Lot No |
Description |
Low Est |
High Est |
3 |
Two hand-coloured prints of Windsor Castle engraved by John Boydell |
10 |
20 |
4 |
An oil on canvas depicting an African figure on a forest path, signed Michel to lower right, together with another of an African female digging crops |
10 |
20 |
8 |
Carolyn Denison Poland, watercolour and gouache depicting a Springer spaniel, signed to lower right, framed and glazed |
20 |
30 |
9 |
20th Century Russian, oil on canvas, view of a citadel, possibly Red Square, signed |
30 |
50 |
13 |
A S M Leese ‘Bodiam in Winter’, watercolour, signed to lower left and dated 1988 |
10 |
20 |
14 |
A limited edition oil on glass ‘Feast icon of Jesus Christ’ by Father Timotei Tohaneanu no. 10 dated 12th May 1984 complete with signed certificate of origin |
50 |
100 |
18 |
Featherstone Robson ‘Durham Castle’ early 20th century engraving, together with another of ‘The Fish Market, Salisbury’ |
10 |
20 |
19 |
An early 20th century Continental watercolour depicting a sea wall with figures and mountains to background, unsigned and housed in a gilt frame |
10 |
20 |
20 |
R. Herdman-Smith F.R.S.A., A.R.W.A., ‘Loch Lomond’, original aquatint engraving, edition limited to 150 signed artist’s proofs, signed and titled in pencil to lower margin with label to verso, 23cm x 29cm |
10 |
20 |
24 |
A 20th Century colour print of London, viewed from Greenwich Park from the original by William Daniel |
10 |
15 |
25 |
Ella Clarke, four limited edition prints of owls, each signed and with certificate of authenticity to verso |
20 |
30 |
26 |
Peter Daykin ‘The Libyan Coast’ watercolour signed to lower left with inscription to verso |
10 |
20 |
29 |
A framed and glazed print ‘View of Delft’ after Jan Vermeer, 1929 The Medici Society, label to verso |
15 |
20 |
30 |
Jan Fairbanks, ‘A Quiet Wood’ oil on canvas, signed to lower right and inscribed to verso |
50 |
100 |
33 |
An early 20th century handcoloured print of Nuneham Courtenay, Oxfordshire, housed in a gilt frame |
10 |
20 |
34 |
Sarah Oliver, watercolour, still life of pansies, signed and dated 1976 |
10 |
20 |
38 |
Vilmo Gibello (b.1916) ‘The Pyramid’ abstract oil on canvas, signed to upper right with inscription to verso, unframed, please see www.vilmogibello.com, 38cm x 46cm |
50 |
70 |
39 |
A framed and glazed photographic print of Field Marshal Earl Kitchener of Khartoum and of Broome, born 1850, died 1916 |
10 |
20 |
42 |
A pair of 19th century hand coloured engravings depicting hunting scenes entitled ‘Going Down in Difficulty’ and ‘Flying a Difficulty’ |
10 |
20 |
46 |
D J Isaac, watercolour depicting a forest lake scene, signed to lower right, framed and glazed |
10 |
20 |
47 |
A 20th century oil on board depicting a nomadic tribe and huts with mountains to background, signed ‘Dolo’ to lower right |
15 |
20 |
50 |
Gerald Norden, ‘Kentish Heath in March’, oil on board depicting a winter scene, signed to lower right |
20 |
40 |
51 |
An early 20th century watercolour depicting a shepherd and sheep with mountains to background, indistinctly signed to lower right |
10 |
20 |
53 |
A 19th century hand coloured engraving depicting Queen Victoria from the original by R J Lane ARA, together with a colour print depicting Victoria and Albert and their family |
20 |
30 |
57 |
A watercolour and gouache of a seated Victorian lady, unsigned and housed in a gilt frame |
10 |
20 |
58 |
J Graham, ‘Foxglove’, watercolour study, signed to lower right and dated ’83 |
10 |
20 |
60 |
An early 20th century watercolour depicting the bi-plane ‘Bombay’ flying above a river and fields |
20 |
