oval miniature pencil sketch of a lady, housed in a silver gilt frame, London 1906, 7.5cm x 6cm |
50 |
80 |
210 |
A Georgian oval portrait miniature on ivory of a young girl, housed in an ebonized frame, 6cm x 4.75cm |
100 |
150 |
211 |
A 19th century oval portrait miniature on ivory of a gentleman, housed in an oval gilt frame, 6.75cm x 5.5cm |
80 |
120 |
212 |
An 18th century oval portrait miniature of Princess Sophia of Gloucester (1773-1884) housed behind domed glass with gilt surround, housed in an ebonized frame, 8cm x 6.5cm |
150 |
200 |
213 |
A small oval miniature portrait on ivory of a woman, housed in an ebonized oval frame, 4.5cm x 3.5cm |
100 |
150 |
214 |
Murielle Bird, oval portrait of Mary Howitt, watercolour, label to verso with inscription and dated 1874, 20cm x 15.5cm |
30 |
50 |
215 |
A collection of ten 18th and 19th century silhouettes, housed in papier maché frames |
300 |
500 |
216 |
A small circular Edwardian watercolour portrait of a lady, 9.5cm dia |
10 |
20 |
217 |
William Trost Richards (American 1833-1905), waves crashing on rocks, watercolour, signed and dated 1876, inscribed ‘Phill’, 22.5cm x 35cm |
1000 |
1500 |
218 |
20th Century, track within trees, oil on canvas, unsigned, housed in a 19th century ornately carved gilt frame, 46cm x 38cm |
200 |
300 |
219 |
H.W. Hicks, pair of watercolours, both depicting moorland scenes with heathers, hills and sheep, both signed to lower right and housed in gilt frames, 13cm x 37cm |
30 |
50 |
220 |
I. Kirkpatrick, watercolour depicting desolate houses, signed to lower right, 17cm x 51cm |
40 |
60 |
221 |
A 19th century oil on board depicting dogs, unsigned and housed in a maple frame, 14cm x 19cm |
100 |
120 |
222 |
A 19th century Indian painting on silk of an elephant, 90cm x 102cm |
250 |
300 |
223 |
Richard D Winter, pair of engravings of canal scenes, signed, framed, 27cm x 68.5cm |
60 |
100 |
224 |
A watercolour of the main deck of a tall ship, indistinctly signed to lower left, 24cm x 32cm |
60 |
80 |
225 |
An early 20th century oil on canvas of a Dutch canal and street scene, possibly signed J.Thulger. 40cm x 60cm |
50 |
70 |
226 |
A 19th century oval portrait miniature of a gentleman, the reverse housing a glazed keepsake panel 7cm x 5.5cm |
100 |
150 |
228 |
Frank Stratford, otter with its catch, oil on canvas, signed lower left 24.5cm x 35cm |
1000 |
1200 |
229 |
John Brunsdon (1933) etching ‘Moonshine’ with aquatint. Limited edition 57/100 signed in pencil to lower margin. 30cm x 22cm |
60 |
80 |
230 |
John Brunsdon (1933) ‘Little Fry Up’ etching with aquatint, artist proof 5/15 signed in pencil to lower margin. 29.5cm x 44cm |
120 |
150 |
231 |
John Brunsdon (1933) ‘Gower’ etching with aquatint, limited edition 53/125 signed in pencil to lower margin. 44.5cm x 59.5cm |
120 |
150 |
232 |
John Brunsdon (1933) ‘Worms Head’ etching with aquatint, limited edition 27/150 signed in pencil to lower margin. 60.5cm – 45cm |
120 |
150 |
233 |
Jennie Tomsley ‘Window on a Wood’ Dunwich limited edition 34/34, signed in pencil to lower margin. 29cm x 43cm |
50 |
70 |
234 |
Vilmo Gibello (b.1916) ‘The Pyramid’ abstract oil on canvas, signed to upper right with inscription to verso, unframed (please see artist’s website) 38cm x 46cm |
350 |
450 |