30 |
64 |
Arthur H Sendell, a pair of French 19th Century watercolours both depicting farm scenes and dated 1895 |
30 |
40 |
67 |
A 20th century watercolour depicting a beach scene with boats and hills to background, monogrammed RGH to lower right, unframed |
10 |
20 |
70 |
‘Morning Stretch’ limited edition print of ducks, 23/30 indistinctly signed to lower right and dated to verso 27/5/1989 |
10 |
20 |
71 |
A 20th century oil on board depicting nomadic tribesmen and women amongst palms, signed Dolo to lower right |
15 |
20 |
74 |
A 20th century watercolour depicting a Scottish mountain scene with river and trees |
10 |
20 |
75 |
I M P Williams, watercolour depicting a lake scene with figures, lilies and village to background |
10 |
20 |
79 |
A late 19th/early 20th century oil on canvas depicting a female portrait by a balcony, indistinctly signed to lower right and housed in a gilt frame |
20 |
30 |
82 |
David Harbour, ‘Mosquito Escort’, watercolour, signed to lower right with inscription to verso |
20 |
40 |
83 |
Alan Langton ‘Outward Bound’ watercolour, depicting a sailing ship at full mast with inscription to verso |
20 |
30 |
86 |
A David Shepherd signed print of an elephant in Africa and additionally signed in felt tip pen on the back ‘Best wishes David Shepherd’ |
40 |
60 |
87 |
Joseph Albert Terry, Amsterdam scene, oil on board, housed in an ornate gilt brass frame 29cm x 24.5cm |
30 |
50 |
89 |
A late 19th century engraving ‘The Tower of London’ indistinctly signed to lower right, framed and glazed |
10 |
20 |
90 |
Joyce Heasman ‘Flowers from my Garden’ artist’s proof print, signed to lower right |
15 |
20 |
93 |
After Sir Russell Flint, two colour prints ‘The Onlookers’ and ‘A Scrap of Newspaper’ both with labels to verso |
20 |
30 |
94 |
Boris O’Klein, a pair of French novelty hand coloured prints depicting dogs, signed |
60 |
100 |
97 |
Three Louis Wain prints, one entitled ‘Playing Cats Cradle with her Wealthy Aunt’. Possibly book plates |
10 |
20 |
99 |
Two late 19th, early 20th century oils on board both depicting mountain lake scenes, one with highland cattle, the other with birds |
20 |
40 |
100 |
B Thompson, three small oils on board depicting a Little Owl, a White Throat and a Tree Creeper |
15 |
20 |
103 |
A 20th century watercolour of an estuary scene with boats and castle to background, indistinctly signed to lower right |
10 |
20 |
104 |
W E Mayes early 20th century watercolour depicting three sailing boats on a river bend with reeds and trees to background, signed to lower left |
15 |
20 |
107 |
A late 19th century print ‘Market Morning’ depicting ladies talking over a garden gate, from the original painting by Yeend King |
10 |
20 |
108 |
An early 20th century watercolour and gouache depicting ‘The Corner Cafe Cranbrook’ unsigned and housed in a gilt frame |
10 |
20 |
109 |
Harris, 20th century oil on canvas of a forest tree lined stream, signed to lower right and housed in a gilt frame |
10 |
20 |
112 |
A Victorian coloured engraving ‘Juvenile Navigators’ depicting child play with boats on a pond originally painted by G Horland |
10 |
20 |
113 |
A Continental lake scene with sailing boats and mountains and village to background, monogrammed E J W and dated ’68 |
20 |
30 |
114 |
W E Mayes, early 20th century watercolour depicting sailing boats on a river with lilies and cottage to background |
15 |
20 |
116 |
An early 20th century watercolour depicting a river scene with bridge and mountains to background, unsigned |
15 |
20 |
117 |
A 19th century handcoloured engraving of ‘The Ship Yard, Newhaven’ |
10 |
20 |
121 |
An early 20th century watercolour landscape of fields, wild flowers and hills to background monogrammed A.S.W. |
15 |
20 |
122 |
A Victorian advertising calendar for T Underwoods, Birmingham dated 1858 |
15 |
20 |
126 |
Two late 19th/early 20th century Indian hand painted silk panels of figures on a horse and camel housed in gilt frames |
20 |
40 |
127 |
A 20th century watercolour depicting figures walking by a church, unsigned and housed in a gilt frame |
10 |
20 |
129 |
A Victorian silk work panel depicting flowers |
15 |
20 |
130 |
An early 20th century watercolour depicting a village church with figures and sheep, indistinctly signed |
10 |
20 |
131 |
Two late 19th/early 20th century handcoloured photographs of a young boy and girl housed in gilt frames |
20 |
30 |
132 |
A 20th century floral woolwork panel |
10 |
20 |
136 |
A pair of early 20th century shooting photos, both with inscription |
10 |
20 |
137 |
R.A.H. Mitchell Esq and football eleven framed photograph dated 1895 with players names to margin and inscription to verso |
50 |
70 |
140 |
A set of six hand coloured prints of mounted Guardsmen, signed, framed and glazed |
20 |
40 |
141 |
A modern photographic hunting print on canvas, unframed |
10 |
20 |
144 |
Beryl Booth, oil on board, primroses and bees |
20 |
30 |
145 |
C M Hawes, oil on board, still life of flowers |
15 |
20 |
146 |
P Wilkins, a watercolour of Bodiam Castle signed and dated ’88 |
10 |
15 |
149 |
‘The Finding of the Sayer in the Temple’, print |
10 |
20 |
150 |
An Indian gouache on hand made paper, framed and glazed |
10 |
15 |
151 |
Graham Evenden, ‘Tea Party Field’ limited edition print 137/200 of a flower meadow with a cottage in the background, signed to lower right |
20 |
40 |
154 |
Graham Evenden, two prints, one limited edition 31/200 ‘Water’s Edge’ together with an artists proof of ‘Muters Ford’, both signed to lower right |
30 |
50 |
156 |
A print after Garman Morris ‘Calm Evening’ depicting sailing and rowing boat on a misty sea |
10 |
20 |
158 |
Graham Evenden. two trial proof prints entitled ‘Cow Parsley’ and ‘Poppies’, both signed to lower right |
20 |
30 |
159 |
Graham Evenden, two trial proof prints, ‘Daisies’ and ‘Buttercups’ both signed to lower right |
20 |
30 |
161 |
A large collection of assorted watercolours, prints and engravings |
20 |
30 |
181 |
A collection of five framed pictures, photographs and certificates, including a French gouache of a female ‘entertainer’ |
15 |
25 |
184 |
A collection of assorted watercolours all painted by Joan Searle including still life studies |
10 |
20 |
190 |
A collection of assorted 19th century and later prints, engravings, limited editions etc |
15 |
20 |
203 |
Assorted 19th century and later engravings, watercolours, prints etc., to include Kent interest (1 box) |
20 |
30 |
269 |
A framed pears print ‘Greetings’ |
10 |
20 |
304 |
A boxed coloured picture of a suspension bridge by Chinese artist Jin Bo Hua, signed to lower right |
15 |
20 |
336 |
Viktoria Samsonora, 20th century, ‘Young Violinist’ oil on board signed to lower right with inscription to verso, together with other oils and picture frames |
20 |
30 |
353 |
After George Morland, ‘The Tea Party’, coloured engraving |
20 |
40 |
361 |
A collection of Alfred Mucha prints |
15 |
25 |
646 |
A collection of assorted 19th century engraving and watercolours |
15 |
20 |
198A |
A group of assorted oils, prints, engravings etc to include Kent interest |
15 |
20 |
226A |
G Drummond Fish, ‘Glendassen’, watercolour of a Scottish mountain river scene, signed lower right, unframed |
20 |
40 |